Synopsis
The mob wanted Harlem back. They got Shaft...up to here.
Cool Black private eye John Shaft is hired by a crime lord to find and retrieve his kidnapped daughter.
Directed by Gordon Parks
Cool Black private eye John Shaft is hired by a crime lord to find and retrieve his kidnapped daughter.
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Great shots, incredible score, horny, blah blah blah. Brass tacks. Shaft's sweater and skincare game are out of this world. I need a commentary track from the wardrobe and makeup teams. Where's the Vulture article that explains what kinda moisturizer and face wash is gonna make me smooth as Ricky Roundtree
a funk update on the noir genre with richard rountree walking around and investigating a gorgeously-lit, grimy 70s new york in turtlenecks and leather jackets to a killer, moody soul score by isaac hayes. a movie seemingly more about the vibe than the ideas regarding race, authority, community, etc which makes it a breeze to watch but is also sorta the issue? it's so cool it's honestly just a relaxing surface going through the expected plot motions after awhile with almost no tension or complication or even any real character dilemma (morally or psychologically) despite both the genre and subject calling for it. but perhaps there's an argument to be made that that chill quality is exactly how shaft moves through the world so of course his movie reflects that feeling so who knows?
There is no documentation anywhere of John Shaft’s middle name. But personally, he strikes me as a John P. Shaft (stylized as johnpshaft).
That intro with John Shaft just casually walking across a busy street and expecting cars to just stop for him, builds his character perfectly. No exposition or flashbacks needed; just a bloke walking across a road. Shaft is indeed a bad mother-fucker and he owns his city.
Great dialogue, terrific NYC locations, full of great fleshed-out characters, THAT score by Chef and The Bar-Kays, the final rescue, Richard "I'm a handsome fucker" Roundtree.
Cool as fuck.
The "Soul in Cinema: Filming 'Shaft' on Location" extra on my DVD was pretty damned fine as well and includes Isaac Hayes and The Bar-Kays recording the score.
Whoever decided to put Richard Roundtree in turtlenecks and leather jackets...thank you.
as if shaft wasn’t already cool enough they had to go and give him the coolest apartment of the 1970s
Via pop culture osmosis, what I had gathered about this film was that it had a great soundtrack (and it does), but I had never read enough to realize it was a film noir classic. This is apparently nothing new to anyone who has seen it, but it surprised me. What I found interesting is how closely it hewed to the formula of detective noir, right down to the sexist attitude toward women, the dialogue flavored with slang, and the gritty imagery. What I liked best was its measured pace and its montages of New York set to Isaac Hayes' masterpiece.
The grit of New York in 1971 is especially well portrayed, from those long glorious shots of Shaft walking…
“Shaft” is a stylish riff on being dealt a hand of nothing, making something of it — and charging interest on top.
While a great deal of the behind the scenes contributors to the film - down to the writer and producers - were white, style wins out over technicalities in history. What people remember from “Shaft” are far removed from a whiff of Caucasian: the funky Issac Hayes soundtrack….” and Richard Roundtree. Particularly - how he looks so darn cool in that leather jacket.
There is little disputing that “Shaft” is a power fantasy. Specifically, it’s a white vision of a black power fantasy. Yes, Roundtree gets to stick it to man in just about every way possible. But…