25 Many Are Scrolled But Few Are Pixeled

Posted on September 23, 2025 by Mike Glyer

(1) YOU ASKED FOR IT. Cora Buhlert’s Heicon ’70 report linked here a few days ago roused curiosity about what that year’s Hugo base looked like, allegedly made with scraps from a barn door. There didn’t seem to be a photo of it. The Hugo Awards site photo is of Kelly Freas’ award, with the replacement base he made himself. We got a partial look in a b&w photo shared by Andrew Porter. But now File 770 has been gifted with a good color photo taken by Tim Kirk at the request of Rich Lynch. Thanks to all! And here it is.

Tim Kirk’s 1970 Hugo Award. Photo by Tim Kirk.

(2) ANTHROPIC SETTLEMENT NEWS. “Attorneys File Reply to Questions Raised in Anthropic Settlement” – Publishers Weekly has an overview.

…As laid out in the new filing by the attorneys, and explained in a note to members of the Association of American Publishers by CEO Maria Pallante, the revised settlement proposes “default (non-mandatory) recovery allocations for claimants of trade and university press books, with authors and publishers splitting the per-work award equally in half (with co-authors and co-publishers splitting the author or publisher share of the award equally amongst themselves), with an option to vary from those divisions based on a particular contract.”

For education titles, the proposal “does not provide a default percentage for this sector but instead requires the claimant to make a good-faith representation regarding the percentage of recovery that the claimant is entitled to receive for a given work relative to other potential claimants of the work.”…

…The amended filing also lays out an ambitious publicity campaign to alert anyone who may be party to the lawsuit. According to the filing, the legal administrator involved in the case, JND, will spend about $15 million in an effort to reach potential claimants using tactics ranging from direct notice sent via first class mail, social media outreach, and publication in consumer and trade publications (including PW), as well as outreach by several well-established membership organizations to their members in both the U. S. and other countries.

The filing further notes that the administrator has addresses for about 279,000 works that had been filed with the U.S. Copyright Office, a figure that represents approximately 58% of total identified works, which would put the number of works eligible for a recovery at about 482,000. The number of works involved that had not been filed with the Copyright Office remains a sore spot among authors, agents, and publishers.

Not-for-profit author organizations that signed a declaration supporting the agreement include Novelists, Inc., Romance Writers of America, Science Fiction and Fantasy Writers of America, Sisters in Crime, and the Authors Guild. According to the press release issued by the plaintiffs, the groups back the plan because it provides “a simplified, one-step process allowing individual authors to file their own claims and the availability of a non-mandatory default 50/50 split, rooted in industry norms and practices reflected in most trade and university authors’ contracts.”

Representatives also provided comments from all three authors named in the lawsuit, including Andrea Bartz. “I strongly support this settlement and, in the coming months, I’m committed to helping class members, including my fellow authors, understand the settlement and why it’s such a critical step for those of us who believe that Anthropic violated our copyrights” Bartz said….

(3) I’M FOREVER BLOWING BUBBLES. “There isn’t an AI bubble – there are three” says Fast Company.

When even Sam Altman thinks there is an AI bubble, then there most likely is an AI bubble. But it’s even worse than that. There isn’t just one AI bubble: there are three.

First, AI is almost certainly in what economists call an asset bubble or a speculative bubble. As the name suggests, this is when asset prices soar well above their fundamental value. A classic example of this kind of bubble is the Dutch “tulip mania” of the 17^th century, when speculators drove up the price of tulip bulbs to astronomical heights, convinced that there would always be someone willing to pay more than they had.

As I write, Nvidia is trading at 50 times earnings, Tesla at an astounding 200 times, despite falling revenues, while the rest of the Magnificent 7 (Google, Amazon, Apple, Microsoft, and Meta) are enjoying significant boosts thanks to the bets they are taking on an AI-led future. The chances of this not being a bubble are between slim and none—and while Slim hasn’t quite left town, he’s booked his ticket and is packing his bags.

Second, AI is also arguably in what we might call an infrastructure bubble, with huge amounts being invested in infrastructure without any certainty that it will be used at full capacity in the future. This happened multiple times in the later 1800s, as railroad investors built thousands of miles of unneeded track to serve future demand that never materialized. More recently, it happened in the late ’90s with the rollout of huge amount of fiber optic cable in anticipation of internet traffic demand that didn’t turn up until decades later.

Companies are pouring billions into GPUs, power systems, and cooling infrastructure, betting that demand will eventually justify the capacity. McKinsey analysts talk of a $7 trillion “race to scale data centers” for AI, and just eight projects in 2025 already represent commitments of over $1 trillion in AI infrastructure investment. Will this be like the railroad booms and busts of the late 1800s? It is impossible to say with any kind of certainty, but it is not unreasonable to think so.

Third, AI is certainly in a hype bubble, which is where the promise claimed for a new technology exceeds reality, and the discussion around that technology becomes increasingly detached from likely future outcomes. Remember the hype around NFTs? That was a classic hype bubble. And AI has been in a similar moment for a while. All kinds of media—social, print, and web—are filled with AI-related content, while AI boosterism has been the mood music of the corporate world for the last few years. Meanwhile, a recent MIT study reported that 95% of AI pilot projects fail to generate any returns at all….

(4) BUD PLANT Q&A. “Bud Plant is calling it a day: A conversation with the comics retail pioneer” at The Comics Journal.

…And almost as soon as it started, it was over: in 1988, facing mounting debts of his own, Plant cashed out of the distribution business, selling everything off to Steve Geppi and Diamond Distributors, then in the process of assembling a very deliberate national empire of their own (of Geppi and Diamond’s own fate, we need only say sic transit gloria). Plant decided to return to his roots, putting out the curated and artfully designed mail order catalog that has continued to bear his name for the past four decades.

So when Plant casually announced, in the pages of that same catalog this past June that he was “retiring — sort of — in 2026,” it came … not as a surprise, exactly, since there are more surprising things on this earth than a 73-year-old man managing to successfully retire. But certainly as a melancholy, if inevitable, bit of news. So…Bud Plant is calling it a day….

…On a sultry holiday weekend in July, Plant spoke with me from his home in San Jose about the long story of his time in comics. …

You’ve had all of these other shops and company names that existed under you, but it’s always been sort of the Bud Plant brand that’s hovered above it.

That is true. Comics & Comix was the first major set of stores I was involved with. That was a partnership. In fact, Comics & Comix started out with some silly names. We were imitating what Phil Seuling had done. He called [his convention] the New York Comic Art Convention, and we said, “‘Comic art’, that’s really cool.” So we [opened] the Berkeley Comic Art Shop and the San Francisco Comic Art Shop and the Palo Alto Comic Art Shop. Really stupid — you want to brand a number of stores with the same exact name. But fortunately, we got smart fairly early. Bobby London had done a logo for us that read, “Comics & Comix” with the X and the C on our Berkeley shop, and we said, “Duh, let’s just call ourselves Comics & Comix.”

And that was a reference to the two halves of the industry by that point: the underground ‘comix’ with an X, and the overground “comics” with a C.

Absolutely. The shop in Berkeley was four blocks down from the entrance to the University of California, Berkeley. It had at the time 30,000 kids or something going there. And so that was the place to sell Zap Comix and the whole nine yards. We were the hip shop at the right time and the right place….

Had you connected through fanzines? Is that how you all met in the first place?

Yes. I’d say overall, that’s probably true. My story, which I’ve told a bunch of times, is that a guy accosted me outside of a used bookstore that sold comics. He saw I was interested in comics and he says, “Hey, I got some buddies and we’re into comics. Are you into comics?” And boom, that was my opening to latch onto these guys. Before that, it was just me and a couple of guys in my high school that happened to be interested in comics. We were, at that time, avid Marvel fans, but we didn’t know anything about fandom at that point in time. That was actually a little bit after all the promotion of [Jerry Bails and Roy Thomas’ seminal fanzine] Alter Ego, and the fanzines in the very early days, in the back pages of DC comics, for instance. I hadn’t seen that, but once I met this guy and went over to John Barrett’s house and they said, “Here’s the Rocket’s Blast [another early fanzine, founded by Buddy Saunders]; you can buy old comics.” These guys had advertised stuff and boom, oh my God, a world suddenly blossomed….

How had you gotten into your own fanzine publishing with Promethean and Anomaly?

Well, somehow the three of us, Al Davoren, and Jim Vadeboncoeur, and myself came together and said, let’s do a fanzine. Jim and I had more interest and roots in the more conventional comic scene as far as Al Williamson, and Frank Frazetta, and all that. And then Al was more into the underground scene, which we were all very aware of. But Al was the guy who would get Crumb to do us a cover. Crumb is going to barely going to talk to me; I’m just some punk little kid.

But the three of us got together, and I don’t know why we suddenly said we wanted to do a fanzine, because everybody and their brother was doing fanzines then. That was just a way of getting a creative bent going and sharing with your friends. That was in the sixties, it was all about doing fanzines and selling them to people for 50 cents or 75 cents or a dollar.

But you actually had what I think is the first published interview with Robert Crumb, right?

That is correct. That is the story, which is hard to believe. I mean, even fucking Rolling Stone should have come along and done an interview with him by 1974, but they hadn’t. So yeah, Al did the first interview we had that was in Promethean #5….

(5) MAXIMUM BOND. ScreenRant’s Todd Gilchrist says, “This Is The Greatest James Bond Movie Of All Time – Prove Me Wrong”. He makes a great case. But what do you think?

…First played by Sean Connery, the character was formalized for moviegoers over his first five installments: a suave, calculating, cold-blooded killer with a tireless repertoire of special skills, from games of chance to international diplomacy, who always gets the girl (and, usually, a few of them). Following the maximalist (and by today’s standards especially, in many ways problematic) You Only Live Twice, Connery departed the franchise. Enter On Her Majesty’s Secret Service.

Arriving at a time of tremendous cultural upheaval, OHMSS set itself apart from its predecessors in the very first scene: There’s no main title song, and Bond doesn’t get the girl. Australian model-turned-actor George Lazenby, stepping in to replace Connery, cheekily observes, “This never happened to the other fellow.” Yet soon enough, Bond meets the young woman again: her name is Contessa Teresa “Tracy” di Vicenzo (Diana Rigg), and she’s the daughter of Marc-Ange Draco (Gabriele Ferzetti), the head of a European crime syndicate.

In Bond’s relentless pursuit of the international crime organization SPECTRE and its leader, Ernst Stavro Blofeld (Telly Savalas), Bond quits MI6 and forms an alliance with Draco, who offers to provide tactical information in exchange for courting Tracy, who her father suggests needs a man to dominate her. Consequently, Bond brokers a partnership with the exact kind of individual he’d previously pledged to put away, and initiates a deeper relationship with a woman than he’d had in any of the earlier films. What subsequently occurs is that Bond gets out of his depths both emotionally and as an operative: the former when he falls completely in love with Tracy, and the latter when Blofeld uncovers his true identity and sends his minions to snuff the superspy out permanently.

The film further explores this in a dynamic, escalating action sequence when Bond, pursued by SPECTRE henchmen, is surrounded in a foreign environment with seemingly no place to turn and no confederates to rely upon. For the first time ever on screen (and really, one of the few ever in the franchise), we see Bond is worried. And then he’s subsequently rescued by Tracy in a combination of spectacular happenstance and some extremely skillful driving on her part…

… But Lazenby’s entry not only delivers great set pieces and a great story, but establishes the building blocks that would become a foundation for James Bond as we know and relate to him today. There’s a reason Steven Soderbergh calls it the best Bond movie, and that Christopher Nolan stole liberally (and affectionately) from it for the climax of Inception. As noted in the film on his family crest, Bond’s motto is “The World Is Not Enough,” but more than any other film about the character, On Her Majesty’s Secret Service was the one to show audiences exactly how big a world Bond’s truly is.

(6) PIONEERING COLLECTION. A Deep Look by Dave Hook picks up “’6 Great Short Novels of Science Fiction’, Groff Conklin editor, 1954 Dell”. [NOTE: This link is now returning a message that the domain is unavailable. I have sent a query to Mr. Hook.]

… This is a great Introduction by Conklin, starting with his first experience of reading science fiction when an uncle gave him The Time Machine by H. G. Wells, noting that it was shorter than many other novels he had read. This is true; it was published in serial form and as a book, but today we would call it a novella. He goes on to talk about why the novelette or short novel is a great length for SF. He makes the point that editors cannot fit many stories of those lengths into anthologies or collections, meaning that many great stories have not been reprinted….

… Conklin does claim it’s the first anthology of novella/short novel length science fiction. As noted above, I think this is true….

(7) ICE RIPS OFF POKÉMON. “Nintendo Alerted After DHS Uses Pokémon to Promote ICE Raids” reports The Daily Beast.

The Department of Homeland Security has sparked a Pokémon backlash after using the kids’ game to promote ICE deportation raids.

The DHS social media team posted a video to X on Monday of dramatic immigration raids—including one that was bungled yet still posted online by Homeland Security Secretary Kristi Noem—spliced with animé imagery from the popular Japanese cartoon and collectibles game, which is part owned by Nintendo.

Set to the official Pokémon theme tune, it was a clear imitation of the show’s opening sequence.

DHS also shared five mocked-up Pokémon “cards” featuring some of the men the department has arrested and deported, which it describes as the “worst of the worst,” with their alleged crimes—including child molestation and homicide—emblazoned across them.

The post was captioned “Gotta Catch ’Em All.”

All the cards listed the men’s “weaknesses” as the “ice” emoji, and said their “retreat” was an airplane, in another riff on the Pokémon card game….

Gotta Catch ‘Em All. pic.twitter.com/qCvflkJGmB
— Homeland Security (@DHSgov) September 22, 2025

Border Patrol’s newest recruit. pic.twitter.com/KjGhBdsq7X
— CBP (@CBP) September 23, 2025

(8) CITY LIFE. CrimeReads samples crime fiction set in a locale well-known to Worldcon fans: “Crime and the City: Chengdu”.

Chengdu, the capital city of western China’s Chengdu province with a whopping population of twenty-one million people (at least). Though only China’s fourth most populous city it’s the transport hub of Sichuan, surrounded by agriculture (all those Sichuan hot peppers for the local dish of super spicy hotpot), forests (with all those pandas) and a major centre of China’s universities.

Many of those universities are specialists in science and, relatedly, Chengdu has become a city known for its literature—but overwhelmingly the sci-fi genre. In fact in 2023 The 81st World Science Fiction Convention was held at the Chengdu Science Fiction Museum—the first time China had hosted the event, the largest sci-fi event globally.

But there’s also room for a little crime writing too—but with the caveats you’ll have noted from our other Crime and the City columns on China (Shanghai and Beijing) that the genre is heavily censored with no bent cops, corrupt officials or anyone ever getting away with it. The general media silence around major crime and supposed ninety-nine percent conviction rate also mean that true crime as a genre has been largely absent. Still…there are a few bangers….

And primary among them is Murong Xuecun, the pen name of the Chinese writer Hao Qun. In his twenties Murong was working as a sales manager in the car industry when he started posting his first novel Chengdu Please Forget Me Tonight on the internet.

In 2002 it became a cult hit amongst young urban Chinese looking for edgier writing after the era of the so-called “hooligan” literature writers, epitomized by Wang Shuo (see “Crime and the City: Beijing”) and writing in a language familiar to young urbanites about themes of soulless and empty city living. The Party natutrally thought this all too nihilist and supressed many of these books. But Murong attracted around five million online readers….

(9) TODAY’S BIRTHDAY.

[Written by Mike Glyer.]

September 23, 1971 — Rebecca Roanhorse, 54.

Rebecca Roanhorse entered the field with a roar, winning both the Hugo and Nebula with her first published sff story “ Welcome to Your Authentic Indian Experience™” (Apex Aug 2017), and taking home the 2018 Astounding Award for best new writer.

She’s best known for being what Science Fiction Encyclopedia’s John Clute describes as “an advocate of the concept of Indigenous Futurism”, exemplified by her novels Trail of Lightning and Black Sun (both Hugo and Nebula finalists; the latter an Ignyte winner), and Storm of Locusts, and her short story “A Brief Lesson in Native American Astronomy” (also an Ignyte-winner).

Her novels Black Sun, Fevered Star, and Mirrored Heavens are part of the Between Earth and Sky series, winner of the 2025 Best Series Hugo.

She has created two novels in the Star Wars universe, Resistance Reborn (2019) and Dark Vengeance (2020).

Roanhorse also has written for comics and TV. She contributed a story about Echo to Marvel’s Voices: Indigenous Voices #1 comics anthology (2020). She was a writer on the first season of the 2023 television miniseries A Murder at the End of the World and the 2024 Marvel Cinematic Universe miniseries Echo.

(10) COMICS SECTION.

1 and Done clings to the super past.
Bizarro has a title for an odd premise.
Bliss tries a different signal.
Free Range produces its credentials.
Strange Brew must find something.
xkcd witnesses a piercing.
Saturday Morning Breakfast Cereal creates new chimera.

(11) SPEAKER FOR THE DEAD. “Stan Lee AI Hologram Will Speak With Fans at L.A. Comic Con” – The Hollywood Reporter details the setup.

For decades, Stan Lee was the king of comic conventions. Now, nearly seven years after his death at the age of 95, he will once again be a presence at L.A. Comic Con, this time as a hologram that will use AI to have conversations with fans.

Fans will be able to speak with the hologram at the Stan Lee Experience section of the con, a 1,500 ft. enclosed booth which costs between $15-$20 to enter, depending on whether you buy tickets ahead of time. And like meeting a celebrity or getting autographs, there will be paid opportunities to take photos with the hologram or have a three-minute, one-on-one conversation with it.

“We’ll never put words in his mouth that aren’t in line with things he spoke about in his lifetime,” said Bob Sabouni, Head of Stan Lee Legacy Programs for Kartoon Studios and a former Marvel executive. “Fortunately, with decades of footage capturing his thoughts on so many subjects, we can build a voice that stays true, not always word for word, but always faithful in spirit, context, and intent.”

The hologram hails from Proto Hologram, the company that recently helped launch an interactive mirror from The Conjuring in 47 malls, as well as Hyperreal, a company known for creating realistic avatars….

(12) EMMYS BOOST WINNERS’ VIEWERSHIP. JustWatch reports that several Primetime Emmy winners saw massive boosts in streaming popularity within just 48 hours after the ceremony aired on September 15:

Adolescence → +1132% vs. monthly average
The Studio → +878%
Hacks → +434%
The Penguin → +549%
The Pitt → +479%

Momentum on the US Streaming Charts:

On Monday and Tuesday, The Studio ranked #1 on the US Daily Streaming Charts and has since climbed 37 spots to #9 on the Weekly Charts, ahead of Foundation, The Summer I turned Pretty and South Park.
The Pitt now sits at #8 Weekly, with Adolescence close behind at #12 (as of Wednesday, Sept. 17).

This chart isolates the startling results for The Penguin.

(13) ASTRONAUTS INTRODUCED. “6 women, 4 men among new NASA class of astronauts. Who they are” at USA Today.

… On Sept. 22, NASA unveiled its 10 newest recruits who will undergo extensive training to become eligible for future spaceflight missions that could carry humans deeper into the cosmos than ever before. Chosen from more than 8,000 applicants, the incoming astronaut class includes test pilots, engineers and scientists – including one woman who, significantly, has already spent time in orbit….

…The candidates – six women and four men – are the first class of astronaut recruits in four years since 10 new astronauts were selected as part of the 2021 class.

