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Eskholme Pike

Let’s be generous and say we’ve made it as far as the shoulder of Castle Knott. The summit’s still a good quarter mile away, and another two or three hundred feet of ascent. But the day’s actual objective, Calf Top, lies a mile beyond that, its form as yet unseen, I presume, hidden by this shaggy bulk of Castle Knott. It sounds dramatic, but it’s more of a squat moorland hill, with a meandering quad track leading to the top. There’s not much to recommend it as an objective, then, and certainly not worth killing ourselves for. As for Calf Top, is it worth pressing on?

We let the walking pole dangle loose from the wrist by its strap, and the wind takes it out to a generous angle. It’s probably gusting up to forty miles an hour here. It’ll be stronger and colder, the higher we climb. We crouch low and consider the options, though a little voice tells us the decision has already been made.

A wild upland of endless moor, there’s no shelter here – not a rock or a tree – no respite from this thuggish wind. To the south and east, the hill falls away into Barbondale. Beyond that, marching across the Dales, there looks to be some weather coming in – possibly hail mixed in with it. And the wind’s driving it all in our direction. As for us, there’s nothing left in the legs, and the long climb so far, over one false summit after another has sapped the will. On a better day it would be a good place settle down, to rest, take some nourishment, let the strength and spirit catch up, then carry on. But not today. Today we bail.

We left the car down at the village hall in Barbon – the most perfect little village. Then we came up through the manicured parklands of Barbon Manor. On reaching the farm at Eskholme, and beyond the intake walls, the path rises seemingly near vertical, making for the little crown of a cairn on Eskholme Pike. That short, steep section betrayed all too soon the paltry number of hills we’ve climbed this year. It’s all right, totting up the miles in our little black books, but if we’re not climbing hills, they’ll let us know how soft we’ve become, as soon as we step out on one.

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So, it’s back to the Pike, the wind roaring at our backs, helping us along while trying to snatch our hat off. Here, we catch some shelter among the crags, hunker down and rest a while, break out the flask and the energy bars. From here, we gaze out across the broad, verdant valley of the Lune, towards the hills of South Lakeland. The sky is a blue-grey slate, sliding by in great wind-blown slabs, breaking into fantastic textures overhead. Below, the trees shed the last of their leaves in showers of red and gold.

It’s not cold, now we’re out of the wind, and with the path pointing down rather than up, we can relax and better appreciate the energy in the day, knowing the hard work is done. The battle is over — neither won nor lost. It’s simply good to be out in the air, on a fell, even if it’s given us a good hiding.

And then, as we sit here, we’re reminded how most walks are about gaining a sense of perspective, as much as they’re about reaching a summit — my walks, at least. The summit is more something to christen the day, but it’s always best to bend by the path whichever way it chooses to meet us. We don’t always get the best views from the top anyway.

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I suppose we could trace this idea back to Francesco Petrarca, known to history as Petrarch – in a sense the first recorded fellwalker, and to whom we pay tribute. Fair enough, he reached the summit, walking up Mount Ventoux in Provence that day – in the early spring of 1336. But rather than climbing it because “it was there”, he framed it more as a moral and spiritual exercise. In his account he reflects on the vagaries of human ambition, vanity, and the relationship between the self and God.

They thought he was mad for doing it, but not because of any physical danger – it was more that a man leaving the ordinary path to climb a hill just to see the world from above was considered an act bordering on hubris – at least to the medieval mindset. Yet Petrarch’s climb captured something of the changing spirit of the age. Indeed, his telling of it helped reshape both culture and history, ushering in the Renaissance– a great flowering of humanist art and spirit.

One of the things to come out of the Renaissance was how artists started placing people in their landscapes: no longer as outsized saints and sovereigns dominating a flat world, but as figures set more faithfully in space and light – human life in its proper proportion to the world. It marked a shift of perspective, yes, but also a shift in consciousness and perception too.

And yet, in other ways, you wonder if we haven’t begun to slip backwards – the world becoming flat again, figures inflated against backgrounds, out of all proportion, our souls traded for clicks and the search for an interior life considered next to madness. It’s a curious juxtaposition – all these techniques of vision at our disposal, yet a creeping perspective that no longer reveals the world’s depth.

And so, back to us here on Eskholme Pike…

It’s actually quite pleasant, out of the wind, the clouds rushing by. Down below, the Lune flashes silver through autumnal trees. Sure, we didn’t make the objective but we can see plenty from here. Perspective isn’t always a summit cairn; sometimes it’s just sitting on a rock, catching your breath, and the world wide open at your feet.

Thanks for listening.

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St Bartholomew’s, Barbon

“I looked back, and my gaze turned inward” – Petrarch

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With Samhain still a few weeks out, the autumn already has a deepening about it. The dreams slip underground, and the veil thins as the light goes of an evening. The season calls for candlelight. We feel the ancestors gathering, and we remember the old stories by which we connect. Except in town. Here it’s different, with the bargain stores – the only ones left trading in these straitened times – are stocked high with grotesqueries: all that witch, ghost and ghoulie stuff, shipped annually at great cost in carbon, from the other side of the world. I try not to pay it any attention, grab my Cajun Chicken wrap from the lunch cabinet, and head for the tills.

I arrive at the same time as a lady – classic meet-cute situation, prelude to love, or just a smile and a chat – except she has a somewhat sour countenance, also a huge basket of stuff. I do the gentlemanly thing and gesture for her to go ahead. She eyes my lone Cajun Chicken wrap, and goes ahead anyway. So there I wait, while she fusses and fumbles. Meanwhile, I examine myself, and come up laughing. (though not out loud). Sure, recognising the irony in any situation is a great release, and perhaps the last refuge of the soul caught up in a culture that takes itself so seriously, yet possesses nothing worth the shout.

I take my lunch to Anglezarke, just a short drive from town but already a world away. Hills, and woodlands – an emptiness so much easier to overlay with the imagination, as opposed to the jangling noise and vac-packed sterility of Urbania. The car delivers me to one of the little laybys on the Parson’s Bullough road – prelude to a walk I do when I’m struggling to get myself out for a walk – not for lack of time, but lack of mojo. I’ve done it a lot this year. Hard to put your finger on the cause, but at such times I find it’s better to keep putting one foot in front of the other, while perhaps reining in the ambition just a little, respecting whatever it is inside of you that’s resisting the call.

We eat lunch in the car, discover our wrap is more bread than chicken – compared with the last time I bought one. It’s another of the ways the culture has us expecting less – fewer biscuits in a packet, smaller bars of chocolate, watered down soups, and now they’ve downsized my Cajun Chicken Wrap! No matter, let’s shake off these polyester cobwebs, head over to the Chapel tea-rooms at Rivington. The promise of a pot of tea and a Kit-Kat is usually sufficient to get me going. And so far as I know Kit-Kats – at least the four fingered variety – have yet to be adulterated.

It’s a cliche, of course, how All Hallows, once a pivotal time of the year, this night for the dead, has become just another commercialised, and soulless festival. If you try very, very hard, beneath all those plastic cobwebs, and ghoulie-masks, you may still glimpse something of the old ways – a kind of irreverent ritual mischief. It speaks to an ancient – indeed sacred – need to loosen the order of things, to allow the underworld once more a voice.

