Directed by Michael Mann
In war-torn colonial America, in the midst of a bloody battle between British, the French and Native American allies, the aristocratic daughter of a British Colonel and her party are captured by a group of Huron warriors. Fortunately, a group of three Mohican trappers comes to their rescue.
라스트 모히칸, El último de los mohicanos, O Último dos Moicanos, Le Dernier des Mohicans, Ostatni Mohikanin, Ultimul mohican, Последний из могикан, Viimeinen mohikaani, ラスト・オブ・モヒカン, Апошні з магіканаў, Последният мохикан, Der letzte Mohikaner, Posljednji Mohikanac, L'ultimo dei Mohicani, Paskutinis mohikanas, Son Mohikan, Poslední Mohykán, Den sidste mohikaner, Viimane mohikaanlane, Den siste Mohikanen, Ο τελευταίος των Μοϊκανών, Az utolsó mohikán, Pēdējais Mohikānis, Последњи Мохиканац, El último mohicano, 大地英豪, Останній з могікан, Sonuncu mogikan, Վերջին Մոհիկանը, 最后的摩根战士, โมฮีกัน จอมอหังการ, 最后一个莫西干人, 最后的莫西干人, 最后的莫希干人, Den siste Mohikaner, Ο Τελευταίος Των Μοϊκανών, Den siste mohikanen, המוהיקני האחרון, Posledný Mohykán, Paskutinysis mohikanas, Người Mohican Cuối Cùng, 最後的摩根戰士, უკანასკნელი მოჰიკანი, L'últim dels mohicans
Taiwan Kaohsiung Film Festival (Director's Cut) 
Denmark15 
FranceTP 
Sweden15 
Brazil12 
USAR 
Spain12 
Ireland15 
UK15 
South Korea12 
PortugalM/12 
ItalyT 
Germany16 
Netherlands16 
AustraliaM 
Greece16 
Czechia12+ South Korea15 France France 
Russia0+ FranceTP Netherlands16 Russia12+ Russia16+ Netherlands16 FranceTP 
Slovakia15 Netherlands16 France Australia Brazil Czechia Denmark France Germany Greece Ireland Italy Netherlands Portugal Russia Slovakia South Korea Spain Sweden Taiwan UK USA 
my Queer reading of the Film is that it makes a good case for falling in love with someone who has the same haircut as you
Daniel Day-Lewis sprinting up a mountain firing two rifles at the same is forever in the top 5 coolest shit that’s ever happened in a movie
"In case your aim's any better'n your judgment."
An alternate emotional history. Two cultures had a chance at a future together, and they blew it.
The original score to this movie bangs harder than almost anything other than the Vangelis theme for Ridley Scott's 1492: Conquest of Paradise. Makes me want to run through a wall. It stirs deep emotions in the "dad" centers of my brain. Wes Studi peak terrifying as Magua, all time scary villain.
When I hear the music in this movie I am given a buff on all my stats, powers.
Mann films physical combat like dance; the Murnau connection is even more explicit here. And that doesn't even begin to describe the unbelievably beautiful light of this film. Sequences like under the waterfall is Mann/Cinema at its expressionistic best: coupled with Cora learning of the death of her father it may very well be a waterfall of tears. But outside of the films madcap romanticism, I don't find the talky sequences dull at all. It's rather quite a bit like Blackhat, where we see two bureaucratic parties consign themselves to duty and honor, preferring to establish and sustain hierarchy than consider personal, humane responsibility. And in a way, this is a film about revolution, as the romanticism of Hawkeye and…
one of my mom's favorite films because of the plot (daniel day lewis with long hair)
shot of hawkeye leaping through the waterfall after expressing his love, as time slows down and man blends with nature, is one of the best shots of michael mann's entire career. such immense beauty
i'd watch absolutely anything for daniel day lewis and this is proof
"the whole world is on fire, isn't it?"
an american wuxia movie - The Past weighs heavy on it, whole peoples eroding away like rocks against a waterfall. we are a narrative culture; our culture, like any narrative, will someday end too. the last 30 minutes is some of the most gut-wrenching, expressive filmmaking ever conjured into being. this movie is one of the first i ever remember seeing, almost like i saw it in the womb. so damn sensual and evocative, so forceful and overwhelming. it knocks the wind out of me.
(keanu should have been cast as natty bumppo tho)
michael mann's john ford movie, but without the racism! the whole film is tuned to the bodily motions of daniel day-lewis and wes studi, running, vaulting, aiming, grasping; mohicans is subsumed by a restless passage, a transition from frontier to colony, from individual to community, from duty to sensation. a warrior holds the heart of his enemy in his hands; feelings forming a bridge between various cultures, caught in a flux that no one can escape forever; water flowing off a cliff, chiseled by centuries of life.
an all-american wuxia.
A 2-hour music video of long-haired hotties running through the woods.
