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Tribeca Galleries Discuss Reporting Street Vendors, Drawing Criticism
A group of galleries met to address the “increased number of vendors” on and near Broadway, many of whom are immigrants under threat.
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A group of galleries met to address the “increased number of vendors” on and near Broadway, many of whom are immigrants under threat.
Features
The guerrilla imitations of common road signage use a distinctive brand of Philly humor to alert residents of ICE threats and looming authoritarianism.
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The Worcester Art Museum’s reopening of its armor galleries goes far beyond the romance with medieval Europe.
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Since 1986, the 56-foot painting at the Martin Luther King Jr. Memorial Library has served as a visual portal into the civil rights leader’s life and legacy.
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A debut Latin American Pavilion, a video art display, and a mini-retrospective of biennials underscore this fair’s cultural and political relevance.
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An exhibition reminisces about the yellow icon’s 32-year reign as the MTA retires the payment method for good.
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Artists and art workers in the diaspora shared a mix of emotions, from hope of a better future to anger over the unsanctioned intervention and fear of what’s to come.
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A growing subreddit helps confounded users decipher the mystery cutouts, but not without some imaginative detours.
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After a long period of feeling frozen, the new year hints at signs of thaw and forward movement.
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In all its artistic iterations across millennia, the nativity remains inherently political in its depiction of God choosing to enter the world in marginalized circumstances.
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We walk you through the incestuous, murderous, and surprisingly relatable world of Egyptian deities at The Met.
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A controversial Brussels nativity scene begs the question: Should explicitly Christian imagery continue to be a part of Europe’s civic space, and if so, who has the authority to define it?