You never know what will happen on the way to a wedding reception

David crossed the walkway and headed toward the wedding reception. Then he stopped and turned to see a young woman getting ready to jump. That wasn’t good. He was already late for the reception and he had to be there. He was best man.

But he knew he had no choice. He had to stop the woman. If the water didn’t drown her, she would be alligator lunch.

He started to run. The woman climbed onto the railing. She said a prayer, then jumped. David caught her by the wrist.

“Let me go,” she said.

“No way.” David was determined not to let the woman go. “You didn’t make a will.” What the hell did he say that for?

“What?” the woman screamed.

“You didn’t make a will?” He said it again.

“How the hell do you know that?” she said.

David pulled her up and grabbed her by the waist. “Don’t fight me or I’ll knock you out.” Finally, he had her over the railing.

“You’re crazy,” she said as he stood her on the walkway. She pushed him away.

“It’s the law. The suicide’s law. You have to make a will. Otherwise your suicide won’t take and you’ll have to do it again. I know these things. I am a lawyer.”

“I have never heard of such a thing in my life.”

“When you signed the papers and emigrated to this life, you agreed to make a will before you committed suicide. You never read the fine print. That’s the problem.”

She started laughing. She laughed herself onto the floor of the walkway. For five minutes, she didn’t stop. Finally, the last laugh was over. “I’m pregnant, you fool. I’m going to have a baby.”

“Oh, a virgin birth.” David joined her on the floor of the walkway. “That’s definitely not a suicide condition. It’s written in the fine print that absolutely no suicide if it’s a virgin birth.”

“It’s not my husband’s. I’ve been having an affair.”

“You do know the police will arrest you if you commit suicide. It’s against the law.”

“I’ll be dead.” She stood up, dusted herself off, went to the rail.

David jumped to his feet and grabbed her arm. “Are you sure?”

She tried to shake herself free. “Let me go.” David didn’t let her. Finally, she stopped resisting. “If I jump off this walkway, I’ll either drown or I’ll be eaten by an alligator.”

“I don’t think so. You have too much reason to live. So, you’ll start swimming. And you sure don’t look like an alligator snack.”

“What do you mean? I don’t look like an alligator snack?”

“You’re too skinny. Look, I have a wedding reception. Go with me. Afterwards we’ll go to my office and make out that will. Once you have the baby, I’ll help you with the suicide. And I won’t even charge you.”

“For the will?” she asked.

“No, for the help.” David smiled that boyish grin of his.

“I’m not dressed for a wedding reception.”

“If you’re dressed for a suicide attempt, you’re dressed for a wedding reception.” David took her by the hand and headed for the party.

Evangelism, a story

50 CE at the Sword and Vine Tavern off the Appian Way, two blokes from different legions have a meet-up. It’s a run-down kind of joint. Not too many mates to party up the joint. Only a slave boy to run the owner’s errands and a slave woman in a dress, that looks like it hasn’t been washed in a week, ready to cook if needed, resting in the corner.

One-eyed, red-headed Gus, the owner, puts on his grin, sits them at his best table, and wipes the table clean of the leftover beer. Cause that’s the only good table in the joint. Several broken tables have been stacked against the wall at the back of the room.

“What’s happened to the joint?” Felix asks. “This used to be party central.”

“The Fitth came through,” Gus says. “That’s how I lost the eye.”

“Two beers,” Marius orders, then he turns to his mate. “Been a month of Sōlises, ain’t it.”

“Sure has. Two campaigns and I’m on my way to a third.”

After several beers, the name, Jesus, comes up.

“I hear you’ve taken up with him,” Marius says. “Tell you what. I’ll drink to your Jesus if you’ll drink to my Mars.”

“Oh, but my Jesus is real..”

“And my Mars is real too. Otherwise, I wouldn’t have this tattoo, would I?” Marius shows the god of war tat on his back.

“I’ll arm wrestle you to prove Mars isn’t real.”

“You want me to whoop you the way I always do. Okay. You got a bet. Mars I win, Jesus you win.”

They clear the table and they go to it. First it’s Marius, then it’s Felix, then it’s Marius, and just about the time it looks like Marius is taking all the cookies, Felix has a burst of energy and slams his friend’s arm on the table.

