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‘Stranger Things Season 5 (Part 1)’ Review

In the time since Stranger Things Season 4 aired back in 2022, the entirety of the Amazon Prime series The Summer I Turned Pretty both started and ended. The length of time between the seasons became almost a joke, how could a show take so long to finish, especially given the series first aired almost 10 years ago. More importantly, was the wait worth it? Much like the previous season, the episodes of season five run long, with almost every single episode running closer to, or over an hour. Taking place 18-months after the previous season, the entire town of Hawkins is now in a sort of quarantine. With the government sitting around every corner, Vecna still missing, and something definitely going on with the Upside Down, it’s safe to say that it’s not going to be an easy season for our group of misfits. Despite the season starting out fairly rough, by the time it gets around to its final episode (of this chunk, at least), it seems to have finally found its footing, getting the audience into what will certainly dominate the rest of the upcoming episodes. Even moving past the mixed batch of acting, some awkward lines and uninteresting plots, the season manages to fill the hole for those missing sci-fi series thanks to a stellar final episode and great character moments.

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‘Come See Me in Good Light’ (2025) Review

When dealing with a topic such as cancer, a film can sometimes feel as if it’s overly saccharine, that it is pushing at too many ideas to make its audience cry, rather than allow it to happen naturally. With Come See Me in Good Light, director Ryan White carefully avoids this, instead carefully crafting a story not only about cancer and confronting death, but also about living and confronting life and the loved ones around you. White follows poet Andrea Gibson after a terminal cancer diagnosis and confronting it with their partner Megan Falley and even though he doesn’t shy too far away from traditional filmmaking, the story he tells of Andrea and Megan’s love for each other is one of tenderness. Come See Me in Good Light is not simply just a cancer story, but a beautiful portrait of queer identity and queer love.  

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‘K-Pop Demon Hunters’ (2025) Review

After hearing about K-Pop Demon Hunters, I can’t say I was initially stoked to watch it. As someone who has listened to a handful of K-Pop (or, Korean pop music) songs and just not been into them, I was skeptical of this movie to say the least. However, with the movie making waves around my timelines and various social media platforms, I realized it was time to see how ‘accessible’ this film is to non-K-Pop fans. My verdict? Fairly, for the most part. There’s still some people in which this film just simply won’t work, but this is a vibrant, beautifully animated and overall just fun film with catchy tunes that just happen to be K-Pop. It’s certainly not a perfect film, but the fun I had with this film certainly outweighs any negatives.

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Recent Roundup: ‘I’m Still Here’ & ‘Babygirl’ (2024)

I’m throwing in two pretty different films into this review roundup, neither of them felt they had enough for individual reviews, but I still wanted to get them out there. Here, I talk about the Nicole Kidman film Babygirl, a film I ultimately ended up having mixed feelings about, and I’m Still Here, a film I heavily enjoyed, particularly the performances.

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‘The Remarkable Life of Ibelin’ (2024) Review

You never directly hear Mats Steens in The Remarkable Life of Ibelin, as he unfortunately passed away back in 2014 at the age of 25 of Muscular Dystrophy, but you still hear him and his thoughts throughout the entirety of the film. Mats, or Ibelin as he was known in the online game World of Warcraft, also commonly known as WoW, was originally thought, by his family, to have lived a lonely life, isolated due to his condition. However, after they post about his death on his blog, they start receiving dozens and dozens of condolences from people they had no idea he knew. This unravelled a whole story of the realization that he wasn’t lonely and that he did have a community that loved him. Through thousands and thousands of chat logs and blog entries, you see the life that Ibelin lived, the life-long friends that he made and the impact that he had on them. For anyone who’s turned to a specific hobby or community and made long-term friends there, this documentary will surely hit home as to how vital those communities are for some people.

The documentary briefly goes over Ibelin’s life as it was known to his parents, he started out as a normal, healthy child, but once he was diagnosed with Muscular Dystrophy the progression of the disease isolated him, causing him to further retreat into video games, a hobby he had loved his entire life. You see the small apartment he had in the basement of his parents place to give him independence as an adult, the accessibility changes he had to make in order to allow him to continue to have access to his computer and the people he loved in WoW. Outside of his family, the director talks with a couple of the people from his WoW group whom he impacted, a woman named Rumours, who Ibelin’s character has an in-game (and sort-of out of game) kind of relationship with, and a mother who was struggling to connect with her autistic son and then begins bonding with him once they start playing together. It’s made clear through the stories they tell him that Ibelin was the person everyone thought they could lean on, and was always there to give people advice.

Much of the documentary is told through World of Warcraft animations, told through chat logs of not only what was said, but what was done and what was felt, allowing for the audience to see these situations described by his friends unfold and immerse them into the story and the game. The documentary does fail to describe WoW as a game in any way, which could alienate some viewers who might be completely unfamiliar with the game, so a short summary of it could have been useful to allow them to understand the basics. The animations don’t always work for me, but for the most part, they are a very unique way of telling a story without the main character alive anymore to tell it themselves.

