Erased, by Miha Mazzini (translated by Gregor Timothy Čeh), is a work of fiction based on actual events. On 26 February 1992 the recently formed Republic of Slovenia erased the personal records of 25,671 people it claimed were foreigners who had not successfully applied for citizenship, and should therefore be returned from whence they came. This included many who had been born in what back then was Yugoslavia but in the parts that would emerge as separate, neighbouring countries. Where the people had lived their lives mattered less than their surname, a marker of demonym. It didn’t matter if they had jobs, homes and established families in Slovenia, at a stroke they lost all rights and became illegal immigrants. The move was popular amongst certain Slovenes who wished to ‘cleanse’ the country of all but themselves.
The protagonist of the story is Zala who, although born in Serbia, was raised and then settled as an adult in Slovenia. Her father was Serbian, an officer proud to serve in the army and whose highest compliment to his only child was to call her Son. Zala’s mother was Slovenian. She put up with her husband’s many foibles, taking his side in arguments unless he was elsewhere.
For a decade Zala has not spoken to her father after a final argument made her break all contact. He disapproved of the man she was living with, who Zala eventually evicted from her apartment and her life when she finally saw what he was really like. Alone, she was trying to pull together the pieces of her existence – her job as a nursery school teacher and regular meetings with friends – when she realised she was pregnant.
The book opens on 30th April 1992 when Zala goes into labour and catches a taxi to the hospital. Handing over her ID and health insurance card she starts to fill in the many forms required by the highly bureaucratic system – where workers must follow procedure or lose their jobs – all the while struggling with bleeding and contractions. There is a delay as the nurse cannot find Zala on her computer system but, realising the baby is struggling to be born, admits her to the maternity ward anyway.
After the birth Zala’s problems emerge. She had no knowledge of the erasure of her rights but, classed as a foreigner, owes a great deal of money for her and her baby’s treatments. Not understanding the extent of the issues, she opts to leave the hospital to visit the town hall and sort things out there. She is not permitted to take her newborn with her despite protestations. A baby boy in Slovenia is highly prized. Thinking this matter can be resolved quickly, Zala agrees to leave him temporarily. Really, she has no choice.
What emerges isn’t just the injustice done to the erased but the nepotism at the heart of how Slovenia is governed. Important families have connections and use these to raise each other up and keep lesser beings in check. The usual outlets a citizen might turn to – town halls, the police, the press and other media – are controlled by the state. Zala must find some means to acquire leverage if she is to have her child returned, because those who have more power want him for themselves.
A game of cat and mouse ensues with Zala finding hope in a plan only to have it dashed. She has one card of value, but even that cannot be shown in the hands she plays. As an erased person she has no rights and, if discovered would face deportation – to a country where she has nothing and knows no one, that remains a tinderbox of simmering conflict.
The story was a slow burn, not least because of Zala’s volatility – I pondered if this personality trait might be a cultural thing. Nevertheless, her anger and despair were entirely understandable given that her child had been taken.
Once caught up in unfolding events, tension and pace were raised. The writing flows and I became invested in the eventual outcome, which was brilliantly rendered.
Although it took some time to get into, the story being told proved an important and yet highly satisfying read. All kudos to the author for providing a history lesson and a warning – apt for the times in which we live – within a thriller that has depth and originality.
Erased is published by Fly on the Wall Press.
















