WHIPPOORWILL
I hear
a whippoorwill’s
bodiless
chirp
dusk’s
inimitable mating call –
the bird world
opens a window
but doesn’t turn
a light on
DESERT MORNING
the sun of old
reveals an empty landscape
shines on every cliff-face
the prospect of heaven
steamrolls with light
the thick, hardened clay
wakes the stones
to another blind day
CROPS
black earth
can only bury
for so long
a seed’s
steel boldness
FIRE ON FIRST STREET
A house burns.
Throngs of flame
overwhelm firemen’s hoses.
The family is safe,
look up in horror
from the opposite side of the street.
In one collective searing raspberry,
a great red tongue
pokes and pffts
through every window.
AFTER THE BREAKUP
like salmon
swimming upstream
you too return
to your birthplace
flop on your old bed
and die a little
MEDALS
Survived a helicopter crash,
was shot three times
and badly wounded
from a roadside bomb explosion,
of his chest full of medals,
his very favorite was his chest.
TAKE PLEASURE
Through my window,
I spy a sky worth waking to,
the blue of Dutch pottery,
and thin strips of cloud.
No tenements.
No factories.
No smoke-stacks.
No traffic.
Looking up
gets me out of the city.
POST-DIVORCE
the hands drifted apart
and the hearts
were now for everyone else
yet remained unwanted
in the lonely years to come
~~~
John Grey is an Australian poet, a US resident, and has recently published in New World Writing, River And South, and The Alembic. Latest books, “Bittersweet”, “Subject Matters,” and “Between Two Fires,” are available through Amazon. Work upcoming in Paterson Literary Review, White Wall Review, and Cantos. John has been with The Short of It since its very first feature, and received a Push Cart Nomination from TSI for his 2024 piece – Handoff.

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