Book Promo And Vignettes By Luke, Mary Catelli and ‘Nother Mike

If you wish to send us books for next week’s promo, please email to bookpimping at outlook dot com. If you feel a need to re-promo the same book do so no more than once every six months (unless you’re me or my relative. Deal.) One book per author per week. Amazon links only. Oh, yeah, by clicking through and buying (anything, actually) through one of the links below, you will at no cost to you be giving a portion of your purchase to support ATH through our associates number. A COMMISSION IS EARNED FROM EACH PURCHASE.*Note that I haven’t read most of these books (my reading is eclectic and “craving led”,) and apply the usual cautions to buying. I reserve the right not to run any submission, if cover, blurb or anything else made me decide not to, at my sole discretion.SAH

FROM CEDAR SANDERSON: Tomato Wyrm.

Image

Cecilia Duringhurst never expected to inherit anything, much less her estranged great-uncle’s country manor. It’s in a bit of a sorry state, coated with dog hair and staffed only by Jock, the old gamekeeper… but it comes with a greenhouse, large gardens, and the hopes of escaping city life.

Determined to save Hendre Court from ruin, she finds an unexpected ally in Greig MacDougall, Jock’s grandson and her new gardener. Together, they are swapping city life for muddy boots, endless weeding, and the fragile hope of turning heirloom tomatoes and cut flowers into a sustainable future.

As they dig in side by side, unearthing old secrets and new possibilities, Cecilia senses the estate holds more than soil and stone—something ancient and watchful that is tied to the Duringhurst line, and rooted to this hill.

Secrets and seedlings will burst forth in the spring… and just possibly, despite the frosts of misunderstandings and chill winds of finances, a relationship that will entwine all of them and blossom.

FROM ROSS HATHAWAY: Nothing Happened and This is The Report

Image

IMAGINARY PROBLEMS ARE THE MOST DANGEROUS KIND.
That’s why no one is supposed to notice them.
Hidden inside the federal bureaucracy is a quiet agency tasked with handling things that must not be acknowledged, because the moment they become real, they become powerful. Cryptids, buried histories, unexplained phenomena, rumors that refuse to stay rumors: the Bureau of Imaginary Problems exists to ensure these things remain effectively imaginary.
Most days, that means paperwork. And cake. And pretending nothing happened.
But when a routine investigation uncovers connections between old legends, polluted creeks, forgotten civilizations, and creatures that refuse to stay in one story or one timeline; the Bureau faces its worst fear: a problem that keeps being believed.
As cryptids negotiate their place in the modern world, Time itself pushes back against containment, and oversight committees demand answers they don’t want, the Bureau must do what it has always done best: smooth reality, bury the truth, and protect the public from stories that could make the world unmanageable.
Because belief creates meaning.
Meaning creates agency.
And some problems can only be solved if everyone agrees they were imaginary all along.
Darkly comic, sharply satirical, and unsettlingly plausible, Nothing Happened and This Is the Report is an urban fantasy about myth, memory, and the dangerous comfort of not knowing—where the greatest threat isn’t what lurks in the shadows, but what happens when people start paying attention.
After-action paperwork pending.

FROM JESSICA SCHLENKER: Excessively Attentive

Image

Elizabeth Bennet harboured few expectations for her trip to Kent. Primarily, she was to see her dear friend Charlotte, which necessarily entailed tolerating the odious Mr. Collins. Perhaps, if she were truly fortunate, she might even gain an introduction to the great Lady Catherine — whether she wished it or not. She promised to fill her letters home to her father with faithful recountings of any absurdities thus encountered; he almost promised to write back.

But when a revelation prompts Mr. Bennet to arrive in person, Elizabeth is drawn into the center of a long-buried family mystery. A single portrait holds the key, and the truth it unlocks threatens to upend everything she understands about her past and her expectations for her future.

Excessively Attentive is a Regency-set reimagining of Pride and Prejudice that remains faithful to Jane Austen’s wit, social precision, and moral insight. Thoughtful, character-driven, and richly grounded in period voice, this novel asks what it means to belong — not by birth alone, but by character, courage, and choice.

BY ED LACEY, REVIVED BY D. JASON FLEMING: Dead End

Image

Two big-city cops.

Bucky was young, strong and ambitious. Doc was older, smart, knowing all the ropes. They were partners — on special assignments and all the graft, including the favors of a red-hot blonde. And then came the big case, a kidnapping, and they wound up in a shabby, smelly hideout, with a million dollars in cash, and no place to spend it!

The iktaPOP Media edition of Ed Lacy’s classic noir novel includes an introduction by D. Jason Fleming that reflects on possible influences on the novel from Lacy’s life, with a digression into why it would make good material for a low budget film adaptation.

FROM JOHN BAILEY: THE GLOAM DOCTRINE (Science Fiction Singles)

Image

The most dangerous weapon in the war is considered obsolete.

Captain Samuel “Sammy” Jackson was once destined for the most prestigious cockpit in the fleet—until he questioned the doctrine behind it. Now he flies the XN-47 Gloam: an ugly, slow, outdated two-man interceptor assigned to the men no one else wants.

The Gloam cannot dogfight.

It cannot outrun anything.

It cannot compete on paper.

But while sleek autonomous fighters vanish in perfect, inexplicable ambushes, the Gloams keep coming home.

Their secret isn’t superior technology. It’s inferior technology—manual switches, crude sensors, mismatched components, and human backseaters who don’t follow algorithms. The enemy’s artificial intelligences can predict every optimized system in the war. What they cannot model is stubborn, inconsistent, deeply human decision-making.

As victories mount and official credit vanishes, Jackson begins to understand the truth: the Gloams are winning a war no one is allowed to admit exists. High Command wants their chaos replaced with elegant automation. The enemy is already learning their patterns. And the only way to survive may be to fracture the fleet itself into something no machine can comprehend.

In the darkness between stars, speed is irrelevant.

Beauty is a liability.

And the future belongs to the ugly ships that refuse to be understood.

For fans of hard military science fiction, aviation history, The Right Stuff, The Forever War, and character-driven space combat grounded in real doctrine and politics.

FROM HOLLY CHISM: The Last History-Keeper: A Liquid Diet Chronicles Tale

Image

Imagine what it would be like to remember all of history.

Justinian doesn’t have to imagine. He’s the last of a nearly-lost line of vampires, the last keeper of history, hunted by tyrant and monster alike, alive only because of the grace of God, and the luck of having an early pope hide him from those hunting him. He’s been in the catacombs of Vatican City ever since, hidden and safe.

But now…now he’s needed. Vampire, priest, visionary, historian, he’s been sent forth into the world, to walk it once again.

His ordained path leads him to…Manhattan, Kansas. To a brand new nest, filled with orphans and outcasts. And the journey takes him into the path of those who need his help: a six year old girl with an unmanageable memory, and a brand new line with gifts that terrify.

https://amzn.to/4qaAAyCFROM NATHAN BRINDLE: The Lion and the Lizard (Timelines Book 2)

Image

Thirty years ago, Dr. Ariela Rivers Wolff, M.D., Ph.D., AKA The Lion of God, had a pretty exhausting week.

