Archive for January 2011

EDSA and Convers(at)ions

January 18, 2011

This is the fourth of my planned 25 blogs for the 25th anniversary of EDSA 1986.

One way we describe the forthcoming art exhibit about EDSA is that is is a “conversation.”

A conversation about different remembrances and reflections about EDSA. Iba’t ibang paggunita. Also a conversation of different art forms and themes, and sensibilities.

EDSA represents a space and a spirit that acknowledges pluralism, and accepts that there are legitimate differences even among those of us who may be united in our commitment to common goals and purposes.

That is not easy, and especially during the years of repression and resistance. I used to tell friends that during our years in the underground, we felt that we could be killed anytime, or at least arrested. That sense, together with the intensity of our convictions, led to wanting “every conversation to end in a conversion.”

The parenthesis in convers(at)ion tries to capture this.

Ironically, something similar operated in the ranks of the military, especially the intelligence community. One day in Camp Bago Bantay, after the commanding officer wound up our conversation, he said, “When I get back to the office, my staff will ask if I have managed to convince you.” He added that if he told the truth, that he didn’t convince me, then his staff would conclude, without telling him outright, that it must have been I who succeeded in convincing him.

“For us,” he said, “every conversation is a form of combat.”

I smiled then, and said that a conversation can simply end with each one of us holding on to our original views, plus getting some insight into an opposite view.

And yet, even now, that is not easy to accept, especially among those who hold deep convictions. The martyred Caloy Tayag, who studied to be a Benedictine monk, used to say that we Christians in the revolutionary movement have to “combine the Catholic principle and the Protestant principle.”

For him the Catholic principle is represented by the belief that “this is the right road, and no other.” But the strength of that commitment and certainty is accompanied by the weakness of intolerance, or at least impatience, at those who fail to be persuaded or convinced. The extreme form is excommunication, which in certain times led to execution.

The Protestant principle is more liberal, believing that “the Spirit blows where it wills.” But there are limits to this ecumenical tolerance. During a visit to Geneva, I observed casually that “it is easy to be liberal and tolerant when we think that little is at stake.” But it’s more difficult when we hold “passionate convictions” about what we consider significant.

The spirit of EDSA is not about diluting our commitments and convictions for the sake of “living together in diversity” which is one of the four pillars of learning for the 21st century in the Delors report. The spirit of democratic dialogue is based on the truth that no one has a monopoly of the truth, much less of commitment.

Peter Senge proposes a distinction between  “dialogue” and “discussion” which he says sounds like percussion, or the attitude that we debate in order to defeat or even browbeat the other. Dialogue (dia-logos in Greek) on the other hand is “thinking through together” to find a way forward.

EDSA and a Premature Baby

January 15, 2011

As a way to commemorate the 25th anniversary of EDSA 1986, I commit myself to write 25 blog posts about it. This is the third post, which  I am writing in Siem Reap where I am attending a meeting for the weekend.

Immediately after my release from prison in 1986, I was often asked to share my reflections about what happened, and how I appreciated what happened.

Of course I was personally quite positive about EDSA, since I got released from prison with fellow political prisoners much earlier than we had expected. But as activists of the national democratic movement, we also knew that the “restoration of democracy” was not quite the democracy that we had struggled for.

In fact, many activists could not relate to the popular euphoria about EDSA and its aftermath.

It was not just a matter of the “left” being marginalized in the run up to the snap elections (partly through its own fault). They were also reacting to deliberate efforts by many of the hegemonic “yellows” to exclude the “reds” from claiming their fair share of credit for putting an end to an authoritarian regime.

For my part, I did not hesitate to express my appreciation for what EDSA represented. But how to do it in a way that acknowledged its limitations?

I don’t really recall from where I drew the image that helped capture the feelings that EDSA evoked among us – a premature baby.

The democracy that EDSA ushered in was like a premature baby. It came sooner than we expected. It was smaller than what we wanted.

