Under Milk Wood

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The small town of Llareggub slumbers

‘you can hear the dew falling, and the hushed town breathing.’

Mr Edwards the draper, Miss Price and Mrs Ogmore-Pritchard widow, are all dreaming in their sleeping houses.

‘Time passes. Listen. Time passes.’

The sky begins to lighten and Dai Bread has no time for breakfast. Polly Garter, the Reverend Ely Jenkins and Mrs Ogmore-Pritchard stretch and stir. To work, to school, to polish doorsteps and make the tea. In butterfly collars and straw hats, in flannel shirts and flowery blouses; the smells and sounds of the day begin. Seaweed and onions, leeks and bones; Willy Nilly delivers the post with a rat-a-tat, the cry of a curlew and the cry of a child, a pigeon coos and Mr.Pugh’s has bought a new book.

‘The sunny slow lulling afternoon yawns and moons through the dozy town. The sea lolls, laps and idles in, with fishes sleeping in its lap. The meadows still as Sunday, the shut-eye tasselled bulls, the goat-anddaisy dingles, nap happy and lazy.’

The day draws in and lamps are lit, Lord Cut-Glass winds his clocks. Cherry Owen heads to the Sailors Arms where the clock has stopped at 11.30 and ‘Lily Smalls is up to Nogood Boyo in the wash-house’.

Dylan Thomas weaves life through one spring day in the characters of Llareggub; their humour and bitterness, dreams and desires are caught in their daily actions and snippets of conversation. First performed in 1953, as a play for voices, each character has their own drama to unfold. I read my beautiful copy from Penhaligon Press while listening to Richard Burton’s reading on YouTube, and read it in March for Paula’s Dewithon24

The thin night darkens. A breeze from the creased water sighs the streets close under Milk waking Wood.’

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A Film For March: Good Morning

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Good morning . . . how are you?. . . lovely weather. . . tittle tattle, pleasantries, chit chat – they’re the myriad phrases we use everyday, but sometimes small talk can get us into trouble as this delightfully light comedy can confirm.

Set in a close knit suburb of Tokyo, the women’s naturally friendly relations take a turn when they suspect one of their group has taken their clubs monthly dues. Conversation turns to gossip, speculation and unkindness between the houses until the gentle Mrs Hayashi (Kuniko Miyake) is left feeling bewildered and alone.

Her sons meanwhile are spending more and more time at the house next door watching TV and start to make demands for having one in their own house. When the answer is no and they’re told to keep quiet they decide to go on a verbal strike, silence, no more talking until their parents buy a TV. A strike they carry on at school and proves that no words at all has as many problems as too many.

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How Green Was My Valley

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I actually read this last year for Paula’s Dewithon but didn’t get around to reviewing it; I wanted to include it though because it does feel like a part of my life! Watching the BBC drama in 1976 I thought Angharad was the most sophisticated name I had ever heard and idolised her for it, but I didn’t realise the drama was based on a novel until I started this blog and wondered if it would live up to my expectations. Luckily it did and I was swept up in the story of the Morgan family living in the coal mining valleys of South Wales. What I wasn’t prepared for though was my reaction to the language. My dad was one of 7 children growing up in South Wales and it was as if he and all my chattering aunts were back in the room. There were phrases used that I hadn’t heard since dad died 20 years ago, ‘go on with you’ was one of his favourites and my grandmother’s and aunts’ voices came through the steamy Morgan kitchen.

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Persuasion

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Sir Walter Elliot, of Kellynch-hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Baronetage; there he found occupation for an idle hour, and consolation in a distressed one . . . and there, if every other leaf were powerless, he could read his own history with an interest which never failed – this was the page at which the favourite volume always opened:

ELLIOT OF KELLYNCH-HALL


Is this the most romantic of all Jane Austen’s novels? I think so, and it all begins with Anne Elliot’s background, so perfectly captured in this opening paragraph. Sir Walter Elliot is a man governed by family rank and appearances and his glorious vanity is heightened because the Elliot’s are in financial decline. Kellynch Hall is to be let and they must find themselves a smaller home in Bath. Elizabeth, his elder daughter has beauty, and shares the values of her father; Mary his younger daughter has managed some importance by marrying Charles Musgrove heir to Uppercross Hall but Anne? well, – ‘she was only Anne.’ She had one chance of happiness but Sir Walter and Lady Russell, an old family friend, put an end to that when they persuaded her that to marry Frederick Wentworth would be a mistake, he simply wasn’t good enough for an Elliot – ‘a very degrading alliance’.

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Anna Karenina

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Two old aristocratic Moscow families, the Lévins’ and the Shcherbátskys’ are linked by the ultimate ring master, Prince Stephen Arkadyevich Oblónsky. Married to ‘Dolly’ the oldest of the Shcherbatsky’s three daughters, ‘Stiva’ is a plump, scented man of 34. He wears his liberal politics as lightly as he wears his hats, always of the current style, nothing too extreme, and expresses the opinions of the majority. His good nature and love of his family, love of good food and joyous nature make him a popular character who finds friends (and mistresses) everywhere he goes. He’s been friends with Constantine Levin since boyhood and he also brings with him his sister Anna, married to the dull but essentially good, Alexis Alexandrovich Karénin.

Princess Kitty Shcherbatskaya, is 18 and a great success in her first season; almost every one who dances with her falls in love and Levin who has long been in love with her now has a serious rival in Vrónsky, a dashingly rich Count with a glittering military career before him. Every mothers dream and Kitty’s head is turned hook line and sinker. but at her ball she sees a look of ‘intoxication’ and ‘rapture‘ in Anna’s face and wonders who is the cause until she sees the same look in Vronsky and ‘her heart was crushed with terrible despair.’

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