Only in this sense then does, the modern Halloween pay lip service, while remaining unconsciously archetypal: a transgressive release against the monolithic pieties of both religion and consumerism – thumbing its nose at one while, ironically, embracing the other. But where once such transgression was aimed at renewing our world, it now merely distracts us from its loss, and reminds some of us at least of this inexorable flattening of culture.

First stop the Yarrow reservoir – still dramatically low. Here’s how it looks now.

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And here’s how it should look.

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Then we’re up Hodge brow and across the meadows to Tan Pits, checking on that tree we made the acquaintance of last time. It’s looking good, the season bringing out some colour against a gloomy sky. No rush today. Today is just a bimble with the camera, and that cup of tea of course. Meanwhile, let the mind wander where it will. Once or twice it wanders clean off the map and I come back to myself wondering for a moment where I am.

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I’ve reached that age when I have no generations behind me any more – all of whom loved me into being. No parents, no aunts, no uncles, other than when they come to me in dreams now. All have moved on, and I stand on the front line of a life’s experience. It’s normally a time for harvesting the fruits, but we’re living in a gerontocracy – an age when we might be expected to offer more than just our custom in the coffee-shops and garden centres. I feel I do offer something still, at least through my writings – even my more metaphysical ramblings – to those readers who chance across me – and to the gods of course, though what the latter thinks remains to be seen. I speak of the old gods here – the polytheism of the Greeks, the Romans, the Celts – and metaphorically of course.

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If you’ve ever read Homer’s Iliad you’ll know how the Greek pantheon manifest in our thoughts and our actions. If so then today I’m labouring under a touch of Hermes, wanting to turn me inside of myself, and answer the daemonic call. Or maybe its dear Mnemosyne, she with the wistful mood of an old yellowed photograph, calling me into remembrance of the long ago – not in any nostalgic sense, but more an attempt to square the circles of past, present and future.

The chapel tea room is quietly buzzing. We take our tea and Kit-Kat, sit out in the soft autumn air, flick a while on the phone. I’m avoiding current affairs, homing in more on the business news. Here, I think, we find a more sober grounding, a firmer truth in the rise and fall of markets. And, as if to poke fun, the gods point out an article in which Nestle (owners of the Kit-Kat brand)announce massive staff cut-backs and a draw-down of manufacture – all this to stimulate growth. It seems a contradiction of course, always has to me, but it’s a contradiction we’ve been living for forty years. You sweat the remaining assets – basically cut back on investment, eliminate “waste”, treat your remaining workers like dogs. Yet growth remains elusive. The CEOs scratch their heads, and cash their cheques anyway. The FTSE continues its steady rise, the bond markets dictate policy.

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So much for my Kit-Kat. Is nothing sacred? I suppose not – indeed perhaps that’s another marker of the age – this steady de-sacrilisation – is that a word – of all aspects of life. But anyway, the Chapel is looking lovely with the trees colouring, and a fall of leaves upon the deeply mossy ground. We hunt around for a different perspective – must have photographed this place a hundred times. The little row of cottages too, are looking especially attractive. Always a pleasant place to visit, midweek. Weekends less so. We choose the longer way back – a negotiation between the part of me that likes to walk and the part that resists. The air is lifting the mood, though the long twilight of autumn and winter hovers.

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On the surface, this is all we have now – no meaningful festivals of renewal, no cultural depths to enliven us, only this ever-present economic model enamoured of its own contradiction: “growth by a thousand cuts.” Yet still, somewhere in the season’s earth-scented quiet, the old imagination waits beyond the thinning veil, ready to link arms, to walk us once again through the gentler byways that can still inspire. It reminds us too that no matter how shallow the culture we’re living in, the depths inside each of us are still limitless. We open our arms. Embrace.

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It’s a fair old run from home
to Pateley Bridge,
about on the edge of what you’d call a day trip.
Two hours by car, in fact.
I know it well from pleasant sojourns with family,
weeks, of temporary residence
around Ripon and Studley Royal.

A mixed forecast for the day, and me
feeling under the weather.
Again.
A lingering lethargy and a bleeding,
festering spot on my bum
that refuses to heal.
I must show it to the nurse
on Monday.
It’s embarrassing.
These things are sent to try us.

It was a friend’s walk, really.
Not mine. I just tagged along,
relieved, and immeasurably glad to chat,
to feel the energy of engagement,
and reminiscence.
Connection with old times,
way back.

Hill, dale, forest, moor.
Distant views.
Known landmarks, centring in space and time.
Past times, mostly.
And then a reassurance in the power
to face the grade,
some aches, but a gathering spirit
reassuring me, there are as yet
more miles ahead.

I’ve neglected the camera this year.
Fiddled about with lesser resolutions.
Never satisfactory.

Then of a sudden,
and in passing, soft skies,
a gentle landscape
and the shape of trees.

The best picture I’ll take this year.

I can’t remember where.
It doesn’t matter.
Somewhere near Glasshouses, I think.
Didn’t throw any stones.

Thanks for listening.

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Dodging the week’s heavy rain, we head for Abbey Village where we discover Union Jacks and St George’s crosses hanging from every lamp-post. This has been a feature of many towns and villages in England over these dog days of summer. I note there has been some online discourse attempting to reclaim them from the more thuggish element, bring them back into the realm of a kind of benignly patriotic boosterism, as if it were the King’s jubilee or something. But after those violent scenes in London over the weekend, such language sounds like feeble back-tracking by those who got a bit carried away. The flag craze is about marking territory. Who’s in, who’s out.

We have another short-ish walk in mind today – still finding my legs after a week or so of feeling under the weather. But first we call at the Hare and Hounds – flying a German flag – for a pot of tea to get us going. Funny how times move on. I remember my mother telling me how, as a child, living in Abbey Village, she watched a German bomber fly along the rooftops, so low she could see the crew. It’s likely they were looking for the giant ordnance factory at Chorley, and thank Heavens they never found it.

Eighty, Ninety years later is a lot of water under the bridge. A quick doom scroll has me wishing we could send a flood and get it over with. But we’re in drought, so it might take longer this time for things to right themselves and for us to make firm friends of old enemies – the complicating factor being we’re still expanding daily that list of enemies until we’re all on it.

Leaving current affairs aside though, the heavy rains this week have made little impression on our empty reservoirs. The Roddlesworth system here is dramatically low. They appear to be pumping air into the Rake Brook reservoir, closest to the village, while pumping the Lower Roddlesworth out. I can’t find anything more about what’s going on here. No notices on site, and nothing on line.

Today we follow our usual route clockwise around the denuded reservoirs, but we make a detour to Higher Hill farm, way up on the skyline. From here we explore a beautiful terraced path we’ve not walked before, and which makes a pleasant change from the gloom of the plantations. There are some unfamiliar trees along the way and we experiment with using them to frame the view.