But it was a baby, our baby. We should celebrate its coming, and take care that it survives and develops fully.

So who are the parents of this premature baby?

The most uncontested parent is “people power” symbolized by the millions on the streets. Cory Aquino is another universally acknowledged parent.

But there were many other claimants, proof of the saying that “success has a thousand parents.”

Some church leaders were quick to claim their share of credit. A few even did it at the expense of people power, since they sought to attribute what happened to “prayer power.” Other claimants were the military and government leaders whose foiled attempt at a coup and appeal for protection triggered the outpouring of popular protest that filled EDSA.

I didn’t find much problem in conceding the right of the various parental claimants. Unlike a biological baby, a political baby is the product of multiple and diverse parenthood.

The problem that worried me was the refusal (or inability?) of many in the revolutionary movement  to claim our share of parenthood. Those who could not and did not identify with the premature baby tended to emphasize its limitations, and didn’t feel responsible to help it survive and develop.

And yet, people power is not limited to those who came together in EDSA. To switch metaphors, while the crest of the waves of protest was dominantly yellow, the deeper currents were colored red, representing both the blood of martyrs and their partisanship for the poor.

In fact, people power has more colors than yellow and red. People power should include all the colors of the rainbow.

Some years later, on August 20, 1990, Girlie gave birth to our daughter Ayen, who had to be placed in an incubator because she was two weeks premature. To announce the happy news to friends, we chose the language about EDSA: She came sooner than we expected. She is slightly smaller than we wanted. But we are happy that she has come. She is our baby. We love her and we will take care of her.

Images of EDSA 1986

January 14, 2011

My second post about the art exhibit at the Sining Kamalig gallery from February 8 to March 3: EDSA. Ano Ngayon?

Last January 10, after the meeting of the organizing group for the exhibit, Sandra Torrijos who is also one of the participating artists said, “I will paint a new piece for the exhibit. I think it will be about Mary, since she had a prominent place in EDSA, and I relate to her as a woman.”

I thought it is a good idea, and told her so. There were many statues of Mary in EDSA, big and small. My recollection is that they were mainly statues of the Lady of Fatima. When General Ramos addressed the crowd, I remember him holding a statue of Mary, but I am not sure about my memory. Perhaps someone else was holding the statue near him.

Since Ramos is Protestant, I thought to myself: “Was his gesture an act of ecumenism? Or was it a calculated political act that acknowledged the power of religious imagery?”

Another prominent religious image was that of the Santo Nino. I think the Sto. Nino images outnumbered those of Mary. More people in EDSA identified with the Sto. Nino and Mary. The subliminal message was Mary protecting her baby child, symbol of the people who needed protection.

Reflecting on this, I wished that someone had also decided to bring the Black Nazarene from Quiapo, or at least a replica, as they do nowadays before january 9.

As someone identified with the Philippine version of the theology of liberation, which we prefer to call “theology of struggle,” I prefer the image of the Black Nazarene. It is the image of a mature Christ, carrying the cross, his knees slightly buckling under its weight. I joked that one could imagine the cross being aimed like a bazooka at the tanks, warning them, “Don’t harm my people, or else…”

Other powerful images at EDSA were those of the tanks being pushed back with bare hands, and flowers being offered to soldiers. There is the often printed photo of a group of nuns praying the rosary in front of the crowd confronting the armored personnel carriers.

During our brainstorm about art forms for the exhibit, someone who was part of the NPAA ’71 (Nagkakaisang Progresibong Artista at Arkitekto) said we should include some barbed wire. I felt that was too predictable, almost a cliche. Of course one of the images at EDSA, after the siege of Malacanang, was of barbed wire wound into a circle, with a yellow ribbon tied to it.

I shared with them one of the images we used to paint in prison, of barbed wire wrapped around a burning candle. Only later did we find out that it is similar to the symbol of Amnesty International. The quotation we used for the image was adapted from Victor Frankl: “Those who would give light, must endure burning.”