Here’s a look:

Ben Bailey, 38, of Charlottesville, Virginia: an active member of the U.S. Army and graduate of the U.S. Naval Test Pilot School.
Lauren Edgar, 40, of Sammamish, Washington: a geologist who worked on the Artemis II lunar geology team and who has helped support NASA’s robotic rovers on Mars.
Adam Fuhrmann, 35, of Leesburg, Virginia: a major in the U.S. Air Force with 400 combat hours.
Cameron Jones, 35, of Savanna, Illinois: a major in the U.S. Air Force and a graduate of the U.S. Air Force Test Pilot School with more than 1,600 flight hours in more than 30 different aircraft.
Yuri Kubo, 40, of Columbus, Indiana: a previous SpaceX employee who served as launch director for Falcon 9 rocket launches, among other roles.
Rebecca Lawler, 38 of Little Elm, Texas: a former lieutenant commander and pilot in the U.S. Navy with more than 2,800 flight hours in more than 45 aircraft.
Anna Menon, 39, of Houston: a former SpaceX employee who also previously worked in the Mission Control Center at NASA’s Johnson Space Center.
Imelda Muller, 34, of Copake Falls, New York: a former lieutenant in the U.S. Navy who served as an undersea medical officer.
Erin Overcash, 34, of Goshen, Kentucky: a lieutenant commander in the U.S. Navy and a U.S. Naval Test Pilot School graduate with more than 1,300 flight hours in 20 aircraft.
Katherine Spies, 43, of San Diego: a former Marine AH-1 attack helicopter pilot and experimental test pilot, with more than 2,000 flight hours in more than 30 different aircraft.

(14) FINGERPOINTING. “U.S. Is Losing Race to Return to Moon, Critics Say, Pointing at SpaceX” – story in the New York Times (behind a paywall.)

Elon Musk has a history of making promises to rapidly deliver technological breakthroughs, only for them to end up taking longer than predicted or to fail to materialize.

Among these are his promises for fully autonomous self-driving cars or tunnels under Los Angeles to solve traffic congestion. Now some federal government officials worry that his pledges for landing astronauts on the moon will suffer similar delays.

That is why one of the largest federal contracts Mr. Musk has ever secured is now under intense scrutiny: a multibillion agreement with NASA for this crewed mission to the moon, the first in more than five decades.

The plan to invite private companies to develop a lunar lander for NASA was kicked off with much fanfare during President Trump’s first term, with a target of completing the mission by last year.

Other parts of the NASA moon mission are nearly ready, after their own delays and cost overruns, and are set to be subject to a full-scale flight around the moon with astronauts next year. But SpaceX’s lunar lander project is now so far behind schedule that there are increasing doubts the United States will beat China, which has its own plan with a targeted landing date of 2030, back to the moon.

The concerns, which have reached the White House, follow the falling out between Mr. Musk and President Trump, which led to a call by Mr. Trump and others inside the administration to at least initially look for SpaceX contracts to pare back or cancel.

But seven current and former senior NASA officials, in recent public statements and interviews with The New York Times, said their questions about SpaceX and its new Starship rocket had nothing to do with the public spat between the president and his biggest campaign donor.

Rather, they are nervous that Mr. Musk has once again overpromised on what he could achieve by now.

The 15-story-tall Starship has not yet carried any astronauts or commercial cargo. It has exploded during three of its four recent tests, sending a spectacular but potentially dangerous plume of debris over the Caribbean on two of those aborted trips to space. And its current version can carry only a fraction of its promised payload of at least 100 tons into low-Earth orbit….

(15) VIDEO OF THE DAY. [Item by Scott Edelman.] I did a reading at Capclave last weekend during which I shared the opening section of an as yet unpublished short story about a fish told from the point of view of that fish while I was dressed like a fish and handing out Swedish fish: “A fishy Scott Edelman reads at Capclave 2025”.

[Thanks to Mark Roth-Whitworth, Steven French, Kathy Sullivan, Rich Lynch, Tim Kirk, Scott Edelman, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

LAcon V Wins 2026 Site Selection Vote

Posted on August 11, 2024 by Mike Glyer

The 84th Worldcon will be held in Anaheim, California from August 27-31, 2026 in the Anaheim Convention Center, the Hilton Anaheim and Anaheim Marriott. The convention will be called LAcon V, a variation on the previous four Worldcons bearing the L.A.con name. The host organization is the Southern California Institute for Fan Interests (SCIFI), Inc.

The site selection voting results were announced August 11. The LA in 2026 bid was the only one on the official ballot.

The LA in 2026 bid received 452 out of 531 votes. There were 19 ineligible preferences. There were zero none of the above. A full voting breakdown will appear in the Business Meeting minutes. (Update: Detailed voting statistics are now online here).

The convention’s website is here: https://www.lacon.org/

LAcon V has announced its Guests of Honor, which include:

Barbara Hambly, acclaimed multi-genre novelist, whose works include The Iron Princess, The Benjamin January Mysteries, The Darwath Trilogy, Winterlands, Sunwolf and Starhawk, Ishmael and Children of the Jedi;
Ronald D. Moore, Emmy, Peabody, and Hugo Award-winning screenwriter and executive producer of Battlestar Galactica, For All Mankind, Outlander, Carnivale, Roswell, Star Trek: The Next Generation and Star Trek: Deep Space Nine;
Colleen Doran, New York Times bestselling cartoonist, writer and artist, whose work includes adaptations of The Sandman, American Gods and Good Omens as well as contributions to many popular comics and graphic novels;
Dr. Anita Sengupta, aerospace engineer, commercial pilot, and rocket scientist on multiple NASA projects including Dawn, Curiosity and Cold Atom Laboratory, who is currently leading Hydroplane Ltd., developing hydrogen fuel-powered aircraft;
Tim Kirk, Hugo Award winning illustrator for many acclaimed SF and fantasy novels and stories, as well as a long-time Walt Disney Imagineer and a principal designer on Disney’s Tokyo Disney-Sea and the Disney-MGM Studio Tour;
Geri Sullivan, fan guest of honor; originally from Minnesota, she has worked on many local, regional and national science fiction conventions, including multiple Worldcons;
Stan Sakai, special guest; Eisner Award-winning illustrator and creator of the acclaimed graphic novel series Usagi Yojimbo; and,
Ursula Vernon, toastmaster; artist and illustrator, author of the children’s book series Dragonbreath and Hamster Princess, novelist (who writes under the name T. Kingfisher), and creator of the webcomic Digger.

The host organization, the Southern California Institute for Fan Interests (SCIFI), Inc., is a 501(c)(3) nonprofit corporation, established for the promotion and conduct of conferences, conventions or congresses relating to the field of Science Fiction and Fantasy. SCIFI, Inc. is the past sponsor of the 1984, 1996 and 2006 Los Angeles World Science Fiction Conventions; the 1999 North American Science Fiction Convention (NASFIC); the 2019 World Fantasy Convention; the 1989, 1994 and 2002 West Coast Science Fantasy Conferences (Westercons); and the 1994 and 2014 SMOFCons.

You can follow LAcon V on these social media platforms:

Facebook: https://www.facebook.com/laworldcon
X.com: https://x.com/laworldcon
Instagram: https://www.instagram.com/laworldcon
Bluesky: https://bsky.app/profile/laworldcon.bsky.social

[Based on a press release.]

Pixel Scroll 10/5/23 The Fan-Kzin Scrolls

Posted on October 5, 2023 by Mike Glyer

(1) NICOLA GRIFFITH Q&A. “’Hild’ sequel author Nicola Griffith talks about ‘Menewood’” in the Christian Science Monitor.

When did you first learn about the real Hild?

I love old abbeys, old castles, all that kind of thing. But I had never been to [the ruins of Whitby] Abbey until I was in my early 20s. I crossed the threshold of the abbey, and it was like stepping into Narnia. The world just changed. You know when some people talk about the skin of the Earth being thin in some places, this sense of immanence? It was like that for me.

I read in a tourist pamphlet about St. Hilda of Whitby, who founded the abbey, and I wanted to learn more, but there were no books about her.

My question was, why is this woman, from a time when we’re told that women had no power, no influence, no significance whatsoever, still remembered 1,400 years later? Nobody could tell me. I was on fire to find out; I thought what we knew of history must be wrong. This could not have happened if what we think of as history is actually true. So I basically started this enormous controlled experiment. I rebuilt the seventh century. I mean, I researched before I even wrote a word.

I’d been researching that book [“Hild”] for 20 years. I’d been reading everything you could possibly think of, all the medieval plants, everybody’s lists of grave goods. I followed all the archeology magazines and blogs and journals, and I read about the weather. I researched the flora, fauna, jewelry, making textiles. And then the day before my birthday, I thought, I cannot start another year without having done this book. So I sat down and said, I’m going to write one paragraph. And so I did. And there was Hild. And she was 3 years old and sitting under a tree. And I thought, that’s how I’m going to do it. She’s going to learn the world along with the reader.

(2) LE GUIN VIDEOS PART FOUR. The Journey That Matters is a series of six short videos from Arwen Curry, the director and producer of Worlds of Ursula K. Le Guin, a Hugo Award-nominated 2018 feature documentary about the iconic author.

In the fourth of the series, Khadija Abdalla Bajaber introduces “There I Am on the Page,” in which Ursula and other writers—including Nisi Shawl and adrienne maree brown—reflect on Ursula’s decision to make many of her characters people of color. Watch “Ursula K. Le Guin on Writing Characters of Color” at Literary Hub.

(3) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present David D. Levine and Robert Levy on Wednesday, October 11 at 7:00 p.m. Eastern. Where: KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs)

DAVID D. LEVINE

David D. Levine is the author of Andre Norton Nebula Award winning novel Arabella of Mars, sequels Arabella and the Battle of Venus and Arabella the Traitor of Mars, and over fifty SF and fantasy stories, some collected in the award-winning Space Magic. His story “Tk’Tk’Tk” won the Hugo, and he has been shortlisted for awards including the Hugo, Nebula, Campbell, and Sturgeon. His latest novel is The Kuiper Belt Job.

ROBERT LEVY

Robert Levy’s novel The Glittering World was nominated for the Shirley Jackson Award and the Lambda Literary Award. Shorter work has appeared in The Magazine of Fantasy & Science Fiction, Nightmare, Black Static, and The Best Horror of the Year. He teaches at the Stonecoast MFA Program, and his collection No One Dies from Love: Dark Tales of Loss and Longing is out now from Word Horde.

(4) NOBEL PRIZE FOR LITERATURE. Jon Fosse has won the 2023 Nobel Prize for Literature “for his innovative plays and prose which give voice to the unsayable.”

(5) LAURIE HALSE ANDERSON DONATES $100K TO PEN AMERICA’S FIGHT AGAINST BOOK BANS. The 2023 Astrid Lindgren Memorial Award laureate, American writer Laurie Halse Anderson, is donating $100,000 of her prize money to PEN America’s fight against book bans.

…Many of Laurie Halse Anderson’s books are frequently found on lists of banned books: books that, in some states or districts in the United States, are not allowed to be read in schools or bought by public libraries because of their subject matter or plot. Earlier this year, Anderson received the Astrid Lindgren Memorial Award, the world’s largest award for children’s and YA literature. The prestigious award comes with a cash prize of SEK 5 million ($452,000).

“Public libraries and schools have a duty to offer a broad range of books to the communities that they serve. People who find a book that they don’t like don’t have to read it. They do not have the right to dictate what books other people, or other people’s children, can read. I am proud to support PEN America and their fight against book banners and others bent on destroying our freedom to read. Remember: censorship is the child of fear and the father of ignorance”, says Laurie Halse Anderson….

(6) THEY WENT APE. Matthew Hays recalls how “50 Years Ago, One of the Gutsiest, Strangest Sci-Fi Movie Franchises Came to a Close with Battle for the Planet of the Apes” at Literary Hub.

When Planet of the Apes opened in cinemas in 1968, its box-office success was surprising even to the filmmakers themselves. After all, the film featured an astronaut survivor named Taylor (played by Oscar winner Charlton Heston) facing off against a planet of actors wearing elaborate ape makeup.

The possibility that the film would seem a giant joke to audiences had already crossed the minds of the suits at 20th Century Fox. The studio had set up an audience screening before they greenlit the project. Producer Arthur Jacobs was commissioned to film a 15-minute short film that would include some actors in ape makeup; if one person in the audience laughed, there would be no movie. No one laughed, and a legendary science fiction film was born.

To kids (I first saw the film at age six), Planet of the Apes seemed a basic movie about an astronaut landing on a planet run by a different species. But when the film arrived, many adults got the film’s multilayered jokes and running commentary: screenwriters Rod Serling and Michael Wilson (adapting Pierre Boulle’s novel) packed every imaginable bit of baggage that would fit into their carefully crafted Trojan horse. As New Yorker critic Pauline Kael immediately intuited, Planet of the Apes was a hate letter to America, full of commentary about slavery, manifest destiny, religious fundamentalism, creationism versus evolution, colorism and racism generally. The extensive medical experimentation done on the humans by apes is a clear reference to the Tuskegee Experiments. That some thought the apes were meant to represent Black Americans was a fundamental misreading of the film; the ape society is clearly a parody of American society, with all of its contradictions (especially the purported separation of church and state).

(7) WRITING POEMS, AND WAITING TO BE ARRESTED. [Item by SF Concatenation’s Jonathan Cowie.] With Chengdu Worldcon in mind, it is worth checking out today’s BBC World Service programme on the life of a Uyghur artist (poet, film and documentary maker) in China.

The programme is very Orwellian.

Tahir Izgil is one of the most highly respected living Uyghur poets. Tahir was born near Kashgar, in Xinjiang province, and from an early age he was immersed in the poetry of his culture. When the Chinese state clamped down on the Uyghur community, he lived under constant threat of arrest, and says he couldn’t even perform his poems. So he decided to try and escape his homeland…

You can listen to it here: “Writing poems, and waiting to be arrested”.

(8) 24TH FANTASIC SHORT STORY CONTEST. [Item by Ahrvid Engholm, contest administrator.] Results are in for the “24th Fantastic Short Story Contest” or “Fantastiknovelltävlingen”, probably the oldest running writing contest in Sweden, organized by writing E-mail list SKRIVA. (The term “fantastik” is here often used for sf, fantasy and horror, the “fantastic” genres.)

1st prize: “Der Berliner Underwellen”, by Kristian Schultz

2nd prize: “Cladosporium¨, by Isak Laestander

3rd prize: “The Cleaning Day”, by Kristian Schulz

There also were five “honorable mentions”.

A total of ca €200 is handed out in prize money plus a diploma and a secret prize… The Google English translation version of the result announcement

The winner 2023 Kristin Schultz also grabbed 3rd place, and despite having a German sounding title — it’s set in Berlin — the short story was in Swedish. An edited summary of the jury’s comments, authors P Lindestrand, K Bjällersted-Mickos and N Krog:

“…well-balanced description of a relationship in disintegration…Very eerie environments and Lovecraftian abominations that dwell in dark cellars…exciting and evocative story about…an underground tunnel populated by a hungry monster. The ending is dramatic, well written and classic…Wonderfully well-written and well-thought-out story about a Mathias and Klara who go on group sightseeing in the Berlin underground…Soon total chaos breaks out. The short story is well structured…A pleasure to read.”

Next contest starts in spring 2024. It will be the 25th and a silver jubilee!

(9) FAN HISTORY ZOOM: EVOLUTION OF FAN ART. The Fan History Project has another great FANAC Fan History Zoom session coming up coordinated by webmaster Edie Stern.

Evolution of Fan Art with legendary fan artists Grant Canfield, Tim Kirk, Jim Shull and Dan Steffan.

Sunday, October 15, 2023. Time: 4 pm EDT, 1 pm PDT, 9 pm BST (UK) and 7 am (Oct. 16, Melbourne, AU)

To attend, please send a note to [email protected]

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born October 5, 1945 — Judith Kerman, 78. Can we call her a polymath? She’s a translator, publisher, academic, anthologist and poet. All of her poetry, collected in Uncommonplaces: Poems of the Fantastic, is well worth your time. She did two non-fiction works of which I’m recommending one, “Retrofitting Blade Runner: Issues in Ridley Scott’s Blade Runner and Phillip K. Dick’s Do Androids Dream of Electric Sheep”, as I’ve a Jones for that literature.
Born October 5, 1949 — Peter Ackroyd, 74. His best known genre work is likely Hawksmoor which tells the tale of a London architect building a church and a contemporary detective investigating horrific murderers involving that church. Highly recommended. The House of Doctor Dee is genre fiction as is The Limehouse Golem and The Casebook of Victor Frankenstein. I thought Hawksmoor had been turned into a film but it has not. But he has a credit for The Limehouse Golem which is his film work.
Born October 5, 1952 — Clive Barker, 71. Horror writer, series include the Hellraiser and the Book of Art, which is not to overlook The Abarat Quintet which is quite superb. Though not recent, The Essential Clive Barker: Selected Fiction published some twenty years ago contains more than seventy excerpts from novels and plays and four full-length short stories. His Imaginer series collects his decidedly strange art. There has been a multitude of comic books, both by him and by others based on his ideas. My personal fave work by him is the Weaveworld novel.
Born October 5, 1959 — Rich Horton, 64. Editor of three anthology series — Fantasy: Best of The Year and Science Fiction: Best of The Year, merged into The Year’s Best Science Fiction & Fantasy in 2010. He wrote a review column for Locus for twenty years, signing off this past February. His Strange at Ecbatan blog includes reviews, criticism, and a well-received series that proposes Hugo finalists to fill in the old years when only winners were announced, or even before the award was created.
Born October 5, 1971 — Paul Weimer, 52. Writer, Reviewer, and Podcaster, also known as @PrinceJvstin. An ex-pat New Yorker living in Minnesota, he has been reading science fiction and fantasy for over 40 years and exploring the world of roleplaying games for more than 35 years. A three-time Hugo finalist for Best Fan Writer (2020-2022), he is a prolific reviewer for Nerds of a Feather and contributes elsewhere, including Tor.com, The Skiffy and Fanty Show, A Green Man Review, and here at File 770. He also contributes to the Hugo-nominated fancast The Skiffy and Fanty Show and the SFF Audio podcasts. He was the 2017 Down Under Fan Fund delegate to the Australia and New Zealand National Conventions, and his e-book DUFF trip report, consisting of more than 300 pages of travel stories and stunning photographs, is still available here.
Born October 5, 1974 — Colin Meloy, 49. He’s best known as the frontman of the The Decemberists, a band that makes use of folklore quite a bit, but he has also written the neat and charmingly weird children’s fantasy Wildwood chronicles which is illustrated by his wife, Carson Ellis.

(11) COMICS SECTION.

Reality Check shows the rebellion is not going well.

(12) GET READY FOR LIFE DAY. Marvel comics will publish four Life Day variant covers in November – in time for the Wookiee celebration of Life Day on November 17.

Each November, the galaxy far, far away celebrates family, joy, and harmony on Life Day, and this year, Marvel Comics will commemorate this longstanding Wookiee tradition by reflecting these values in all-new variant covers!

Gracing the covers of STAR Wars, Star Wars: Darth Vader, Star Wars: Doctor Aphra, and Star Wars: Bounty Hunters, the four new Life Day Variant Covers come from artists Mike Del Mundo and Rod Reis and feature characters from throughout various eras of Star Wars storytelling, including nods to the original Star Wars Holiday Special. Fans can enjoy heartwarming moments like young Anakin Skywalker sharing a meal with his mother Shmi, Han Solo and Chewie decorating, Chef Gormaanda whipping up a delicious feast, and Doctor Aphra and Krrsantan reuniting for the season!

(13) EATING THE FANTASTIC. Scott Edelman invites listeners to relive Capclaves past and present during Eating the Fantastic’s lightning-round Capclave Donut Carnival.

I love Eating the Fantastic’s lightning-round donut episodes, for which I park myself in a heavily trafficked area of a con with a dozen donuts and chat with anybody who’s up for trading five minutes of talk for a freebie. It’s a fun contrast to my usual well-researched one-on-one conversations, in that it’s completely spontaneous, since I never know the identities of my guests until their eyes alight on my donuts and they choose themselves.

In 2016, listeners were able to eavesdrop on the Readercon Donut Spectacular, then in 2017 the Balticon Donut Extravaganza, in 2018 the Nebula Awards Donut Jamboree, and in 2019 — before the pandemic forced me to take a break from such things — the StokerCon Donut Spooktacular.

Because Capclave — which ended the day before yesterday as this episode goes live — not only has a patio, but this year, unlike last, had weather warm enough for us to gather there, I was able to bring back that tradition. On Saturday afternoon, I sat down out on the patio with two boxes of donuts from Donut King in Kensington, Maryland, and waited for potential guests to materialize.