The way eventually loses itself in a meadow, as we approach the Tockholes Road. It clearly isn’t walked much, but we do our duty by keeping it open. The meadow is shin-high with a rich green, and dotted with clover which we try to photograph, but we’re losing our touch with the camera and everything comes out wrong.

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We regain the plantation, trees still crisping up, and acorns scrunching underfoot, but no sign of that dramatic colour change yet. Then we’re on the path to Ryal Fold. It’s still only mid-afternoon, but the café there is closed – I’d been hoping for another brew, but we make do scavenging for chestnuts. I don’t know why. I was doing this last week in Rivington. A few days in your pocket and they’ve lost that magical sheen, but for a moment at least, when fresh, they are worth all the tea in China.

Plunging back into the plantations, we take the muddy path down to Rocky Brook, which seems lively enough after the rains. There are a lot of trees fallen in this year’s storms – some lovely, shapely specimens too, and which I’ve photographed over the decades – a record of transience, or impermanence which seemed permanent enough at the time. It’s quiet, even for a midweek – usually lots of dogs about, but I’ve not passed a soul since the Hare and Hounds. It’s feels like the nation is under cover and braced for something awful.

I’m sure it’s not related, but I note the POTUS is arriving in the UK around the time of writing, for the pleasure of the King. Gilded carriage ride and all that. Heavens. I noticed with some mild astonishment how the mainstream presses were lapping up the pageantry, as if all this was a perfectly normal state visit, while somehow averting their eyes from the real story. For that, you have to dig a little deeper into the alternative media, though I suppose that is also a part of the story of our times.

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Hard to get used to the sight of the reservoirs looking like this. The system never really topped itself up, even after those months of torrential winter rains. And now we’re lower than ever. All this water still goes to Liverpool, I think. Go easy with it folks, but be careful not to mention Climate Change in the wrong company. Oh, Lord, four miles or so already, and the bones are creaking. Whatever this lurgy was, it managed to get in there pretty deep. Still chesty too.

Thick clouds of a sudden, and though it’s hours from sunset, the day takes on a late season feel – that flat, fading light of November or December, cars on the old turnpike roaring by and lit up. Then it all peels back and the sun comes out, and it’s summer again – dramatic contrasts as trees are lit against dark, mysterious forest backgrounds.

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So, back to the car now, a little worse for wear, but a few more footpaths added to that map of memory, to say nothing of the psycho-geography of my little patch of England. I’m sure we’ll get through this, that we’ll swing back eventually to a more compassionate kind of nationhood. After all, it’s worth bearing in mind only about a quarter of us get a thrill from raising the colours this way, that the rest consider it a question of place and time.

Well, anything else just isn’t British. Is it?

About five and a quarter miles round, six hundred feet of moderate up and down.

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We’re still a bit under the weather from this cold, but we’ve driven out to the Yarrow Reservoir anyway, thinking a bit of fresh air will do us good. A recent wash and brush up reveals the little Blue Car is showing signs of tin worm again, this time around the bottom of the front wings. It raises thoughts once more of the impermanence of things. 23 years old now, but still a good runner, and worth the ongoing restoration. I just need to find someone who’s not a cowboy, and will appreciate what she means to me. We keep going as long as we can. Until we can’t.

Stepping out on the Parson’s Bullough road, we’re not sure we’re up to much, actually. It’s a beautiful day for sure and a wonderfully dynamic sky, but my head feels like it’s having an out-of-body experience – not altogether unpleasant, but we’d better go easy. My ramblings here may be a little more surreal than usual. A couple of butties, a waterproof just in case, and the camera. Temperatures, are a little on the fresh side, the many oaks along the wayside here crisping back, and the reservoir is vanishingly low. I note the contractors are still working in the valve house, so maybe they’ve run a lot of water off, that it’s a maintenance thing, and nothing to do with climate change at all.

So, we’ll take our time, treat ourselves to a brew at the Rivington tearoom, then circle back, about three miles round, all in familiar territory. It’s the walk I settle on when I’m not sure I’m up to walking much. This September light is such a joy, low and bright but, unlike its Spring counterpart, the contrasts tend to be warm and rich. The lush pastures over Jepson’s way have a glow about them, and the sky is magnificent.

After the short sharp pull up the brow by Morrises, we enter the meadows above the reservoir and, though we must have walked this way a thousand times, we discover a new tree. Well, it’s always been there – it’s just that it was shy, and today the light has picked it out. A brief detour has us weighing it up. An oak, nicely shaped. Looks good against the sky and with the hills as backdrop. We hazard a few shots. Relax then into the sun, and the scent of the earth.

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We have some thistle still in flower, but most of the flora is turning to sleep now. The willowherb is fluffing up in profusion, only the occasional pockets of invasive balsam still looking blousy. There is no sense of an end in nature – just this visible cycle of setting seed for its eternal return. From a certain perspective it can seem pointless, this relentless round of flourish, then dying back, and we can carry the metaphor on to ourselves and our own short time to bear it all witness. It is both the blessing and the curse of our self-awareness. But as we age it seems more that such thoughts are the result of keeping too narrow a view.

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Moving on, and pondering a not unrelated topic, I’ve been reading about the ambitions of the so-called transhumanists – also writing about it in that other place here. This is a very particular breed of tech-utopians who truly believe we can transcend our bodies and our minds, by uploading them into a computer. Thus we ensure our immortality – I presume, so long as we keep up with the payments. This seems absurd to my more poetic sensibilities, but I can understand it, when the minds conceiving it are themselves locked in a prison of their own reductionism. Sure, it must seem the only way out, but I prefer my reality the way it is.

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We sit down for lunch in the meadows a little further along, by the Turner Embankment. Dramatic contrasts here between a blue-grey cloudy sky and sunlit green. The camera doesn’t appear to be working properly, but this isn’t the camera’s fault. My head is too full of cotton wool to remember the buttons. It’s only by the good graces of the camera fairy we get any pictures at all. We set it aside and take in the view. Tired and aching now, and barely more than a mile gone. But there are butterflies, and the promise of chestnuts along the avenue by Dean Wood. Do children still collect them, I wonder? I remember the conker season at school was always a thrill, brightening up the tedium of the dull place it was my misfortune to attend.

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Yes, we find a few chestnuts along the way. It’s squirrels I think, these days, who are my main competitors, but they have left me a couple of fine, fresh specimens among the aromatic leaf mould. But more unexpected, I discover a fuscia bush, flowering in the hedgerow, dainty flowers suspended midair like ballet-dancers. It is another discovery along the way of what I thought familiar, a gift of nature, a friendship made, to be looked up now and then in future seasons.

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We climb the steps to Church Meadows and a little way then up the moor road to the tearoom, behind the chapel. It’s busy with pensioners (like me). Always a cheerful, friendly place. I ask for a pot of tea, and the lady tempts me to the sole remaining slice of vanilla cheesecake. It was always going to be an easy seduction. Large notices also urge me to “book now” for my Christmas Lunch. Ah yes, it’s that season where we attempt to shunt the carriages of Christmas-is- a-coming through the inconveniently placed hump of All Hallows.

