A competitive seven.
With most modern horror relying on the crutch of jump scares and gore, it's refreshing to see a director like Kane dial into a different frequency of fear.
Kane tapped into the uncanny, which is a complex balancing act between the familiar and foreign, twisting things ever so slightly so they are still recognizable when viewed from afar. And Kane nails this aspect of the movie. You're taken in slowly, the pacing is beautiful, and some of the smallest moments in the film were the scariest.