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Shades of autumn

16 Oct

I managed to do some late autumn dyeing despite nature’s insistance that it was too cold. Frozen fingers and mushrooms will not stop me, ha. Besides, it was nice to be out in the crispy air at 7 am by myself. I can’t take credit for picking these beauties, though.

apple harvest

I’d picked a couple of kilograms worth of cortinariius semisanguineus on a couple of occasions and even found some cortinarius sanguineus with the help of two foxes. People like to pick mushrooms with me because there’s no fighting over the loot: I just want the poisonous ones.

cortinarius semisanguineus

Here are the results, please excuse the fleeting light. All second dyebath skeins are missing as thosed were done way after sundown. From left to right:

  1. semisanguineus stems (feet) on wool, 10:1 mushroom:fiber ratio, pH 5
  2. semisanguineus stems (feet) on silk-wool, 10:1 mushroom:fiber ratio, pH 5
  3. semisanguineus caps on wool, 10:1 mushroom:fiber ratio, pH 5
  4. semisanguineus caps on silk-wool, simultaneously mordanted, 10:1 mushroom:fiber ratio, pH 5
  5. semisanguineus caps on silk-wool, premordanted, 10:1 mushroom:fiber ratio, pH 5
  6. semisanguineus caps on silk-wool, 10:1 mushroom:fiber ratio, pH 9
  7. sanguineus on silk-wool, 5:1 mushroom:fiber ratio, pH5

cortinarius dyeing october 2009

It was fun to see what difference resulted from different fibers, mordanting, mushrooms and their parts and dyebath pH. The best discovery, prompted by the amazing new mushroom dyeing book by Hjördis Lundmark and Hans Marklund, was the heightened pH in the semisanguineus dyebath. Not an expert in the chemistry but it seems that the yellow color agents don’t work in high pH baths. The result is a gorgeous cold pink with no yellow undertones.

While cooling my dyebaths I noticed one of the containers was a suprisingly good match for its new contents. My tastes in mushrooms surely have hanged over the years!

shrooms!

Paging spring

4 Apr

Alas, no reply yet. It’s been cold and dark and slushy ever since I got back from the definitely springtime New York City with my partner in crime, err, craft. (She has already posted some photos, and I will, too)

My apologies for the lousy pictures but I have to show you something. The long awaited (at least by me) nature shawl. To make this thing last a while longer I’m gonna lay out the whole transformation.

First, I dyed some yarn. Actually, lots of yarn. You saw all the shades a while back. I ended up using 22 different ones for this project.

when we grow up we want to be a shawl

Then I settled on a pattern. I picked Feather and Fan Comfort Shawl by Sarah Bradberry because I had already seen quite a few on Ravelry knit with naturally dyed yarn and they looked promising. Here’s the pattern starting to emerge.

shawl taking form

By the end up March I had it all knit up. As all shawls with any lace pattern it looked pretty sad at this point. Add to that the 44 yarn ends I had to work in. It’s actually quite fun when you get into the flow.

done by not quite ready yet

Then it was time to block. I’m a skittish blocker, never dare to block anything to an inch of its life as lace should be, plus I keep changing the needle positions constantly. My craftdom for some blocking wires. Here’s a relatively clean shot of an edge.

blocking shawl

And then she was all dry and ready to go out on the town! I’ve worn the shawl both on my shoulders and wrapped about my neck. Granted, not everyone was as excited as me but it does feel nice to wear something you’ve created from nearly scratch. The homefront suggestion was to start raising sheep so I could shear and spin and really have a homemade shawl. I’m sure he didn’t realize those words could come back to haunt him in a few years. ;)

shawl done!

The shawl took 132g of fingering-weight silk-wool yarn, meaning I could squeeze about 6 more out of the amount I’ve got dyed right now if I use the same 2,5 mm needles. The next time I knit this I need to pay more attention to contrast. I pretty much just picked the next shade at random. This meant that I had used up my darkest yarns by the middle of the shawl.

shawl b&w

But I still love watching the colors change and remembering what plant or mushroom I got those from. I can even remember what the day was like when I gathered the dyestuff and dyed the yarn. Yellows from heather picked in the woods at my grandfathers on a crisp autum afternoon. Light greens from stinging nettles found by the railroad tracks and snipped carefully with gloved hands on the backyard as the dog wondered what I was up to. Browns from walnuts soaked for days by my dad so I could get the most color out of them. Special thanks for my aunt who picked all the cortinarius sanguineus mushrooms that gave those lovely dark reds.

shawl closeup

Shades of summer

1 Mar

I long for summer. But not for the weather. Now, don’t get me wrong, I like warmth and sunshine as much as the next girl. My motives are just a bit more complex. See, when the sun shines plants and mushrooms grow. When it’s warm, I can play with pots and pans outside. When it’s summer, I can add to my collection of shades. This is fingering weight silk-wool yarn, in two dozen different shades.

Naturally dyed silk/wool yarn

I took up natural dyeing two summers back and got hooked pretty badly straight away. So don’t say I didn’t warn you. I have only dyed with things I can find where I live (kitchen cupboards included). My favorites are the mushroom dyes and the surprising results, for example a pale blue from the deep red dye bath extracted from the creeping woodrsorrel growing on our yard. See the next photo for labels of dye stuff and mordant (alum and or iron sulfite).

Naturally dyed silk/wool yarn

This week, I started turning this palette into a rainbow-like construction. I love watching the color changes and stop every few moments to admire them which means it’ll take a while to finish this! My sis said it’s autumny but my pots and I know better. :)

feather and fan detail

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