Outside in the sunshine, we take our time, savouring our cheesecake, only occasionally eavesdropping on our fellows. A table of ladies of a certain age are celebrating a giddy reunion, while on another a pair of armoured mountain bikers swap stories of arduous routes, each trying to outdo the other with their heroics. Meanwhile, in the chapel yard, beneath the Yew, bathed in dappled sunlight, a more contemplative Walt Whitman whispers:

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“I give you my sprig of lilac”

It’s a line from his epic “Leaves of Grass”, this bit written in response to the assassination of President Lincoln. It’s an odd connection, a little corner of rural Lancashire and a momentous event in American history. I talk more about Whitman and Rivington here. Early flowering, for him the lilac was a symbol of renewal, a link between the mortal world and the promise of the eternal in nature. I think back to those earlier ruminations on the tech-utopians who would banish the inconvenience of our (or perhaps only their) mortality, and I suspect they might disagree with Walt. For them our mortality is a technical problem, one to be solved by code, while for the poet it is a sacred aspect of the cycle of the natural world.

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Suitably refreshed, we retrace our steps a little, then pick up the track around the western shore of the reservoir, deep in the shadow of the Turner Embankment, now. About half way, we come to the face in the wall. Or rather, it is a replica of the original, which was vandalised and disappeared some 40 years ago – though I recently learned the broken original is in a safe place. This one is a fine replacement, and long may he last. Get the full story here. A strange effigy though, and not exactly in celebration, more mockery of an unloved foreman who supervised the construction of the reservoir. He does have a devilish look about him, and is perhaps a reminder of all the unsavoury characters we’ve laboured under ourselves from time to time. Perhaps this isn’t the best note on which to end the walk, so I hand over to Whitman again, who reminds us:

“I do not trouble my spirit to vindicate itself”

Or, roughly translated, forgive and forget.

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Early autumn, North of England – no hurry to transcend this particular reality, and when the time comes, sure… I’ll accept my sprig of lilac, and thanks, Walt. But for now the little blue car awaits. You know, I think it’s warm enough to drop the top for the drive home. And yes, I’m feeling much better for the air.

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Yarrow Reservoir August 2025

A gloomy day, a flat light, but blessedly cooler than of late. There’s been such a quake of heat this August and very little rain. The first thing we notice as we park on the Parson’s Bullough road is how low the Yarrow Reservoir is, and for how long – the deep tide line having greened up, over the season, and with barely a puddle of water remaining. We’ve had an early fall of leaves, too – many trees showing signs of crisping up and letting go a first sprinkling of gold by the waysides – oaks chestnut, and beech, all seem tired of the heat and the drought.

We’ve been nosing into our usual metaphysical rabbit holes, writing, and reading. Beyond Saturn’s Gate’s been up for a few weeks now. Twenty-five downloads – and thanks to all who’ve spent some time with it. I think it was Margaret Atwood who described a writer as someone who has to convince strangers to spend hours of their time inside your head. All I can add to that is we can only hope they do not find the time was wasted.

And then there’s been other stuff, some rather long essays, posted on Substack and which nobody is reading, yet which feel too long to be posting here on WordPress. Plus, I am increasingly seduced by conversations around the intersection of human and Artificial Intelligence – which I know are unpopular among so many of my fellow creatively inclined souls.

So, a busy summer then, not doing much to change the world of course, but then I spent forty years of my working life busily leaving virtually no mark upon it either. And what I do now is infinitely more engaging. But today, we’re leaving all that behind and heading up onto Anglezarke moor. It’s a good time for it after such a long dry period, as the going should be firm now, and it’s cool enough to be comfortable.

The photography’s been slipping of late – losing my grip with it, to be honest – pictures grabbed in a passing hurry, and frequently out of focus. There’s something of a metaphor there. So today we’re determined to slow down and spend a bit more time looking properly at things.

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First shot is one of the oaks on the crossing of Twitch Hills Clough, an old friend in fact. There’s such a graceful lean to this tree, and a gorgeous view beyond it – green hills, out towards Jepson’s Farm, and a soft light pouring in behind it. Again, it’s showing signs of crisping up, and an early autumn.

Then we’re onto the moor, wandering up to the Pike Stones, all that remains of a neolithic burial. Here we break for lunch, accompanied by the sound of bees, busy among the foaming heather. Yeats comes bubbling up here with his Lake Isle of Innisfree, and the bee loud glade. I’ve been reading and listening to Yeats a lot recently. There’s a fine mystical thrust to him. Others were writing in a similar vein around the time of course, though I suppose the cataclysms of two world wars, along with other 20th-century upheavals largely put paid to the Romantic sensibility. The war poets were a serious sobering up from all that, and then the cold dismay and the bleak cynicism of all that followed. I suppose I’m a throwback to the Romantic, then, but it’s proving a hard job finding many others willing to follow.

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The Pike Stones

Anyway, this is a dramatic place to sit, looking out over the Lancashire Plain. Try as I might over the years, though, I’ve never been able to take a picture that did it justice. The shot above is from the archives – a different time, a different season. I note someone has placed a token of pebbles upon the central chamber. Odd colours though – garish reds and greens against the weathered millstone grit. Kids probably – neo-pagans wouldn’t be so unsubtle as that (I hope).

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On Rushy Brow – Anglezarke

So, lunch done, we wander round by the burned out plantation, then follow our nose up Rushy Brow, guessing our way to the little reedy tarn. It’s not marked on the maps, so GPS would be of little use here. It’s unusual to find water pooling on the moor like this, and even after such a long period of dry, it persists.

The tarn’s a good staging point for the next push, which is a trackless meander towards Hurst Hill. The heather is prolific and very beautiful just now, tracing out the contours of the land, in graceful, sweeping arcs. I’m assuming it’s particular regarding the level of moisture it will tolerate. Thus, we avoid the marshy bits by following the line of it, but the going here is a bit rough, until we finally meet the more defined way crossing Hurst Hill.

The heather is especially deep up here, and lacking only a bit of sunshine to light it up. But even under a gloomy sky like this, it manages to lift the atmosphere, and then the scent of it. There’s a subtle sweetness to it – honey, musk, earth,…

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On Hurst Hill

Another brief pause here by the cairn before we make the crossing to the Round Loaf, another neolithic burial. The way is well trod now, easy to follow and springy underfoot, though this can be a trial in the wetter season. Pretty much central in a bowl of hills, the heather-clad blip of the Round Loaf gives a magnificent view, as well as a sense of isolation. Many tracks converge upon it, and it can be confusing, which one we came in by and which next to take on our way. It’s clear enough today, though, and we set sail across the moor, aiming for the distant shoulder of Great Hill, near the head of Dean Brook.

This can be another interminable stretch of bog, but once more is springy underfoot, and easy to make way. We’re only briefly tempted by a bagging of Great Hill’s summit, but instead choose to conserve energy, and we pick up the paved way that takes us across Redmond’s Edge instead. This is the highest section of the walk, and exhilarating in any weather. We’re about four miles out now, though it feels like twice that. And speaking of bog, there’s an especially dangerous stretch opened up recently here, atop Redmonds, which has claimed several victims. Most bog up here will swallow you up to your knees. This one is five or six feet, as its victims will attest. And it’s sneakily positioned where the pavings have sunk, and the way isn’t clear.