They rub their hands to get the blood flowing again.

“Now, tell me,” Felix asks. “What did this Mars ever do for you?”

“Give me a life. He’s the reason I joined up when my mom kicked me out of the house. What did this Jesus ever do for you?”

“Helped me beat you at a bout of arm wrestling.” Felix’s smile fades into a faraway look. “I don’t know. I think differently now. Instead of wanting to punch folks, I want to…I don’t know. Yeah, I want to get along. I meet a fella on the street I think this could be my new mate.”

“Even the Brits and the Germans?”

“Even the Brits and the Germans. They’re folks too. Just like you and me. I don’t even blame my dad for wailing the tar out of me. I deserved it. He did what he had to do. And I sure miss him. I’d love to get back to Rome and tell him about Jesus, but he’s gone now.”

“Man,” Marius says, “you have changed. Last time I saw you, you were taking on that goon of a gladiator.”

“They are goons, that’s for sure. But yeah, that gladiator did a number on my jaw. Knocked it out of joint. Cost me a month’s pay to get it put back right. Still aches when I eat.” Felix rubs his jaw.

“Tell me about it. My nose has been broken in so many ways I barely have a nose. This thing they give me. It’s called a gargoyle. Wear it for looks. Have to breathe out of my mouth.”

“You know that Jesus was a bloke like us.”

“He was?”

“Yeah. Just a country hick. Kind of fella you could spend a day with and never know how the time passed.”

“I heard he died on a cross. Why would I want to sign up with a bloke like that?”

“Trumped up charges. They did it as a joke. But the joke was on them. He rose from the dead.”

“He what?”

“He rose from the dead.”

“You’re joking me.”

“It’s true. And there were witnesses. His mates saw him. And then others. Over a hundred others.”

“That can’t be.”

“As sure as I’m sitting here, it is.”

Marius eyes his friend and stares.

“You been taking some of that Persian stuff we been hearing about. That’s what happens when you go on one of them eastern campaigns.”

“Ain’t been east of Egypt. And I was always afraid it’d make me wobbly.”

“You don’t believe this p.r., do you?”

“‘Fraid so. Last night I was baptized.”

“You mean you’re one of them they been talking about. I hear they’re too good for a tavern. Why would you sign up for that?”

“I’m here. Drinking a beer with you, ain’t I? Jesus wasn’t too good for a tavern. He liked taverns just fine. It was those hooty-tooty folk he couldn’t put up with.”

“He’s a guy you could have a beer with?”

“Sure ‘nough.”

“Well, I don’t know.”

“Took a lot of convincing for me too.”

“What convinced you?” Marius asked.

“Jesus was a Jew. He knew all the laws, and you know how many laws them Jews got. And he knew everything about being a Jew. There’s this story that got me thinking. Centurion came up to him and says, ‘My daughter is dying.’ Jesus says, ‘Show me the way to your house.’ ‘Master,’ Centurion says, ‘it’s forbidden for you to come into the house of a gentile.’ Jesus went anyway. He healed that gentile’s daughter in the gentile’s house.’ That’s the kind of man Jesus was.

“When I heard that story, I knew this was the guy for me. I never got a story like that about Mars or Venus or Mercury. Jupiter don’t give a hill of beans about us. All them gods do is cause trouble for us.

“You know Odysseus came to the same way of thinking as me. All that slaughter at Troy. What did it lead to? A big dinner party for the gods. And look who benefits from the sacrifices. All those temple folk. Talk about a moneymaking business. They get a cut on everything that’s sold for the temple and its sacrifices.”

“I always wondered about that. When’s the next time you folks getting together?”

“I’m going there now. I just have to do le toilet and take a turn in the bathhouse. Want to tag along?”

“Don’t mind if I do.”

“Hey, Gus, how much we owe you.”

“Don’t worry about it, boys. It’s on the Master’s tab.”

As they leave, Marius says to Felix, “You know any place I can get this Mars tattoo removed?”

Unhappy People

Unhappy people do unhappy things.
Their fear, the stone that shatters their dreams,
Tattoos traced upon their souls.
Now shards of glass a thousand fold,
Islands that had been a continent,
Jigsaw pieces scattered across the firmament
Of a sea of a soul. These fragile folk
Live under a shadow and without hope
Against the poverty of the dark.
Yet the happy refuse the mark
Of fear and dance with the light
And the stars and the moon and the night.