I wondered aloud, if someone could bend and twist barbed wire to form a large ball-shape, with a hollowed space on top to serve as candle holder. We played around with the idea for a while. Someone added that we should make a number of smaller versions that we could place on the floor, and light the candles as part of the opening rituals.

Today, Simoun sent a text that he has found someone who will execute the idea. “He is the son of an activist. His father says you were the officiating priest at this marriage, but you knew him then under another name.” I wonder who he is, and look forward to meeting him at the opening of the exhibit.

 

EDSA. Ano Ngayon?

January 14, 2011

It started as a casual conversation.

I told Simoun Balboa, who manages Sining Kamalig on the 4th floor of Gateway in Cubao: “2011 is the 25th anniversary of EDSA. It would be nice to do something. Perhaps an art exhibit?”

In 1984, the old Sining Kamalig in Manila was the venue for an art exhibit of paintings by political prisoners. Simoun was then still too young to remember. But he picked up the idea, looked at the calendar, and got back to me sometime later: “I have reserved February 7 to March 3 for an exhibit.”

At our first meeting in the new Sining Kamalig, he asked me to kick off the conversation with some artists and a curator. I said that whatever the debates may be about the full significance of EDSA 1986, we can all agree that it expanded the “democratic space” compared to the martial law years of repression.

This democratic space allowed many competing views and projects. So one key idea for an art exhibit is for it to offer space for different points of view. We played around with that concept, and eventually settled for the tag line “iba’t ibang paggunita sa EDSA.

The diversity of remembrances refers not only to judgements about what happened, then, and since then. Diversity should also apply to art forms. We expected a lot of paintings, in different media. But there should be some sculpture, And installation art. Hopefully even performance art. And music.

Diversity is fine. But shouldn’t we have some principle of selection and exclusion? One idea we agreed on is this: Whatever the political views and art forms, they should be open and willing to be “in conversation” with one another. No excommunication. No attitude of excluding or ignoring.

What name should we use to describe the exhibit, to capture the idea of diversity, ranging from celebratory to critical?

It took a bit of brainstorming, but we finally arrived at this: EDSA. Ano Ngayon?

This is the start of a series of short notes about the exhibit. Please feel free to comment, and write your own notes. It is a work in progress.


 

Ganito Tayo Noon: Part 2

January 11, 2011

As promised, here are additional reminiscences about last Saturday’s “Ganito Tayo Noon” reunion at ALPADI.

Before lunch was served, our gracious host, Alex Padilla was asked to give an opening speech. After welcoming us again to our third reunion, he added: “Do you want me to talk about the peace talks?”

Of course we did.

He acknowledged that there is a lot of skepticism about the new peace talks between the Philippine government and the National Democratic Front. He himself did not think that the initial invitation to head the government negotiating panel was a serious offer. But when it was offered again, he decided that it was worth a serious try.

Did he think there is a realistic chance for the peace talks? His starting point is a frank assessment, which he told both the NDF and the government, especially the military: The government cannot defeat the NDF militarily. Neither can the NDF defeat the government militarily.

So why not explore other peaceful ways to resolve the armed conflict?

Alex’s refreshingly candid comments reminded me of my favorite framework “Between Honesty and Hope.” He is quite aware of the constraints and obstacles, but is determined to push the peace process forward. But he is also open to the possibility that in the end, either one or both parties may refuse to pursue a viable peace agreement.

Even if that finally happens, he hopes that he would have helped achieve something, though he left that “something” undefined.

His point about wanting to achieve “something” reminded me of the statement about the Third Estate during the French revolution, which can apply to the peace process:

What do we want the peace talks to achieve? Everything.

What have the peace talks achieved so far? Nothing.

What does he hope to help the peace talks achieve? Something.

Everyone paid intent attention to Alex’s talk. I could feel a sense of wanting to hope, but tempered by past failures of the peace process, and continuing skepticism about the readiness of government and NDF.