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Bernie’s Bog

The hazard is clearly marked now, but do be careful to heed the warnings and keep to the way. I note the Lancashire Walking Group have added a touch of humour by christening it Bernie’s Bog – I presume in honour of one of the unfortunates who suffered a dipping.

The plan here was to pick up the track from Redmonds down by Standing Stone’s Hill, but we were distracted by the bog, and carried on over Spitlers to Will Narr – so a longer walk than intended. Strange seeing the paths up here literally dust dry, almost chalk white in contrast to the darker heather and purple moor grass.

Something catches my eye underfoot as I’m passing, and I pick it up, scrape the mud from it with my pen-knife, to find a deeply weathered two pence coin. Not a fortune, in one sense, but still a lucky find. Mercurius sometimes heralds his tricks like that, though he usually goes for a glint of silver. He must be hard up. We carry it down to the ruins of Hempshaws, and hide it under stone for the next pilgrim to chance upon it, perpetuate the game, I suppose. Like those pebbles we saw at the Pike-Stones, it roots us in the landscape, but I find it’s better if we make a secret of it.

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Hempshaws (ruin) – Anglezarke Moor

Just a couple of miles to go now, and not a soul encountered all day. But then I come upon a couple of seemingly confused mountain bikers down in Lead Mine’s Clough, who ask me the way. Silver haired, crusty types, neither are particularly coherent, and don’t seem to know where they want to get to, or even where they’ve come from. “Well this track goes over to Will Narr,” I tell them, “this one to Moor Road by Jepson’s Gate.” But no, they are not familiar with the local names of places, either. It makes it hard to set them on their way. I suspect they just wanted to rest and chat.

They are good-natured, jolly, and seem reassured anyway, picking almost at random the way to Jepson’s Gate. Yeats would have put it in the realm of an encounter with the faery. And Mercurius did flag it, didn’t he? But only if you live poetically.

So now it’s back to the car in that quiet lay-by, and the dwindling reservoir. Peel off the boots, stash the camera safely. I feel a poem coming on – the muse doesn’t always pick her moments. Hang on, let me get a pencil.

Small change but noted

Too soon is the season spent.
This quake of August exhausts
both man and beast.
And even the trees are tiring
leaves crisping,
into a premature autumn sleep.

Meanwhile, we seek a sharpness of vision
the time to see, and the air to breathe
the moor, abuzz with honey bee,
and aromatic sweeps of heather
as, dust dry, we pass.

And from Mercurius, a coin –
small change, but noted,
and a secret kept, passed on.
Prelude to an encounter
with the sidhe.

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About 7 1/4 miles round1450 feet of moderate up and down.

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The farmer was friendly, returning my wave from the cab of his tractor, as was the young woman speeding ahead on her quad. The shooters, perhaps a dozen of them were less so, catching a ride up the fell in the trailer, their weapons laid upon a bed of straw. I don’t know what they were shooting, but I heard them later, and their rapid volleys did not suggest clays. Then the rain came on and the guns fell silent.

But you catch me closer to the end of the walk than the beginning – the beginning being the pretty little village of Dunsop Bridge (the geographical centre of the UK). It’s a bit of a gloomy day, with a boisterous wind and an early autumn feel to it – the sun in Leo, our northern light at its richest just now, when it can be bothered to shine, that is, and the days have begun their subtle shortenings.

The wild meadows and the ditches are at their fullest — meadowsweet, and rosebay willowherb, and the quieter ways, like the narrow pass between the bounding wall of Thorneyholme Hall and the chattering Hodder, are thick with waist-high butterbur and nettle. The meadows are intermittently deep green, then light where they have been mowed out, so they appear to shine, even on days like this, under a leaden sky.

I don’t know where the year has gone! Already so late in the season, and this is my first visit of the year to the Forest of Bowland. By some miracle they’ve fixed the parking meter in the village. This is usually broken, with an advisory to pay by phone, but since we’re in a dead zone, that’s something of a joke. So you leave your car, always wondering if you’ll come back to a penalty slapped on the windscreen.

Not today though. Today, we set out in confidence and full of virtue at having paid our dues. We take the undulating track that leads us by Knowlmere Manor, down to Giddy Bridge, then meander up the fell. I was last over this way a couple of years ago, still feeling freshly released from the prison of Covid, and enjoying that long holiday feel of the first phase of retirement. I suppose I have to admit I’m used to it now, though I trust I shall never lose the appreciation of the freedom. I certainly haven’t hit that bit where some retirees report boredom and a sense of lacking purpose.

I do still dream of the old workplace sometimes, though no longer with a sense of residual anxiety. I dreamed of it this week actually. I’d been invited back for a visit, then hints were dropped about my returning to the yoke and that I could name my salary. I think the dream projectionist was having a laugh. I didn’t need to think about it, and no, not even in the dream was I tempted.

Not a long walk this, nor a tough one, though I suppose all things are relative – about four and a half miles round and a few hundred feet of gentle up and down. But the scenery is varied and quietly stunning – some good tracks, some vague tracks, and then this lovely stretch of moorland – a modest way, marked by low stone pillars, guiding us gently and eventually to Fielding Clough.

The wind paints waves of silver over a sea of purple moorgrass. The heather is out, not exactly in profusion but enough to brighten our way. We snip a sprig for company, and as a reminder of the day for later. Sometimes I think I can smell the heather, sometimes not – I imagine it has a sweetness to it, like honey, while the moor has a peaty, almost metallic scent.

Lack of identity. That’s something else retirees talk about, but only, I guess, those who strongly identified with their work. Though I recall I did enjoy my work, I can’t say it ever formed the bedrock of an actual ‘identity’. Now, I suppose if I was desperate enough I’d have to call myself a writer, a blogger, maybe even a poet at a push, but I’d have to have had a glass or two, and be feeling full of myself.

I’ll go the muddy moorland way,
And into those dark hills I’ll stray,
With trusty pack upon my back
I’ll,… something, something…

Snippet of an old verse from way back. I was much younger when I wrote that – a touch of Mars about it, conquersome, peak bagging, and all that, but also I recall the feeling of returning from a fell in a more wholesome frame of mind than when I set out. And though that sentiment still applies, I think I’d have a gentler, more observational approach to it these days: the crossing of this bit of moor with the heather dancing and the wind making waves, and the simple here and now of it,… the sense of disappearing into the landscape, or being embraced by it.

We come down to the Hodder by the farm at Burholme. And then the guns. They looked at me quite blank those young men, actually – all of them men. I wonder what they were shooting at. I wonder what they were thinking, looking up at me as I descended the path from the moor, a brotherly wave, seeking kinship. What identity did they pin on me that forbade the return? What was it that “othered” me?