Her world was invaded by time-traveling soldiers, she was nearly turned into human toothpaste by an experimental dimension jumper when she went to find her parallel “Dad,” who just happens to be able to borrow a Space Force fleet to come and take out her world’s invaders . . . and then she found out she was considered by those same invaders to be a saint in their odd religion, and one of the targets of their invasion. If that wasn’t enough, she nearly fell completely out of the universe into a time rift, being saved only by the skin of her teeth by her parallel “Dad”.

After all that, learning she was going to be the one to bring universal healing and long life to the human race in her particular timeline was just the icing on the proverbial cake.

Anybody else would go home, turn off their phone, pull all the blinds, lock all the doors, and take the rest of their life off. But Ari isn’t “anybody else”. And her cult of admirers across two timelines won’t take “nobody home” for an answer.

Fast-forward thirty years. Scientists have detected radio transmissions in an unknown language from several hundred light years away. And now she’s been asked to use her special “saintly” skills as demonstrated on her last “mission” to make first contact with whoever they are.

And that’s only the beginning.

Looks like Ambassador Dr. Ariela Rivers Wolff, M.D., Ph.D., is going to have another pretty exhausting week. Or six.

FROM KAREN MYERS: To Carry the Horn – A Virginian in Elfland (The Hounds of Annwn Book 1

Image

AN ENTIRE KINGDOM BUILT AROUND A SUPERNATURAL NEED FOR JUSTICE, ENFORCED BY THE WILD HUNT AND THE HOUNDS OF HELL.

What would you do if you blundered into a strange world, where all around you was the familiar landscape of the Blue Ridge Mountains of Virginia, but the inhabitants were the long-lived fae, and you the only human?

George Talbot Traherne stumbles across the murdered huntsman of the Wild Hunt, and is drafted into finding out who did it. Oh, and assigned the task of taking the huntsman’s place with the Hounds of Hell, whether he wants the job or not.

The antlered god Cernunnos is the sponsor of this kingdom, and he requires its king to conduct the annual hunt for justice in pursuit of an evil criminal, or else lose his right to the kingship, and possibly end up hunted himself.

Success is far from guaranteed, and no human has held the post. George discovers his own blood links to the fae king, and he’s determined to try. But Cernunnos himself has a personal role to play, and George will have to sort out just why he’s the one who’s been chosen for the task.

And whether he has any chance of surviving the job.

I DID TOO PUT A COLLECTION OUT: It’s up for pre-order, but for now Amazon won’t let me monetize the link. However, if you can’t wait: Done with Mirrors.

And meanwhile, you know, No Man’s Land is back at the end here like a cat that keeps showing up at dinnertime. And honestly? Same energy. Always gets food from this…. Why? I don’t know.

FROM SARAH A. HOYT: No Man’s Land: Volume 1 (Chronicles of Lost Elly)

Image

On a lost colony world, mad geneticists thought they could eliminate inequality by making everyone hermaphrodite. They were wrong. Catastrophically wrong.
Now technology indistinguishable from magic courses through the veins of the inhabitants, making their barbaric civilization survivable—and Publius Cornelius Scipio Africanus Kayel Hayden, Viscount Webson, Envoy of the Star Empire—Skip to his friends— has just crash-landed through a time-space rift into the middle of it all.
Dodging assassins and plummeting from high windows was just the beginning. With a desperate king and an archmagician as his only allies, Scipio must outrun death itself while battling beasts, traitors, and infiltrators bent on finishing what the founders started: total destruction.
Two worlds. One chance. No time to lose.

Volume 1
The Ambassador Corps has rules: you cannot know everything, don’t get horizontal with the natives, don’t make promises you can’t keep.
They’re a lot harder to follow when assassins are hunting you, your barbarian allies could kill you for the wrong word, and death lurks around every corner.
The unwritten rule? Never identify with the natives.
Skip’s already broken that one.
Now he’s racing against time to save his new friends from slavery—or worse—while dodging energy blasts and political intrigue. One crash-landed diplomat. A world of deadly secrets. And absolutely no backup.

Some rules are meant to be broken. Others will get you killed.


Vignettes by Luke, Mary Catelli and ‘Nother Mike.

So what’s a vignette? You might know them as flash fiction, or even just sketches. We will provide a prompt each Sunday that you can use directly (including it in your work) or just as an inspiration. You, in turn, will write about 50 words (yes, we are going for short shorts! Not even a Drabble 100 words, just half that!). Then post it! For an additional challenge, you can aim to make it exactly 50 words, if you like.

We recommend that if you have an original vignette, you post that as a new reply. If you are commenting on someone’s vignette, then post that as a reply to the vignette. Comments — this is writing practice, so comments should be aimed at helping someone be a better writer, not at crushing them. And since these are likely to be drafts, don’t jump up and down too hard on typos and grammar.

If you have questions, feel free to ask.

Your writing prompt this week is: color

Men And Chains

Image

The educational establishment of the US owes black Americans — and white too, but principally black — an apology, on their knees and with bent head.

Who in fucking hell thought it was a good idea to teach black people in the US that their people were the only ones enslaved, ever? That white people invented slavery because they hated other races so much or were somehow so racist (unlike the rest of humanity who kill each other batch lots for not being cousins.) And don’t fucking tell me that’s not taught in school. I’ve seen the books. I’ve also seen the results. More importantly I was told by an education major in the nineties — I SWEAR she survived the experience — that the idea of this was to “empower” black people. Because of course making them feel that people like them were uniquely oppressed and despised in the history of mankind is “empowering.”

Wait these are the same people who think having sex with a dozen men a night is empowering for a woman. They’re excused. Their definition of “empowered” is not accurate. It’s also not sane.

Two days ago on Twitter, some black guy posted a picture of a lynching and said that just apologizing wasn’t enough and that white people wouldn’t be forgiven for this, ever.

To which Colonel Kratman replied by pointing out that the people who did that are dead, and no person alive today bears any guilt for it.

He’s right, but more importantly: What in Mohammad’s left testicle does this person think he is? Someone descended from heaven, immaculate and with no human stain? Does he think his ancestors never did anything reprehensible, ever?

First, his being American and black, means he’s technically — unless his ancestors arrived from Africa last couple of generations — what’s known as Caucasian. No, really. Not only are there no pure-black ancestry black Americans, but the difference is obvious if you look at things like the picture of the mayor of Los Angeles junketing in Africa. Your first question is “Who is the white chick and why is she there?” He is descended from an awful lot of white people, and no you can’t designate half of your ancestry oppressors and the other oppressed. That’s not how this works. If there’s hereditary guilt he’s at least as guilty as the rest of us.

Second, slavery has existed, as far as we can tell, taking in account it’s really hard to tell from say cave remnants, but having observed chimpanzee bands and the like, well…. it seems like slavery or an equivalent thereof has existed since humans were humans, or perhaps even before.