We were pulled back abruptly from a more serious to a much lighter mood by the self-designated heckler (alaskador) of the day. Who else but Arno Sanidad? “Is anyone willing to take a bet?” he said, “I bet that nothing will come out of the peace talks!”

That was met by howls of protest and laughter, but no one took up his offer. Alex gamely responded: “It’s a good thing Pablito doesn’t listen to him!” Pablito is Arno’s elder brother, and is part of the government negotiating panel.

The thoughtful talk and good-natured heckling about peace reflect a significant part of our shared identity.

The overwhelming majority of those of us at the reunion were activists of the national democratic movement. At various times of our life, we accepted the strategy of a protracted people’s war to take political power and build a national democratic society. Martial law and repression reinforced our shared belief and commitment to that path.

Then came EDSA 1986, and our internal debates about appropriate strategy and tactics spilled out into the arena of open politics. Later organizational splits and often bitter polemics dissipated activist energies and strained relationships, even to the point of mutual excommunication.

The spirit of “Ganito Tayo Noon” is to look back to when we were together, and our shared pride about our commitment to the struggle in the service of the people. There are no regrets about “the way we were.” But we accept that we have all moved on, and have pursued different paths of life and service.

Kierkegaard’s words resonate with us: “Life can only be understood backwards, but it must be lived forwards.”

This coming February, we will be commemorating the 25th year of EDSA 1986. It seems so long ago! At the reunion, I invited the participants to an art exhibit we plan to hold at the Sining Kamalig, on the 4th floor of Gateway in Cubao, from February 8 to March 3.

In the spirit of EDSA, the art exhibit is designed to be a “democratic space” for different art forms. There will be paintings by former prisoners and activists during the martial law years, as well as contemporary artists. There will also be installation art and performance art, including special Kapihan conversations.

By then, Alex Padilla will have led the government panel in the first round of talks with the NDF in Oslo, Norway. Perhaps we can invite him to one of the Kapihans.

Participants at our reunion should find it easy to relate to the theme of the exhibit:

EDSA. Ano Ngayon?

Ganito Tayo Noon (The Way We Were)

January 9, 2011

Yesterday, over a hundred activists from martial law years gathered at the ALPADI compound in Antipolo for our third annual “Ganito Tayo Noon…” reunion.

Thanks to Alex Arellano for being the first photographer to post on Facebook the 200 snapshots he took during yesterday’s five hours of fun, food and friendship. Even some fund raising.

The idea of this reunion was hatched in 2008 by Arno Sanidad, who observed that many activists of the martial law years had no chance to meet, except at wakes and funerals of former comrades. Why not have a happier occasion to meet for catching up on our lives?

His proposal was taken up by Darwin and Monette Flores and a volunteer steering committee. Alex Padilla offered the ALPADI compound for the first reunion in December 2008.

Yesterday we “reaffirmed” our commitment to make this an annual gathering at the ALPADI compound, on the first Saturday of January. Next year, that’s January 7, 2012 for those of you who want to plan your lives one year ahead.

Girlie and I have been fortunate to attend all three “Ganito Tayo Noon” reunions, and have always been energized both by the experience, and by our remembrance of the experience.

Our “Martin and Pops” emcees, Susan Tagle and Joel Saracho, asked me to give a brief background to those who were attending for the first time, like Edna Aquino, Analyn de Luna, and Milabel Cristobal, who have been working outside the Philippines.

I quoted from an author I don’t recall: “We have two selves: The experiencing self, and the remembering self.” And our lives tend to be more influenced by our remembering self.

Paraphrasing Gabriel Garcia Marquez, what matters is not so much what has happened to us, but what we do with what has happened to us.

What we choose to remember, and how we choose to remember. I should have added, “and with whom we choose to remember.”

For that is what yesterday was all about.

Sikolohiyang Pilipino observes that we Filipinos tend to communicate even serious stuff (especially serious stuff) first through jokes, biro. It’s our way of reassuring each other that we do not question each other’s pagkatao, and that we accept each other as kapwa, even if we may have differences with each other and questions about each other.

