An office worker, post-punk/electronic musician, and doctrinaire giallo enthusiast. Leftist, queer, fat liberationist. He/him/his.
I had absolutely no memory of this movie existing until we watched the Final Cut version at our weekly movie night last night.
It's overwrought, overlong, and mostly dull with a couple of incongruently great scenes, and a, uh, wide array of accents.
It's somehow one of Oliver Stone's least bad movies in spite of all that.