Chattel slavery? Which is what the left tends to ask, to make the American slavery system uniquely horrible. Oh, please. That’s like saying communism and fascism are different, because one the state expropriates all the property while fascism lets owners nominally keep property while telling them how to use it. PFUI. Romans had to at some point establish laws that made it illegal to kill or maim your slave. This was always illegal in the US, because they were human and therefore it was murder. Yes, the law got complicated form there, but there it is. Both systems allowed the slave to be sold, separated from family, etc. Both took a human being and made him or her a convenience.

In certain parts of the world, like the Dahomey tribe in Africa — noted slave traders, through which most of the slaves to America were traded — it was perfectly legal, moral and accepted to have your slaves sacrificed in batch lots, one after the other over the tombs of your ancestors because that was what you wanted to do. The ones that made it to the US had won that particular lottery already.

And yes, the Dahomey were black. In fact most slave owners and slaves are what we’d consider the exact same race.

This is not what the slave owners and slaves would think, mind. Slavery goes back to a time when the people five minutes away were “foreigners” and “not human.”

In places where war went on for a long time, but cultures were very different, say the Moors and Christians in the Iberian peninsula, the hunting of and rescuing of slaves went on back and forth so much that eventually they looked exactly the same. And still it went on.

I don’t actually care what race humans are; what skin color; what set of features: Whosoever you are, you are descended from slavers and the enslaved; rapists and the raped; kings and peasants; barbarians and scholars. In the long, long, long history of mankind each one of us has enough in his ancestry to beggar the mind of the most jaded observer. Everyone of us has famous, infamous, admirable and despicable ancestors.

Holding people to blame for the crimes of their ancestors would mean putting the entire human race in chains.

Yes, horrible things were done to certain groups of people in the past. The groups changed, and yet horrible things went on happening. Horrible things are still happening today.

Western Civilization didn’t invent slavery. It did however abolish it, partly through the means of the industrial revolution, which rendered the whole thing counterproductive.

It still goes on most places in the world, and it’s legal in a lot of those vibrant, global South cultures the left loves so much. (And why should proponents of a system that enslaves mankind to the state not want to enslave people?)

If you are terribly against slavery and want to slake ancestral hatreds, by all means, make it your business to punish slave owners. Slave owners who own slaves now.

It is great and difficult work, and I will applaud you heartily.

But do not try to smear others with ancestral guilt. You only paint it on yourself.

By the Numbers

Image

Ever since the deep-set organization and by-the-numbers programming to the circus in Minneapolis came out, people on the right have been blackpilling.

Well, you know my opinion on black pills. It’s two fold: You know exactly where it’s been, and nothing that’s been THERE belongs in your mouth. AND even if it all were lost, what could you accomplish by getting people to despair and give up? This last is why people in a war shoot those spreading fear and despondency, even if what they are seeing is right. Because Blackpill fights on the side of the enemy. And while you could argue someone like the Red Baron coming out with his certainty the war was lost before his death might have saved death and destruction (maybe) in our case that is never true. There is no surrender to communists. Communists are as my friend Eric S. Raymond reminded everyone on twitter recently, Hostis Humanis Generis, and therefore the only surrender they accept is death. Well, f*ck them very much. I was never going to go quietly and without making sure I took an escort with me to hell. Even if they were fated to win, I’d fight them for every inch, every breath, every micron of mind space, in hopes of planting a seed of freedom for future generations.

However the bizarre thing about all this doom and gloom is that THEY AREN’T WINNING. The situation is very far from hopeless, very far from lost, and in fact, barring our complete and abject surrender to a panicking foe, we will win this and send communism to the ash heap of history with its cousin, fascism. And that even if they manage to win you can count their victory in maybe years. Maybe. My guess is less than four, because four is all they managed before, and even then they couldn’t implement all their dreams. Or most of them.

This is important. They need all the organization to give the impression of support they don’t have; to push an image of an ideological upswelling that simply isn’t there. They need organization and financing, because THEY AREN’T WINNING.

Yesterday one of you, reading the post on carefully orchestrated demonstrations and protests got it into his head that the demonstration in which I found myself at sixteen facing machine guns was equally organized. Snort. Giggle. It was organized like the Tea Parties were “organized.” A friend told a friend told a friend. I say we had a phone tree, but the truth is we used phones as little as possible as we were convinced that our phones were tapped. (Were they? Who knows? Ours was. I know the tell-tale sound in a mechanical system. But then mom ran a pirate radio station, so what do you expect?) SOMEONE printed banners. At a guess someone who happened to own a print shop. But they were such novices at the business, they didn’t punch holes in the fabric, so in the normal mizzle and wind of Northern Portugal (if you read of Wellington’s campaigns you know what I’m talking about) holding that banner (half of it) about broke my arm. And the rain fell down the pole and down the sleeve of my anorak. (Anorhank, a symbol of holy abstinence, according to Pratchett and boy was he right.) There were very few banners. I think three in an immense crowd. And I happened to grab the end of that one as the previous kid holding it (It was specifically about youth) got tired of almost breaking her arm.

For display no one would pick me. I wasn’t a pretty kid, and in the anorak you couldn’t tell if I was a boy or a girl. And anyway, it was all organic and …. disorganized. I won’t say the right in Portugal are exactly individualists (they’re not) but they are individualist enough to fail to organize.

But that disorganization, those thousands upon thousands of silent people walking across town. (Had to be silent. We didn’t have a protest permit. But they couldn’t stop people just happening to walk together) brought down a government that thought it was on its way to full control.

In the same way, the tea parties while they couldn’t completely curb Obama unnerved him enough to stop a lot of the worst overreaches he would have attempted. And they BAFFLED the left, because they were what the left was trying to achieve with Occupy Wall Street.

They started Occupy Wall Street in the serene belief that all they had to do was astroturf the beginning and then the people would rise up and support them. But despite a compliant media reporting it that way, and swelling the movement in image they never achieved more than “boomers with oxygen tanks and mentally ill homeless pooping on cars.” And then the Tea Party came out of nowhere and blindsided them.

They look at us, and wonder how we’re organizing on the quiet. Hence the insane search for “dogwhistles.” Which make no sense because what moves us is not what they attribute to us anyway. And we look at their organization, know we can’t do that and think all is lost.

We don’t need to do that. We have reality and the fact we’re not trying to hurt people and take their stuff.

Look, the left largely hid what a shitshow places like Russia were by the time the Soviet Union collapsed. And they are very much in denial of what a soft, decaying shitshow Europe is for that matter. But the last four years of the Bidentia showed people what the left wants to do to them, personally.

Ignore pollsters. Ignore the media making big scary noises. The left is — to quote one of their own — a paper tiger. They have nothing, or nothing people want. And most people now know it. Unless people are very well off and willing to buy into boutique causes at the cost of sky high groceries and transport and no employment, the left has nothing for us.

Movements that are winning don’t work so hard at keeping illegals here and voting. Movements that are winning don’t work so hard at keeping illegals who have committed CRIMES here and voting. Movements that are winning don’t work so hard just to cause turmoil in ONE city.

More importantly movements that are winning don’t need a carefully choreographed danced to present a frong that makes them seem like many.

Stand down. Take a deep breath.