The river makes a wide sweep here and the meadows are often flooded. We have cattle aplenty today, and at their leisure, along the path, we encounter a group of young Friesians gathered around the stile. Cue links to forums where pundits discuss in heated terms the dangers of cattle on public ways. I may yet come a cropper among our domestic bovine friends, but I’ve yet to have a problem. It seems to be a question of reading the mood and, this afternoon, all is calm.

Just a short stretch now, by the chatter of the Hodder, and then a return to the centre of Britain. A village green, ducks, a phone box, with a working telephone, and Puddleducks tea-room. Gloomy skies still, and a few sweeping showers of rain. Always a pleasure to be in Bowland again.

Wind-waves in moorgrass.
Silver tides rise and fall,
among the heather –
not in profusion,
but enough to share
that precious breath of honey.

The Hodder runs,
a gentle chatter
through meadow and rain.
I walk unknown,
neither hunter nor herdsman,
just like the weather,
passing quietly today
over these late summer hills.

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In Roddesworth

I’m a bit nervous, parking the car by the wayside here at Roddlesworth. It looks like the cows are gathering at the gate, in the meadow up ahead. It’s a bit early (or maybe late) for milking, but I’m wondering if they’ll be herded down this narrow lane, in my direction. A cow’s flanks can crush the side of a car and not even notice. Anyway, after watching them for a bit I don’t think they’re coming out. I’m just catastrophising – an increasingly tempting response to uncertainty – a kind of capitulation ahead of time.

I blame my Substack feed, which has been growing increasingly hysterical and intemperate of late. If you write on there you have to accept back this tide of stuff you neither wished nor asked for. I’ve un-followed everything of a “current affairs” nature, thinking that was driving the algorithm into depths of despair since – let’s face it – things are pretty desperate at the moment. But if anything it’s made it worse. Unlike writing on WordPress, I can’t control what comes back at me, which is too much of everything: America, Ukraine, Gaza,… And yes, I know all of that is real, and growing darker by the day, but there’s nothing I can do about it directly. And that rubs up all wrong against the natural instinct most normal humans have for altruism – that where there’s suffering we want to help out.

Still, here we are, West Pennine’s again. We’ve had a long cold spell through late May and early June, with lots of rain, but things look to be taking up again. Mid-June and we have a riot of colour in the hedgerows with foxglove and cow parsley, comfrey and campion, also a strong scent of herbs rising with the heat. We’re off over Brinscall Moor today, tracing a little trod way among the lost farms, then an even thinner trace of a route along the upper Hatch Brook, across heather and bog cotton, onto Great Hill.

I’ve been lost on Brinscall Moor, depth of winter, a thick mist, and an hour from sunset, so I’ve been making a point of getting more of a feel for it, over the years. On a clear day like this, you navigate by the trees, knowing which of the various lost farms they’re attached to, and then orienting yourself on the map. I could probably get by on a bad day now, but I’d rather not. Days like this are best, when the views are far-reaching.

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The Grouse Cottage Sycamore

The curlews are out in force, and musical. I think they must have young in the grass, and they’re anxious about my intentions. We have skylarks too, and I hear a grouse somewhere. I’ve been reading George Monbiot on the creeping desertification of our uplands – or rather their reduction to a monoculture – namely purple moorgrass, which is about the only thing sheep won’t eat. It’s what gives so much of our moorland that uniform beige colour – sheepwrecked, he calls it. But the moors around Brinscall are green – haven’t seen sheep up here for years now, and I count a wide variety of grasses and heath bedstraw – even some opportunistic shrubs beginning to establish themselves. I don’t know if this is planned or the result of economic circumstance rendering sheep worthless.

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Remains of Grouse Cottage

Our first milestone is the ruin of Grouse Cottage, and its magnificent sycamores. Then it’s south-east to the fingerpost, and south-west for Popes – just a pile of rubble by the brookside, which we cross by stepping stones. From here we pick up the distant marker that is the stunted beech tree at the ruins of Botany Bay, where we break for lunch.

As a symbol of tenacity in the face of insuperable odds, and terrible weather, the Botany Bay Beech is an inspiration. And we could all use some of that. I have a rummage in the grass for any beech nuts it might have dropped, thinking I could grow one on, but it’s a big tree, a beech – not exactly the sort of thing you’d rear in a pot. Quite a statement though in the back garden, and in a hundred years, it’s not going to be my problem. I pop a couple into my shirt pocket for luck anyway.

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Here’s another, slightly more impressionistic shot from several years ago. I think I was trying too hard with the effect. Some say less is more. I don’t know – I do remember the day and the picture sums it up fairly well – gritty sky and squally rain while today is clear blue and blustery, at least on the moor – hot and sultry in the vale.

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They’ve erected one of those information boards by the ruin, telling you all about the farm, including a group portrait from the days when it was known as the Summer House. Hard to believe it was a scene of revelry once, a long walk up from Brinscall on a Saturday night, remote and lonely now. Haven’t seen a soul since leaving the car an hour ago.

Another stand of trees brings us to Solomons, then the Far Temple, hardly anything to go on underfoot here – just following the lay of the land as this little isthmus of pastures narrows down to point at Old Man’s Hill. Then we’re up onto the black waste of Withnell Moor with its heather out of season, and contrasting shadings of cotton grass. We can see Great Hill now, the broad green flank of it, and quite intimidating from this angle.

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Great Hill across Withnell Moor

We’ll be picking up the main route from White Coppice shortly, which is always busy even on the grimmest of days. So we slow it down and soak up the sound of solitude. It’s different, out here – silence I mean. It’s a silence woven from a million micro-sounds – distinct from popping on a pair of ear defenders – and then you’ve the sigh of the wind and the curlew, distant now, but lovely.

We rest a while on a stile, take in the wide sweep of the moor, views out to a distant Darwen Tower, beyond to Pendle and Longridge fell. I’m feeling quite done in, actually, and not a bit sweaty. It was a late night last night, writing, researching stuff for the new novel. I thought I’d reached a point in my creative years when the flame was beginning to die down – the last few novels have been difficult, but this one’s writing itself – something daemonic driving it, like a deep and powerful engine. So many threads to chase up, and all of them stimulating. It’s no coincidence, I think, that the year has also been rich in dreams – long may it continue.

I know it’s no solution to the problems of the world, cutting oneself off from the fire-hose of online media, but so few of us are in a position to do anything constructive about it. And to shout all caps in the comments section is the same as shouting at the wind, or worse, peeing into it, and only damaging to oneself.

It might sound overly poetic, but those of you struggling with all of this, if you can cultivate your dreams instead of your social media, it’ll put you in a much better place. I’ve long believed we each have inside of us something that knows best what we need, and we have to find a way of trusting it. Better that than some machine algorithm which treats us as a package to be manipulated and sold on. But the world makes such a noise, it’s harder these days than ever to be a dreamer, and be taken seriously.

Anyway, off we go – picking up that main path from White Coppice and, sure enough, we encounter company, but not the chatty sort. This old beardy gent gives me a blank stare in exchange for my greeting. Funny, he has the look of an experienced rambler, and they’re usually good for a passing chat. Then again, he’s neatly togged out in expensive gear – something ironing-board fresh about him – and looking respectable – he perhaps didn’t think the same about me.

