At long last, hitting “The End” on the draft for the new book.
If you’ve ever written a book, you know the many stages of feeling unwell throughout the drafting process, until somehow, miracle of miracles, you find your way to “The End” (this does not apply to “writers” who use AI for any part of the writing process. If that is you, well gosh, there is slop to generate and money to make; go on then, time’s a wastin’!)
Today I found my way to “The End”, and it was more gratifying than I can adequately state.
So, how did I get there?
This book took a long time to write, many times longer than my previous ones. Over two years, in fact. In the past, starting and stopping over long stretches of time has never been what worked for me, when it comes to writing a draft. It’s been more like the death of inspiration for me. That’s why I wrote the draft of my second trad-published book in six weeks with a full-time job (my editor isn’t reading this so I can admit that). Way further back in the past, I wrote the rough draft of my second self-published book in six days over a one-week vacation (I had a screenplay I’d written the year before which loosely inspired the book, but nevertheless…truly unhinged).
That book that I drafted in six weeks was the last time I ever wrote a draft of a book, and that was three and a half years ago. After that, I gave myself a full year before even attempting to start the next book, but the gap didn’t help, as life had already spun into chaos by then, culminating in a tragic loss six months ago, which I wrote about in my previous post.
The holidays were understandably tough, but January was a fresh start, right? Sure, if it was easy enough to snap my fingers and suddenly be done with grieving. Or, if the world didn’t keep one-upping itself with dumpster fires (still going strong!). So, a crumbled mental state and a crumbling world? Not the best circumstances in which to finish writing a book.
Luckily, I didn’t have to be too inspired in January, due to my topsy-turvy writing method for this book, which I also touched upon in my last post (i.e. revising the first 70% of my draft, before writing the final 30%. Very normal and not weird at all).
If was later, when I finished revising, that I hit a wall, timed perfectly with the doldrums of winter. I’m going to be honest here, and say what most writers don’t say: I don’t enjoy writing a draft nearly as much as I enjoy editing it. Sometimes I even hate it, and I believe that is valid and fair, because here’s the thing: you’re asking me to create the clay, and also mold the clay? What kind of bullshit is that?
This is the part where you’d say: “Hey Romi, based on your mindset, you probably have a lot more in common with people who use AI than you think. So, why don’t you just prompt AI with a really good outline, and have it generate a blueprint draft? Then you can enjoy all the editing you love, and make it sound amazing in your personal voice.”
To which I say: “Thanks Chad, that’s a terrible fucking idea.“
Just because I complain about one aspect of the writing process, that doesn’t mean I’m not going to do it and do it well. I’m simply honouring the struggle, because art isn’t supposed to be easy. Because, as all artists know—whatever their medium may be—it isn’t the finished product that makes them an artist, it’s having created said art that does so. It’s each swirling brushstroke that forms the Van Gogh paintings imprinted in our minds, it’s the fifty-seven versions of the recipe that make the perfect dish, it’s the hard-fought words squeezed out of the mind that fill the pages of the book…it’s…always and forever, the battle scars that make it worth it.
When it comes to books specifically, no one’s going to stop anyone from generating a draft from a very detailed outline (See? See?! I used my brain for the outline, I really did! I’m a REAL boy now!), and personalizing the editing to make it their own. Many readers won’t even notice. What I’ll notice though, as the person who attaches my name to it, is that no matter how advanced AI gets, it will never be able to “generate” anything in the same way that a human with a soul can do it, because a human with a soul can, at any given moment, make the person experiencing their art, form a deep connection with it, in any manner of unexpected ways, because the thing that binds us all, is our shared experience of the good, the bad, and the ugly of the human condition. AI can never join that club. AI will never be that girl. There’s also the whole matter of how using AI makes you a willing participant in profiting off of stolen work while contributing to the further destruction of the environment at alarming rates, but again, you can read my previous post for those factual points.
So, what’s next on this writing rollercoaster?
Even though this draft is very developed and I’m feeling great about its prospects, there is still much editing to do. I intend to make that my focus for the next month, with the (slightly) lofty goal of having it ready to submit to literary agents by my birthday.
Oh, right, did I forget to mention that? Indeed, I will soon embark on the whole big journey of trying to find a literary agent vs. only submitting to my current publisher, because I thirst to test the market on this very high concept work (with their blessing).
More on that later…
PS: if you see me in Toronto in the next four weeks, I’ll be looking a lot like this, without the smile. It’s probably best not to approach me in these under-slept, resting-bitch-face times. Thank you in advance.
PPS: When you’re in the throes of drafting madness, it’s always good to try to get outside for a walk to clear your head. I did that on Monday during a fake-spring day, and it was glorious. What is equally important, is to not start editing like an hour after finishing your draft. I started doing that today, but soon realized that was very unhinged. Maybe I’ll start tomorrow.




































































