John Grey

WHIPPOORWILL

I hear 

a whippoorwill’s
bodiless
chirp

dusk’s 
inimitable mating call –

the bird world
opens a window

but doesn’t turn
a light on

DESERT MORNING

the sun of old
reveals an empty landscape

shines on every cliff-face
the prospect of heaven

steamrolls with light
the thick, hardened clay

wakes the stones
to another blind day

CROPS

black earth
can only bury
for so long
a seed’s
steel boldness

FIRE ON FIRST STREET

A house burns.
Throngs of flame 
overwhelm firemen’s hoses.
The family is safe,
look up in horror 
from the opposite side of the street.
In one collective searing raspberry,
a great red tongue
pokes and pffts 
through every window.

AFTER THE BREAKUP

like salmon 
swimming upstream

you too return
to your birthplace

flop on your old bed

and die a little

MEDALS

Survived a helicopter crash,
was shot three times
and badly wounded 
from a roadside bomb explosion,
of his chest full of medals,
his very favorite was his chest.

TAKE PLEASURE

Through my window,
I spy a sky worth waking to,
the blue of Dutch pottery,
and thin strips of cloud.

No tenements.
No factories.
No smoke-stacks.
No traffic.

Looking up
gets me out of the city.

POST-DIVORCE

the hands drifted apart

and the hearts
were now for everyone else

yet remained unwanted

in the lonely years to come

~~~

John Grey is an Australian poet, a US resident, and has recently published in New World Writing, River And South, and The Alembic. Latest books, “Bittersweet”, “Subject Matters,” and “Between Two Fires,” are available through Amazon. Work upcoming in Paterson Literary Review, White Wall Review, and Cantos. John has been with The Short of It since its very first feature, and received a Push Cart Nomination from TSI for his 2024 piece – Handoff.

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Ed Ahern

Richie

Diseases clambered onto injuries onto genetics.
The recovery waves receding a little each time
until the swells of ailments brought him aground.
In time those close gathered to remember him,
not as much for his many achievements,
as for where he had nestled in their lives.

During the teary, half-smiling sharings,
and during his gently reflective observance,
his image was sharpened and brightened
with memories of love, affection, and wit
that the living will continue to hold close.

The Gathering

In time, all that is gathered in is lost.
Persons beloved, enjoyed, or tolerated
move or fade or die away.
Beliefs defended with vehemence 
dry rot into irrelevance.
Things ostentatious and idiosyncratic
outlast posturings and purposes
but toward the end are disposed of.
In time, there is only memory of gathering.

Blissful Squalor

It was, I think, in Holland that I first noticed
picture windows showing lit-up living rooms
without curtains or concealment, displaying
staged presentations of ordered domestic bliss.
But I was raised in shrouded concealment,
with the incoming light bound and blinkered
so only birds could peek inside and see
the relative dishevelment of my existence.
A hermetic messiness usually only sorted
when others were allowed inside the curtains.

The Grip

His fingers were always half cupped
the nails dirty, horny, and split,
the knuckles over large and gnarled.
He perched his hands in his lap,
as if lifting them was a chore.
Those hands were the sigil of his life,
abused by weather and rough work.

But then he stood up in the boat,
picked up his fly rod and cast,
line undulating like a dancer,
his callused palm and fingers
caressing the weathered cork,
and I understood that this 
at least was still his to enjoy,
hands whole enough for grace.

In My Image

There are perhaps a dozen men
with whom I share unspoken bond,
our foibles snugging up so tight
that we can laugh in unison
at one another’s feeble try
at status-seeking posturing
and smile together when we fail
to gild an image thick with rust.

Hateful Comfort

There is perverse placidity
in our turmoil and tension.
No need to struggle to discern
shades of meaning and intent.
Just simply categorize and 
then also ostracize by label.
Hate is akin to lust in that
the emotions are compulsive,
engorging, and uncomplicated.

Trestles

It is the quiet ones who are most sturdy
not the flicker-changing charismatics
not bargainers who give themselves away
not the opinionated who suffer wrong
not the flabby-minded who only consume
it is those who wear themselves in silence
that are the rarely noted support beams.

Patches of Snow

Snow in early spring lingers in scabby patches
on the blacks and browns of streets and lawns,
the last overstaying guests to leave a party,
disheveled, and stained with the crusts and spills
of an innately sloppy season.

~~~

Image

Ed Ahern resumed writing after forty-odd years in foreign intelligence and international sales. He’s had over 550 stories and poems published so far, and twelve books. Ed works the other side of writing at Bewildering Stories, where he squats on the review board. This is Ed’s first feature with The Short of It.

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Tre L. Loadholt

Fortunate

the rain came
and saturated our
area – Canada geese supped
at the pond.
take-out with a
twist.

Overworked but thankful

an old, new position
wears me down
regularly, but the pay
is good, the people
are friendly, and my
patience hasn’t worn thin.

I’m grateful for
familiarity of the
present.