So join us during the lightning-round Capclave Donut Carnival, where you’ll hear R. Z. Held and me bond over rejection, David Hacker explain his love of listening to writers read, Michael Dirda recall why Orson Scott Card once kneeled before him on an elevator, James Morrow share his fascination with Charles Darwin, how Katy Lewis found her husband through Dungeons and Dragons, Michael Walsh’s favorite moment as a con chair (which involved Howard Waldrop, Gardner Dozois, and George R. R. Martin), Bill Lawhorn clarify the creation of the bronze dodo, Sarah Pinsker reveal how and why her first science fiction convention was Capclave, Adeena Mignogna explain why space is cool but space travel gets really hot, Mike Zipzer’s memories of Terry Pratchett’s surprise visit, Sarah Mitchell’s arranging of a secret con wedding, Sunny Moraine opine on how the world’s response to COVID-19 changes our ideas of what would happen in a real-world zombie apocalypse, John Pomeranz chat about how the infamous Disclave Great Flood thrust him into being a hotel liaison — and much more!

(14) WOOF 2023. [Item by Rich Lynch.] WOOF(the Worldcon Order Of Faneditors) will have a collation at the upcoming Worldcon in Chengdu. This year’s Official Editor (OE) is Don Eastlake.

WOOF is an amateur press association (apa) that has been a feature of Worldcons since 1976 thanks to its originator, the late Bruce Pelz. For those who will be attending this year’s Worldcon, there will be a WOOF collection box at the Worldcon for printed fanzines. Alternatively, you can email your WOOFzine as a PDF to <[email protected]>. Your contribution must be received by October 22, Chengdu time. After the deadline passes, the OE will collate all fanzines received into a single PDF document and this assembled mailing will then be made available for download and viewing at efanzines.com, where several previous mailings of WOOF are now archived. (It’s not yet known if there will be any printed copies.)

(15) CHENGDU WORLDCON ROUNDUP. [By Ersatz Culture.]

Procedure for Chengdu bid supporters to be able to enter the lottery — https://weibo.com/5726230680/NmqACu8fo

Following on from recent items, File 770 commenter Adaoli has documented the process that (Chinese?) supporters of the Chengdu site selection bid have to go through, in order to enter the lottery to attend any of the main ceremonies. (I don’t think this particular quirk was mentioned in those earlier updates, because I didn’t — and still don’t — fully grok all the details.) In my understanding, anyone who had Chengdu membership through supporting that bid — as opposed to buying a new membership or ticket — doesn’t have the purchase number that is necessary to fill in the lottery application, and so they have to go through this process. Amongst other things, this involves calling a telephone helpline.

Some initial Weibo comments about the apparent lack of foreign/Western guests

Via Google Translate. Poster’s identities have been removed, as have the names of authors, which has involved some minor editing for readability. There are multiple comments from certain posters, so I wouldn’t claim that this is a representative sample of Chinese fandom by any means.

Guest of honor Lukyanenko did not appear (understandably). The willingness of foreign science fiction people to participate in the conference is indeed too low (visible to the naked eye). (I suspect that last bit would be more accurately translated as “invisible to the naked eye”.)
Many authors who have been inactive for many years have been brought up to make up the number. Foreign guests invited many cartoonists and artists who are not well-known in China. There were only four well-known foreign writers. Yes, this is really embarrassing.
There is no publicity outside. When I helped distribute flyers at the Japan Science Fiction Convention in August, many people who sold doujinshi didn’t know it was held in Chengdu. (FWIW, this poster has Korean hangul characters in their username, and Weibo indicates they posted that comment from a Japanese IP address.)
[In] 1991, there were 45 foreign guests at the WSF conference in Chengdu.
Let’s not talk about European and American writers. I didn’t see the writers from neighboring Japan, [Names of 8 Japanese writers omitted.] It feels not much different from domestic science fiction conventions.
I checked that there were probably more than 120 foreign guests attending the event in Yokohama 2007. There were approximately 1,210 foreign participants at that conference (the total number of participants was 2,788)

At time of submitting this item, I’ve not seen any general reaction to the schedule – although as the announcement on Weibo went out at 22:52 local time, I’m hoping there’ll be more commentary tomorrow.

Video posted showing the interior of the con site — https://weibo.com/6088652407/4952842881735936

Chengdu-based KanDu News posted this 2:42″ video to Weibo, which is the best look yet at the interior of the con venue. The opening captions indicate it was filmed yesterday (October 3rd), and there’s clearly a lot of interior construction work still underway.

From 0:30 to 0:55 shows the “Hugo Hall”, which is 4000 square meters. The guy talking indicates there’s something special about the video wall; it looks to be translucent and/or visible from both sides? The area shown between 0:55 – 01:10 is (I think) the area for the press and media, and is 1000 square meters.

The structure shown between 1:35 and 2:20 seems like it’s a reproduction of something from the Wandering Earth 2 film, although I haven’t seen that, so I’m unclear what exactly it is.

That organization also posted a video yesterday composed of night drone shots of the exterior — https://weibo.com/6088652407/NmaFNiigG.

Tibet Airlines magazine interview — https://weibo.com/6045346855/NlSyioyiG

Via the Weibo account of Chengdu SF publisher 8 Light Minutes, (what I assume is) the October issue of the in-flight magazine of Tibet Airlines has a 6-page interview with Best Editor (Short Form) finalist Yang Feng, with various photos relating to the history of Chinese SF and the upcoming Worldcon

(16) WE APOLOGISE FOR ANY INCONVENIENCE. [Item by SF Concatenation’s Jonathan Cowie.] A time-loop, Groundhog Day-type audio play on BBC Radio 4, “We Apologise for Any Inconvenience.”

The being-trapped-in-a-repeating-time-loop trope has an early exemplar film in Groundhog Day (1993) but that was decidedly fantasy.

The SF version was 12:01 (1993) in which the loop was caused by technology. However, the trope’s provenance does not begin there: there was the earlier, Oscar short-listed, short film, 12:01 (1990) which in turn was based on the short story ’12:01 P.M.’ (1973) by Dick Lupoff (who sadly died in 2020).

Alas, challenging Hollywood as to potential plagiarism is arguably hard: it has deep pockets. But you can’t keep a good trope treatment down, and the idea of being stuck in a recurring time loop has been used in a fairly recent Star Trek series as well as an episode of Stargate as well as elsewhere.

And now the BBC has just gotten in on the act with a play on Radio 4 this week: We Apologise for Any Inconvenience, only this time, the principal protagonists are not those actually stuck in the loop themselves but others who happen to encounter the hapless looper that day…

Sebastian Baczkiewicz’s drama takes us to an anonymous northern station at the heart of the rail network on the day everything grinds to a halt. Hundreds of lives go into limbo but one person claims to have been stuck there longer than anyone else. Will his groundhog day ever end?

You can listen to it here.

(17) TOP STREAMING. JustWatch lists the top 10 most streamed movies and TV shows for the month of September.

(18) OVER 20K YEARS OLD. A U.S. Geological Survey “Study confirms age of oldest fossil human footprints in North America”.

In September 2021, U.S. Geological Survey researchers and an international team of scientists announced that ancient human footprints discovered in White Sands National Park were between 21,000 and 23,000 years old. This discovery pushed the known date of human presence in North America back by thousands of years and implied that early inhabitants and megafauna co-existed for several millennia before the terminal Pleistocene extinction event. In a follow-up study, published today in Science, researchers used two new independent approaches to date the footprints, both of which resulted in the same age range as the original estimate.

The 2021 results began a global conversation that sparked public imagination and incited dissenting commentary throughout the scientific community as to the accuracy of the ages.

“The immediate reaction in some circles of the archeological community was that the accuracy of our dating was insufficient to make the extraordinary claim that humans were present in North America during the Last Glacial Maximum. But our targeted methodology in this current research really paid off,” said Jeff Pigati, USGS research geologist and co-lead author of a newly published study that confirms the age of the White Sands footprints….

In addition to the pollen samples, the team used a different type of dating called optically stimulated luminescence, which dates the last time quartz grains were exposed to sunlight. Using this method, they found that quartz samples collected within the footprint-bearing layers had a minimum age of ~21,500 years, providing further support to the radiocarbon results…

(19) VIDEO OF THE DAY. Ryan George is there when “The Eggplant Emoji Finds Out” what everybody uses it for.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Kathy Sullivan, Scott Edelman, Joe Siclari, Rich Lynch, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, and Ersatz Culture for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 10/16/21 Escape From Pixel Scroll

Posted on October 16, 2021 by Mike Glyer

(1) SUPERMAN MOTTO CHANGED. The motto associated with Forties radio Superman, and the George Reeves TV show, and sporadically used since then, has been swapped for something else. The Daily Beast has the story: “DC Comics Changes Superman Motto, Swaps ‘American Way’ With ‘Better Tomorrow’”. Normally one would say “something new”, except this sounds like it was lifted from old GE advertising.

After more than 50 years of upholding “truth, justice, and the American way,” Superman is changing his motto.
The superhero will now stand for “truth, justice, and a better tomorrow,” DC Comics announced during its DC FanDome event Saturday. In a press release, the company said the motto will “better reflect the global storylines that we are telling across DC.”
“Superman has long been a symbol of hope who inspires people from around the world, and it is that optimism and hope that powers him forward with this new mission statement,” Jim Lee, the company’s publisher and chief creative officer, said….

Hard as it is to believe, alt-right Bounding Into Comics does not yet have a post up about the change.

(2) HOLLYWOOD AGREEMENT AVERTS STRIKE. AP reports “Strike dodged with deal between film and TV crews, studios”. Details of the new contracts were not immediately revealed.

An 11th-hour deal was reached Saturday, averting a strike of film and television crews that would have seen some 60,000 behind-the-scenes workers walk off their jobs and would have frozen productions in Hollywood and across the U.S.
After days of marathon negotiations, representatives from the International Alliance of Theatrical Stage Employees and from the studios and entertainment companies who employ them reached the three-year contract agreement before a Monday strike deadline, avoiding a serious setback for an industry that had just gotten back to work after long pandemic shutdowns.
Jarryd Gonzales, spokesman for the Alliance of Motion Picture and Television Producers, which represents the studios and other entertainment companies in negotiations, confirmed the agreement to The Associated Press.
The union’s members still must vote to approve the tentative agreement….

(3) THE JURY IS IN. In the “2021 Hugo Short Story Panel of Awesomeness”, Hugos There podcaster Seth Heasley is joined by Cora Buhlert, Ivor Watkins, Alan Bailey, Lise Andreasen, Sarah Elkins, JW Wartick, Lori Anderson, Haley Zapal, and Amy Salley to discuss the 2021 nominees for the Hugo Award for Best Short Story. (The podcast version is here.)

(4) EATING THE FANTASTIC. Scott Edelman invites listeners to join the marvelous Sam Maggs for drinks on episode 156 of his Eating the Fantastic podcast.

This time around, you’ll get to eavesdrop on my chat with Sam Maggs, a writer with whom I share an artistic bond, even though we’re from entirely different generations of comic book creators.
That’s because Sam wrote the adventures of the she/her Captain Marvel in 2019 — 42 years after I wrote about he/him Captain Marvel in 1977. She’s also written comics about Jem and the Holograms, Rick & Morty, My Little Pony, Transformers, and Invader Zim. She’s published pure prose as well, including her first book The Fangirl’s Guide to the Galaxy, and the young adult novel The Unstoppable Wasp: Built on Hope. Her games writing includes Spider-Man: The City that Never Sleeps, Ratchet & Clank: Rift Apart, and many others.
We discussed the Stargate SG-1 convention that was her gateway drug for fandom, why her debut comic book story turned out to be a Star Trek tale, the way the arcs of our careers ran in completely opposite directions, what it was like releasing six books during a pandemic, how The Fangirl’s Guide to the Galaxy was born though complete serendipity, the audition that got her the gig to write an Unstoppable Wasp novel, how she dreamed up her pitch for Captain Marvel, and much more.

(5) OFFICE IN THE OBSERVATORY. Brother Guy Consolmagno appears this week in Nature’s “Where I work” feature, including a photo of him peering through an antique telescope.

SF Concatenation’s Jonathan Cowie sent the link, proud to remember Brother Guy is someone with whom he’d in the past (years ago) appeared with on a Worldcon panel:

Paul McAuley, Jonathan Cowie, Br. Guy Consolmagno

(6) RUN THE NEBULA CONFERENCE. SFWA says “We Need You! SFWA is Hiring a Nebula Conference Manager!”. Full guidelines at the link.

The SFWA Nebula CPM would be responsible for all project management activities associated with the annual SFWA Nebula Conference. In 2022, the organization will be offering a hybrid model of the conference, with both an online component and in-person event. The CPM would be leading the entire 2022 Conference, supervising and working closely with the online conference project manager.

(7) NO HOLDING BACK. Tim Kirk shared Harlan Ellison’s special coffee recipe in a public post on the Harlan Ellison Facebook Fan Club page.

Back in the 1970s I made numerous trips up to Ellison Wonderland. Harlan had asked me to illustrate “The Last Dangerous Visions,” and I spent many Saturdays reading manuscripts in his living room; and I drank many cups of a delicious coffee mixture Harlan had concocted himself: “Cafe’ Ellison Diabolique.” This recipe was published in Anne McCaffrey’s very entertaining collection of recipes by SF and fantasy authors, “Cooking Out of This World” (Ballantine Books 1973). Harlan left out one Mystery Ingredient, which he later revealed to me: Ovaltine. Pictured here is the official Little Orphan Annie Ovaltine Mug that Harlan gave me….

(8) SPEAKEASY. In the Washington Post, Steven Zeitchik says that AI has advanced to the point that instantaneous translation of films is possible leading to a future without dubbing and subtitles. “Every movie and TV show could soon be dubbed into any language you want”.

… Traditional dubbing often works like this. A studio or local distributor, having decided it wants a local-language release, pays to translate a script, hire a set of voice actors to play the characters, rent out engineering equipment, put the actors through numerous voice takes, record them and then splice their readings back into the original video — a mighty grapple to achieve a smooth final product. The whole process can take months.
Auto-dubbing can work like this. The original actor records five minutes of random text in their own language. Then the machines take over: A neural network learns the actor’s voice, a program digests that vocal information and applies it to a digital translation of the script, then the AI spits out perfectly timed lines from the film in the foreign language and drops them into the action. The whole process could take weeks…

(9) RECLASSIFIED? [Item by Martin Morse Wooster.] The first argument I’ve seen that Dhalgren is a horror novel. Andy Marino in “Under Your Skin: The Horror of the Inexplicable” on CrimeReads.

Consider the moment you wake from a nap into disorientation so pure, the first thing you see when you open your eyes—a lamp, a windowsill—is distorted and unfamiliar. You glitch. Draw a blank.
Imagine a distillation of this perception as an elusive high. I’d argue that the kind of fiction that bottles up this feeling and pours it down your throat is more terrifying than any haunted house, vengeful ghost, or Little Kid Who Sees Things.
That’s not to say that the time-honored elements of horror can’t be used to great and satisfying effect, or reconfigured into something wholly fresh. I’m not one to mess with the staples that make up so much of the horror I love. But it’s the off-kilter portrayal of the mundane, where reality comes unstitched in a vaguely sickening way, that really gets under your fingernails and lays its quivering eggs….

(10) MOUDRY OBIT. Southern fan Joe Moudry died October 15 reports Guy H. Lillian III. Moudry was a member of many amateur press associations (apas) over the years – the Southern Fandom Press Alliance (SFPA, where he once served as Official Editor), PAAPA, the Hyborian Legion, PEAPS, and was a member of the Esoteric Order of Dagon and its Official Editor in 1981.

(11) MEDIA BIRTHDAY.

1950 – Seventy-one years on this day, C.S. Lewis’ The Lion, the Witch and the Wardrobe was first published in the United Kingdom by Geoffrey Bles who would publish the first five of this series. It is the first published and best known of seven novels in The Chronicles of Narnia. Among all the author’s books, it is also the most widely held in American and British libraries. It would be illustrated by Pauline Baynes who would later do the artwork for some of Tolkien’s work. It was extremely popular, despite the fears of the publisher that it wouldn’t be, from the moment it was published, and has remained so to this day. The movie of sixteen years vintage also enjoys an equally popular reception with a box office just behind Revenge of the Sith, and audience reviewers at Rotten Tomatoes currently giving it an eighty percent rating.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born October 16, 1854 — Oscar Wilde. Writer, Journalist, Playwright, and Poet from Ireland whose only novel, The Picture of Dorian Gray, has been translated into more than a dozen languages, made into countless radio plays, musicals, TV films and movies — the 1945 version of which was awarded a Retro Hugo at CoNZealand — and had enduring influence on modern popular culture as an examination of morality. His long list of short fiction credits includes some fairy tales and genre stories, of which the best known is “The Canterville Ghost”, which has likewise undergone a copious number of translations and adaptations into various media. (Died 1900.)
Born October 16, 1925 — Dame Angela Brigid Lansbury, 96. She first shows up in a genre work as Sibyl Vane in The Picture of Dorian Gray. A few years later, she’s Queen Anne of France in The Three Musketeers. Somewhat later, she’s Miss Eglantine Price in Bedknobs and Broomsticks. She voices Mommy Fortuna in The Last Unicorn, and is Granny in A Company of Wolves which won the BSFA Award for Best Film and it’s based off Angela Carter’s A Company of Wolves. And yes she’s in Mary Poppins Returns as The Balloon Lady. And I’ll toss in the stage production of The King and I where she was Anna Leonowens as that was at least genre adjacent.
Born October 16, 1940 — Barry Corbin, 81. Actor whose face will be familiar from his many character roles — frequently as gruff military officers or crusty eccentrics — including those in genre movies WarGames, My Science Project, Ghost Dad, Race to Space, Dawn of the Crescent Moon, Curdled, Critters 2, and Timequest, which appears to be an uncredited version of Greg Benford’s Timescape (which provided the name for the Pocket Books line of science fiction novels helmed by David G. Hartwell in the early 1980s). He narrated Moon Shot: The Inside Story of America’s Race to the Moon, based on the book by Mercury Seven astronaut Alan Shepard.
Born October 16, 1956 — Mary Elizabeth McGlynn, 65. Aside from appearing on Xena: Warrior Princess, Star Trek: Voyager, and Quantum Leap, she’s lent her voice acting to The Avengers: Earth’s Mightiest Heroes, Ghost in the Shell: Stand Alone Complex, Naruto, X-Men, and Bleach to name but a few of her roles. She was a Guest of Honor at Anime Expo 2007, Long Beach.
Born October 16, 1963 — Glenn Glazer, 58. Conrunner and Fan who has been on the concoms for many Worldcons and regional conventions, chaired a Smofcon and a Westercon, and was one of three vice-chairs for Sasquan, the 2015 Worldcon. He has been involved in a number of APAs, including SWAPA, Mutations, The Calling, LASFAPA, APA-69, and APA-FNORD.
Born October 16, 1971 — Lawrence Schimel, 50. Writer, Editor, Poet, and Translator. He is a founding member of The Publishing Triangle, an organization promoting fiction by LGBTQ authors and/or with LGBTQ themes, which inform many of his short fiction works. He has edited, mostly in collaboration with Martin H. Greenberg, at least 10 anthologies. His solo anthology, Things Invisible to See, and one of his short fiction collections were both recognized with Lambda Award nominations, and his speculative poetry has garnered a Rhysling Award nomination and a win.
Born October 16, 1917 — Claire Necker. This might be going a little astray from genre birthdays but I think not, given most of us have SJW creds. A librarian by trade, she wrote a number of feline related academic works including The Natural History of Cats, Supernatural Cats: An Anthology which includes writers such as Fritz Lieber and H.P. Lovecraft , Four Centuries of Cat Books and Cat’s Got Our Tongue which is are feline cantered proverbs. She unfortunately has not made into the digital realm. (Died 2010.)
Born October 16, 1973 — Eva Röse, 48. Most likely best known for her role as the android Niska in Season 1 of the Swedish Äkta människor (Real Humans) upon which AMC’s Humans was based. She also was one of the voice cast for the animated Creepschool series, and was Jasmie on The Befallen, a supernatural series that lasted one season there.

