Meyers
“You’re gonna have to fill out a report on the stiffs in K-Town,” Purcell dropped today’s drug dealer impound car, a gold, two-year-old Mercedes 560 SEL sedan into gear and rolled into traffic.
“They weren’t both mine,” I said. “And I picked up my brass. Even if they bother to look, they won’t get anything from the lead.”
“You still shootin’ that squishy shit?”
“Short range, yeah.”
“So, I tell the guys workin’ it, it’s most likely gang bangers? Drug deal gone south, somebody dissed somebody’s sister? Mexican kid and a white guy drive off in a low-rider, unsolvable without a witness or three, write it up and move on? What’d you tell the patrol officer?”
“What I said when I called it in. I was out for a jog, found two guns in an alley, come get ‘em.”
“Just bein’ a citizen with a halo? Shit…”
“My sentiments exactly,” and handed him the address and phone number from Jumpy the crackhead’s wallet.
He took the paper, dropped his eyes for a second, handed it back. “Juniper Hills. Not my problem.”
“Unincorporated makes it anybody’s problem.”
“Jesus, Meyers…” he checked his mirrors, changed lanes, turned north. “Nothin’ out there but cracked asphalt and dirt roads with street signs.”
“Movie ranches, rattlesnakes. Maybe even Mrs. Muriel Sands. This was in the crackhead’s wallet.”
“Sands in the sand, huh? Why didn’t you say so? You think she’s the one put the scrotes on you?”
“Like I said, they didn’t ask about ‘the goods’. Only that their ‘bitch’ wanted me.”
“Don’t tell me you hear that a lot ‘cause I’ll call bullshit.” He reached in the Mercede’s carpeted console cavity, “Lemme call it in now ‘cause this thing,” hoisting the handheld radio, “Won’t get us connected with shit other side of the San Gabes.”
County response to the address came back as Chaparral Development and Investments, meaning it was a rental or empty or possibly a real estate sales office.
“Lighten up, Purcell. All that nowhere up there is ten, fifteen minutes to somewhere.”
“Or ten to fifteen to more nowhere and then you’re half an hour out an might as well be on the fuckin’ moon.”
“Toni says there’s a big open-air market full of concrete yard art in Victorville that’s worth the drive.”
“Woman’s fuckin’ nuts, Meyers. There’s a McDonald’s built into a coupla boxcars in Barstow, but I ain’t drivin’ out there for a Quarter-Pounder with rail yard ambience. Listen. Mojave’s not worth the drive for nothin’.”
“Hey, we’ll be close. Your sister’s been after a fountain.”
“Water feature, Meyers. Water feature. Somethin’ she can get at Target or Sears.”
“Just sayin’.”
“Say all you want. I ain’t headed ten feet east of wherever that address is. I see a sign says Mojave I get thirsty, my skin itches an my ass starts to pucker.”
#
Val
Thank God the phone rang interrupting our, Marco’s and my inept “Okay, uh, thanks for, uh, and everything, see ya” moment. The call was inbound for Meyers. I answered before it went to his service, recognized the voice, covered my headset mic.
“Burke? For Meyers?”
Marco waffled for a split second and nodded. I pointed to the PBX handset. “Meyers left at least an hour ago. How about Marco?” I knew the answer before I heard it, but professional me waited until I heard it to punch the call through.
“Yes?” from Marco, and nothing more. He listened for two-and-a-half minutes. I know because the PBX has a call timer for every line to see who is holding where, and for how long. Marco handed the phone back with dilemma written all over him. He paced, came back to me in front of my reception desk. “Do you…” tip of his tongue on his upper lip, “or can you…” he tapped his index and middle finger on my surround counter, turned around and paced some more.
Reception in my building isn’t built around hospitality. On purpose. There’s room over by the mailboxes for a chair or a small bench in front of the window wall to my right but I don’t need every salesman, repair, delivery or building service man or ‘lonely dude’ to park and start up their nonsense, anxious mothers who would be better off waiting in the dentist’s office.