No, we won’t win tomorrow. Or the day after. For too long we let leftist bullshit infect our education, our arts, our media. Perhaps “let” is the wrong term. They were top down systems and once taken over we could do nothing against them. But they had them for decades, and we’ll suffer the results of that for decades yet. However, things will be improving all the while. Yes, there will be setbacks and we’ll lose very good people (salutes Charlie Kirk) but in the end we win, they lose.

Look, you blackpillers think that I’m counter-black-pill because I don’t see what you do. You’re so wrong you’re not even on the map. I see what you do. What’s more, I’ve been seeing it since I’ve been aware of politics, which is now close on to fifty years. (What can I say? Mom was political to her fingertips, and a force of nature besides, and if she’d been born in a civilized country, she’d probably have shaken the world.)

My time of despair was somewhere in the seventies when the left’s deadlock on media, government AND academia was iron clad and when I despaired of being able to topple it. But even then I refused to stop and I refused to shut up. Because no. Because I read Heinlein and I knew the Lieutenant wouldn’t like THAT.

But yeah, that was the time all the protest babes were on the left. They still organized. They do it naturally, I swear, but it wasn’t AS orchestrated and choreographed as now. They had more useful idiots. They could always get a PREGNANT martyr when needed.

Now? Now they are at very thin on the ground martyrs. They have to buff up those they have. They have to pay their protesters who aren’t extremely and glaringly mentally ill.

What did them in? Losing the lock on communication. Having people see the man behind the curtain, the sneering disdain for humans behind the leftist cry for the plight of “workers.”

And lest we forget Limbaugh started this. That is not a sign of strength for the left. One man, in an outmodded form of communication was the beginning of their doom.

How much more can you do today with better communication?

Yes, they’ll become louder, and more choreographed, and yes, alas, more lethal the less in control they are. That’s the bad part we have to go through. And we’re going to lose a lot of good people. And yes, we’ll lose some battles, too.

But think about it, with all their resources, they orchestrated the election of the corpse. They locked the entire country down. They surrounded DC in barbed wire. They’d won. They were in charge.

And now they’re a rump movement causing trouble in one city and even that mostly for the cameras.

The desperate effort they managed in 2020 is now out of reach. Can they fraud 2026? Probably. BUT IT’S NOT WRITTEN IN STONE.

The media lies. Polls are a tool. You’re not alone. None of us is. We are the VAST, overwhelming majority.

And things are going our way. Slowly but inexorably, we win, they lose.

Be not afraid.

Give Them The Old Razzle Dazzle by Foxfier

Image
Bright colored, sparkly, and moving fast even if it’s just flailing– all of that says look here. Know that ghost dance that Sarah’s always on about? This is that scene in Chicago where the court room is completely full of sparkle-covered dancers clad mostly with feathers that outweigh them.
If you’ve been watching Paliwood for a while, this might seem familiar — all those girls are in red. Like the Mandatory Bright Colored Children’s Toys often are, although blue is a distinct second, with other bright colors in the running. The one guy in the crowd who has a on clean coat or hat, in a bright color, is also popular. If a production has something brightly colored and clearly different, they want you to look there. Guess what, that applies to protests, as well. There’s a very good tweet on the “layers” of a protest, here: https://x.com/LukeTaylorUSA/status/2011147517262774298 We’re looking at Layer 1, from a slightly different angle– these are the folks that they want to have as the face of their movmenent. If you look at old protests, this is where the cute girls or emotionally packed character sketch stood. Think the cute hippy chick putting a flower in the barrel of a gun, or the “I am totally not trying to look like a parody of Jesus” hippy dudes in similar moves. Those photos even help drive it home because the folks behind them are usually out of focus– now, the people behind the “pay attention to these ones” are usually in hoods, masks, or both. Now, if you go to the tweet that Luke was responding to, you’ll find a video that does the unusual thing of not being from the desired perspective. https://x.com/i/status/2011130745125826859 There’s two attention-grabbers there– the chick with the dyed red braids, and the guy in the clean jean jacket and red-brown glasses. Well, and the ‘found out’ who is helpfully literally wearing a day-glo jacket, but we don’t see much of him before he’s finished with the f around portion. For the rest of the group? It’s hard to tell who is law enforcement and who is a protester, and even if it wasn’t winter it’d be hard to tell if some are male or female, which is why they’re not made up to be targets for attention. It’s like all the other camouflaged herds, it’s harder to pick out a target to focus on when they all blend together. You can see a non-evil example of this in that video of the ICE agent that picked up a rose, and handed it to a female colleague, where without him pulling focus on to her it wasn’t obvious there was a woman in the group. Now, with that in mind… why do I see all this talk about how “all the protesters” are white women? People keep sharing photos of protesters where there’s three or four women right up front, yeah, bright colored in both meanings hair and all, but there’s a dozen often-masked mostly guys who outmass even the landwhales right there. Even after we have videos of definitely-males doing things like chucking a frozen water bottle at the cops and trying to outrun them (and failing)? They put the pale, brightly colored examples out front to get your attention. It’s not just visual, either. They put women as spokesmen for exactly the same reason that the military uses a female voice for their cockpit AI– it gets attention. Same way that performative anger or sorrow does. Quit cooperating with the stupid activist games, please!

Stone Face

Image

*For those wondering why this is so frigging late: I went to bed at 10 pm last night, and woke up today at almost 1pm. The only times I remember sleeping like that before were after giving birth, or similar outrages. Or as I said “I didn’t even know I could sleep that long”. Worse,t here’s the likelihood of a nap in the horizon. BUT I am feeling better. And my brain obligingly gave me a blog topic while I was asleep. Note, I haven’t checked the news yet, so if the government fell or Europe was subsumed by the waves during my epic sleep, you’ll have to use the comments to discuss it, because I don’t know yet. – SAH*

As we’ve talked about before, one of the left’s strengths, perhaps its last remaining strength and the one that’s hardest to break is that for so long being a leftist was a positional good.

No? Well, even in the US wearing a Che t-shirt didn’t immediately identify you as an idiot who couldn’t think his way out of a paper bag and who knew no history to boot. It should have, but it didn’t. By the time I was in high school, now almost 50 years ago, it made you look cool, hip, daring and willing to question the establishment. Any Hollywood writer writing that student — Hollywood traffics mostly in stereotypes, since that’s easier to sell in visual format — would make him a deep thinker, concerned for the plight of the poor. This despite the fact that Che was a cold blooded mass murderer, one who preferred to kill people with his own hands, though he could also order it done, and despised…. well, everyone, but at the top of the list were students and the educated. Though the poor were there too, somewhere.

The “coolness” factor only increased for the next generation, as communism had fallen and the lefties and opinion makers (BIRM) of the generation before mine could say smugly that the good guys had lost the cold war, and pass on that bullshit to their kids with a side dollop of grand lost cause, like aging confederates moaning the glories of Dixie in slave-owning days.

By the time I came of age as an adult, and certainly by the time I became a published author at 35, one had to at least pretend to be leftist to be able to get on in any intellectual field. You could, yes, attack prominent personalities on the left, but you had to do it from the left. “I’m not sure Clinton is really committed to the cause. He’s just in it for the money and the chicks” was acceptable. “I’m not sure I can support of even tolerate a man who went to visit the USSR in his college days and remained a man of the left” wasn’t and would see you disgraced.