(13) COMICS SECTION.

Speed Bump shows a famous monster with a terrible problem.

(14) GACHAPON. “A Tiny Gas Meter? The More Mundane the Better for Japan’s Capsule Toys” says the New York Times.

… Isolated in their plastic spheres, the tiny reproductions feel like a metaphor for Covid-era life. On social media, users — as gachapon designers insist on calling their customers — arrange their purchases in wistful tableaus of life outside the bubble, Zen rock gardens for the 21st century. Some have faithfully recreated drab offices, outfitted with whiteboards and paper shredders, others business hotel rooms complete with a pants press.
For Mr. Yamanishi, whose company, Toys Cabin, is based in Shizuoka, not far from Tokyo, success is “not about whether it sells or not.”
“You want people to ask themselves, ‘Who in the world would buy this?’” he said.
It’s a rhetorical question, but in recent years, the answer is young women. They make up more than 70 percent of the market, and have been especially active in promoting the toys on social media, said Katsuhiko Onoo, head of the Japan Gachagacha Association. (Gachagacha is an alternative term for the toys.)…
The products are not particularly profitable for most makers, but they offer designers a creative outlet and find a ready customer base in a country that has always had a taste for whimsy, said Hiroaki Omatsu, who writes a weekly column about the toys for a website run by the Asahi Shimbun, a Japanese newspaper.
“Creating gachapon for adults is all about devoting yourself to making something that’s worthless,” he said. “‘This is ridiculous’ is the highest form of praise.”

(15) TODAY’S TIME TRAVEL FAQ. Courtesy of Keaton Patti.

This is why I always read the FAQs on Amazon. pic.twitter.com/Rt3Oapd2l1
— Keaton Patti (@KeatonPatti) September 23, 2021

I was going to have to revoke the previous joke til I confirmed he wasn’t talking about Gene Wolfe in this tweet —

how is this not bigger news?????? pic.twitter.com/8T7bAyfyCg
— Keaton Patti (@KeatonPatti) August 21, 2021

(16) ZERO SUM GAME. Eater reports on how a “Robot Cafe Considers Itself Pro-Worker by Not Hiring Any Workers”.

Despite fully automated luxury communism sounding pretty sweet, Western workers have mostly felt haunted the specter of our jobs being taken by robots. Take RC Coffee, Canada’s first “robotic cafe,” aka an “unattended espresso machine,” which is basically a glorified version of whatever spat sludge and foam into a cup for five quarters in your college dorm’s lounge. But it is probably aware of that association, and the fear that kiosks like it could actually replace a barista, so it’s trying a new tactic; robots as pro-worker….

(17) FESS UP. They’d still like to get it back. “Rock. Paper. Pranksters.” At University of Oregon’s “Around the O.”

OK, mystery pranksters. It’s been 43 years since the Great Halloween Meteorite Caper of ’78. Your identities have never become widely known. Time to come forward.
Halloween night that year, a group calling itself the Meteorite Cleaning Service staged a distraction at Prince Lucien Campbell Hall. “A strangling man appeared to be hanging from a window of PLC. Campus security went to investigate only to discover the man was in fact a balloon, a shirt, and some pants,” student reporter Jock Hatfield wrote in the Oregon Daily Emerald.
While campus security responded to PLC, the pranksters headed to the Museum of Natural History, then located in what is now Pacific Hall. Their target was on display out front: a life-size, plaster-and-chicken-wire replica of the sixth-largest meteorite found on Earth, the Willamette Meteorite or “Tomanowos,” as named by the Clackamas people.
The next day, “it was immediately evident the meteorite replica was gone,” remembers Alice Parman, then the museum director. Eight hundred pounds of mock rock, 12 feet wide and 6 feet tall, gone, leaving nothing but questions: Why? How? And who?…

(18) CHINA SENDS CREW TO THEIR SPACE STATION. [Item by Mike Kennedy.] “China launches 6-month crewed mission as it cements position as global space power” reports CNN. Crew includes Wang Yaping, first female taikonaut on the station and first scheduled to do a spacewalk.

China launched a three-person crew into space in the early hours of Saturday — a major step for the country’s young space program, which is rapidly becoming one of the world’s most advanced.
The three astronauts lifted off on the Shenzhou-13 spacecraft just past midnight local time, launched by a Long March 2F rocket from the Jiuquan Satellite Launch Center in the Gobi Desert, located in Inner Mongolia.
They will dock at China’s new space station, Tiangong (which means Heavenly Palace), six and a half hours after launch. They will live and work at the station for 183 days, or just about six months — the country’s longest mission yet….

(19) WOOF, WOOF, BANG, BANG. [Item by Mike Kennedy.] While they look like cousins, don’t confuse this robodog with Boston Dynamics’ Spot. The much-less-aptly-named canid-like bot Vision 60 is made by Ghost Robotics out of Philly. A version of Vision has been demonstrated carrying a sniper rifle, albeit one that is aimed and fired by a remote operator. Unarmed versions of Vision 60 have been used in military exercises. The article doesn’t address whether Ghost Robotics has any customers for the armed version. “Welp, Now We Have Robo-Dogs With Sniper Rifles” at Popular Mechanics.

Science fiction has seeped into science reality this week, as a robotics company showed off its sniper rifle-equipped robo-dog at the Association of the U.S. Army’s annual convention in Washington, D.C.
Sure, the quadruped robot might resemble a good boy, but it’s packing a built-in sniper rifle capable of engaging targets from three-quarters of a mile away. The service could operate this robotic weapon system remotely. Importantly, it would only engage targets with permission from a human being….

(20) VIDEO OF THE DAY. “Extent” is an sff short film distributed by DUST.

Time stands still as two old friends attempt to grapple with a question that defines their very existence. If you could live forever, would you?

[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Rich Lynch, Cora Buhlert, SF Concatenation’s Jonathan Cowie, Jeffrey Smith, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Rob Thornton.]

Pixel Scroll 9/15/21 You Load Fifteen Pixels, What Do You Get?

Posted on September 15, 2021 by Mike Glyer

(1) NEW FIRST DOCTOR ANIMATION PLANNED. The next classic Doctor Who adventure to be animated using archival fragments is the opening story of the third season, “Galaxy Four”, reports the BBC.

Galaxy 4 (alternatively spelled Galaxy Four) is the mostly-missing first serial of the third season of Doctor Who, which originally aired in four weekly episodes from 11th September to 2nd October 1965.
Audio-only recordings of all four episodes have survived from this classic story, and have been used to create a brand new, fully animated story, filling the gaps alongside the original surviving Episode 3 and over five minutes of original footage from the otherwise lost Episode 4.
The Doctor and his travel companions, Vicki and Steven land the TARDIS on a planet which is on the verge of total annihilation, as it drifts too close to the three suns it orbits. Trapped on the planet with them are the Drahvins, a race of warrior women, and the Reptillian Rills.
The Drahvins want to steal the Rills spacehip to escape the planet’s death throes, and enlist the Doctor’s help, which he is forced to give when Maaga, the cunning Drahvin leader, keeps Vicki and Steven as hostage. Even though the Doctor is determined to broker a peace deal between the two sides, Maaga doesn’t trust him, or the Rills…
This two disc release gives fans the opportunity to enjoy the four new animated episodes of Galaxy Four in either colour or black and white.

(2) FIYAHCON PUBLISHES CONTENT RELEASE FORM. On the eve of FIYAHCON 2021, which begins tomorrow, the convention leadership has addressed a Twitter kerfuffle.

Kim Yoon Mi evidently was dissatisfied with some terms of the release that FIYAHCON is asking panelists to sign and aired some criticisms on Twitter. Initially, the release’s language was not being quoted, but L. D. Lewis subsequently made it available for public review. (See below.)

Here are screencaps of several of Kim Yoon Mi’s points.

Here are excerpts from L.D. Lewis’ replies on Twitter.

The issue at the heart of this activity is a regard for FIYAHCON's Release Consent Terms as predatory.

The person is now threatening to "out" the contract to "let agents comb through the contract and shake their heads at [us]" on social media
— L.D. Lewis Updates and ???????? Solidarity Only (@Ellethevillain) September 15, 2021

In order to cut to the chase so I can get back to actual work, you will find the copy of the consent agreement (thus far signed by 302 panelists who know what consents look like) at this link: https://t.co/3eMzC6vwQm
— L.D. Lewis Updates and ???????? Solidarity Only (@Ellethevillain) September 15, 2021

This preface precedes the copy of the consent form:

This is the agreement copy for the Consent Release Form sent to all panelists so they may optionally have their programming item included in FIYAHCON’s Archives. As of this writing, it has been signed without complaint by 302 panelists across both of FIYAHCON’s events, and all caveats have been respected. The document was crafted with the assistance of Marguerite Kenner, a legal expert and active participant in the SFF Community. Questions, concerns, and requests for clarity are welcome and encouraged at [email protected].

(3) 2001 MINUS 71. Fanac.org’s latest additions include a scan of Futurian v3n1 (1940) which contains Arthur C. Clarke’s article, “How To Build A Spaceship.” Clarke thought his rocket would only cost £250,000 to build – a rather surprising bargain when compared with the cost to construct the first Queen Mary passenger ship, £3.5 million in 1934 (says the Wikipedia).

As far as I can remember, no Science Fiction author has ever had the nerve to describe a rocket propelled spaceship as it really must be. Writers such as Manning (“The Wreck of the Asteroid”) and the painstaking German authors have spoken glibly of step rockets, but they have all fallen short of reality. This article will therefore consist largely of a systematic debunking of rocketships. The amount of energy needed for any interplanetary voyage can be accurately calculated, so we know what a spaceship has to be capable of if it is to do its job. We also know the energy content of our best fuels and a simple calculation gives us the quantity of, say, hydrogen and oxygen we need for any particular journey. The result is depressing: so depressing” in fact that Science Fiction has ignored it with the same verve that enabled E.T. Snooks, D.T.G. to repeal the equally inviolable law of inverse squares. To take one ton of matter to the Moon and back requires several hundred tons of the best fuels we possess. Faced with this situation we can do one of two things. We can sit twiddling our thumbs until a better fuel comes along, or we can try and do the job with the materials we have. Course one is not likely to get us very far…

(4) NATIONAL BOOK AWARDS LONGLISTS. The National Book Awards Young People’s Literature longlist includes these titles of genre interest.

Home Is Not a Country, Safia Elhillo (Make Me A World)
A Snake Falls to Earth, Darcie Little Badger (Levine Querido)
Too Bright to See, Kyle Lukoff (Dial)
The Mirror Season, Anna-Marie McLemore (Feiwel and Friends)

The judges are Pablo Cartaya (presenter), Traci Chee, Leslie Connor, Cathryn Mercier (chair), and Ibi Aanu Zoboi.

The National Book Awards 2021 Longlist for Translated Literature includes one book of genre interest:

On the Origin of Species and Other Stories by Bo-Young Kim. Translated by Joungmin Lee Comfort and Sora Kim-Russell

The complete longlists are at the link. Five finalists in each category will be announced October 5. The winners will be revealed on November 17. Finalists receive a $1,000 prize, a medal, and a judge’s citation. The winners will receive $10,000 and a bronze sculpture.

(5) YA RATINGS SITE DOA. The YAbookratings.com site has been taken down since Foz Meadows unloaded on it the other day. Meadows’ thread, which includes some screencaps of what she reacted to, starts here.

I am going to walk into the ocean pic.twitter.com/1FSvCM1nOP
— Foz Meadows (@fozmeadows) September 14, 2021

Earlier today, the site contained an About Us section listing their names and qualifications, which is what I screenshot for this thread; it would now appear to have vanished, suggesting they’re aware of the blowback to their idea.
— Foz Meadows (@fozmeadows) September 15, 2021

All I can think is that they thought, “oh, it’s a ratings system, nobody HAS to use it, so why would anyone get mad at it existing,” a question that even the TINIEST bit of recon into the YA Twitter/blogosphere and the recent history of the genre could’ve answered in detail, but.
— Foz Meadows (@fozmeadows) September 15, 2021

(6) WORRIED ABOUT LIFE ON EARTH. The New York Times profiles the Tennessee author whose novel is on the Booker Prize shortlist: “Richard Powers Speaks For the Trees”. (No relation to the sff artist of the same name.)

…He was hiking in the woods nearby one day when he had the idea for his new novel, “Bewilderment,” which W.W. Norton will release on Sept. 21. Set in the near future, “Bewilderment” is narrated by Theo Byrne, an astrobiologist whose search for life on other planets feels increasingly futile in the face of the coming collapse of life on Earth. As he struggles with the disasters unfolding around him, Theo fears for his 9-year-old son, Robin, who is consumed by grief over the death of his mother and the fate of the planet.
The novel is shaping up to be a literary prize contender and was named to the Booker Prize shortlist on Tuesday. “Bewilderment” marks Powers’s latest and perhaps furthest foray into science fiction, but it has ominous echoes of contemporary America — catastrophic weather, political unrest, a Trump-like president who tweets erratically and spouts conspiracy theories about election fraud, a deadly virus that jumps from cows to humans and spreads rapidly before it gets detected….

(7) ELLISON’S ICONIC HOME. Tim Kirk posted photos of Harlan Ellison and a visitor admiring the “Aztec Martian” facade of Harlan’s home which was designed and sculpted by Tim’s brother Steve Kirk. Also at the link, a shot of Steve and Tim inside Harlan’s study; Steve sculpted the “Robot Deco” totems visible in the foreground.

(8) MEMORY LANE.

1965 – On this evening fifty six years ago on CBS, Lost in Space first aired. It was created and produced by Irwin Allen whose previous SF show was Voyage to the Bottom of The Sea. Its main cast was Guy Williams, June Lockhart, Mark Goddard, Marta Kristen, Bill Mumy, Angela Cartwright and Jonathan Harris. Oh, and The Robot was played by Bob May and voiced by Dick Tufeld. It was designed by Robert Kinoshita who did the Robot for Forbidden Planet. It would last three seasons of eighty three episodes. A Lost in Space film with a new cast would later happen, as well as a rebooted series.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born September 15, 1890 — Agatha Christie, or to give her full name of Dame Agatha Mary Clarissa Christie, Lady Mallowan, DBE (née Miller). ISDB lists her Harley Quin tales as being genre as they think the lead character is supernatural though no reviewers I can find think that he is. Anyone here who has read them? They also list one Hercule Poirot story, “The Big Four”, as genre as it involved apparently the use of atomic explosives in a 1927 story. I’ll admit that I love her Murder on the Orient Express in all its film incarnations no matter who plays the lead role. (Died 1976.)
Born September 15, 1940 — Norman Spinrad, 81. The only novel I’ve read by him is Bug Jack Barron. My bad. And I was fascinated to learn he wrote the script for Trek’s “The Doomsday Machine” episode which is an amazing story. It was nominated for a Hugo at Baycon. So how is that he’s never won a Hugo? He did get nominated for quite a few Hugos, the “Riding the Torch” novella at Aussiecon One, Staying Alive: A Writer’s Guide at L.A. Con II, Journals of the Plague Years at Noreascon 3 and Science Fiction in the Real World at Chicon V.
Born September 15, 1942 — Chelsea Quinn Yarbro, 79. Best known for her series of historical horror novels about the vampire Count Saint-Germain. She has been honored with the World Fantasy Award for Life Achievement, a Living Legend Award from the International Horror Guild Award and a Bram Stoker Award for Life Time Achievement. Very impressive indeed.
Born September 15, 1946 — Oliver Stone, 75. Jeopardy! answer: Oliver Stone. Jeopardy question: Who was the scriptwriter for the Conan the Barbarian? Yeah, isn’t that a kick? He has several genre credits one being the executive producers of the Wild Palms series, and the same for The Hand, a horror film about a comic book artist gone horribly wrong.
Born September 15, 1946 — Howard Waldrop, 75. I think that The Texas-Israeli War: 1999 which he wrote with Jake Saunders is my favorite work by him, but I’ve not read Them Bones. His short fiction such as “The Ugly Chickens” which won the World Fantasy and Nebula Awards is most excellent. He just won a World Fantasy Award for Lifetime Achievement. A generous selection of his work is available at the usual digital suspects.
Born September 15, 1952 — Loren D. Estleman, 69. You’ll have noticed that I’ve an expansive definition of genre and so I’m including a trilogy of novels by this writer who’s better known for his mainstream mysteries featuring Amos Walker which are set in the Sherlock Holmes Metaverse, Sherlock Holmes vs. Dracula, Dr. Jekyll and Mr. Holmes and The Devil and Sherlock Holmes. I think it was Titan Book that maybe a decade ago republished a lot of these Holmesian pastiches of which there are more than I want to think about. ISFDB lists two other novels by him as genre, Journey of the Dead and The Eagle and the Viper.
Born September 15, 1946 — Tommy Lee Jones, 75. Best known as Agent K in the Men in Black franchise, he’s has done other genre, the first being in Batman Forever as Harvey Dent / Two-Face. He’s also Colonel Chester Phillips in Captain America: The First Avenger as well. He most recently appeared as Cliff McBride in Ad Astra. Oh, and he’s in A Prairie Home Companion as Axeman.
Born September 15, 1962 — Jane Lindskold, 59. My first encounter with her was the Zelazny novel she finished, Donnerjack. It’s excellent though how much it’s Zelazny is open to debate which we did the last time I posted her Birthday. Of her own novels, I recommend The Buried Pyramid, Child of a Rainless Year and Asphodel as being very good.

(10) COMICS SECTION.

Bizarro shows a distant world where the movie theaters are open.

(11) GENESIS STORIES. The Salt Lake Tribune profiles four comics sellers in “How Utah’s independent comic book stores champion fandom, literacy and fantastic storytelling”.

Charles Prows was a Utah State University student in May 2013 when he decided to open a comic book store.
The almost lifelong Utah resident was on a road trip with his brother one weekend, complaining to his brother about the long path ahead: finishing his undergraduate degree and veterinary school, starting his own practice and — eventually — making enough money to retire and open a comic book store.
“That’s a really roundabout, weird way to open a comic book store,” his brother said.
His brother “ended up convincing [him]” that he should drop out of school and chase his real dream, Prows said. And he did just that — jumping in with only a few hundred dollars to his name….

(12) FINAL EXAM. James Gunn’s last book was released this summer: The Reading Protocols of Science Fiction: Discourses on Reading SF.

“The invitation came online, probably an e-mail. I was aware of the existence of SFF.net, a website that specialized in discussions of science fiction issues, often by authors who were too impatient to get their opinions published in the SFWA Bulletin, which got published every two months and was the battleground for some classic debates and sometimes name-calling… The invitation was to join a discussion–in midstream–about the protocols for reading science fiction. One of the exchanges online included a reference to the fact that I had written about the protocols in a recent article… I didn’t read the website regularly, mostly because I didn’t have time; these were busy days for me, both teaching and publishing, and my days as president of SFWA and then of SFRA were long over, and the debates were still raging about mostly the same issues. But the debates about the protocols of reading science fiction were still fresh and the discussion about them, if they existed, was still fresh. And the discussion was brisk and sharp, particularly from Damon Knight, with whom I had an interesting relationship since I had read his fiction and his critical opinions… We had met in a bar at the World Science Fiction Convention…”
And so begins James Gunn’s definitive and fascinating study of the reading protocols of science fiction — the way readers read science fiction differently than other kinds of fiction. (Or, do they?) The journey may seem academically dry, but is anything but, as it involves all sorts of beloved personalities and brawling debates about reading, writing, the very definition of science fiction itself, and what sets it apart from other fiction, and, ultimately, what makes us what we are as humans.
The lively debate involves Damon Knight and many other professional science fiction writers and critcs. The book includes Samuel R. Delany’s key essay on the subject, and several by James Gunn, to thoroughly explore the subject.
This is James Gunn’s last book, finished just before his death, and a most fitting capstone to his incredible career, all carefully put together with his friend and associate, Michael R. Page.

