My First Art Show
In December 2024 I showed my work in my first art show, here's a few thoughts on that experience.
OK, so first up, it wasn't quite the first time my work had been seen in public: through the camera club I'm a member of various images have appeared in public. But this was the first time I'd put a group of my picture on show, and on sale, as "me".
A show is idea I've been considering for a while, wanting to go beyond showing to a few friends and family. But why? I've had quite a lot of compliments about my pictures, which makes me think that it's not just me that enjoys them. So, yes, there's some flattering myself involved! Also, without wanting to pivot careers or kill the pleasure in making pictures, I do like the idea of making this into more of a side project. Can I make this a bit more self-funding? Can I use my art as a way to engage with the wider creative community? I like people, like talking to people, enjoy going to galleries, local open houses and craft markets. Maybe I would also enjoy the other side of the experience? Certainly I've heard various other photographers and artists speak positively about their experiences showing their pictures.
By the time I'd actually got from idea to learning about how to being ready to sign up for any markets the deadline for the pre-Christmas craft fairs had passed. Then I saw an opening for a part in a larger show as part of the December Brighton Artists Open Houses with Chimera House Studios. After a few emails back and forth, and a small fee, I'd signed up for a panel of wall for a weekend. I had a little over 1 metre by 2 metres of space: not overwhelming but enough to show something off. I also expressed interest in a second weekend, which in time got added to the diary.
As the idea was now "real" I engaged I dived into some preparation:
First, I created a company. It seems helpful to keep the finances of this, and me, separate. Also, a separate legal entity might at some point be handy if I ever get commisions. I've started a company before, so although it's bureaucratic it wasn't too daunting.
I started choosing potential images. And found 30. Which is too many. That was, obviously, left until later to resolve.
I did some test printing. The idea that someone might buy a print, for money, makes me consider quality differently. In particular, the baryta paper I had been using for everything was showing skid marks from the printer rollers. After some experimenting, I found a matte paper that wasn't gratuitously textured and I could get a nice look from - albeit with a few final layers for contrast, levels and curves. In the end I really like the look of this paper.
I weighed up the options for presentation:
- A print on paper alone, which is cheapest and simplest, and lets someone pick their own framing. But looks least finished on display on a wall.
- Framed, which involves the most up-front expense and work, and my choice might not match someone's choice for their home and put people off.
- Mounted, which looks a bit more polished than just a print on the wall, with limited cost and complexity. Which is what I'm going with, for now at least.
In the past I've taken pictures to a local shop to mount, as my need was super low volume. But, for mounting maybe 20 pictures that was going to add to the cost more than taking the plunge and buying a mount cutter and my own boards would. So, with a little bit of practice, and a few experiments with table height and ergonomics, I mounted my own pictures. I also decided to sign and number the pictures, on the back as these aren't a high volume affair.
Talking to friends who had taken part in open houses before, having cards to sell was clearly a popular and more accessible choice. My pictures don't really make obvious Christmas / Birthday cards, but cards have plenty of other uses. So as well as prints, I made a slightly different selection of pictures that would work as cards.
To all this, I added some business cards as a way to provide contact details; and some clear compostible bags as a way to protect the pictures and cards in transit.
Then a couple of weeks ahead of the show, Paul (the owner of the space) had an open evening so we could see the space and meet. It was good to meet him, and later his partner, and some of the other artists with sections of wall. Everyone was friendly, and I wasn't the only inexperienced one in the room!
The open house, with someone else "in charge", meant that a lot of work for publicity was taken care of - though I tried to play my part, sharing on Instagram and with friends. On the day it also meant that the room always had someone there, so I was able to come in during the afternoon rather than being committed all-day. Hanging was on the Friday evening after work, then Saturday and Sunday were the shows. It was good to finally see everyone's art up together - quite a mix, that I felt worked well together without anyone really being "in competition".
The hanging was more of a challenge, as there was a metal "grid wall" up, which would be perfect for framed pictures but didn't have an obvious way to present my mounted prints without damage. For cards there were some standard holders I could, and did, use. For prints I concocted a set-up with a wooden channel and clear elastic thread to stop the prints falling back. This was a bit fiddly, but worked well enough.
I also settled on two panels of images, giving me a variety over the two weekends, with only a couple of what I guessed would be my most popular images in both. In each case, I tried to include several that had a local (South Downs at least, if not Brighton) connection. The space allowed for five rows, each with either two landscape format pictures; one print and some cards; or three square format pictures. This gave 10 images and two card holders the first weekend; and 9 images and three card holders the second. I had an entertaining evening working out layouts on the living room floor, finding a balance of colour, theme and structure in and between the rows while also creating variety and trying to place the strongest images at eye height, the simplest where they would be furthest from eye line, and details to reward those that crouched down for a closer look at the bottom rows.
Now, it was time for the show!
The first weekend we had a steady flow of visitors, inclduing a lot of friends and family of the artists. It was fun to talk to people, and be a part of it. The space was also a real talking point, with a maximalist setting for videos downstairs. My kids came to the private show on Saturday evening and the weekend felt like a good thing to have done. Commercially, I sold a modest number of cards and one print, covering the cost of hiring the wall space and the materials for what I had sold. I also went to a couple of other open houses, enjoyed their work and shook a famous hand.
Conversations that weekend tended towards "how" rather than "what is it" or "why did you do this". This led me to add a brief statement about the overall idea to the layout for the second weekend. To keep it quick to read and not tiny lettering I left out the "printed on 230gsm paper" stuff, and kept it to broad ideas and a local connection. There's a more detailed version to be written sometime, possibly for each piece. Though I do like that in part people can fill in their own thoughts, and that there's space left for an in-person conversation.
The second weekend storm Darragh hit the UK. The news was full of weather warnings, and it was indeed wet and windy though the worst was a long way from Brighton. This rather put people off visiting, so it was much quieter. I still sold some cards, but no prints. Which highlighted that December is a tricky month to be doing this kind of thing: it's much more likely that the weather will put visitors off, I was competing with Christmas shopping for attention, and neither I nor the venue nor the idea of December open houses was so well established that we had a natural draw of people.
That was a slightly down-beat ending to the show, but overall I'd say the experience was positive: - I enjoyed talking to people about my pictures, and to other artists about theirs. I would absolutely do a shared-space show again. - I enjoyed Chimera House in particular. The street isn't the fanciest in Brighton, but the space and the people were lovely. I'd go back there again. - The value of an artists statement to add to the conversation was something I hadn't really appreciated before. - The local connection in my work isn't Brighton. There's a South Downs relevance in quite a lot, but none are so literal as to give the "I live here" connection. - I've spent a bit setting up, mostly in materials. The income here covered my costs, but I'll need to sell a bit more to be breaking even overall. But covering my costs, as a first experience, doesn't seem like such a bad place to be.



































































