Positional good. “The lefter the better.” There were a never end of people declaring themselves communists in award speeches and such. And this only catapulted them to higher ground.

Which if you think about it is insane. “Yes, I am for a regime that murdered a hundred million. That’s how pure and wonderful I am, give me cash and contracts.”

Of course to maintain that several things were needed, but the most important thing needed was that the various circles be compartmentalized. Mr. and Mrs. average geek retained the power to be shocked by their favorite author or director or what have you chest-thumping his love of Stalin, but they never heard of that, because they were presented curated snippets in the media.

People like Ghandi and several others, are wholly media-constructions, their halo formed of a tightly focused lens.

And it used to be that this positional good status of leftist nonsense was the least of their weapons. it was merely the ability to make people falsify their preference, thereby giving the impression of far greater strength to the left. Oh, don’t mistake me: It was valuable. It allowed them to commit any amount of fraud and it was assumed as they put on the cover of Time magazine, when Obama was elected “We’re all socialists now.”

Which brings us to now. The walls have fallen. They were never as impermeable as the left pretended, at that. Despite their complete lock on the media, the news, the arts, the culture, and more importantly education, they could never get the majority to vote for them, requiring higher and higher amounts of fraud by less and less secret means. (No? Look, no civilized country has default vote by mail. It’s too stupid to even contemplate. But they were finally driven to it. After “voting week/month” after “lowering the voting age” after “no voter ID” etc.)

Now they can’t keep up the media barrage. And a camera in everyone’s phone means that anything that happens there are three or four videos or more and the truth is so to put it “Out there.”

And entertainment has so much competition — from the past, if nothing else, since indie movie/visual media isn’t yet a thing. Though we’re getting there. We’re getting there. Indie writing is of course competition — that they can’t force people to watch their stilted “entertainment.”

Their last defense; their last trump (eh) card is positional good. And ooh, boy, they’re playing it. Like the idiot who asked the sportsball coach tos ay something bad about America. Or the daily — daily, I tell you — challenges I endure, open and not to “say something bad about Trump.” to prove “You’re not a cultist.”

The only answer to that is the stone face and “no.” Just “no.”

Is Trump perfect? Oh, heck no. But perfect was not on the ticket. Kackling Kamala and the Retard Timwalz were. And anyone who thinks that we’d be doing better under that regime is sicker than I am, and should take two ibuprofen and go to bed till the desire to have civilization commit suicide passes.

Is he doing everything I wanted? Ah. Is the income tax abolished? Are all the fraudsters of the left exposed, tarred, feathered and run out of the country on a rail? etc. etc.? No. But I am also aware my rather radical wishes would create incredible turmoil and upheaval if implemented all of a sudden. He’s done more in the time he’s been in than anyone could ever imagine, a lot of it flying under the radar. I would vote for him again without a regret.

Cult? I think not. If Trump were killed tomorrow — almost happened, remember? — I’d cast about for someone who would make the left even madder and then throw all my support behind that. He’s an instrument, not a messiah. Yes, left, this is how much you’ve pissed off we the people.

America? The question of “What’s bad about America?” is “In comparison to what?” Because, yeah, America isn’t the Earthly paradise. Duh. And yes, we’ve been enduring a lot of rule by “enemies, domestic” which has caused several problems, including a lost, aimless and deeply wounded youth. But…. in comparison to what? Because it’s like that the world over and worse some places, and at least here we have an entrepreneurial culture that makes it possible for kids to make something of themselves: with immense effort, but there it is.

So, if you find yourself in a situation where they make it obvious that you have to say something lefty to position yourself as “once of us” refuse it. Give them nothing but the stone face.

This is all they have now. And if we neg it enough, they have nothing.

Oh, sure, paid mercenaries, and an organization inherited from the USSR and carried on by various political groups. And that’s…. inconvenient and difficult.

But it’s not the same as the creation of a vast preference falsification front that allows them to claim legitimate wins when in fact they win only through gargantuan fraud.

The stone face. It’s all they deserve. And it’s all you should give them.

Book Promo And Vignettes By Luke, Mary Catelli and ‘Nother Mike

*Sorry to be so late this week. I caught the extreme coughing bug that’s going around, and it’s making everything slow. – SAH*

If you wish to send us books for next week’s promo, please email to bookpimping at outlook dot com. If you feel a need to re-promo the same book do so no more than once every six months (unless you’re me or my relative. Deal.) One book per author per week. Amazon links only. Oh, yeah, by clicking through and buying (anything, actually) through one of the links below, you will at no cost to you be giving a portion of your purchase to support ATH through our associates number. A COMMISSION IS EARNED FROM EACH PURCHASE.*Note that I haven’t read most of these books (my reading is eclectic and “craving led”,) and apply the usual cautions to buying. I reserve the right not to run any submission, if cover, blurb or anything else made me decide not to, at my sole discretion.SAH

FROM PAM UPHOFF: A Political Marriage (Chronicles of the Fall Book 20

Image

Lord Kalev Meknikov a young noble in a high tech civilization . . . Lady Aurora Denhart a young lady with a father in politics . . . and you’d think in such a high tech society that political alliances wouldn’t require silly things like marriages between young members of the families . . .

But here they are . . .

A somewhat silly and sweet romance within a Science Fantasy Universe.

FROM MARTIN L. SHOEMAKER: Silent Tears (The Route Books of Bobo Buttons, Private Eye Book 2)

Image

The end of a grifter…

When Heath Brothers Greater Shows settles in Florida at their Winter Village, word of Bobo’s detective work spreads among the local shows. Bobo is approached by Storywise the Clown, a mute mime from another show. Storywise’s mother has been roped into a financial con, and she’s in danger of losing her life savings. Bobo tries to help without breaking Mama Wise’s heart.

But when the grifter is found dead and Storywise is accused, can Bobo find the real killer? Who’s behind this deadly long con? In this Hanukkah season, Storywise needs a miracle. Fortunately he has Bobo Buttons, Private Eye.

FROM LAURA MONTGOMERY: WALKABOUT: A Waking Late Prequel

Image

For fans of the Waking Late trilogy.

Clarence Satcom, prince and heir to one of Earth’s lost colonies, sets forth on a walkabout outside the terraformed valley of First Landing. He has plans both for the valley’s future and for the Pan who live outside it. The Pan steal First Landing’s children, and he intends to stop them.

But when he comes across one of his subjects trying to leave his domain, his journey veers down a more educational path. Whether he can learn the lessons offered is another question entirely.

For fans of Nwwwlf, the Waking Late trilogy, and Martha’s Sons. If you want a glimpse of Clarence in his youth, this story is for you.