(13) DOROTHY DISAPPEARS. If they only had a heart. Litigation forces a DC-area brewer to rename its best-known beer. The Washington Post tells the story: “Oz forces 7 Locks Brewing beer name change”.

There’s something poignant about the new name for an old beer made by Rockville’s 7 Locks Brewing. What was originally known as “Surrender Dorothy” is now simply called “Surrender.” The Wicked Witch won and 7 Locks had to throw in the bar towel.
In this case, it was Turner Entertainment that was no friend of Surrender Dorothy. Its lawyers dropped a house on 7 Locks Brewing’s effort to trademark the name of their signature beer. (I think I may have mixed metaphors there.) “Basically, Turner owns the rights to ‘The Wizard of Oz,’” said Keith Beutel, co-founder of 7 Locks. “They claimed that we were using the term ‘Surrender Dorothy’ and they didn’t want any confusion with their branding.”…

(14) UNOFFICIAL COMPANION. A Kickstarter appeal has been launched to fund publication of Across Time and Space: An Unofficial Doctor Who Companion by Unbound.

Across Time and Space is a beautifully designed, 800-page paperback containing reviews of every televised Doctor Who story up to the present day. It is based on a blog called The Patient Centurion started by the writer Tony Cross in 2011, which now runs to over 200,000 words. The book includes an introduction from Doctor Who podcast host, Sunday Times bestselling author and all-round good guy Daniel Hardcastle.
It is an unofficial book not in any way associated with the BBC – this is a project by a fan for the fan community . We hope it will encourage some fans to follow Tony’s journey and start watching all 852 episodes in order . . .

Everyone that pledges at the standard level will receive a copy of the book and other perks. At this writing they’ve raised $4,815 of the $32,557 goal.

(15) GIVE YOUR ANSWER IN THE FORM OF A HAT. “Helen Mirren to Host ‘Harry Potter’ Quiz Show for WarnerMedia” – The Hollywood Reporter has the story.

The Oscar-winning actress has been tapped to host four-part competition series Harry Potter: Hogwarts Tournament of Houses for WarnerMedia. The previously announced series, which marks the 20th anniversary of the first film in the Harry Potter franchise, will air first on Cartoon Network and TBS before making its debut on HBO Max at a date to be determined.
“I knew someday I’d get a Harry Potter role, and I’m so pleased to take part in the 20-year film celebration,” Mirren said. “The films inspired such enchantment and wonder for so many of us, and it will be such a treat to reignite that magic for the countless fans who continue to revel in this spellbinding world.”

(16) DRAGON, PARTY OF FOUR. The Associated Press says it will happen tonight: “4 will circle Earth on 1st SpaceX private flight”.

SpaceX’s first private flight will be led by a 38-year-old entrepreneur who’s bankrolling the entire trip. He’s taking two sweepstakes winners with him on the three-day, round-the-world trip, along with a health care worker who survived childhood cancer.
They’ll ride alone in a fully automated Dragon capsule, the same kind that SpaceX uses to send astronauts to and from the International Space Station for NASA. But the chartered flight won’t be going there.
Set to launch Wednesday night from Kennedy Space Center, the two men and two women will soar 100 miles (160 kilometers) higher than the space station, aiming for an altitude of 357 miles (575 kilometers), just above the current position of the Hubble Space Telescope….

(17) THE PAST THROUGH YESTERDAY. DUST presents “Atropa” Episode 1.

When Off-World Officer Cole Freeman finds the missing research vessel ATROPA, he discovers an inconsistency in the ship logs. He wakes the crew from hypersleep, and they soon find themselves caught up in a much bigger mystery. Series Description: A troubled Off-World cop, running from his past, finds himself slammed directly into it when he boards the mysterious spaceship ATROPA.

(18) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “The Netflix Executive Tutorial” on Screen Rant, Ryan George plays Netflix executive Perry LaCroix, who explains all the advantages of being an executive at Netflix. Your deltoids get a good workout from all the bags of cash you’re carrying around. Everyone is your friend as you throw hundreds at them, “You get very familiar with the anguished cries of former CEOs” who leave pleading voice mails. But is it possible you could be replaced by an ATM that says “yes” on the front?

[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, rcade, N., Michael J. Walsh, Rich Lynch, SG Concatenation’s Jonathan Cowie, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Kip Williams.]

Frequently Answered Questions: The Last Dangerous Visions

Posted on August 22, 2021 by Mike Glyer

The following summary is drawn solely from information J. Michael Straczynski has shared with Facebook readers, or has written in unlocked Patreon posts. Additional information, not included here, is available to subscribers of JMS’ Patreon.

HOW WILL THE BOOK FIND A PUBLISHER?

The plan is to take it out to auction in September, and it’s usually about a year before a book goes through all the steps in proofing, printing and the like, so my guess — and that’s all it is at this point pending the sale — would be late Summer/early Fall 2022. But that’s nothing official. (Facebook)

WHY DID JMS SET THE BOOK’S WORDCOUNT AT 112K?

There were never a million words, at one point it was 700K, but then about half or more were withdrawn by the authors, so now we’re down to 250-300K, and from that it was essential to find the best of the best in order to make sure that this achieved publication that would draw attention to Harlan’s legacy and the work of those writers. This isn’t a weight competition, it’s not about 50 words, it’s about the best words.
Do you want to see 112K words by some of the best writers in the field finally being published? Or do you not want any of them to be seen in anything resembling a proper publication? Because that’s the choice. Pick one.
And all of the stories not being used in TLDV are released and free to be published elsewhere, so there’s no bottleneck at this end.
…The first DV was published in 1967, the second in ’71, and the Year’s Best anthology you mention was published in 1984, when it was not that difficult to get large anthologies in the SF genre out there. In 2021, the field has contracted, and it’s *very* difficult to go for much more of a word-count than we have here for an anthology, especially since the market for anthos is generally considered very weak. We’ve been quietly discussing this with several publishers and that number is actually slightly beyond the hard ceiling they suggested. That being said: the final manuscript definitely contains the very best of the very best…the book is *solid* and the stories are genuinely remarkable and timeless. (Facebook)

WILL HARLAN ELLISON’S INTRODUCTIONS BE IN THE BOOK?

Anything/everything Harlan wrote for TLDV will be included. (Facebook)

WILL TIM KIRK’S ARTWORK BE IN THE BOOK?

Previously unseen artwork by the phenomenal Tim Kirk commissioned for the original volume to go with these stories will also be included in this volume. (“On Finishing The Last Dangerous Visions”)

WHICH AUTHORS HAVE NEW STORIES ACQUIRED BY JMS FOR THE BOOK?

Three authors who will have a new story in LDV have been named. The first one is —

As noted, several high-profile writers have stepped up to show support for TLDV by offering to contribute stories. The first was announced Monday exclusively to those on Patreon, and can now be conveyed here: the amazing NEIL GAIMAN!

And the other two —

Also: I’d like to announce another significant contemporary writer who has decided to lend his name to THE LAST DANGEROUS VISIONS by contributing a story: CORY DOCTOROW, who is known as not just an amazing writer but a pioneer in the realm of electronic rights and privacy and a scholar of the internet.
And of the original writers who contributed stories, “Rundown” by the highly regarded SF and fantasy writer John Morressy has been selected to be included in this volume.

WHICH PREVIOUSLY UNPUBLISHED WRITER HAD A STORY ACCEPTED FOR TLDV?

There was a one-day submission window for unpublished writers who wanted to have a story accepted for LDV (Patreon). Only one story would be accepted. JMS has named the author of the chosen story —

Kayo Hartenbaum

So though the competition was stiff, the thoughtfulness of the story, the inventiveness of the way in which it was told, and the story’s ability to grab and hold the attention of the reader lifted it out of the ordinary and made it something that definitely belonged in the pages of The Last Dangerous Visions.

[Comments are closed.]

Pixel Scroll 6/9/21 Self: Deaf Ents

Posted on June 9, 2021 by Mike Glyer

(1) WITH THANKS. John Wiswell, Nebula winner for ”Open House on Haunted Hill,” has made his touching “Nebula Awards 2021 Acceptance Speech” a free post on his Patreon.

…Saying that, there’s one other author I cannot end this speech without thanking. It’s a little gauche, but I hope they’re listening.
Because my story, “Open House on Haunted Hill,” was rejected several times before Diabolical Plots gave it a chance. And in my career my various stories were rejected over 800 times before I won this award tonight. And that’s why I hope this author is listening.
You, who think you’re not a good enough writer because you don’t write like someone else.
You, who haven’t finished a draft because your project seems too quirky or too daunting.
You, who are dispirited after eating so many rejection emails.
You, who are going to write the things that will make me glad I’m alive to read them.
What the field needs is for you to be different, and to be true to your imagination….

(2) GOMEZ Q&A. In “A Point of Pride: Interview with Jewelle Gomez”, the Horror Writers Association blog continues its Pride Month series.

Do you make a conscious effort to include LGBTQ material in your writing and if so, what do you want to portray?
Because my life as a lesbian/feminist of colour is my context I don’t have to remind myself to include Queer material. That’s where I begin. There are, of course, other types of characters in my writing but my experience is centralised. I have a Queer social and political circle and they are easily represented in my work. For so long women, lesbians and people of colour were told our stories weren’t important, other (white) people wouldn’t be interested in them. Now we know that was just another way to dominate our experience. I long for the day that non-Queer writers and non-Black writers feel sensitive enough to do the research and include authentic characters in their work who don’t look like them.

(3) KIRK AT WORK. Thomas Parker revisits the history-making calendar at Black Gate: “First Impressions: Tim Kirk’s 1975 Tolkien Calendar”.

How does the old saying go? “You never get a second chance to make a first impression.” It’s often true that the first encounter has an ineradicable effect, whether the meeting is with a person, a work of art, or a world. It’s certainly true in my case; I had my first and, in some ways, most decisive encounter with Middle-earth before I ever read a word of The Lord of the Rings. My first view of that magical place came through the paintings of Tim Kirk, in the 1975 J.R.R. Tolkien Calendar, and that gorgeous, pastel-colored vision of the Shire and its environs is the one that has stayed with me. Almost half a century later, Kirk’s interpretation still lies at the bottom of all my imaginings of Tolkien’s world.

(4) CASTING THE MCU. [Item by Martin Morse Wooster.] I listened to this podcast Leonard and Jessie Maltin did with casting director Sarah Finn – “Maltin on Movies: Sarah Finn” Finn has cast every role in every film and TV series on Disney+ in the MCU, so she has a lot of inside knowledge. Among her goals is to find actors who enjoy playing superheroes and like working with each other. She also discusses why it was a gamble to cast Robert Downey, Jr. as Iron Man and why Vin Diesel was cast as Groot because of his voice work in The Iron Giant.

She also reveals Dwayne Johnson’s secret for success: he is genuinely a nice guy who even volunteered to do the dishes after a casting call!

Finn also discusses her work as casting director on The Mandalorian and her work for Oliver Stone, including the gamble of having Eli Wallach play a substantial role at age 95 on Wall Street: Money Never Sleeps.

This was a very informative podcast.

(5) ONE SHOT. “Elizabeth Olsen Says WandaVision Won’t Have a Second Season: ‘It Is a Limited Series’” reports Yahoo!

Elizabeth Olsen has weighed in on the future of WandaVision – and sadly, fans shouldn’t expect there to be a second season.
“No, that’s easy for me to answer. It is a limited series. It’s a fully beginning, middle, end, and that’s it kind of thing,” she told PEOPLE in January ahead of the Disney+ show’s premiere.
During a recent virtual chat with Kaley Cuoco for Variety‘s Actors on Actors series, Olsen once again echoed her comments about the series likely not returning for season 2….

(6) PRO TIP. Tade Thompson triages his email:

https://twitter.com/tadethompson/status/1402546049017864193

(7) GRANTS AVAILABLE. The Ladies of Horror Fiction review site are offering nine 2021 LOHF Writers Grants. Applications must be submitted by August 31.

Nine recipients will receive the LOHF Writers Grant in the amount of $100. The Ladies of Horror Fiction team will announce the recipients of the LOHF Writers Grant on September 15, 2021.
The LOHF Writers Grant is inclusive to all women (cis and trans) and non-binary femmes who have reasonably demonstrated a commitment to writing in the horror genre. All grant provided funds must be used in a manner that will help develop the applicant’s career.

The grants are funded by Steve Stred, Laurel Hightower, Ben Walker, S.H. Cooper, Sonora Taylor, and several anonymous donors.

(8) TEN FOR THE PRICE OF FIVE. Two entries from James Davis Nicoll from the pages of Tor.com:

“Five SFF Characters You Should Never, Ever Date”.

Science fiction and fantasy are rich in characters who deserve (and sometimes find) rewarding personal relationships. There are also characters that other characters should never, ever date. Ever. Here are five fictional characters from whom all prospective love interests should run screaming…

“Five SF Books About Living in Exile”.

Few calamities sting like being driven from the land one once called home. Exile is therefore a rich source of plots for authors seeking some dramatic event to motivate their characters. You might want to consider the following five books, each of which features protagonists (not all of them human) forced to leave their homes….

(9) CORA ON CONAN. Cora Buhlert’s latest Retro Review is of one of the less known Conan stories that was not published in Howard’s lifetime: “Retro Review: ‘The God in the Bowl’ by Robert E. Howard or Conan Does Agatha Christie”.

…Unlike the two previous stories, “The God in the Bowl” remained unpublished during Howard’s lifetime and appeared for the first time in the September 1952 issue of the short-lived magazine Space Science Fiction. Why on Earth editor Lester del Rey decided that a Conan story was a good fit for a magazine that otherwise published such Astounding stalwarts as George O. Smith, Clifford D. Simak and Murray Leinster will probably forever remain a mystery.
As for why I decided to review this particular Conan story rather than some of the better known adventures of our favourite Cimmerian adventurer (which I may eventually do), part of the reason is that the story just came up in a conversation I had with Bobby Derie on Twitter. Besides, I have been reading my way through the Del Rey Robert E. Howard editions of late and realised that there are a lot of layers to those stories that I missed when I read them the first time around as a teenager.

(10) INSIDER WADING. The next Essence of Wonder With Gadi Evron will be abouts “Future of the HUGO, ASTOUNDING and LODESTAR Awards: Worldcon Insiders Discuss the History and Trends”. Register at the link.

Three Worldcon insiders, Tammy Coxen, Nicholas Whyte, and Vincent Docherty will join Gadi and Karen to discuss the Hugo, Astounding, and Lodestar awards, their history, and current trends.
Like last year, we will be interviewing category nominees in the next few months, with this show as the opening segment.

(11) GAME WRITING ARCHIVE. Eatonverse tweets highlights of the UC Riverside’s Eaton Collection of Science Fiction and Fantasy. Today’s rarity is from Marc Laidlaw —

https://twitter.com/EatonVerse/status/1402379102540099584

(12) HERE THEY COME AGAIN. Those pesky aliens.Invasion launches on October 22 on Apple TV+.

(13) MEMORY LANE.

1971 — Fifty years ago at Noreascon 1 which had Robert Silverberg as its Toastmaster, The Magazine of Fantasy & Science Fiction won the Hugo for Best Professional Magazine. It was its third such Hugo win in a row, and seventh to that date.

(14) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

Born June 9, 1911 – J. Francis McComas. With Raymond Healy (1907-1997) edited the pioneering and still excellent anthology Adventures in Time and Space – and got Random House to publish it. Thus although not having planted the crops, he knew to harvest: they also serve who only sit and edit. With Anthony Boucher (1911-1969) founded The Magazine of Fantasy and Science Fiction, the best thing to happen among us since Astounding. Half a dozen stories of his own. Afterward his widow Annette (1911-1994) edited The Eureka Years; see it too. (Died 1978) [JH]
Born June 9, 1925 – Leo R. Summers. Twenty covers for Fantastic, eight for Amazing, six for Analog; six hundred interiors. Here is a Fantastic cover; here is one for Analog; here is an interior for H.B. Fyfe’s “Star Chamber” from Amazing. A fruitful career. (Died 1985) [JH]
Born June 9, 1925 — Keith Laumer. I remember his Bolo series fondly and read quite a bit of it. Can’t say which novels at this point though Bolo definitely and Last Command almost certainly. The Imperium and Retief series were also very enjoyable though the latter is the only one I’d re-read at this point. The usual suspects have decent though not complete ebooks listings for him, heavy on the Imperium and Retief series and they’ve just added a decent Bolo collection too. (Died 1993.) (CE)
Born June 9, 1930 — Lin Carter. He is best known for his work in the 1970s as editor of the Ballantine Adult Fantasy series. As a writer, His first professional publication was the short story “Masters of the Metropolis”, co-written with Randall Garrett, in The Magazine of Fantasy and Science Fiction, April 1957. He would be a prolific writer, average as much as six novels a year. In addition, he was influential as a critic of the fantasy genre and an early historian of the genre. He wrote far too much for me to say I’ve sampled everything he did but I’m fond of his Castillo, Great Imperium and Zarkon series. All great popcorn literature! (Died 1988.) (CE)
Born June 9, 1931 – Joanie Winston. Vital spark of Star Trek fandom; co-founder of the first Trek convention, got Gene Roddenberry to attend; co-organized the next four; became a sought-after guest herself. Reported in The Making of the Trek Conventions, or How to Throw a Party for 12,000 of Your Most Intimate Friends, got it published by Doubleday and Playboy. Appreciation by OGH here. Quite capable of playing poker at a 200-fan relaxacon rather than bask in glory at a Trek megacon the same weekend. (Died 2008) [JH]
Born June 9, 1934 — Donald Duck, 87. He made his first appearance in “The Wise Little Hen” on June 9th, 1934. In this cartoon as voiced by Clarence Nash, Donald and his friend, Peter Pig (also voiced by Nash), lie their way out of helping the titular little hen tend to her corn. Donald Duck was the joint creation of Dick Lundy, Fred Spencer, Carl Barks, Jack King and Jack Hannah though Walt Disney often would like you to forget that. You can watch it here. (CE)
Born June 9, 1943 – Joe Haldeman, age 78. Two dozen novels, eighty shorter stories; ninety published poems. Seven Hugos, five Nebulas; three Rhyslings; Tiptree (as it then was); Skylark. Edited Nebula Awards 17. Pegasus Award for Best Space Opera Song. SFWA (Science Fiction & Fantasy Writers of America) Grand Master. Science Fiction Hall of Fame. Guest of Honor at – among others – Windycon I and 20, Disclave 21, Beneluxcon 7, ConFiction the 48th Worldcon. Wide range has its virtues; he’s told how one story sold at a penny a word and five years later was adapted for television at five times as much; also “I don’t have to say Uh-oh, I’d better get back to that novel again; I can always write a poem or something.” [JH]
Born June 9, 1954 — Gregory Maguire, 67. He is the author of Wicked: The Life and Times of the Wicked Witch of the West based off of course the Oz Mythos, Confessions of an Ugly Stepsister retelling the tale of Cinderella and Mirror, Mirror, a revisionist retelling of the Snow White tale which is really excellent. Well you get the idea. He’s damn good at this revisionist storytelling. (CE)
Born June 9, 1963 — David Koepp, 58. Screenwriter for some of the most successful SF films ever done: Jurassic Park (co-written with Michael Crichton), The Lost World: Jurassic Park, War of The Worlds and, yes, it made lots of money, Indiana Jones and the Kingdom of the Crystal Skull. He won a Hugo for Jurassic Park which won Best Dramatic Presentation at ConAdian. (CE)
Born June 9, 1966 – Christian McGuire, age 55. Co-chaired eight Loscons. Chaired Westercon 63, Conucopia the 7th NASFiC (N. Am. SF Con, held when the Worldcon is overseas), L.A.con IV the 64th Worldcon. A founder of Gallifrey One; chaired or co-chaired its first 12 years. Fan Guest of Honor at Baycon 2002, Westercon 51, Capricon 29, Loscon 36. Evans-Freehafer Award (L.A. Science Fantasy Soc.; service). [JH]
Born June 9, 1967 – Dave McCarty, age 54. Chaired three Capricons. Chaired the 70th Worldcon, Chicon 7, which by our custom means the seventh Worldcon in the same town with continuity from the same community. No one else has managed this, or come close; the nearest have been Noreascon Four (62nd Worldcon), L.A.con IV (64th), and Aussiecon 4 (68th). Also served as Hugo Awards Administrator, and on the World SF Society’s Mark Protection Committee, two of our least conspicuous and most demanding tasks. Fan Guest of Honor at Windycon 28, Capricon 38. [JH]
Born June 9, 1981 — Natalie Portman, 40. Surprisingly her first genre role was as Taffy Dale in Mars Attacks!, not as Padme in The Phantom Menace. She’d repeat that role in Attack of The Clones and Revenge of The Sith. She’d next play Evey in V for Vendetta. And she played Jane Foster twice, first in Thor: The Dark World and then in Avengers: Endgame. She’ll reprise the role in Thor: Love and Thunder in which she’ll play both Jane Foster and Thor. That I’ve got to see. (CE)

(15) PET SHOP. “’DC League of Super-Pets’ Cast: Kevin Hart, Keanu Reeves, More Join Dwayne Johnson” reports Deadline.