At the cross shelter on the summit, someone’s been to the toilet in one corner of it, so we move on, find somewhere else to snack, and top up on water, and where better than the ruins of Pimms – another oasis of green and soaring sycamores on the moor’s edge?

Things are changing. I’m changing. I read it in the dreams. I remember those early years of retirement, and how they felt like I was on holiday. Four years on and it’s different now. This is the way things are – settling in, and no great desire to make an impact in the world. The big camera gets left behind on trips like this more often than not – having worked the fantasy landscape photographer out of my system. Instead, I take this old small sensor zoom, light as a feather, and just for the blogging, which seems a constant, and still satisfying to me as a way of ordering my thoughts. And there are the books, of course. There will always be books to write, for as long as I can keep dreaming.

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Down to the old turnpike now, and the sudden shock of traffic. Pick your moment and run, make the crossing, and plunge back into the cover of Roddlesworth. Here, we follow the run of Rocky Brook, pausing only briefly for a shot of the falls. Never managed a good one of this yet – including today. Look at those purple speckles on the water! Here’s another go, more artistically “imagined” by AI.

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And then we’re back at the car, cows still safe in the meadow, doing what cows do, and just the lazy hush of a late afternoon. Silence, again, but somehow different to when we set out.

I’m reminded that even when everything feels like it’s falling apart, there are still places – real places, beyond our screens – where you can go and things still hold together pretty much the way they always have. And then perhaps, each of us, by tending to these inner and outer paths, by way of intention, mindfulness just calming the hell down, we might yet heal the world in all those places it really is coming undone.

Five and a half miles round, six hundred feet or so of ascent.

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Thanks for listening.

Play me out, Stevie:

Who else remembers this like it was yesterday?

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The long dry spell breaks as we’re driving to the Dales. Grey-blue clouds tumble over the limestone terraces, and it rains. The little roads are puddled, and the wayside grasses – so long without water -are already drooping with excess. I’d forgotten what it was like, having long grown used to dusty paths, cracked earth, and the moors like tinder. But the land needs it, and I can manage a bit of wet. The change is refreshing.

We’re temporarily resident in Hubberholme again, in the Upper Wharfe, an annual quest for sanctuary with no phone signal and only scratchy Internet. The Met office lays out the week for us, which looks like being spent mostly indoors with books and wine, or exploring the local inns, of which there are only two within walking distance – The George, and The Buck. There are no coffee shops, or gift shops within ten miles. We have a slim chance of a dry-ish day midweek for our walk, which is where we fast-forward to now, and you catch up with me wandering along the Wharfe, downstream to Buckden.

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Over the wall, I spy a strange brown lumpen form, and pause a while to work out what it is. Slowly it takes shape as a huge, ancient rabbit, munching nonchalantly at the grasses. It gives me the eye, but looks like it couldn’t care less. That’s one chilled out worldly creature. We do well to emulate it.

It’s looking like the sort of day when we can expect a bit of everything, weather-wise, but we know the route well, and are looking forward to it. At Buckden, we make a brief detour, just a short way up Buckden Beck. I’ve been meaning to do this for some years now, it being reputedly one of the more interesting routes up Buckden Pike, and which I want to reconnoitre for future reference. It’s also home to several fine waterfalls. We trace the narrow thread of a path as far as we can, but it soon becomes far more sporting than we’re comfortable with – still some very attractive falls, and worth a look. I leave the higher falls to those of more tender years. It looks a grand way up the pike, but again, we bow to those with an excess of youth and agility.

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Waterfall, Buckden Beck

We take the broad track now, up Buckden Rake. This carries us skyward, and not without some effort, until we reach the more level route along the limestone terrace which takes us in fine style towards Cray. We have a terrific view westwards here, all the way up Langstrothdale, where the weather is coming from, driven in waves of alternate light and dark, benign and threatening. It’s overcast and muggy right now, curtains of rain sweeping the distant fell-sides, but there are openings of blue in the rear, and fingers of sunlight painting the hay-meadows yellow with buttercups.

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The Cow Close Falls

We head a little to the north of the path for Cray, so we can have a look at the Cow Close falls. This is a multi-tiered cascade and impressive after rain. For any collector of Dales waterfalls, it’s a must and a personal favourite. You don’t actually need to walk all the way up to it, like we’re doing now. It’s visible from the little road around Cray High Bridge. There are a few informal pull-ins there, and then a short walk brings you down to the falls.

Back to Cray now, where the rain catches up with us, so we take shelter under a knot of trees and settle a while for lunch. It must be our fourth holiday now in this lovely part of the north. Its chief attraction for me is a lack of so-called attractions, which renders it overloaded with the kind of unspoiled stillness and beauty that’s rare in England. You’ll probably still find it in the Western Isles, but it’s fast disappearing elsewhere. It’s a place where you’ll still hear Curlew like they’re not a threatened species. Not many wild-flowers this year though – I think the dry weather has held them back, but the May is in profusion.

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The Stepping Stones at Cray

The rain passes, and we begin the long walk along the terraces and the hay meadows to Yockenthwaite. Full sun now and a hammer of humid heat has us peeling off the waterproofs. My mountain jacket is looking like it’s on its last outing – the breathable membrane is disintegrating and showing up as flakes on my jumper. I must have had it twenty years, and am loath to part with it – it’s kept me reasonably snug and dry on many a foul day, but nothing lasts forever. I doubt I’ll find one as good without paying boutique prices. Walking used to be a humbler pastime. Now, like much else, it’s fallen victim to fashion, with functionality coming a distant second.

Another dramatic change of weather brings a biting wind and a taste of winter. We have the option to bale out halfway here at Scar House, where the track will bring us down directly to our rented cottage. But we press on to Yockenthwaite, and it’s as well we did, for as we come down by the famed “cake box”, the sun is out again. This is probably my favourite stretch of the Wharfe, not far from its source yet already a lively run of water. We’re a little footsore now, weary in the legs, with a mile and three quarters still to go, but we’re channelling that old rabbit, and we know the route is pretty much downhill all the way. Still, it’s pleasant to sit a while by the river and just let it take your thoughts.

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The Wharfe at Yockenthwaite

I suppose when you’re retired, every day should feel like a holiday, and that’s certainly how it was for the first few years. Now it’s the norm, and blessedly so, so it’s still important to get away for a change of scene as often as you can. I’ve left all my writing gear at home – laptops and such – brought up with me some books, which I’m enjoying. Reading Coleridge’s “Early Visions” at the moment – a guy who’s been on my periphery for a while, and it’s a pleasure getting to know him a little better. But then I’ve discovered I can write on my phone, and somehow I’ve managed to do three chapters of a new novel and a couple of poems. Well, you’ve got to get it down while you can, says the river, and it’s not like you consider it to be work. Which is true.