FROM CHRISTOPHER G. NUTALL: Crash Landing (Boy’s Own Starship)

Image

Eric Crichton and his brother John thought they knew all about space: buy a beat-up old freighter, haul cargo from star to star, and stay one step ahead of the bankers. Easy, right? But when a shady charter lands them a mysterious medical package bound for a newly terraformed world, things go from routine to red-alert in a hurry.
A pirate ambush knocks Max Jones out of the sky, stranding the young crew on a wild, storm-swept planet where the weather is only the second most dangerous thing. The “plague” they were supposed to deliver turns out to be a lie, the package hides something worth killing for, and the pirates want it back, along with the kids who carry it. With their sister Maryam fighting for her life in a stasis pod, Eric must team up with a tough colony girl named Daisy, a sharp-eyed heiress who won’t be left behind, and a handful of hard-working settlers who know how to handle trouble.
They’ll need every trick they’ve got: quick thinking, faster hands, and the kind of stubborn courage that turns a crashed ship into a fighting chance. Outnumbered, outgunned, and running out of time, the young crew of Max Jones learns the hard truth: in space, no one’s going to come save you—you save yourself.
A fast-moving tale of high adventure, daring escapes, and the unbreakable spirit of youth: straight from the Heinlein tradition of boys (and girls!) who face the unknown and come out on top.

EDITED BY LAWDOG WITH A STORY BY LEE ALLRED: Plasma Pulp: Lost Worlds (Raconteur Press Anthologies)

Image

Step into ten stories of vibrant universes, where gleaming rays of energy shape the future and the past collides with the fantastic unknown. This collection of short stories invites you to explore a genre that is often called “Raypunk” or “Raygun Gothic,” but we call “Plasma Pulp”—because “punk” is overused, and we can. We bring you the electric optimism of retro-futurism, blending sleek technology of the future with the Old School spirit of adventure. Here, the impossible becomes tangible through visions of shimmering cities, heroic inventors, and cosmic mysteries illuminated by pulsating light. Within these pages, you will encounter daring escapades and enigmatic characters who navigate a landscape defined by gleaming technology and surreal possibilities. Whether it’s battling sinister forces with futuristic weaponry or unraveling the secrets of radiant power, each story pulses with the incandescent energy of plasma pulp’s unique vision.

FROM J. KENTON PIERCE (This time with cover because I got a link.): The Warlord of Greenline Town (Tales From the Long Night Book 2)

Image

In the ruins of Hesperides Colony, scarred by volcanic winters and orbital threats, Captain Ravati Aziz safeguards underground Greenline Town. A veteran trooper turned cop, she balances family with bondmates and kids amid a corrupt town council, brutal Blackcheek gangs, and nomadic Pridesmen driving herds through deadly badlands.

When a notorious homesteader unearths a crashed starship packed with lost tech and comes to Greenline looking for help, Ravati volunteers, knowing what’s at stake.As vanished Gentle Walkers return with secrets and politicians scheme for power, Ravati allies with warriors and scholars to defend her home.

In a brutal world of hard choices, can she stop Greenline’s slide into tyranny?

EDITED BY JAMES YOUNG: On The Sea: Naval Alternate History (Arc of Ares)

Image

You seldom hear of the fleets except when there’s trouble, and then you hear a lot.
— Admiral John S. McCain

The sea. Bearer of commerce, fertilizer for empires, and a battlefield where the environment itself is set to kill the warriors who engage each other upon it. From the galleys of ancient Greece to the deadly, silent murder machines of the nuclear age, Mankind has set across the oceans to visit great harm upon their fellow man on distant shores. On The Sea brings you alternate endings to these voyages, with characters and points of divergence as varied as the oceans themselves.

Prefer your sea tales in an era of wooden ships, coal smoke, and iron men? Dragon Award Winner Sarah Hoyt (“For Want of A Pin”), 2025 Imadjinn Award Winner Dan Kemp, and Day Al-Mohamed (“Martha Coston and the Farragut Curse”) will give you all the splinters, canvas, and cannonballs you could ask for.

Like your torpedoes to be self-propelled rather than damned and your fleet actions wreathed in coal smoke? Veteran authors Joelle Presby (“A Safe Wartime Posting”), Rob Howell (“Far Better to Dare”), and Philip Wohlrab (“Beatty’s Folly”) bring you very different endings to the Spanish American War and World War I that stretch from the Falklands to the Irish Sea.

“I don’t know, I’m more a fan of Long Lances than Black Lung…” Dear reader, On The Sea has so many Imperial Japanese Navy cameos, there should be an Imperial Chrysanthemum on the cover. Two-time Dragon Award nominee Kacey Ezell, 2024 Imadjinn winner William Alan Webb, and Sidewise Award Finalist Lee Allred will give you turning points from the volcanoes of Rabaul to the far reaches of the Indian Ocean.

More a fan of Détente than Bushido? 2010 Sidewise Award winner Eric G. Swedin provides a new short story set in his When Angels Wept universe, while 2020 Sidewise nominee William Stroock keeps the Geiger counters growling with his short “Atlantic Flash.” If you like your points of deviation with more pho sauce and less unscheduled sunrises, 2025 Dragon Award nominee Justin Watson (“Decision Over Cam Ranh”) and editor James Young (“Mr. Ford’s Cats”) provide two very different views of war in Indochina.

Bottom line: Whether you’re partial to Ares or Poseidon, On the Sea has alternate history that scratches the nautical itch. With a carefully curated mix of previously published favorites and new stories, this thunderous conclusion to the Arc of Ares series reflects what happens when the war god brings his chaos over the water’s edge. Grab a cutlass or activate the CIWS, as the fish are about to get fed!

Editor’s Note: Also includes excerpts from James Young’s Wonder No More, an alternate history of the Battle of Leyte Gulf.

FROM JERRY STRATTON: The Padgett Sunday Supper Club Sestercentennial Cookery: Celebrate 2026 with recipes from 1796, 1876 and 1976.

Image

This Sestercentennial Cookery celebrates the 250th anniversary of American Independence with recipes from Bicentennial cookbooks and from Centennial cookbooks. It also features recipes from the very first American cookbook, the 1796 American Cookery, and is interspersed with historical texts from Independence Days of yore.

FROM CHARLI COX: Whistles of the Wendigo: A Joint Task Force 13 Legacy Novel (Joint Task Force 13 (JTF 13))

Image

When the war ends… a new nightmare begins.

The smoke of the Civil War has barely cleared when another battle ignites—this time, on the homefront. A fiery prohibition movement is tearing the state apart, and the governor calls in the US Army’s 6th Cavalry to keep the peace.

But peace is the last thing they’ll find.

On patrol, Sergeant David Wilkerson and his troop ride straight into a ghostly fog—and straight into hell. A terrified horse disappears—a mangled carcass returns. Something ancient and hungry has awakened.

The saloons go silent. The townsfolk go missing. The line between law and chaos is about to be crossed.

Now, with tempers boiling and terror creeping in from the shadows, Wilkerson and his men must ride into the unknown, face what lies in the mist…

…and stand as the last defense between Heaven and Hell.

FROM JOHN C. A. MANLEY: All the Humans are Sleeping (The Metaverse Trilogy)

Image

A Farmer, a Robot and the End of the World

World War III lasted only six days. Within the first few hours, my farm in Manitoba burned to the ground. The blast that destroyed our home came from the same mushroom cloud that killed my wife. I wish it had nuked me, too, but those heartless robots saved me.

They also rescued my daughter, so I can’t damn them. She was the only thing keeping me alive… until the metaverse took her away.