I mentioned all that about the reception because poor Marco’s pacing came down to no guest seating in the lobby. Or anywhere except whatever waiting room the tenants had in their offices. Restrooms on two and four, not down here, thank God. The elevators opened onto granite tile six feet out and building wide with enough room under the windows for a tall rent-a-plant and a demilune table where tenants staged business cards and flyers and dead paper coffee cups. The elevator faced a hall with offices up to the tile line on the left and right. I guess the six feet of tile before the carpet starts counted as a foyer, but no room for benches or chairs.
Burke breezed in the door in jeans and a windbreaker, saw Marco, stopped. “What are you doing down here?” He set a small, boxy ripstop bag with big zippers on my surround, saying, without looking at me, “This oughta fit.” He turned, gave me a quick smile, glanced back at Marco with an overacted “Ohhhh…”
“Cut it. No key.”
“Nooo key?”
“Don’t, man.”
“No key and Val wouldn’t let you in? You’re havin’ a bad day all around.”
“He didn’t ask,” like I wasn’t invisible or a mind reader. I’m glad, too, because it would have put me on the spot. Opening Meyers’ office without specific instructions. I said, “Second floor conference room, but—” Never assume, Val, it makes an ass…Burke reached for the elevator call button, gave me a nod and said to Marco, “Man who lose girlfriend’s key—”
“Knock it off. But what?
“Something’s, uh,” raising his eyebrows in my direction, “Come up.”
“I said—”
“Couldn’t help that one. Look…The scanner’s blowing up. Couple of bodies in K town, Hollywood homicide lieutenant responding to that and a simultaneous found firearms call.”
“Meaning?”
“Hello, love punch? Meyers? Plus, the lesser half of the amateur spy duo is outside. He just took a radio call from his better half to distract Meyers if he tries to leave. She’s got a meet with Hughes she doesn’t want interrupted.”
“Meyers is already—”
“Yeah, yeah, but they don’t know he’s gone. Neither did the two feds in the Crown Vic who hauled ass when they got a new 20 from Hughes.”
“Hughes and the woman? About what?
“The ‘goods’? Whatever shit they all think Meyers has?”
“He doesn’t have anything,” he tapped his chest, mouthed “I do.” Burke responded with a mime’s open hands and what the hell expression. Marco tilted his head in my direction. Burke squinted. I pointed at Maxie.
Burke kept up the squint for a second longer, finally saying, “I see…” Whether he did or not, it saved Marco or me or both from having to explain something I wasn’t sure I could explain. Burke went statue, poised to push the elevator button until I thought he might pick up pacing where Marco left off, finally pulling away from the elevator. “Bishop is going to recon Hughes and the woman. I think I need to pick up a Crown Vic in Burbank, bag the occupants and drop it in Watts.”
“Where the hell did that come from?”
“One of those cosmic lightning bolts. It shouldn’t take Meyers long to clear on the bodies and the guns with Purcell. How about here, three-thirty, meet the Bishop, compare notes?” I got the look again, “Unless you’re staying?”
“The new 20 is Burbank?”
“Big Boy in Burbank. TV stars, car hops and—”
“Rock Hudson’s removable stool seat?”
“That’s the one.”
“I’m with you.” Marco shot me a smile, and they were gone. To do God knows what. Bagging occupants? Delivering a car to Watts while the Bishop, not the actual Bishop I hoped, did something with the snotty FBI man who left an air of sandalwood and self-importance in his wake, climbed in an illegally parked shiny black Lincoln and took off just before Meyers? Holy crap.
Normally, I’m not nosey. Too nosey, anyway. I stared at the notepad where Aftershave wrote his note, pulled the top sheet, and held it up to the light. No. I thought about the pencil rub routine that always works for private eyes on TV but knew from experience trying to find out where my ex was meeting his girlfriend that trick only works on TV. Dust from a pencil sharpener works a little better, but makes a mess. And copy machine toner, well, never mind how I know what kind of mess that is. Wake up, Val. The artist upstairs has a light box and soft charcoal. And I have an art degree. Almost as useful as basket weaving, but I can rub charcoal with the best.