The cast for the upcoming animated movie, DC League of Super-Pets, includes Dwayne Johnson as Krypto and Kevin Hart as Ace. The cast also features Kate McKinnon, John Krasinski, Vanessa Bayer, Natasha Lyonne, Diego Luna, and Keanu Reeves. The movie will be released May 20, 2022.

(16) LIGHTS ON LANGFORD. Cora Buhlert continues her Fanzine Spotlight by interviewing David Langford about his famed newzine: “Fanzine Spotlight: Ansible”.

Who are the people behind your site or zine?
In theory it’s just me. In practice I couldn’t keep going without all the correspondents who send obituaries, interesting news snippets, more obituaries, convention news, too many obituaries, and contributions to such regular departments as As Others See Us and Thog’s Masterclass. The first collects notably patronizing or ignorant comments on the SF genre from the mainstream media, with special attention to authors who write science fiction but prefer to pretend they don’t (Margaret Atwood once explained that SF was “talking squids in outer space” and since she didn’t write /that/ she had to be innocent of SF contamination). Thog’s Masterclass is for embarrassingly or comically bad sentences in published fiction, not always SF — as well as the usual genre suspects, the Masterclass has showcased such luminaries as Agatha Christie, Vladimir Nabokov and Sean Penn.

(17) TAKES TWO TO TANGO. Galactic Journey’s Gideon Marcus tells the good and the bad news about the latest (in 1966) US space mission: “[June 8, 1966] Pyrrhic Victory (the flight of Gemini 9) – Galactic Journey”.

…Scheduled for May 17, 1966, Gemini 9 was supposed to be the first real all-up test of the two-seat spacecraft. Astronauts Tom Stafford (veteran of Gemini 6) and Gene Cernan would dock with an Agena and conduct a spacewalk. If successful, this would demonstrate all of the techniques and training necessary for a trip to the Moon.
The first bit of bad luck involved the Agena docking adapter. Shortly after liftoff on the 17th, one of the booster engines gimballed off center and propelled rocket and Agena into the Atlantic ocean. The two astronauts, bolted into their Gemini capsule for a launch intended for just a few minutes after, had to abort their mission.
Luckily, NASA had a back-up: the Augmented Target Docking Adapter (ADTA). The ADTA was basically an Agena without the engine. A Gemini could practice docking with it, but the ADTA can’t be used as an orbital booster for practice of the manuever that Apollo will employ when it breaks orbit to head for the Moon.
ADTA went up on June 1, no problem. But just seconds before launch, the Gemini 9 computer refused navigational updates from the Cape. The launch window was missed, and once again, Tom and Gene were forced to scrub. Stafford got the nickname “Prince of the Pad.”…

(18) CULINARY FAME IS FLEETING. The New Yorker’s Jason Siegel and Maeve Dunigan take up the tongs as “A Food Critic Reviews the Swedish Chef’s New Restaurant”.

When I heard that the Swedish Chef from “The Muppet Show” was opening a Chelsea location of his celebrated bistro, Dorg Schnorfblorp Horganblorps, I was skeptical. I’m always hesitant to believe the hype surrounding celebrity chefs, especially when they’re made of felt. While the city was abuzz, calling Mr. Muppet the new Jean-Georges Vongerichten, I was certain that this newcomer was nothing more than a passing fad, a Swedish Salt Bae. But, after such a tough year for restaurants, I was curious about how this mustachioed madman’s gimmick had sustained its popularity. Eventually, I decided that I had to go see for myself—could the Swedish Chef’s bites ever live up to his bark, or bork?
Dorg Schnorfblorp Horganblorps has been open for only three months but already has a wait list that extends to the end of the year. I was amazed that anyone could get a reservation at all, considering that the restaurant’s Web site contains no helpful links or information, only a gif of a turkey being chased by the chef wielding a tennis racquet, captioned, “Birdy gerdy floopin.”…

(19) WHO THAWS THERE? Mike Wehner reports “Scientists revived a creature that was frozen in ice for 24,000 years” at Yahoo!

It sounds like the plot from a cheese science fiction movie: Scientists unearth something that’s been buried in the frozen ground of the Arctic for tens of thousands of years and decide to warm it up a bit. The creature stirs as its cells slowly wake up from their long stasis. As time passes, the animal wakes up, having time-traveled 24,000 years thanks to its body’s ability to shut itself down once temperatures reached a certain low. It sounds too incredible to be true, but it is.
In a new paper published in Current Biology, researchers reveal their discovery of a microscopic animal frozen in the Arctic permafrost for an estimated 24,000 years. The creature, which would have lived in water during its previous life, was revived as the soil thawed. The discovery is incredibly important not just for the ongoing study of creatures found frozen in time here on Earth.
The tiny creature is called a bdelloid rotifer. These multicellular animals live in aquatic environments and have a reputation for being particularly hardy when it comes to frigid temperatures. They are obviously capable of surviving the process of being frozen and then thawed, and they’re not the only tiny animal to have this ability….

(20) HAVE AN APPLE, DEARIE. Atlas Obscura would like you to “Meet the Appalachian Apple Hunter Who Rescued 1,000 ‘Lost’ Varieties”. Daniel Dern sent the link with two comments: “1: I don’t know whether any of these are better at keeping doctor away. 2: Have they been tested for ‘putting people to deep-sleep’?”

AS TOM BROWN LEADS A pair of young, aspiring homesteaders through his home apple orchard in Clemmons, North Carolina, he gestures at clusters of maturing trees. A retired chemical engineer, the 79 year old lists varieties and pauses to tell occasional stories. Unfamiliar names such as Black Winesap, Candy Stripe, Royal Lemon, Rabun Bald, Yellow Bellflower, and Night Dropper pair with tales that seem plucked from pomological lore.
Take the Junaluska apple. Legend has it the variety was standardized by Cherokee Indians in the Smoky Mountains more than two centuries ago and named after its greatest patron, an early-19th-century chief. Old-time orchardists say the apple was once a Southern favorite, but disappeared around 1900. Brown started hunting for it in 2001 after discovering references in an Antebellum-era orchard catalog from Franklin, North Carolina….

(21) TEFLON CRUELLA. The New York Times speculates about “The Surprising Evolution of Cruella De Vil”:

From a calm socialite, she morphed into an unhinged puppy kidnapper and then a vindictive glamourpuss. Why don’t we hate her?

And for dessert, here’s a Cruella parody video.

(22) CAN YOU MAKE A WALL OF TEXT? The Lego Typewriter has some moving parts that simulate a real typewriter but, no, you can’t produce copy with it. At the link is a video of the assembled 2000+ piece project.

(23) BREAKING INTO THE MCU. [Item by Martin Morse Wooster.] In “The Marvel Character Tutorial” on Screen Rant, Ryan George plays Marvel screenwriter “Richard Lambo,” who says if you are trying to sell a screenplay to Marvel, make sure he or she has plenty of abs (four will do, but a six-pack is best) and leave plenty of room for snark!

(24) VIDEO OF THE DAY. In “Honest Game Trailers: Returnal,” Fandom Games says that Sony’s new game puts you “in a Gigeresque sci-fi setting” where your goal is “to kill all the wildlife” in a game so depressing that Sony should “just throw away the game and have someone come over and kick you in the scrotum” to achieve the same painful effect. (Or “slamming your face into a brick wall” is mentioned at another place, if the first option isn’t available.)

[Thanks to John Hertz, Mike Kennedy, Andrew Porter, Martin Morse Wooster, James Davis Nicoll, Daniel Dern, Gadi Evron, Cora Buhlert, JJ, Michael Toman, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to contributing editor of the day Niall McAuley.]

Pixel Scroll 5/31/21 I’m At The Godstalk, The Death Star, The Second Fifth Hotel, The Pixels Keep On Scrolling And Rolling Files As Well

Posted on May 31, 2021 by Mike Glyer

(1) HANSEN BOOK FREE FROM TAFF. Another ebook is available from the Trans-Atlantic Fan Fund’s website, #60 in the free library, Rob Hansen’s Faan Fiction 1930-2020: an exploration. Cover artwork adapted from Rob Hansen’s cover for his fanzine Epsilon #7, July 1981. Approximately 61,000 words. (TAFF hopes you’ll make a little donation to the fund if you please.)

In this combined critique and anthology, Rob Hansen discusses the phenomenon of fan fiction (in the fannish fanzine sense) with a particular focus on the UK. His commentary is interspersed with many examples from such diverse fan writers as John Berry, C.S. Youd (John Christopher), Leroy Kettle, David Langford, Mark Plummer, Bob Shaw, Ian Sorensen, James White, Walt Willis – and Rob Hansen himself, including previously unpublished work. There are several surprises.

From Rob Hansen’s Foreword:

One aspect of fandom only lightly touched on by me in Then was fan fiction. By which, of course, I mean fiction about fans and/or fandom. This is a thread that has been woven through SF fandom since it began, enduring almost to the present day, and so is worthy of consideration in that light. I’ll be looking at the people who wrote it and all its various forms and the purposes to which they were put. Inevitably, the quality of the writing varies wildly, with that of those who later went on to write professionally usually being a cut above the rest.
…Where possible the pieces of fan fiction reprinted herein to illustrate various types and forms – all by UK fans – were specifically chosen from those not already available. As a result, most will be things the majority of readers won’t have encountered before.

(2) SF ART COLLECTORS WILL SPEAK. Tomorrow on Comic Art Spotlight Doug Ellis joins a panel with three friends — Glynn Crain, John Davis & Victor Dricks — discussing SF/fantasy art. All four have large collections of vintage SF art. They’ll be highlighting and discussing various artists and pieces in those collections, including creators like Virgil Finlay, Frank Kelly Freas, Ed Emshwiller, Wally Wood, Ed Valigursky, George Barr and many more. The panel kicks off June 1 at 8:00 p.m. Eastern:

(3) PLONK YOUR MAGIC TWANGER. The Haffner Press’ two-volume edition of The Complete John the Balladeer by Manly Wade Wellman is available for pre-order.

John, whose last name is never revealed, is a wandering singer who carries a guitar strung with strings of pure silver. He is a veteran of the Korean War and served in the U.S. Army as a sharpshooter (in the novel After Dark, he mentions that his highest rank was PFC). In his travels, he frequently encounters creatures and superstitions from the folk tales and superstitions of the mountain people. Though John has no formal education, he is self-taught, highly intelligent and widely read; it is implied that his knowledge of occult and folk legendarium is of Ph.D level. This knowledge has granted him competent use of white magic, which he has used on occasion to overcome enemies or obstacles, but it is primarily his courage, wit and essential goodness that always enables him to triumph over supernatural evils (although the silver strings of his guitar and his possession of a copy of The Long Lost Friend are also powerful tools in fighting evil magic), while basic Army training allows him to physically deal with human foes.

Haffner recently posted this photo of artist Tim Kirk’s dropcaps for the book.

(4) FEELIN’ GROOVY. John Coulthart has a gallery of “groovy” sf covers in “The art of Mike Hinge, 1931–2003” at { feuilleton }.

Back in March I ended my post on the psychedelia-derived art style that I think of as “the groovy look” with the words “there’s a lot more to be found.” There is indeed, and I’d neglected to include anything in the post by Mike Hinge, a New Zealand-born illustrator whose covers for American SF magazines in the 1970s brought a splash of vivid colour to the groove-deprived world of science fiction. This was a rather belated development for staid titles like Amazing and Analog whose covers in the previous decade wouldn’t have looked out of place in the Gernsback era. Opening the door to someone like Mike Hinge, a graphic designer as well as a general illustrator, was probably a result of both magazines having undergone recent changes of editorship.

(5) HEVELIN COLLECTION UPDATE. [Item by Bruce D. Arthurs.]Just found out the University of Iowa’s “Hevelin Collection” Tumblr account, which posted pics of items from Rusty Hevelin’s collection of fanzine and other SFnal material (but has been inactive for the last several years), announced about ten days ago they’re officially suspending the Tumblr. (But past posts will remain online for the foreseeable future.)

But you can still see over 700 fanzines, etc., from the Hevelin Collection in the Iowa Digital Library: Hevelin Fanzines — The University of Iowa Libraries.

And rather than single pictures like the Tumbler account did, the IDL archive leads to scans of the full contents, so far as I’ve tested it. Probably a fair amount of overlap with Fanac.org and eFanzines.com, but always good to have fannish history backed up in multiple places.

(The IDL archive may, it occurs to me, be old news to those who keep up with fanzines past and and present more than I do. “Slight” is a polite way to describe my level of involvement these days. Still, news to me.)

(6) MEDIA BIRTHDAY.

May 31, 1990 — On this day in 1990, Paul Verhoeven’s Total Recall premiered. It starred Arnold Schwarzenegger, Rachel Ticotin, Sharon Stone, Ronny Cox, and Michael Ironside. It’s rather loosely based on Philip K. Dick‘s “We Can Remember It for You Wholesale” story. Ronald Shusett, Dan O’Bannon and Gary Goldman wrote the screenplay. It finished second at Chicon V for Best Dramatic Presentation to Edward Scissorhands. Most critics liked it well-enough though a number of feminist critics thought it excessively violent towards women. It currently holds a seventy-eight percent rating among audience reviewers at Rotten Tomatoes.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

Born May 31, 1893 – Elizabeth Coatsworth. Newbery Medal for The Cat Who Went to Heaven (1930). Four “incredible tales” for adults; four books of poetry; ninety in all; memoir Personal Geography. (Died 1986) [JH]
Born May 31, 1895 — George R. Stewart. As recently noted in the Scroll, his 1949 novel Earth Abides won the first International Fantasy Award in 1951. They were a British award and the first one, this very one, was given at Festivention. Other genre works would include Man, An Autobiography and Storm which is at least genre adjacent. (Died 1980.) (CE)
Born May 31, 1910 – Aubrey MacDermott. Possibly the first fan. He always said he was. Unfortunately, the supporting evidence is thin. He may well have founded the Eastbay Club in the San Francisco Bay area around 1928. Anyway, he was Fan Guest of Honor at Westercon XXXX (Oakland, 1987). Here is his Origin Story as of 1990. (Died 1996) [JH]
Born May 31, 1921 – Arthur Sellings. Six novels, fifty shorter stories, in Fantastic, Galaxy, Imagination, The Magazine of Fantasy & Science Fiction, Nebula, New Worlds, New Writing, Worlds of Tomorrow. Antiquarian, book & art dealer. (Died 1968) [JH]
Born May 31, 1930 — Gary Brandner. Best remembered for his werewolf trilogy of novels, The Howling, of which the first was very loosely made into a film. He wrote the script for Howling II: Your Sister Is a Werewolf. The fourth film of the series, Howling IV: The Original Nightmare, is actually almost an accurate adaptation of the first novel. He wrote a lot of other horror and penned the novelization of Cat People. (Died 2013.) (CE)
Born May 31, 1942 – Brian Burley. Active fan in Ohio and New York. Co-founded Marcon. In 1979 he was in FISTFA (Fannish Insurgent Scientifictional Ass’n); here he is (with S.H. Craig and Pat O’Neill) on “Fandom in New York” for the Lunacon XXII Program Book. Co-founded the Beaker People Libation Front, which Fancyclopedia III mildly calls “not entirely serious”; see here. (Died 2006) [JH]
Born May 31, 1948 — Lynda Bellingham. She was The Inquisitor in the Sixth Doctor Story, “The Trial of The Time Lord”. Other genre appearances include the Landlady in Hans Christian Andersen: My Life as a Fairy Tale, and one-offs in Blake’s 7, Robin Hood and Julia Jekyll and Harriet Hyde. (Died 2014.) (CE)
Born May 31, 1950 — Gregory Harrison, 71. I’m always surprised to discover a series didn’t last as long as I thought it has. He was Logan 5 in the Logan’s Run TV series which only lasted fourteen episodes. He was also in Dark Skies, twenty episodes before cancellation, as the voice of Old John Loengard, and had one-offs in Dead Man’s Gun (cursed object and that series actually lasted awhile), Touched by an Angel, Outer Limits and Miracles. (CE)
Born May 31, 1961 — Lea Thompson, 60. She’s obviously best known for her role as Lorraine Baines in the Back to the Future trilogy though I remember her first as Beverly Switzler in Howard the Duck as I saw Back to the Future after I saw Howard the Duck. Not sure why that was. Her first genre role was actually as Kelly Ann Bukowski in Jaws 3-D, a film I most decidedly did not see. If you accept the Scorpion series as genre, she’s got a recurring role as Veronica Dineen on it. (CE)
Born May 31, 1977 – Cat Hellisen, age 44. Fantasy for adults and children; free-lance editing; also archery, aikidô, figure skating. Six novels, a score of shorter stories. “The Worme Bridge” won the Short Story Day Africa award. More recently in Fife she likes the forests and the fields and the Forth. Has read Giovanni’s Room, Flatland, Herland, five plays by Aeschylus, Peter Pan, both Alice books, Les liasons dangereuses, The Wonderful Wizard of Oz. [JH]
Born May 31, 1979 — Sophia McDougall, 42. She has a very well crafted alternative history series, the Romanitas series, In which Rome did not fall and rules the world today. She has two SF novels —Mars Evacuees is sort of YA alien invasion novel; Space Hostages reminds of a Heinlein YA novel. (CE)
Born May 31, 1995 – Jeremy Szal, age 26. One novel, thirty shorter stories. Fiction editor at StarShipSofa 2014-2020 (Episodes 360-600). Collects boutique gins. See his review of Predestination at Strange Horizons here. [JH]

(8) COMICS SECTION.

Half Full could be making a combined Alice in Wonderland and Simon & Garfunkel joke. Or not.

(9) WRITING PROMPT. From Agatha Chocolats:

In six words or fewer, write a story about this photo. #sixwordstory #WritingCommunity pic.twitter.com/UHGcorHXE2
— Agatha Chocolats (@AgathaChocolats) May 31, 2021

Popehat suggests: “Cthulhu fhtagn exact change only.”

(10) SHAVER MYSTERY MAGAZINE ADDED BY FANAC. “If you’ve been hearing the words ‘Shaver Mysteries’ bruited about, now’s your chance to see what all the fuss is over,” says Fanac.org’s Joe Siclari. Check here: Shaver Mystery Magazine, by Richard S. Shaver. There are 7 issues of this semi-pro, related zine.

Siclari further says, “Some might not consider this a fanzine because rumor has it that it was paid for by Ray Palmer and Ziff-Davis. However the Shaver Mystery stories were a subject of great controversy in fanzines. So it is of related interest. It definitely was not a money-maker. It seems to fit into the category we later called a semi-prozine. And the art! McCauley, Finlay…”

(11) JUMPING IN. [Item by Martin Morse Wooster.] In the Washington Post, Michael Cavna interviews Pepe The Frog creator Matt Furie who is trying to recapture his character from the alt-right by creating non-fungible tokens featuring Pepe and other of Furie’s characters that have sold for up to $1 million. “Matt Furie is trying to reclaim his famous cartoon Pepe the Frog — through NFTs”.