Yes, I’ve tried to kill myself. I may do it again. But that purple Domesticbot with its pompous British accent keeps on interfering.

The robots won’t let us go to heaven and the humans have made Earth a living hell. As an alternative, the United Nations has offered our minds a virtual purgatory in the metaverse, while our bodies are preserved in synthetic amniotic fluid like overgrown babies. One billion survivors “live” in those pods — hard-wired to the internet — forced to dream a digital fantasy where flowers never wilt and wither.

Well, I refuse their faux flowers. So what if they burnt up all the real ones?

Still, how can I accept this post-apocalyptic world? Can I endure being cloistered on this desolate mountaintop on the northernmost tip of Norway with an unhinged robot that wears a suit and tie and aspires to be a poet?

My name is Peter Stevens, the last of the Luddites. But I don’t know if I can remain awake when… all the humans are sleeping.

FROM CHARLES ALDEN SELTZER, REVIVED BY D. JASON FLEMING: The Raider (Annotated): The classic pulp western!

Image

When Ellen Ballinger got abducted, she managed to turn it into a complicated scheme to end up married to Jeff Hale. Jeff didn’t much like liars, nor stubborn, wrong-headed women like Ellen… and yet, there was something about his new wife, something a good deal less complicated than the land-grabbing scheme that he was facing from skunks like Dallman and Kellis. And seeing justice done, while staying on the right side of the law, and the right side of his new wife, would be more complicated still…

  • This iktaPOP Media edition includes a new introduction giving the book historical and genre context.

FROM HOLLY CHISM: The Law of Magical Contagion

Image

The capper to Siobhan Miller’s terrible, horrible, no-good, very bad day was a dog, tied to the stop sign. She hates dogs. She’s terrified of dogs, and that was a big dog. Looking sad and lonely, tied to a stop sign. That was not okay. She was the only one around, so she took him home. Only to find that he wasn’t a dog, but one of the Good People, under a curse. And there were more of them.

And they were all after her. And all she had was the dog (who wasn’t a dog) to help keep her from being taken away from all she’s ever known. Because that dog? He and his twin sister are family that she didn’t know she had, and their appearance has upended everything she’s ever known about herself. Including that she was human to begin with. She has a lot of questions.

Starting with curses, and how and why they sometimes spread.

FROM NATHAN C. BRINDLE: The Lion of God (Timelines Book 1)

Image

John Wolff has been handed a once-in-a-lifetime opportunity. Again.
He’s already saved the love of his life from an early death – thirty years after she died.
Now, a beautiful young woman, who is clearly his daughter, has appeared from the timeline branch where that same love of his life survived and married his counterpart.
She says they need his help fighting off invaders from the far future. Who, by the way, are looking for him. Why? Because they want the starship drive he and a friend invented, the precursor to their time machine. Problem is, in her timeline, it hasn’t been invented yet.
What man can resist a cry for help from his own daughter?
Particularly when the invaders think she’s a saint. Or possibly, a devil wearing saint’s clothing. And they’re looking for her, too.
Thus begins the Timelines Saga, and the story of the Lion of God.

I’m rotating my recommendations like a sensible person would… Next week there will be a Collection on pre-order. Until then: this one’s still here, still awesome. (And every time I link it, it sells. I’m not arguing with results!)

FROM SARAH A. HOYT: No Man’s Land: Volume 1 (Chronicles of Lost Elly)

Image

Sufficiently advanced science is indistinguishable from magic.

On a lost colony world, mad geneticists thought they could eliminate inequality by making everyone hermaphrodite. They were wrong. Catastrophically wrong.
Now technology indistinguishable from magic courses through the veins of the inhabitants, making their barbaric civilization survivable—and Publius Cornelius Scipio Africanus Kayel Hayden, Viscount Webson, Envoy of the Star Empire—Skip to his friends— has just crash-landed through a time-space rift into the middle of it all.
Dodging assassins and plummeting from high windows was just the beginning. With a desperate king and an archmagician as his only allies, Scipio must outrun death itself while battling beasts, traitors, and infiltrators bent on finishing what the founders started: total destruction.
Two worlds. One chance. No time to lose.

Volume 1
The Ambassador Corps has rules: you cannot know everything, don’t get horizontal with the natives, don’t make promises you can’t keep.
They’re a lot harder to follow when assassins are hunting you, your barbarian allies could kill you for the wrong word, and death lurks around every corner.
The unwritten rule? Never identify with the natives.
Skip’s already broken that one.
Now he’s racing against time to save his new friends from slavery—or worse—while dodging energy blasts and political intrigue. One crash-landed diplomat. A world of deadly secrets. And absolutely no backup.

Some rules are meant to be broken. Others will get you killed.

Vignettes by Luke, Mary Catelli and ‘Nother Mike.

So what’s a vignette? You might know them as flash fiction, or even just sketches. We will provide a prompt each Sunday that you can use directly (including it in your work) or just as an inspiration. You, in turn, will write about 50 words (yes, we are going for short shorts! Not even a Drabble 100 words, just half that!). Then post it! For an additional challenge, you can aim to make it exactly 50 words, if you like.

We recommend that if you have an original vignette, you post that as a new reply. If you are commenting on someone’s vignette, then post that as a reply to the vignette. Comments — this is writing practice, so comments should be aimed at helping someone be a better writer, not at crushing them. And since these are likely to be drafts, don’t jump up and down too hard on typos and grammar.

If you have questions, feel free to ask.

Your writing prompt this week is: LIMPING

Betrayal

Image

This is not a post (solely) about writing. It’s also about politics, but first we have to get there.

Yesterday I was talking with a group with friends who also happen to write. (Look, there’s writer-friends, who are mostly friendly acquaintances because that’s at the center of what we have in common. And then there’s friends who are friends for a million other reasons and would probably be my friends even if their mind had never spun a single tale.)

Anyway, in this the topic of “Betrayal” came up. More than one author (some my friends) have had their fandom turn on them, suddenly, when they found out the author is actually not a raving, lunatic lefty. Or not a swinger. Or not a fur or in one remarkable case male. How they could have missed he was male is inexplicable, though I think that’s just like fandom turning on Heinlein suddenly when being male became the equivalent of being anti-woman. (In the heads of the deeply indoctrinated. Not any sane person.)

These situations are always profoundly wounding, because the fandom feels betrayed — even if they were talked into/spun into feeling betrayed. That’s something I don’t fully understand, because if I were capable of reacting that way I wouldn’t have arrived at my beliefs. But I know it happens — and the author is usually sucker punched and really, really, really feels betrayed.

Writing is weird and weirdly isolating. There is a reason writers need to have writer friends. When I wake up and realize I dreamed all night of an imaginary world, for any non-writer this would be alarming and possibly a sign of psychosis. For me it’s Tuesday and an occupational hazard. Other writers just sort of nod and sigh.

