The House on Utopia Parkway: Joseph Cornell’s Studio Re-Created by Wes Anderson

The House on Utopia Parkway: Joseph Cornell’s Studio Re-Created by Wes Anderson

The House on Utopia Parkway: Joseph Cornell’s Studio Re-Created by Wes Anderson is an exhibition conceived by curator Jasper Sharp and the acclaimed American filmmaker. The show brings Cornell’s New York studio to the heart of Paris, transforming Gagosian’s storefront gallery into a meticulously staged tableau—part time capsule, part life-size shadow box—for the first solo presentation of the artist’s work in Paris in more than four decades. In this video, Anderson discusses the genesis of the exhibition and the process by which it came together.

Gagosian Quarterly Winter 2025

Now available
Gagosian Quarterly Winter 2025

The Winter 2025 issue of Gagosian Quarterly is now available, featuring Jeff Koons’s Kissing Lovers (2016–25) on the cover.

Titus Kaphar: Undoing Myths

Titus Kaphar: Undoing Myths

Jason Stanley, author of Erasing History: How Fascists Rewrite the Past to Control the Future (2024), considers Titus Kaphar’s new paintings, examining their potent refusals of jingoistic myth-building and their strident remembering of American history.

Richard Serra: Steve Reich’s “Music for Pieces of Wood”

Richard Serra: Steve Reich’s “Music for Pieces of Wood”

In this video, musical ensemble Sō Percussion performs Steve Reich’s Music for Pieces of Wood” inside the exhibition Richard Serra: Running Arcs (For John Cage), 1992, at Gagosian, New York.

Carol Bove: Nights of Cabiria

Carol Bove: Nights of Cabiria

Join the artist inside Carol Bove: Nights of Cabiria, her recent exhibition at Gagosian, Beverly Hills, as she considers the power of illusion, the histories of her materials, and the philosophical lessons at the heart of Federico Fellini’s films.

Jeff Koons: The Porcelain Series

Jeff Koons: The Porcelain Series

With an exhibition of all-new work at Gagosian, New York, in November, Jeff Koons met with Alison McDonald at his New York studio to discuss the processes, inspirations, and metaphysical underpinnings of his latest sculptures and paintings.

Walter De Maria: The Singular Experience

Walter De Maria: The Singular Experience

Join exhibition curator Donna De Salvo as she discusses her selection of the artist’s rarely seen sculptures, drawings, films, and archival materials in Walter De Maria: The Singular Experience at Gagosian, Le Bourget. Chief among these is Truck Trilogy (2011–17), De Maria’s final sculpture and the centerpiece of the exhibition.

Fashion and Art: Gene Pressman

Fashion and Art: Gene Pressman

They All Came to Barneys: A Personal History of the World’s Greatest Store (Viking) is Gene Pressman’s new memoir about the meteoric rise of Barneys New York, from his grandfather Barney’s founding of the store in 1923, to his father Fred’s development of it into a high-end retail space for menswear, all the way to his own time there in the 1970s, ’80s, and ’90s, when the specialty store became a nexus in the city’s cultural renaissance. Here, Pressman speaks with the Quarterly’s Derek C. Blasberg about Barneys’s incredible journey and the power of its legacy.

A Novel Approach

A Novel Approach

Fiona Duncan selects six twentieth- and twenty-first-century novels that center on artists and their milieux, asking: What makes a great art-world novel? Illustrations by Klaus Kremmerz

Gertrude Stein: An Afterlife

The Art of Biography
Gertrude Stein: An Afterlife

Francesca Wade’s new biography of Gertrude Stein sifts through the writer and collector’s layered life and legacy. Here, Wade speaks with the Quarterly’s Gillian Jakab.

Poly Styrene

Game Changer
Poly Styrene

Amie Corry celebrates Poly Styrene, the genre-bending, heterodox lead singer of the pioneering punk band X-Ray Spex.

Harris Dickinson

Harris Dickinson

Harris Dickinson was launched into the public eye as a phenomenal actor in films like Beach RatsTriangle of Sadness, and Babygirl, but he was always a director at heart. This fall sees the release of his debut feature film, Urchin, about an unhoused young man named Mike who cycles in and out of jobs and a system ostensibly there to help him. Dickinson talked to Miriam Bale just after the film screened at the Telluride Film Festival, revealing that biographically, politically, and imaginatively, the movie is intensely personal. Funny, warm, and unusual, Urchin marks the birth of a new auteur’s vision.