Aside from sharing the positive way in which Ibelin impacted people, the documentary is not afraid to showcase the less positive side, showcasing Ibelin as a human being with real feelings. The argument amongst the larger group boiled down to Ibelin’s secrecy, agitated from his declining health, he lashes out as the whole group before suffering a major health crisis and finally reveals to the group the truth about his Muscular Dystrophy. Although their friendships are all online, and none of them ever met or even spoke through voice chat with Ibelin, that never changed the connection they had with him. It showcases that, just like with IRL friend groups, they fought and bickered and argued, but at the end of the day, they still loved one another.

This documentary is going to hit home for anyone who’s ever formed a relationship with a group of people online over a shared interest. As someone who’s done that several times, going as far as meeting up with them and spending extended periods of time going to concerts with them, knowing some of them for over 10-years now, seeing the way that online friendships truly do change lives and impact people in real and significant ways made me emotional. This documentary surely isn’t perfect and perhaps it drags a little in the middle, but the emotional weight of the story, discussing the way online friendships can change lives, is something truly incredible. Even if your community isn’t gaming, anything from TV shows to movies to other hobbies like Awards Predicting, the way people find solace in communities when they don’t have anywhere else to go allows them to form connections that never would’ve occurred otherwise. Ibelin didn’t live a lonely life as was first though, rather he was surrounded by a friend group who clearly loved and cherished him, and will continue to carry his memory with them.

SCORE: 8/10

You can find me rambling on Twitter or chilling on Letterboxd!

Information

Director: Benjamin Ree
DP: Rasmus Tukia, Tore Vollan
Composer: Uno Helmersson
Length: 104 minutes
Distributor: Netflix

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‘A Complete Unknown’ (2024) Review

As someone who is not a fan of Bob Dylan, I was nervous for A Complete Unknown and how much my lack of knowledge or love for the artist would hinder my enjoyment. The good news: my dad (a big Bob Dylan fan), loved the movie. The unfortunate news, I (not a Bob Dylan fan) failed to be moved by the spectacle of acoustic vs electric in the folk scene or the enigma of Dylan as a person or an artist. Taking place in the 1960s, A Complete Unknown’s biggest strength lies in its lack of a birth to death plotline, instead taking place right before he makes it big and culminating in the end of the 60s, when the big discussion over electric instruments in folk music was being had. The specific timeline allows the movie to (attempt) to delve into more specifics regarding Dylan’s life, rather than just skimming over important topics. Even though this was surely the idea, the film still unfortunately still plays out conventionally, other than its time frame.

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‘Hard Truths’ (2024) Review

Eagerly awaiting watching Hard Truths, I found myself nervous. This was my first Mike Leigh film, and, if I’m being frank, the trailer did not personally appeal to me. However, the raves for Marianne Jean-Baptiste still left me excited to watch it, regardless of my nerves. Hard Truths features Pansy, a mother to Moses, wife to Curtley and sister to Chantelle. She is angry over everything, with outbursts at almost everyone who gets in her way. From people in parking lots to her dentist, doctor and grocery store cashier. Her husband and her son receive the brunt of her anger, they seem almost numb to it. Her husband, a plumber with a pretty cheery co-worker, and her son, a 20-something year old berated about doing nothing with his life, almost simply go about their day whilst being berated by Pansey. In contrast, her sister Chantelle lives a completely opposite life. She’s a hairdresser, social; talking with her clients (and even her co-workers’ clients), close with her two daughters, and the antithesis of her sister.

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‘The Idea of You’ (2024) Review

Recently, Hollywood has had an obsession with adapting works of fanfiction in which the main male love interest is based on (or, in some cases, literally) Harry Styles, formerly of One Direction boyband fame. First came the After series, which is based off a Wattpad fanfiction in which the main male love interest is literally Harry Styles himself. The Idea of You doesn’t directly name its main character Harry, but the author has come out and mentioned that Styles (during his boyband era) was a direct inspiration for the main character. Knowing this, it is pretty obvious with the main character being British and in a very popular, world famous boyband. The Idea of You certainly is not the worst Harry Styles-esc film to have been made (the After films are almost unwatchable at times), but the writing in the film certainly leaves a lot to be desired. It boasts interesting ideas and commentary on fame and society’s views on women, but it’s all displayed as surface level, never digging deeply into the themes it presents. The romance itself is ultimately fine, but the tropes and writing never elevate it above a standard (obviously fanfiction inspired) rom-com in which every move can be predicted. The film will certainly have its onslaught of fans, but for those hoping for anything deeper, they will surely be disappointed.

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‘The Greatest Hits’ (2024) Review

In his debut directorial effort, The Disappearance of Eleanor Rigby, director Ned Benson used an interesting concept to explore the different ways in which characters explore grief. Using a total of three films (one told from each of the main characters and one of their two perspectives combined) to tell the whole story of a couple dealing with the loss of their child. Whilst people enjoyed the two parts (Him and Her), the combined efforts, Them received slightly different reviews, with complaints about the pacing and the overall piecing together of the story from the three-hours of Him and Her to the under two-hours for Them. In his… second? Fifth? Directorial effort, Benson once again takes an interesting concept, the ability to time travel with music, to explore grief and loss. However, like Them, the result is more of a mixed bag. A similar guise of ‘interesting ideas, shoddy execution’. The Greatest Hits is at its best when exploring how to deal with loss and grief, as well as the ways memories and music are interconnected, but the romance at the heart of it never completely worked. 

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