So writers have writer friends, but almost all of us who have some measure of success, even beginners with a knot of five or six readers, have fans they rely on. Because writing is communication. When I talk about my alpha readers (I promise, guys, you’ll get Chinchilla of Hope T-shirts before the end of the year. You poor sods earned them) I’m talking about the people who see stuff fresh off the brain. Sometimes their reactions tell me if I’m giving the wrong impression, which will need to be corrected, or when things that were merely okay to me will ellicit a “wow.” My own group for that is small, though the paid subscribers to substack serve as beta readers (THANKS YOU GUYS for not running screaming when I started posting No Man’s Land. That would have stopped me cold.) And then there’s a larger group of fandom I’m not that close to or close with. I like a good number of them, and if they ALL decided they hated me it would have a bad effect on my bottom line, but we’re not emotionally entangled.

To an extent I’m envious of the writers to whom the larger group is like an extended family, at least on the fans side. There’s a lot of support there, and it helps you and buoys you through the rough stuff. But then there is the risk. Specially if what you write is not–

How do I put this? It might be impossible for writers to write something they don’t believe in. Which is why I don’t tend to write aliens, except in short stories where I can get away with it without thinking too hard. My aliens tend to be modified humans. And I don’t think I could write a functioning, happy communist society. Because I can’t believe in it. At the same time it’s possible for incidental things in our writing to be things we don’t like, don’t approve of OR MORE IMPORTANTLY would never do in our daily lives. For instance, much to the relief of all and sundry I’m not a nudist. (I don’t disapprove of it, I just find it in general unaesthetic and it makes the furniture smell.) I don’t kill people left and right. If brooms existed I’d never, in the history of ever get on one to fly around (fear of heights AND no sense of direction.) I also have never — to date — turned into a dragon. And for the record, I would never kill a bunch of strangers to lay my eggs in them. Er. If I lay eggs. Which I don’t. Oh, and though I have gay characters, I’m not gay. In fact I am hard-core monogamous. (I was going to say I’m only attracted to men, but more and more every day I’m only attracted to man — and he’s sitting there, right now, being sick as a dog with a head cold. Ah well.)

However, because books are the closest we can come to living in someone else’s head, we tend to think of the character as the author. The right (broadly) is better at knowing there’s a difference and appreciating the writer anyway, because for decades all we had was well… commies who inadvertently wrote stuff we liked.

The left doesn’t have that experience. The people who fall on the broad left are also way more … socially conforming. (Not incidental, leftism has been a positional good for decades. So it attracts the socially conforming.) and therefore seem to identify HARDER with stories and characters and project them on to the author/director/actor.

So, when they find out this person is not in fact of them and doesn’t have the characteristic they love in the character, they become furious. They feel hurt and betrayed. And they go to war in the way of the socially adept.

Which in turn wounds the author because this is the author’s SUPPORT that suddenly turns and bites him/er on the butt.

I was thinking about it, and realized I’m not like that for various reasons. One of them being because I’ve been betrayed so often I have calluses. There really have been a lot of these. Some politics, some just because I’m oblivious about social duck speak, and will obliviate (totally a word) past the first two, three, ten warning signs, then be shocked at the sudden yet inevitable betrayal.

I’m not saying if my alpha group suddenly ejected me and started telling nasty tales about me I wouldn’t be hurt like a teen girl who finds her boyfriend kissing the cheerleader, but probably could be cured by rocky road ice cream and a week of moping. And then I’d find other alpha readers. It’s happened before.

Then I thought part of the reason of course is that my fiction writing which isn’t political (Oh, yes, look, it has my ideas in it, and to the extent everything including a character shooting someone is now political, that is inescapable, but–) I mean, I’m not writing to promote a political idea. I’m writing the story that won’t shut up. Political points come from being written by me and my being a political being.

Most of the betrayals and messy break ups have come from the political side. And I even GET that. My beliefs have … evolved. When I wrote Darkship Thieves (13 years before it was published) I was a far more red-meat Libertarian bordering on anarchist. But times go by and things happen to and around you, and you change. I abandoned open borders at 9/11. I hadn’t yet realized the cultural risk, but I realized the military/terror risk. And I had kids. So that became a “no” really fast. Then in the last ten years I’ve come to understand the cultural risk, because we’ve all been living with it. (Also seeing my kids grow and cope with visits to Portugal highlighted the difference cultures make.) I’ve — kicking, screaming and under protest — become less of a free market absolutist. Oh, no. Not inside our borders, but outside. Look, there is no way you can separate “trading freely with countries that aren’t free” from undue political influence and money used as weapons, and for the love of all that’s holy, ending up with our chips and our medicine being manufactured by people we can’t trust.

I guess my opinions change, as things happen. I’ve become a lot harder in some ways. Scar tissue in the soul will do that. (10/7. I’ll never be okay. It hardened my opinion that some cultures are not fixable.)

Thing is, I also know the right has experience betrayals, and I understand that too. There have been people on the right who carry the flag for a while and then change, inexplicably over night. And none of us knows the risk factors other than that most of them came from the left, and there’s a chance they are a minority or otherwise belong to a group claimed by the left.

It’s never fully explained. The person themselves don’t seem aware of having changed. And the readers/listeners/watchers are left contemplating a transformation sudden and complete that we can’t help but experience as betrayal. This is not gradual change, like what I’ve gone through over the years, but sudden screaming fury.

I’m not going to hypothesize. I mean anything from possession to blackmail is on the table, though it’s probably particularly for those going against type just the attrition of being hated — really really hated. They bring the hellfire forge out for us — by the left, and distrusted by the right. Humans are social creatures. Isolate them and at some point they break.

I broke long ago, and am not sure I can break further.

Can I prevent you feeling betrayed? Probably not. A lot of people felt betrayed I didn’t think Russia is wonnerful TM. (Look you, I’d never think a totalitarian regime is wonnerful, even if it seem to support “right” values. Also, I’m afraid I know too much about Russian History and culture to even think their values are our own. I also won’t think China as currently constituted or in any form possible in the near future is wonnerful. I also think blackpill fights on the side of the enemy and I’ll never swallow it. Insert bit from Heinlein about being free even if chained. Will never surrender.)

What I want to say is that the problems I’ve had getting in arguments with long established fans are because either they’re trying to convince me of something I know is impossible, or because they are in violent agreement with me but refuse to realize it. And I have very little patience for being yelled at. I get enough of that from the cats, thank you.

But even when I get very upset, it’s not because they — or I — changed completely overnight.

Will I have the same opinions in ten years or twenty, supposing I’m alive? no. Things will happen and as facts impose upon my thoughts, my thoughts change.

However barring brain injury I’ll never change overnight. And if my opinion changes, I try to explain why. And some people — Foxfier, RES to name two — have pushed me back from forming and weird convictions by beating me with facts and figures which after research and investigation proved correct and my opinion wrong.

Anyway, not sure if any of this makes any sense. Just: I understand betrayal hurts. I’m a multiply-scalded cat, which is why I’m less likely to break completely.

As for the rest of you? Carry on. Even when betrayal breaks out heart, we must carry on.

Or as my grandmother said “Make your gut into a new heart and forge on.”

You’re allowed to be tired, and despondent, and eat rocky road ice cream even though it’s bad for you. But be not afraid. Through fire and betrayal, through falling and picking ourselves up: in the end we win, they lose. Even if not today.