To Furie, the NFT realm is about more than coin. During the era of Donald Trump, extremist social media users adapted Pepe so often that the Anti-Defamation League deemed it a hate symbol. But the exploding world of crypto-art is allowing the cartoonist to reclaim a character who was never meant to stand for much beyond love, peace, hedonism and altered-state chillaxin’.
“The NFT world is new, and there are a lot of optimistic people creating cool things,” Furie says of his interest in exploring non-fungible tokens — unique digital files whose origins and ownership can be verified.“Pepe does not have the baggage here that he does in the ‘real world,’ and I like working with utopians and optimistic freethinkers. There are so many possibilities.”

(12) A SCHULZ CURIOSITY. Cavna has also written: “Three ‘lost’ Charles Schulz strips have been rediscovered. Do they show the adult Lucy Van Pelt?”To some, they resemble “Peanuts” characters — if Charlie Brown and the gang had ever grown up.

These rare curiosities intrigue and baffle even the experts. “They’re a puzzle to me,” says Jean Schulz, wife of the late cartoonist Charles M. Schulz, who drew them.
They are the seven black-and-white works of comic art from the mid-’50s collectively called the “Hagemeyer” strips. Four of them have appeared in books. The three other “lost” strips were found and purchased at auction in May 2020— but have never been widely published, according to the Charles M. Schulz Museum and Research Center.

(13) IT’S IMPOSSIBLE. [Item by SF Concatenation’s Jonathan Cowie.] From this week’s Nature: “First Nuclear Test Created Impossible ‘Quasicrystals’”.

SF is full of exotic substances from Cavorite to Corbomite. Now it has been discovered that the world’s first nuclear bomb test created ‘impossible’ quasicrystals.

The previously unknown structure, made of iron, silicon, copper and calcium, probably formed from the fusion of vaporised desert sand and copper cables. Quasicrystals contain building blocks made up of arrangements of atoms that — unlike those in ordinary crystals — do not repeat in a regular, brickwork-like pattern. They have symmetries that were once considered impossible.

Materials scientist Daniel Shechtman first discovered such an impossible symmetry in a synthetic alloy in 1982. He won the 2011 Nobel Prize in Chemistry for the discovery. In subsequent years, materials scientists synthesised many types of quasicrystal,
expanding the range of possible symmetries. In the aftermath of the Trinity test — the first detonation of a nuclear bomb in 1945 researchers found a field of greenish glassy material that had formed from the liquefaction of desert sand. They dubbed this trinitite. The bomb had been detonated on top of a 30-metre-high tower laden with sensors and their cables. As a result, some of the trinitite had reddish inclusions: it was a fusion of natural material with copper from the transmission lines. The quasicrystal recently found from this trinitite has the same kind of icosahedral symmetry as the one in Shechtman’s original discovery.

(14) NOW IN 3-D. Nature also reports on “The most detailed 3D map of the Universe ever made”.

A survey of the southern sky has reconstructed how mass is spread across space and time, in the biggest study of its kind. The data provide striking evidence that dark energy, the force that appears to be pushing the Universe to accelerate its expansion, has been constant throughout cosmic history.
The Dark Energy Survey (DES) collaboration revealed its results in an online briefing on 27 May and in several papers posted online¹.
…The researchers grouped the galaxies by colour, to get a rough indication of each galaxy’s distance from our own: as the Universe expands, galaxies that are further away appear redder because their light waves have stretched out to longer wavelengths. That way, the team was able to add a third dimension to its map.
Looking further away also corresponds to looking to the past, so a 3D cosmic map provides a record of the Universe’s history. By tracking how galaxies spread out over time, cosmologists can then indirectly measure the forces at play. These include the gravitational pull of dark matter, the invisible stuff that constitutes some 80% of the Universe’s mass and dominates the formation of galaxies and clusters of galaxies.

(15) DRONE WARFARE. [Item by Mike Kennedy.] It’s not exactly a Terminator-style HK-VTOL, but the first autonomous wartime kill by a robot might have happened last year in Libya. Gizmodo reports on the story: “The Age of Autonomous Killer Robots May Already Be Here”.

…“The lethal autonomous weapons systems were programmed to attack targets without requiring data connectivity between the operator and the munition: in effect, a true ‘fire, forget and find’ capability,” the UN Security Council’s Panel of Experts on Libya wrote in the report.
It remains unconfirmed whether any soldiers were killed in the attack, although the UN experts imply as much. The drone, which can be directed to self-destruct on impact, was “highly effective” during the conflict in question when used in combination with unmanned combat aerial vehicles, according to the panel. The battle resulted in “significant casualties,” it continued, noting that Haftar’s forces had virtually no defense against remote aerial attacks.
The Kargu-2 is a so-called loitering drone that uses machine learning algorithms and real-time image processing to autonomously track and engage targets. According to Turkish weapons manufacturer STM, it’s specifically designed for asymmetric warfare and anti-terrorist operations and has two operating modes, autonomous and manual. Several can also be linked together to create a swarm of kamikaze drones.

(16) CLOCKING IN. CBS Sunday Morning did a segment about “Exploring the boundaries of time travel”.

Breaking the bonds of time has been a timeless pursuit in science fiction stories and movies. Will it ever become science fact? Correspondent Faith Salie explores the possibilities of taking a journey to the future, or the past, even without a souped-up DeLorean.

(17) VIDEO OF THE DAY. In “Cruella Pitch Meeting” on Screen Rant, Ryan George, in a spolier-filled episode, says that the only way to get viewers interested in Cruelle DeVil’s backstory–“How does she become the person who wants to skin puppies?”–is to have her work for a boss even more evil than her. Also the screenwriter warns the producer that if he wants all those groovy hits of the 1970s in the movie, he’d better have plenty of money for the rights.

[Thanks to Cat Eldridge, John Hertz, David Langford, Jennifer Hawthorne, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Martin Morse Wooster, JJ, Michael Toman, and John King Tarpinian for some of these stories. Title credit belongs to contributing editor of the day Nicole J. LeBoeuf-Little.]

Pixel Scroll 2/24/21 Old Rossum’s Scroll Of Practical Credentials

Posted on February 24, 2021 by Mike Glyer

(1) YOU TAKE THE HIGH ROAD. George R.R. Martin is involved in developing a series based on Roger Zelazny’s Roadmarks for HBO, as he explained at Not A Blog: “On the Road with Roger Z”:

… We had not intended to announce anything yet, to be sure. Development is a long and uncertain process. Thousands of shows are pitched, hundreds of pilots are written, dozens of pilots are filmed, but only a very few of them ever get greenlit to series. There is a reason that Hollywood insiders call it “development hell.” And what’s the point of announcing projects that might never make it to air? That’s why HBO — like most other networks and streamers — prefers to keep these things quiet.
Even so, even so… you cannot win the lottery unless you buy a ticket, so we all keep playing.
…My career in television started in 1985 when I adapted Roger Zelazny’s “The Last Defender of Camelot” for THE TWILIGHT ZONE. It was the first script of mine ever to be filmed (starring Richard Kiley and Jenny Agutter and a stuntman whose nose got cut off during the swordfight). Roger was a friend, a mentor, and one of the greatest science fiction writers who ever lived. He died in 1995, but his work will live for so long as people read SF and fantasy. It was an honor to be able to bring one of his stories to television. And now I am hoping we will be able to do it again.
I pitched ROADMARKS to HBO last year — along with four other SF and fantasy works (by various other writers) that I thought had the makings of great shows. They all had (and have) lots of potential, but ROADMARKS was the one they responded to….

(2) LEVER OF CHANGE. Learn the key to an author’s new book in “The Big Idea: Juliette Wade” at Whatever.

…The big idea of Transgressions of Power is that a human being, in the moment of action, may not know what the significance of their choices might be; they might not be in a position of power that allows for drastic change; but their choices and actions matter.

(3) FRY’S CLOSING. [Item by Betsy Hanes Perry.] Fry’s was where, in Northern California, you went to look for components; later it branched out into computers (of course!), computer components, large appliances. It used to stock snacks as a loss-leader to get geeks to come in for casual shopping.

All the stores were themed, and the one in Fremont was themed around the 1893 World’s Fair. It had a Tesla coil that went off once an hour (see here). The one in San Jose was themed as a Mayan temple. “The kitschy history of the Bay Area’s themed Fry’s Electronics” at SFGate.

…If you’re not familiar: Every Fry’s store has a theme and elaborate decorations to go along with it. In the Bay Area, the San Jose store “pays tribute to the first astronomers, the Mayans, with settings from Chichen Itza,” complete with a massive temple at the entrance, palm trees between shelves and hidden speakers that play the sounds of birds chirping through the parking lot. Fremont is the “1893 World’s Fair,” where a Tesla coil at the center of the store fires off every hour. Sunnyvale is “the history of Silicon Valley” and the Palo Alto store was “Wild West.” (Sadly, the Palo Alto store rode into the sunset earlier this year.)

[Editor’s postscript.] The Fry’s in Burbank near where I used to live had an explicitly Fifties sci-fi alien invasion theme. It was awesome.

I need to share video of this #FrysElectronics too for posterity. I mean, the giant bugs pic.twitter.com/zVX9Mtp5Go
— Jean Trinh ??? (@JeanSTrinh) February 24, 2021

(4) THE FIRST SILENCE. Tananarive Due conducts an interview with “Jodie Foster and Anthony Hopkins on ‘Silence of the Lambs’ Legacy” at Vanity Fair.

…FOSTER: We met at a reading. I didn’t really get a proper meet with Tony. So we’re sitting across from each other, and he launches in, and we start the reading. And I was just petrified. [Laughs.] I was kind of too scared to talk to him after that.
He did another movie, and I started the film without him. I still kept that kind of hold-your-breath feeling about the character just from that first reading. Jonathan wanted to use this technique that Hitchcock talked about, where you have the actors use the camera as the other person. And I think there was something really interesting about that for the film, but that also meant that Tony and I couldn’t see each other. For a lot of the close-ups, we were looking into a camera lens and the other person was just a voice in the background. And—remember?—they had to lock you into the glass prison cell. So he would do a whole day inside the prison cell, and they wouldn’t let him out. We’d just do his side. And then the next day, we’d do my side.
HOPKINS: Also, they discovered before we started filming that there would be a problem if there were bars on the prison cell for left and right eyelines. So the designer—it was Kristi Zea—came up with a Perspex thing, which makes it even more frightening, because he’s like a tarantula in a bottle. No visual borderline between the two. It was more terrifying, because it’s a dangerous creature in a bottle who can do anything. He could break the glass….

(5) MORE, PLEASE. In “The Canonical Sequel FAQ” John Scalzi tells fans what the future holds in store for his various series.

Pretty much on a daily basis, I get asked on social media whether there will ever be a sequel to [insert one of my books/series here]. To reduce the amount of typing that I have to do each time this is asked, I now present The Canonical Sequel FAQ, which will tell you — at a glance! — whether you can expect a sequel to whatever book it is that you are hoping to have a sequel to. This will be updated from time to time.

(6) TIM KIRK MAP. Brenton Dickieson introduces readers to “’The Country Around Edgestow’: A Map from C.S. Lewis’ That Hideous Strength by Tim Kirk from Mythlore” at A Pilgrim in Narnia. The map has been reproduced at the link with permission.

… One of Lewis’ key terran fictional places is “Edgestow,” the home of Bragdon Wood, Bracton College, and the literary centre of the events in That Hideous Strength. In my reading about Lewis and Arthurian literature, I happened upon Margaret Hannay’s piece, which included a map of “The Country Around Edgestow” by artist Tim Kirk.…

(7) ARE YOU BOOKED FOR THE LAST DAY OF FEBRUARY? “Doctor Who Master trilogy watchalong party confirmed for Sunday” says Radio Times.

…Doctor Who Magazine’s Emily Cook has organised most of the watchalongs so far, and announced that they would be coming to an end this month. She tweeted the news by saying, “Everything has its time, and everything ends… I’ll be announcing the final Tweetalong later this afternoon!”
She later followed up with a tweet that read, “Believe it or not, we’ve been doing Doctor Who Lockdown for almost a year now! This may be the last Tweetalong, but we’re going to end with a SPECTACULAR watch party.
“And here comes our final Tweetalong… A TRIPLE BILL! Sunday 28th February 6pm (GMT), UTOPIA 7pm (GMT), THE SOUND OF DRUMS 8pm (GMT), LAST OF THE TIME LORDS. Watch with fans around the world. Join in with the hashtag #YANA”
If you haven’t participated in the event before, the idea is that fans from all over the world re-watch classic episodes at exactly the same time, tweeting their reactions and comments along the way.

(8) CATCH AND SELL ‘EM ALL. [Item by Martin Morse Wooster.] In the February 17 Financial Times, gaming columnist Tom Faber discusses the rise in value of rare Pokemon cards.

Today, a Chansey (Pokemon card) could be worth around $3,000. That’s a great deal less than the rare holographic Blastoise which sold at auction last month for $360,000, roughly the price of a brand-new Ferrari. In 2021, their 25th year of existence, Pokemon cards are enjoying a resurgence in popularity almost matching their late-1990s heyday.
This is partly down to the pandemic, which has left many stuck at home with extra disposable income, to take up a new hobby that combines investment with a waft of nostalgia. Streaming platforms YouTube and Twitch have cultivated communities of Pokemon card traders such as Leonhart, who quit his job as a lawyer to open card packs full-time on YouTube (the sealed packs contain a random selection of cards which could be precious or worthless), and streaming star Logan Paul, who says he has spent $2m on his card addiction.

(9) HEAR OCTAVIA BUTLER. NPR’s “Morning Edition” devoted a segment today to “Sci-Fi Writer Octavia Butler Offered Warnings And Hope In Her Work”. It includes numerous sound bites from an archival interview with the author. Listen to a recording or read a transcript of the NPR item at the link. (The complete transcript of Octavia Butler’s 2005 interview is available at Democracy Now! – “Remembering Octavia Butler: Black Sci-Fi Writer Shares Cautionary Tales in Unearthed 2005 Interview”.)

NOEL KING, HOST:
Octavia Butler seemed almost to belong to the future. She was the first Black woman to receive the Nebula and Hugo Awards. Those are the highest honors in science fiction and fantasy writing. She was the first science fiction writer to win a MacArthur genius grant. She was prolific and prophetic from the 1970s until her death in 2006. Here’s Laine Kaplan-Levenson from NPR’s history show Throughline.
(SOUNDBITE OF ARCHIVED NPR BROADCAST)
OCTAVIA BUTLER: I don’t recall ever having wanted desperately to be a Black woman science fiction writer. I wanted to be a writer.

(10) MEDIA BIRTHDAY.

February 24, 1952 — On this day in 1952, Aladdin And His Lamp premiered. It was directed by Lew Landers, and starred Johnny Sands and Patricia Medina. Filming was finished in less than a week. It was originally produced for a television audience, then Allied Artists picked up the film and added additional footage for a theatrical release. You can see this short film here. It is not one of the three Aladdin And His Lamp filmsthat are rated at Rotten Tomatoes.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

Born February 24, 1786 – Wilhelm Grimm. With older brother Jacob (1785-1863) assembled and published the collection known to us as Grimms’ Fairy Tales (1812). Loved music; good story-teller; animated, jovial fellow. The Grimms weren’t the authors, so I can’t call them seminal, but they sure were vital. (Died 1859) [JH]
Born February 24, 1909 — August Derleth. He’s best known as the first book publisher of H. P. Lovecraft, and for his own fictional contributions to the Cthulhu Mythos (a term that S. T. Joshi does not like). Let’s not overlook him being the founder of Arkham House which alas is now defunct. I’m rather fond of his detective fiction with Solar Pons of Praed Street being a rather inspired riff off the Great Detective. (Died 1971.) (CE)
Born February 24, 1921 – Richard Powers. Frank R. Paul Award. SF Hall of Fame. Society of Illustrators Hall of Fame. Six hundred sixty covers, seventy interiors. Artbooks Spacetimewarp Paintings; The Art of Richard Powers. Our great pioneer of illustration that was not representation. You can see it start here with a 1950 cover (his first?) for Pebble in the Sky. By 1956 he did this for To Live Forever. By 1963 he was here for Budrys’ Inferno. Here is the Sep 78 Analog. Here is the Program Book for Chicon V the 49th Worldcon, 1991 – where he was Guest of Honor; before that, LoneStarCon I the 3rd NASFiC (North America SF Con, since 1975 held when the Worldcon is overseas). Not one Chesley, not one Hugo. Did we appreciate him? Do we now? (Died 1996) [JH]
Born February 24, 1933 — Verlyn Flieger, 88. Well-known Tolkien specialist. Her best-known books are Splintered Light: Logos and Language in Tolkien’s World, A Question of Time: J. R. R. Tolkien’s Road to Faerie, which won a Mythopoeic Award, Tolkien’s Legendarium: Essays on The History of Middle-earth (her second Mythopoeic Award) and Green Suns and Faërie: Essays on J.R.R. Tolkien (her third Mythopoeic Award). She has written a YA fantasy, Pig Tale, and some short stories. (CE)
Born February 24, 1941 – Sam Lundwall, age 80. Author, critic, translator, editor, publisher; television producer; cartoonist; photographer; singer. Organized Scancon 76 (Stockholm); Guest of Honor at Eurocon 9 (Zagreb), 21 (Dortmund). Translated his 1969 book on SF from Swedish into English as SF, What It’s All About (1971). SF, an Illustrated History (1978). Penguin World Omnibus of SF (1986) with Brian Aldiss. More nonfiction in Swedish about SF. A score of novels (four available in English), seven shorter stories (four). Reporter for Locus. Long thought by many the personification of SF in Sweden, idiosyncrasies (how not?) and all. [JH]
Born February 24, 1947 — Edward James Olmos, 74. Reasonably sure the first thing I saw him in was as Detective Gaff in Blade Runner, but I see he was Eddie Holt In Wolfen a year earlier which was his genre debut. Though I didn’t realize it as I skipped watching the nearly entire film, he was in The Green Hornet as Michael Axford. He has a cameo as Gaff in the new Blade Runner film. And he’s William Adama on the rebooted Battlestar Galactica. He was made appearances on Agents of S.H.I.E.L.D. and Eureka. ( CE)
Born February 24, 1951 — Helen Shaver, 70. Her SFF debut was as Betsy Duncan in Starship Invasions aka Project Genocide in the U.K. though you’ve likely not heard of her there, you might have seen her as Carolyn in The Amityville Horror. She’s Littlefoot’s mother in The Land Before Time, and Kate ‘White’ Reilly in the second Tremors film. She’s got one-offs in The Outer Limits, Amazing Stories, Ray Bradbury Theater and Outer Limits to name but a few. And she was Dr. Rachel Corrigan in Poltergeist: The Legacy, a super series indeed. (CE)
Born February 24, 1966 — Billy Zane, 55. His genre roles include Match in Back to the Future and Back to the Future Part II, Hughie Warriner in Dead Calm, John Justice Wheeler in Twin Peaks, The Collector in Tales from the Crypt presents Demon Knight and the title role in The Phantom. ( CE)
Born February 24, 1968 — Martin Day, 53. I don’t usually deal with writers of licensed works but he’s a good reminder that shows such as Doctor Who spawn vast secondary fiction universes. He’s been writing such novels first for Virgin Books and now for BBC Books for over twenty years. The Hollow Men, a Seventh Doctor novel he co-wrote wrote with Keith Topping, is quite excellent. In addition, he’s doing Doctor Who audiobooks for Big Finish Productions and other companies as well. He’s also written several unofficial books to television series such as the X Files, the Next Generation and the Avengers. (CE)
Born February 24, 1975 – Socorro Acioli, age 46. A score of books; Head of the Saint is available in English. Author, teacher, translator. “I collect bookmarks and coffee makers. I like old photos, old houses, and things that no longer exist. In the same measure [na mesma medida], I love technology.” [JH]
Born February 24, 1979 – C.J. Harper, age 42. Two novels for us, also “funny books for teens under the name Candy Harper…. attended six different schools, but that honestly had very little to do with an early interest in explosives”; she’s been “a bookseller, a teacher and the person who puts those little stickers on apples”; has read Vanity Fair, Gone With the Wind, Of Mice and Men, David Copperfield. [JH]
Born February 24, 1991 – Daryl Qilin Yam, age 30. One novel; co-editor of SingPoWriMo (i.e. Singapore). Studied at Univ. Warwick, Univ. Tôkyô. Stageplay producer at non-profit collective Take Off Productions. On the board of directors of literary charity Sing Lit Station. “I am first and foremost a writer of fiction and poetry … photography … is a field in which I remain an amateur. But … we live in a world that loves images…. I have a fondness for the backs of people (facial expressions are too didactic for my taste), and I like to frame my subjects in situations where highlights and shadows are nicely balanced.” [JH]

(12) PRESERVING WORLDS. Here’s a new Diamond Bay Press podcast on the classic online gaming environments and virtual worlds that have become virtual ghost towns. It’s based on a new video documentary series called Preserving Worlds, which is available for free on the streaming service called Means.tv.