Enough Rope To Hang Julien With

If you’re into film noir, I have a movie for you. Elevator to the Gallows (1958) is a movie that out noirs many of the great noir films. If you’re one of those people who don’t like to read your movies, you’re losing out on a treat. Sure, it’s in French but there are subtitles. It is Louis Malle’s first feature film. How many directors with a forty-year career start their careers with with a masterpiece?

It’s actually two movies in one. Julien Tavernier (Maurice Ronet) is a veteran of the wars in Vietnam and Algeria. He’s so good at his trade he is hired by his boss, Simon Carala (Jean Wall) to do his dirty work for him. Thing is he is getting to do some dirty work for Carala’s wife, Florence (Jeanne Moreau). He’s in love with her, and she is in love with him. He must get rid of the obstacle of their love. He has come up with the perfect murder. And we know how that turns out. We’ve seen Dial M for Murder.

Like all perfect murders, this one goes perfectly until it doesn’t. Late one afternoon, Julien sneaks out of his office window, throws a rope up to the balcony of another floor. Make sure you pay attention to that rope. It’s going to come in handy later. Julien climbs the rope up to his boss’s balcony. Walks into his boss’s office. Shoots his boss with his boss’ gun. Makes the murder look like a suicide. Climbs down to his floor. Hears the phone ring in his office. Hurries to answer it. It’s his secretary. He meets her in the outer office where she waits with a security guard. The guard is in a hurry. to shut down the building, lock up, and go home.

Julien, the secretary, and the security guard take the elevator down to the first floor. Julien walks out of the building and gets into his sports car. It’s red, you know. He starts it. Just as he is about to drive away, he looks and sees the rope hanging from his boss’ balcony. Leaving the car running, he hurries back into the building and takes the elevator. The elevator door closes. The elevator rises, then stops between floors. The security has shut the elevator down.

This is where the second story begins. At the flower shop on the street near where the car is parked, a shop assistant, Véronique (Yori Bertin), meets up with her boyfriend, Louis (Georges Poujouly). He is a small-town crook, bored with his life and looking for something to snazz up his dull little life. The running car gives him the perfect opportunity. He gets in the car and Veronique jumps in as well. This could end up being Bonnie and Clyde. But Louis is more a nihilistic James Dean than he is a Warren Beatty and Veronique is no Bonnie Parker. And the couple isn’t quite Jean-Paul Belmondo and Jean Seberg.

Florence is waiting for Julien in a side walk cafe. She sees Julien’s car pass by with the flower girl. What’s going on? Did he chicken out? Not knowing what to do, Florence starts walking the streets, stopping off at places where she and Julien meet up. They’ve not seen Julien.

Some women can be interesting just by the way they walk. Jeanne Moreau is on of those women. Much more interesting than Grace Kelly. She is lost without Julien. So she ends up wandering through the city streets. And walking her way into stardom. In the meanwhile, our James Dean and his Véronique are speeding down the highway on their own road to hell.

In this kind of movie, nobody gets off scot free. They’re either doomed to a purgatory of their own making. Or there’s a a Lt. Colummbo, asking, “Just one more thing.” In this case, he”s Police Commissaire Cherrier (Lino Ventura). and he’s going to get to the bottom of things.

Before he does, the security guard returns to start the elevator again. Our Bonnie and Clyde end up with a German couple. And Julien is arrested for a murder he did not commit. Ain’t fate grand.

 

 

Perhaps God

Perhaps God stands outside my window
waiting for me to come out and play.

Perhaps God sits beside me
as I let a story unravel along its serpentine journey.

Perhaps God holds my hand when i’m in bed
with a one-hundred-and-one degree temperature.

Perhaps God meets me at my car
and asks, “Can you give a fella a ride?”

Perhaps God stops me from running a red light,
saying, “You don’t want to do that.”

Perhaps God joins my voice on my drive to work,
singing one nonsensical song after another.

Perhaps God strolls into the office with me,
tips his hat, and wishes all a good afternoon.

Perhaps God…