Tears on the Go

“What would you say about the odd dynamic when someone cries on the subway? For the one crying, it can be very therapeutic, to cry alone yet surrounded by people. But what do you do when you see someone crying? Does it make you feel better about yourself (at least it’s not so bad that I’M crying on the subway)? Do you want to help but fear doing so because it would be intrusive? What is the psychology of the one watching the one who is crying?”

elmtree, comment section, from Jared Keller’s Riding the Subway as Therapy

Recently, I burst into tears on the bus. It was the one year anniversary of Anthony Shadid’s passing in Damascus, Syria. This ebullient, eloquent American-Lebanese journalist succumbed to an asthma attack and his senseless death robbed us of the voice of his generation.

I felt a profound loss.

In my twenties, subways were a refuge for my tears; quiet, unobtrusive, detrimental tears. After losing L., mere days after my twentieth birthday, my subway jaunts were somewhat of a salvation – the anonymity that urban transit provided was liberating, the catalyst to my unwanted tears: they would suffuse and break free.

The only place where I could just be.

Nowadays, I seem to have reclaimed my joy for public transit, though Montreal’s metro system brings out many a frustration and disgust, I am quite euphoric about the train systems of other urban regions I grok so.

As a transit geek, this is an area that captivates me. It needs further exploring – the intoxication that the metropolis has for me. Simmel, my friend, to you I always return.

On Arab Artists in Revolution (on Radio Open Source)

I have been following Arab Artists in Revolution with such ardency and barely contained enthusiasm. In a way, these fragments in cafes, insightful interviews, and raw moments of candour and humanity have connected me more with the Arab world than actual people that have passed through my life.

After a lifetime in exile, it was Elias Khoury, among others, and now my compatriot Gregory (may I call you Koko?) Buchakjian who stirred a piece of my soul. As an Armenian born and raised in Beirut, Greg’s pessimism haunts me, his images recollect the war that I escaped.

Thank you for these moments that mean the world to me.

Ode to L. Cohen

To say that I’m not a concertgoer is an understatement.

Over the years, I have experienced my share of blissful and rockin’ concerts infused with humanity, hilarity, and poignancy (or not), but they have been few and far in between. As an introvert, the idea of being in a crowd for a sustained length of time isn’t pleasing, specially if I’m standing.

On Thursday evening, I caught Leonard Cohen’s show which was life affirming, haunting, and fucking amazing in every sense of the word. My tickets were expensive and we had a decent view, though the uncomfortable seats were something to gripe about. It was my birthday present to my boyfriend and me – for our respective birthdays this year.

I ditched my last Honours seminar meet early to make it – my advisor treated us to a round of drinks and I rushed out in to the night.

Since early adolescence, Leonard Cohen’s music and poetry have been staples of my emotional upbringing. I may not have grown up in the Montreal of his youth, but my heart beats for his soulful incantations.

At 78, he rocked his kind and humble heart out for over three hours and some change.

I won’t be forgetting such a night of wonder for some time to come.

Longing for Thomas Moran

I have been yearning for a new Thomas Moran book since 2003. Well, I would be glad to have any news from or about him. It feels like he just dropped off the face of the earth and I worry about my most beloved contemporary American writer. Though I finally have contact info, I am too shy to write to him.

You see, I don’t write fan letters. The closest I have come to it was to write to Canada’s former Foreign Minister, the Hon. Lloyd Axworthy.

It is a funny story that because I also had the pleasure of having to write to him in a professional context back when I used to work for a bank. I will confess that when the client’s name caught my attention, I chose his letter from the pile of correspondence waiting to be answered.

Now that I am sworn to be nonpartisan, I don’t discuss politics, but I will say that when I wrote to him, he had retired from politics, but my quiet admiration was nonetheless quite marked.

So, I am longing for news from Thomas Moran.

As I patiently await his knock on the door, I sit here and weave tales about the tales that he used to weave so beautifully. Indeed, The Blue Nile and Thomas Feiner & Anywhen serenade me while I wait and wait and wait. It is painfully appropriate because these haunting musicians that I cherish are so evocative of Moran’s universe of flawed and ethereal characters that I do not know when one begins and the other ends anymore.

Thanks to the rockin’ yesnohuh for bringing Thomas Feiner to my life (and half of my music collection, for that matter.)