Dominance

greedy authoritarians mince words
about their intentions,
we see through them.

panic engulfs the elders
of our community, we
stand guard, ready to
war for their
freedom.

Independence Day, 2025

Imagine your freedoms
are stripped away from
you on Independence Day,
and tell me, do you
feel free and independent?

Or, do you feel the
weight of a fascist world
casually bending on your
shoulders without your
consent?

I know which one I feel.

Letting Her Go

Sometimes, I have trouble
reading a room, but once
I’ve read it – I can’t unread it.
it follows me around like
a lost baby without a
cause.

With us, I’ve read the
room, it says, I should
save myself before it’s
too late.

Why do her tears
make me feel like I
am wrong?

~~~

Image

A versatile Southeastern writer, Tre L. Loadholt has been published in literary journals, anthologies, and magazines, and has also published four books: Pinwheels and Hula Hoops, Dusting for Fingerprints, A New Kind of Down, and Séduire. Her artistic expressions can be found at A Cornered Gurl, Substack, and Medium. Tre was first featured in 2022. You can find all her work HERE.

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On Track

between life and death
living is exploration
ere and soon, silence

Expression

Redux

Inspired by FREEDOM OF EXPRESSION Challenge 5/31/19 – Art

art conveys
what the mouth cannot

visual feelings
are words come to life

the beauty in the image
convey a connection

every chance to look again
is a moment to go back to a memory 

This piece was painted by my friend Xaviel. I adore his art! Enjoy all his work!

Originally posted 5/31/2019 on I Write Her.

The Sunflower State

Inspired by What do you see #329

wild electric storms
helianthus annuus blooms
welcome to kansas

Jane Ayres

silent borders

sleeping
on your side
of the bed
feels
transgressive
inhabiting
a bigger shape
a different space
a provocation

poem for a relative

we meet in dreams
younger versions of ourselves
carefree
the before times
when we could laugh
this family
still precious
no lines drawn

afterwards

still sitting alone in the car
i hear wind rocking
autumn-stripped branches

watch a magpie
socially distanced
on the wire fence beside
a plump wood pigeon

i listen
a lullaby of trees & sky
clouding over

& thoughts swirl
whisper
into poems
dawn-green

i sing you
our lost goodbyes
melting into ash

there is green
& there is green

i listen
still

recovery

sunny
breezy
ages since I

it felt nice
to go
further

although
it did get a bit
warm

& the wind against me
(where did that come from?)
average heart rate better

still a way to go

counting sea monsters

my father’s eyes
simply rumours
undone
seeing faces in clouds
those who went before

threnody

unmeasured
we depart
without ever
rippling
the pond

flow(er)ing

a creature of
leaf & echo
she talks
her mouth
rainfall
a tangle of treebones
she walks
her eyes twin flames
searing hearts &
spitting rainbows

the she word

sheathing swords
planting seeds
we are more than
vessel
more than
form & function
this wom(b)an
this lay/dee

in rosehip dreams

those voices
silent
silenced
letting these
small moments
grow

rapture

this time
we are advocate
we are anthem
sonic flotations
dainty renegades
bruise blue
rewilding
freefalling
as thimbles of
resurrected light
cradle our final
words

~~~

Jane Ayres was shortlisted for the 2021 Aesthetica Creative Writing Award. Her first collection ‘edible‘ was published by Beir Bua Press (July 2022), and micro-chapbook ‘my lost womb still sings to me‘ published by Porkbelly Press (October 2023) janeayreswriter.wordpress.com Jane was first featured in 2020, and was nominated for the 2022 Pushcart Prize for her piece – remembering. You can find all her work HERE.

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Nature’s Bounty

Redux

being in the warmth of the day
wrapped up in nature’s acceptance
there is my ease

stepping into this slice of time
inhaling in the calm
there is my peace

this feeling of being connected
grounded in my thoughts
there is my sanity

Originally posted 4/29/2019 on I Write Her.

Bill Engleson

Smokin’

Burn pile smoke swirls, strays
into eyes, into airspace,
and dances a jig.

Monday

The herring fleet swarms,
racing up and down the sound
hauling a slick catch.

Qualicum Wind

A Qualicum wind
sweeps in from the Beaufort Hills
shattering my peace.

Storm

The sky darkens black,
fir trees bend, some breaking back,
snapping to the earth.

The Cowardly Poet

The storm rages on.
The sea bubbles, slams, and swirls.
I hide in haiku.

~~~

Denman Island’s Bill Engleson has published two novels, 2013’s Like a Child
to Home
, and 2023’s The Life of Gronsky, as well as a collection of humorous
literary essays in 2016, Confessions of an Inadvertently Gentrifying Soul. He
also writes flash fiction, essays, poetry, and reviews. His website/blog:
www.engleson.ca This is Bill’s first feature with The Short of It.

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Ataraxia

forest enchantment
breathe the susurrous magic
feel the peace and calm