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I’m also three, or is it four days now, without so much as a dried morsel of current affairs, and what a blessing that is. One of the last snippets I recall reading – this from a latter-day philosopher – is that those of us who are able to remain positive in these times have a responsibility to share our thoughts, as there are many right now who need someone to lean on. And that’s fair enough, but I also remember the equally wise words of an old fellmeister who’s cure for any emotional ill was to climb Helvellyn by Striding Edge. We need a circuit breaker, but our devices do not permit such a luxury. We have to be connected all the time. Well, we don’t have to, but there’s something in the air that makes us feel compelled to.

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Field Barns, Upper Wharfedale

So anyway, my feet always know when it’s the last mile or two – whether we’ve walked five miles or ten. But I’ve discovered a cure for it in a boiled sweet. And then the riverside meadows here are a balm in themselves, fields of gold, all the way back to Hubberholme.

About nine miles, eight hundred and thirty-ish feet of moderate up and down.

Thanks for listening.

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Rivington Pike

You catch up with me today on Rivington moor. It’s a dust-dry afternoon, full sun, very bright, but a cool wind pressing down from the north, making the little cotton bobs dance. I’ve the wrong camera with me again, so we’ll not be shooting many landscapes, but trying instead to explore the more intimate details of a walk – the things we see up close or framed by imagination as we pass, rather than the broad vistas. Sometimes the wide open spaces encourage a deeper introspection.

We’ve left the little blue car down on the hall avenue. Much work has gone on there recently to restore the wayside parking, which had begun to wash away. Parts of it are even tarred now. It looks almost ready for the much rumoured pay-and-display machines. We’ve made our way from there, up through the terraced gardens with a deliberately slow pace, conscious we’ll be walking a little further than we usually do today. We’ve even given the Pike a swerve – it looks busy up there anyway.

So here we are, making our way towards Noon Hill, about twelve hundred feet above the sea, and views out to the coast at Southport, all the way round to Blackpool. It’s looking like being another good year for curlew, and we have a few for company, circling and gently burbling. The paths are solid, the bogs dry – the best time to come this way. This part of the moor was ravaged by fires some years back and, as yet, it’s a bit of a monoculture – same sour grass everywhere and, of course, not a tree in sight. There were tree here once, maybe a few thousand years ago – dig deep in the peat, and you’ll find pollen grains from alder and birch. The natives who knew these parts were essentially a forest people.

They were also a magical people. They bound the land, the heavens and the mind with markers, and alignments – things that meant something then, and which are lost to us now, the land stripped back like this, revealing just its bare bones. And then we moderns come along – or at least some of us do – and we try to re-imagine, to re-enchant what remains. But the times in which we live do not encourage magical thinking.

Speaking of which, I’ve just read how the defendants in the infamous Sycamore Gap case – the guys who allegedly sawed down the iconic and world-famous Sycamore on Hadrian’s Wall – were of the opinion it was only a tree. They were unprepared for the global outpourings that followed its felling. Sadly, such an unsentimental attitude is not uncommon, but the reaction of so many others reassures us the world is not entirely void of an instinct for the enchanted.

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Bog Cotton

Can we find some enchantment in the cotton grass here? Taken in a broad sweep, it paints the contours of the land, adds some depth to the sterile monochrome, some nuance. But look close and there’s also something intimate about the individual bobs – something magical that such a softness and delicacy find its place out here. We can make a metaphor of that – like cotton bobs on the moor, we’d say. But about what, I wonder?

I was last here in the winter, under snow, and a fine day that was! I seemed to have plenty of energy then for both walking and chatter, but that’s it with company – it can be energising or draining, depending on the sort. Walking alone is more revealing of the mind’s role in sustaining us, of carrying us through the world. Right now, just coming up on Noon Hill, we need to maintain a robust frame of mind, as the view widens, and we see how far we’ve yet to go – down to the old stage-coach turnpike, then out to Horden Stoops, all of it just now wobbling uncertainly in a quake of heat. There, the way turns, and we circle back to Rivington, but we’ll also need to guard against anticipating the end too soon, or it will seem a long walk. And the last mile? The last mile is always a killer.

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The mind. All in the mind, they say. Enchantment, even our sense of meaning. It’s all imagination. But then living without meaning, like anticipating the end of along walk too soon, can flatten the spirit. I’ve been writing elsewhere about the various forms of authoritarianism, and how the state in those cases provides the unifying sense of meaning, as well as the official truth – which in all likelihood differs from actual truth. Living under authoritarianism must be spiritually bewildering, and since it goes against the natural current of life – or mine at least – I should not like it very much.

Naturally we wonder about it, as America stumbles, and indeed a good deal of my own countrymen seem enthusiastic about a similar sort of intervention in our admittedly moribund fortunes. And what chance then our being like cotton bobs on the moor?

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From Horden Stoops we make the turn and follow the track down to the ruins of Hempshaw’s farm – a couple of Sycamores here providing a cool shade from the sun, which is now growing hot. We avoid the usual photographs, zoom in instead on things that take the eye – patterns in stone, an old fence and stile swamped by reeds. We isolate them from the vastness.

A short break with tea here, while we listen for the echoes of past lives. More enchantment. It will be a pity if all such things must die, and how shall we keep them alive? Is there something in us that resists the cruel homogenisation of authoritarianism? Can we carry it in secret, sparing ourselves the eye and the ire of Big-Brother, so future generations might pick up the threads once more. Or is it for each generation to rediscover, rather than merely re-invent the myth?

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Like cotton bobs on the moor, we are pushed around by the wind and from whatever directions it’s blowing, yet always tethered to the earth by something slender, and enduring. And though our environment can be by turns balmy and bleak, our innermost natures remain soft. Is that the best we can pass on then, our softness? Do we need any more?

Across the ancient meadows now. Sheep have been notable by their absence from the moor in recent years. But they seem back in force again. I don’t know if the moor is better for them or not. They do not seem to mind our passing, and there are lambs here at play. They have an innocent curiosity that adds a poignancy to their short lives.

We’re following the fledgling Yarrow here – just a dry brook today. But somehow it gathers water and girth, to eventually flow not a hundred yards from my house, down nearer the coast. We’ve had not a drop of rain for weeks and weeks now. How can the rivers still flow? At its confluence with Green Withins Brook, we strike up through yet another parched bog to the ruins of Simms, then it’s the long dusty track to Lead Mines Clough.

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Along the way here we encounter more deciduous trees – sycamore and oak, more remnants, I suspect, from old farming days. One of them always catches the eye – its grace, its stature, lovely against the sky. This is more than just a tree. Unlike the cotton bobs for which we had to dig deep for metaphor, a tree speaks for itself and has since the days when Adam was a lad. Rooted in the earth, but growing to the heavens – sometimes with grace, sometimes distorted by the whims of its environment.

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We try not to let the mind slip into that last mile mentality, for then our feet would start to hurt, and we’ve yet to climb Hodge Brow, before gaining the meadows and the way to Dean Wood. But slip it does, halfway along where we’ve sat to finish the last dregs of tea from our flask. Then it’s a return on burning feet to Rivington, and the little blue car. There’s a new footpath sign here – got to be the prettiest I’ve seen in a long time. Welcoming. This way. Why, thank you! My pleasure

Magical.

About seven miles round, thirteen hundred feet of moderate up and down.

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