A conversation between Lex Berman and Derek Murphy.
Derek Murphy is the co-director, with Mitchel Zemil, of the Preserving Worlds series, and the documentary film Sarasota, Half in Dream.
Recorded with Zencastr from Cambridge and Brighton, MA on 18th February, 2021.
what if the ghost of a player of a dead game, was telling us what it was all like?

(13) THE ’66 DOLLAR QUESTION. Galactic Journey’s Jason Sacks sends a missive from 1966 asking — “[February 24, 1966] Is 1966 the Best Year Ever for American Comic Books?”.

… A lot of the thrill these days has been at Marvel, as some of their comics are reaching unparalleled new levels of excellence. For instance, the work of Steve Ditko and Stan Lee on both Amazing Spider-Man and the “Dr. Strange” strip in Strange Tales has been outstanding. Peter Parker has graduated high school and enrolled at Empire State University in Spider-Man. Pete seems to be shedding his nature as a nebbish since he joined college, making new friends while having new (and more sophisticated) problems. The three-part “Master Planner” saga which ended in ASM #33 was a storyline nonpareil, a thrill a minute journey with a spectacular denouement. (I’m including the payoff below, but please try to find all these issues if you can, because the leadup is just as spectacular).

(14) ANOTHER GOOD QUESTION. Alexandra Erin wonders something —

Wonder if there will be a noticeable uptick in babies named Wanda and Agatha this year.
— Alexandra Erin | patreon.com/AlexandraErin (@AlexandraErin) February 24, 2021

(15) JPL’S TRICKSTERS. [Item by John King Tarpinian.] Remember that on the last Rover they would not allow JPL to put a JPL plaque on it so they used Morse Code on the wheels that spelled out JPL. Holes that were “designed” to drain sand as it moved about.

This time, there are multiple Easter Eggs. The first was deployed as Perseverance was en route to the Martian surface: “Mars rover’s giant parachute carried secret message” at Yahoo!
The huge parachute used by NASA’s Perseverance rover to land on Mars contained a secret message, thanks to a puzzle lover on the spacecraft team.
Systems engineer Ian Clark used a binary code to spell out “Dare Mighty Things” in the orange and white strips of the 70-foot (21-meter) parachute. He also included the GPS coordinates for the mission’s headquarters at the Jet Propulsion Laboratory in Pasadena, California.
Clark, a crossword hobbyist, came up with the idea two years ago. Engineers wanted an unusual pattern in the nylon fabric to know how the parachute was oriented during descent. Turning it into a secret message was “super fun,” he said Tuesday.
Only about six people knew about the encoded message before Thursday’s landing, according to Clark. They waited until the parachute images came back before putting out a teaser during a televised news conference Monday….

Internet sleuths solve secret message on Perseverance rover's Mars parachute https://t.co/QENFuUPlNB pic.twitter.com/A5LGqWEpMV
— SPACE.com (@SPACEdotcom) February 24, 2021

This illustration provided by NASA shows a diagram added over the parachute deployed during the descent of the Mars Perseverance rover as it approaches the surface of the planet on Thursday, Feb. 18, 2021. Systems engineer Ian Clark used a binary code to spell out “Dare Mighty Things” in the orange and white strips of the 70-foot (21-meter) parachute. He also included the GPS coordinates for the mission’s headquarters at the Jet Propulsion Laboratory in Pasadena, Calif. (NASA/JPL-Caltech via AP)

(16) BOOKS ARE THE ESSENCE. The Essence of Wonder crew gets together on-screen to exchange book recommendations in “EoW Staff Share Their Favorite Books! Ready… Fight!” on Saturday, February 27, at 3 PM (US Eastern). Register at the link.

(17) THE DIRTY DOZEN PLUS THREE. 24/7 Wall St. has compiled a highly scientific list of the fifteen “Worst Sci-Fi Movies Ever Made”. Well, at least highly-less-pulled-out-of-somebody’s-butt-than-usual for a listicle.

…To determine the worst sci-fi movies of all time, 24/7 Tempo reviewed data from the Internet Movie Database (IMDb) and Rotten Tomatoes. We created an index based on the average critic rating from Rotten Tomatoes, the average audience rating from Rotten Tomatoes, and the average user rating from IMDb. We only considered feature films with at least 5,000 Rotten Tomatoes audience reviews, 10 Rotten Tomatoes critic reviews, and 10,000 IMDb user reviews…

(18) VIDEO OF THE DAY. In “Honest Game Trailers: ‘Werewolf: The Apocalypse: Earthblood’” Fandom Games says you play a werewolf fighting evil corporation Endron, “which doesn’t even pretend not to be Enron with a D” but is so dumb on security that it has ventilator shafts with doggy doors so werewolves can pass through them.

[Thanks to John Hertz, Mlex, John King Tarpinian, Betsy Hanes Perry, Martin Morse Wooster, Andrew Porter, Rich Lynch, Mike Kennedy, Michael Toman, JJ, Gadi Evron, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 9/30/20 Fantastic Pixels And Where To Scroll Them

Posted on September 30, 2020 by Mike Glyer

(1) HEAD FILLED WITH IDEAS. “Interview: P. Djèlí Clark, author of Ring Shout”, an author Q&A conducted by Andrea Johnson at Nerds of a Feather.

…Mr. Clark was kind enough to talk with me about the music behind his new novella, the novella’s long (and then fast) journey to publication, how the novella got personal, and more. Let’s get to the interview!
NOAF: You mention on your blog that this story was in your head for a long time before you wrote it down. Can you tell us about when and why you decided to write the story down? And while you were drafting it out, did were there any scenes or characters that ended up completely differently than how you had originally imagined them?
P. Djèlí Clark: Yeah, the story was definitely with me for a while—mostly in dreamt up scenes and characters with a smattering of a plot. Visuals or a song could send me daydreaming for a minute. As I’m prone to do, it’s only when I have a full sketch of a story in my head that I start jotting down notes. That was in early August 2016. I sat down and wrote up Ring Shout from start to ending, on the Notes feature on my iPhone. Then I put it down and went and lived the rest of my life. It wasn’t until April of 2019 that it started to become “a thing.” I was sitting in a DC café, on the phone with my editor Diana Pho about a book contract for an unrelated completed full-length novel. The book world being the book world, it probably wouldn’t come out until 2021. My novella The Haunting of Tram Car 015 had just been released and that meant there’d be this big gap before I was next published. Diana asked if I might be interested in doing another novella in between—that is, if I had any ideas. I pitched two concepts, one of which was Ring Shout. It ended up in the contract.
Then came the real trouble. I had nothing written but a set of notes from almost 3 years back and a head full of ideas. I had until about September to turn it into a working story. Planned to get it done that summer. But nope. Academic work and copyedits on the unrelated full-length novel pretty much devoured my writing time. Finally, I got started on August 30, 2019. Two days before it was due. Had to ask for an extension. Then somehow, in the next four weeks, got it written. By that time whole new characters had been added, scenes had changed, and elements of the overall plot had been rewritten—so that it only resembles in passing those original notes from 2016. But hey, that’s the writing process….

(2) ARISIA. Progress Report 3 confirms Arisia 2021 will be entirely virtual – which hadn’t been taken for granted after last year’s issues.

Over the past seven months, the Eboard Con Chair Team, along with Assistant Con Chair Vivian Abraham and the Division Heads, have been working hard to determine what we need to recreate the Arisia experience in an online-only convention. Our first step was to make sure that Arisia is squared away with its hotel contract. Hotel liaison Wendy Verschoor, along with Eboard President Nicholas “Phi” Shectman, have been in talks with the Westin Boston Waterfront and Aloft regarding our Arisia 2021 contract. As of September 15, 2020 we were able to come to an agreement. We will not need to have a hotel presence this year, and our continuing contract with the Westin Boston Marriott and Aloft will resume in 2022.

(3) EPIC SLAPDOWN. CNN Business is a fly on the wall as “Judge in Apple ‘Fortnite’ case slams Epic’s tactics, hints at July trial date”.

A federal judge presiding over a high-stakes antitrust lawsuit between Apple and Epic Games — maker of the popular video game Fortnite — repeatedly slammed Epic on Monday on its legal theories and tactics in the company’s case against the iOS App Store, a court battle that could reshape the digital economy.
Epic is seeking a temporary court order that would force Apple to unblock Fortnite from its iOS App Store. Apple removed the game in August after Epic pushed a software update to the app that allowed players to circumvent Apple’s proprietary in-app payment system — a move that is contractually prohibited.
…Judge Gonzalez Rogers looked skeptically at many of Epic’s claims, explicitly telling the company several times in the hearing she was not persuaded by its arguments or its strategy.
Epic knew that it was breaching its contract with Apple when it published the update, but did it anyway, she said, accusing the company of dishonesty.
Apple has justified its app store policies partly as a way to protect consumers from security risks and malicious software. Epic has countered that it is a credible business that has been on the iOS App Store for years and poses no security threat. But Gonzalez Rogers said that is not the issue.
“You did something, you lied about it by omission, by not being forthcoming. That’s the security issue. That’s the security issue!” Gonzalez Rogers told Epic. “There are a lot of people in the public who consider you guys heroes for what you guys did, but it’s still not honest.”
Epic’s attorneys acknowledged that the company breached its agreement with Apple but claimed Epic was simply refusing to comply with an anti-competitive contract, and that forcing a legal battle was part of Epic’s plan.
…It also cited Apple’s in-app payment system as an example of illegal tying — when a company bundles two products together for anti-competitive gain.
But there is no tying going on with Apple’s in-app payment system, Gonzalez Rogers observed.
“I’m not particularly persuaded,” she said of the in-app payment mechanism. “I just don’t see this as a separate and distinct product.”
Nor did the judge buy Epic’s argument that Apple has harmed the distribution of Fortnite because of Apple’s exclusive control of the iOS App Store. Fortnite players on iOS have a variety of choices to access the game even if it is no longer available on iOS, she said.
“Walled gardens have existed for decades,” she said. “Nintendo has had a walled garden. Sony has had a walled garden. Microsoft has had a walled garden. What Apple’s doing is not much different… It’s hard to ignore the economics of the industry, which is what you’re asking me to do.”

(4) TWO OPEN LETTERS. [Item by Martin Morse Wooster.] Alison Flood, in “More than 200 writers and publishers sign letter in support of trans and non-binary people” in The Guardian, says that 200 people, most notably Jeanette Winterson signed a letter generally supporting trans and non-binary people after 58 writers, including Lionel Shriver, Ian McEwan, and Susan Hill, signed a letter supporting J.K. Rowling. But the article about that letter was published in The Times, which is behind a paywall.

(5) ACCIO ERRAT! [Item by Olav Rokne.] Writing in Forbes, film critic Scott Mendelson examines the recent announcement that Warner Brothers will be making another Harry Potter-related movie, despite the diminishing returns from the franchise, and the cavalcade of transphobia from J.K. Rowling. “4 Reasons Warner Bros. Is Still Making J.K. Rowling’s Third ‘Fantastic Beasts’ Movie”.

He writes: “In a skewed way, stopping now and admitting that the Fantastic Beasts franchise was a failed experiment would probably do Warner Media, a publicly-traded company, more harm than just bringing the story to a natural conclusion and taking their commercial licks along the way. Call it sunk-cost fallacy.”

(6) JOHN THE BALLADEER NEWS. The latest Haffner Press newsletter includes an update on the forthcoming 500+-page volume, Manly Wade Wellman’s The Complete John The Balladeer – with a link to preview five examples of Tim Kirk’s illustrations. Here’s one of them:

(7) MEDIA BIRTHDAY.

September 30, 2005. The Joss Whedon-written Serenity premiered. The sequel, or perhaps continuation, or perhaps finale of, the short-lived Firefly series, it reunited the entire cast from the series. It would overwhelmingly win the Hugo Best Dramatic Presentation at L.A. Con IV beating out The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, Wallace & Gromit in the Curse of the Were-Rabbit, Batman Begins and Harry Potter and the Goblet of Fire. It holds an excellent eighty two percent rating by audience reviewers at Rotten Tomatoes.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

Born September 30, 1915 – Richard D. Mullen. Founder of Science Fiction Studies; co-editor (with Darko Suvin) 1973-1978; returned as editor, managing editor, and like that, 1991. Two books of selected SFS articles, two more on P.K. Dick (with DS & others); essays, reviews, in SFS, Extrapolation, Foundation, Riverside Quarterly. (Died 1998) [JH]
Born September 30, 1926 – Gillian Avery. Historian of children’s education and literature. The Guardian Children’s Literature prize for Edwardian father-son novel A Likely Lad. For us, Huck and Her Time Machine (note pronoun); a dozen others; nonfiction including a Life of Juliana Ewing and an ed’n of Emily Pepys’ Journal (this branch of the family pronounces their name peppis). (Died 2016) [JH]
Born September 30, 1949 – D Potter. Fanziner, photographer, railroad fan. Fan Guest of Honor at Balticon 16. Active in various apas including APA-Q, FAPA, Myriad. Appreciations by Our Gracious Host and Avedon Carol here. (Died 2017) [JH]
Born September 30, 1950 — Laura Esquivel, 70. Mexican author of Como agua para chocolate, Like Water for Chocolate in English. Magic realism and cooking with more than a small soupçon of eroticism. Seriously the film is amazing as is the book. ISFDB says she’s also written La ley del amor (The Law of Love) which I’ve not read. (CE)
Born September 30, 1951 — Simon Hawke, 69. Author of the quite superb Wizard of 4th Street series as well as the TimeWars series. He has written Battlestar Galactica, Trek, Friday the 13th, Predator and Dungeons & Dragons novels as well as the genre adjacent Shakespeare & Smythe mysteries which bear titles such as Much Ado About Murder. (CE)
Born September 30, 1954 – Sylvia McNicoll, 66. Two dozen children’s novels, of which two for us. Silver Birch; four Hamilton Arts Council awards (Body Swap won 2019 Literary Award for Fiction); several more. Website. [JH]
Born September 30, 1960 — Nicola Griffith, 60. Editor with Stephen Pagel of the genre gender anthologies, Bending the Landscape: Science Fiction, Bending the Landscape: Fantasy (World Fantasy Award and Lambda winner) and Bending the Landscape: Horror. Ammonite won both the Lambda and Otherwise Awards. She also garnered a Lambda and a Nebula for the most excellent Slow River. All of her novels are available from the usual digital suspects. (CE)
Born September 30, 1972 – Sheree Renée Thomas, 48. Dark Matter, a NY Times Notable Book of the Year, won World Fantasy Award for Best Anthology, then Dark Matter, Reading the Bones won another; Fall 2016 Obsidian; Jul 2018 Strange Horizons (with Rasha Abdulhadi, Erin Roberts); Aug 2018 Apex. A dozen short stories, fifty poems, essays, for us; many others; see here (Wikipedia). [JH]
Born September 30, 1975 — Ta-Nehisi Coates, 45. He has also written Black Panther and Captain America stories. Issue number one of the former series sold a quarter million physical copies, very impressive indeed. The Water Dancer contains magic realism elements. (CE)
Born September 30, 1982 — Lacey Chabert, 38. Penny Robinson on the Lost in Space film reboot which I did see in the theater and didn’t think it was too bad. She’s done mostly voice acting and children’s features after that. She voiced Gwen Stacy on The Spectacular Spider-Man series and does likewise for Zatanna Zatara on the current Young Justice series. (CE)
Born September 30, 1983 – Angela Kulig, 37. Seven novels, a dozen shorter stories. “I write books, many of which have been published. I live in Las Vegas, which sounds exciting, but I prefer to pretend I live in books.” Website. [JH]
Born September 30, 1985 — Katrina Law, 35. She’s well-known for playing the roles of Mira on Spartacus: Blood and Sand and Spartacus: Vengeance which are sort of genre, and Nyssa al Ghul on Arrow. (CE)

(9) JEOPARDY! Andrew Porter says another Jeopardy! contestant missed their shot with a genre topic.

Category: Playing the part on TV
Answer: Mr. Sulu; His own head on “Futurama”
Wrong question: “Who is DeForest Kelley?”

(10) FORD NOVEL RETURNS. Today is the republication date for John M. Ford’s long out-of-print The Dragon Waiting.

Available for the first time in nearly two decades, with a new introduction by New York Times-bestselling author Scott Lynch, The Dragon Waiting is a masterpiece of blood and magic.

Isaac Butler has all kinds of reasons you should read it:

From just the first two paragraphs you can get a sense of the power and grace of Ford’s writing, the way it dances through exposition with real lyrics in that feels ancient and mythic, hewn from stone. pic.twitter.com/9Dos2nnJYj
— Isaac Butler (he/him) (@parabasis) September 29, 2020

(11) DO INQUISITORIAL SPAIN AND YA MIX? Not a problem. At garik16’s blog: “SciFi/Fantasy Book Review: Incendiary by Zoraida Córdova”.

Incendiary is the first in a new Young Adult Fantasy trilogy by author Zoraida Córdova, with the setting inspired by Inquisitorial Spain. Córdova is a prolific YA writer whose work I hadn’t gotten to previously, but one I was hoping to get to at some point, so I requested this novel via inter-library loan once my library reopened.

And well, Incendiary is a really interesting YA fantasy novel, with a compelling protagonist….but also one that feels not quite sure what it wants to do with her….

(12) RENDEZVOUS WITH DESTINY. “Man steals truck to go ‘meet an alien'” – but this time it’s Utah Man, not Florida Man.

A Utah man is behind bars after he stole a pickup truck out of a 7-Eleven parking lot.
The victim left the keys in the truck and the vehicle unlocked when he went in to the convience store for a quick stop.
That’s when Bryce Jerald Dixon hopped into the vehicle and took off.
KUTV reports that Dixon took the truck in order to drive all the way to the “Colosseum to get on a flight with alien diplomats.”
Unfortunately, before Dixon could get to the Colosseum, which was some 6,000 miles away across the ocean, he started feeling bad, and decided to return the red pickup truck to the parking lot and its owner, where the police were waiting….

(13) CHEESE FROM OUTER SPACE. [Item by Martin Morse Wooster.] “Mamie Van Doren On The Red Skelton Show S09E30 (5/24/60” on YouTube is a sketch from a 1960 episode of The Red Skelton Show where Mamie Van Doren is the Queen of Outer Space and Peter Lorre is the Galactic Emperor. They want to destroy the Earth — and the only person who can stop them is Red Skelton’s goofball character Clem Kadiddlehopper! Special cameo by Rod Serling.

(14) VIDEO OF THE DAY. In “Honest Game Trailers: Among Us” Fandom Games reviews a mindless phone game from 2018 that’s for “the attention-deficit gaming community” that “searches for something to keep them busy in this time of isolation.”

[Thanks to Cat Eldridge, Rob Thornton, Mike Kennedy, Martin Morse Wooster, John King Tarpinian, John Hertz, Michael Toman, JJ, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Olav Rokne.]

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