That’s the serious side of our laughter yesterday. Given the twists and turns of the collective history of the Philippine left, the unspoken second part of “Ganito Tayo Noon” is the question “Ano Na Tayo Ngayon?

The answers can make for awkward conversation, if pursued with the “grim and determined” part of our tradition.

Hence the agreement by the steering committee that the day is without any over-all “agenda,” no matter how worthy. The reunion is simply a “democratic space” where participants can engage in all sorts of paired and small group conversations, including whatever agenda they may agree to discuss and pursue.

The spirit of biro started at the trellis entrance to the lawn. New arrivals were asked to pose for the “official” photographer (who else but Arno). They were asked to express their contemporary version of the clenched fist. A few stuck to the “classical” version. Others improvised. One had the clenched fist under the chin, a la Rodin’s “The Thinker.” Another had a fashionista gay salute. Bong Mendoza even asked for a “Take Two” after fetching an intifada scarf from his car trunk.

The good natured heckling, often led by Arno (again!) dwelt for a while on Etta Rosales, CHR chair, who came with her arm on a sling. Arno’s explanation was that Etta was talking on her phone while walking, and was so focused on delivering her usual “nat sit” that she stumbled.

Joel Saracho then took on Liza Dacanay who had arranged for the vegetarian menu, side by side with the menu for omnivores. Her well-taken point is that vegetarians should not be marginalized, but mainstreamed. So, when Joel announced that lunch was served, he said that there were two tables and queues – one for “pagkain ng tao,” and another  for “pagkain ng kambing.

Of course, in line with our activist tradition, most us us took something from both tables. For lunch, I tasted both vegetarian salmon and crispy balat ng lechon, with organic brown rice. For merienda there was kakanin and sliced sweet potato and nilagang saging.

Joel is also responsible for a biro, repeated from a Facebook post, that one project we should consider together is a home for the aged, sponsored by the “Revolutionary Geriatric Society.”

Quite a few of us do carry senior citizens’ cards, though they did not apply to the 400 peso registration fee, or the souvenir  T-Shirts and bags for sale.

The collective energy level was at its highest after lunch, and not just because of the good food and lively conversations. It was picture-taking time, and another round of heckling and revelations.

Gathering all participants for a group photo was quite a chore, accompanied by mock-commentaries: “For a group of organizers, we are difficult to organize. No wonder we couldn’t mount a successful revolution!” But no one hesitated to join, since we all proudly acknowledge that we were all part of the revolutionary movement, aboveground or underground.

The hesitation and the heckling happened when it was time for smaller special group photos. Some categories were easy to assemble, like those who were part of the Nationalist Alliance and the JAJA, both of which used to hold meetings at the same ALPADI compound. The same for the youth and student movement, the trade union movement, and the church sector.

It was still easy to gather “All those who have been political detainees.” And many even took a militant pose in the spirit of “All those who were part of cultural work!” But it took a bit of time to gather “All women who have taken part in the armed struggle.” Four bravely posed in response to Arno’s challenge “Those who identify themselves with the RA.”

But there was no way to have a group photo of “All who have received disciplinary action e.g. for insubordination, sexual opportunism, and other violations!” And even more impossible to get anyone to pose for a group photo of “All those who were responsible for imposing disciplinary action!”

After the self-designated hecklers ran out of categories for special group photos, we stood silently to remember those activists who have died, especially those who died in 2010. We listened to brief tributes to those whose names were written at the back of our reunion tarpaulin. The few I can recall are Leonardo Co, Oca Francisco, Luisito dela Cruz, Maricel…

From remembering the dead, we were asked to think of the living, especially those ageing activists who have health problems and who need help. That was when the idea of starting a fund to cover the required 10-year Philhealth payments for them to qualify for coverage. The proposal was welcome, and in line with or activist tradition, Jorge Baviera immediately went around with a souvenir bag for our starting contribution.

There is more to tell of what I remember from yesterday.

Tomorrow.


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