
Yesterday I heard Dena telling someone not to add something in to their practice, as tomorrow was the day for breaking the rules!
Usually on the last day everyone comes back to practice together, doing a modified primary, so that all abilities are catered for. In all the 20 years of practicing with her today was the first time I've done her "Blue moon" practice on the last day. Dena calls it that as it's literally once in a blue moon she does it! And it breaks all the usual rules!
As usual we began with pranayama, holding Kumbhaka and Jalandhara Baddha on the inhale and letting the breath out in Brahmans. Dena talking how Yoga is the body's relationship to Gravity and about how sometimes it's good to not be tied to the dogma and sequence and series, to do a practice that helps the body move in new directions, but which may help when we return to our regular practice.
Practice was an eclectic challenging mix of series, variations and sequences based around the Surya Namaskar, where she would usually have us do an up dog she instead variously added in 2nd series poses like Salabhasana, Bhekasana and Dhanurasana. In Surya B via the warriors to the splits, in steps so that everyone could go as far as was comfortable, it's what happens on your own mat and not someone else's that matters. Moving from warrior to the third series arm balance and back to standing, then doing a balance with a twist before moving through to repeat the whole mini sequence on the other side.
We did Urdva Dhanurasana again in stages, via bridges. I thought after backbends it would be closing of some kind, but no it was back to some of the seated primary series poses Tiriang and a dynamic Janu A with a twist holding the foot with the opposite hand. Dynamic Navasana, using Bandha to control going back towards the floor then coming back up.
Then back to 2nd series with Krounchasana, where Dena talked about how we lose the Samasthiti integrity, compromising the back and coming forward because the hamstrings aren't open enough to straighten the leg. Don't try for the final pose if your body isn't ready, do it with integrity and your back will thank you.
Deep squats, preparing for Pasasana, how students roll up their mats or use a block to compensate for not being able to have their heals on the floor, Dena had us just put the elbow outside the knee and twist, the bind being the least important part of the pose, squat stability first, twist second, bind last. Though here is a fine example of too many teachers, I asked Sharath in a conference in Mysore which was more important heals or bind and he said to bind!
Dena said this is often a pose students are held at by their teacher and she said the following
"The teacher who holds you at a posture doesn't care about keeping you, but cares about you."
We then moved on to leg behind head, she said if you are not comfortable in Kurmasana you certainly won't be in Eka and Dwi Pada. If you try and force it, eventually you will pop your neck and lower back out. Lying on our backs she has us incrementally try to bring the toe to the nose, then the heal to the forehead, then LBH. I think any chance of me getting to Eka or Dwi Pada is limited to say the least in this lifetime, even though I'm pretty good at Supta K.
Finally on to our backs to rest and listen to her chanting, hers is a lyrical, joyful chant, not the monotone drone. That's how this week has been, hard work, but joyful and fun, surrounded by a lovely group of practitioners.



. Dance Base, our shala for the week