Three For The Road
Dark’s Corner :: Three For The Road - September 30th, 2003 :: Tuesday, September 30th, 2003
Dark’s Corner :: Three For The Road - September 30th, 2003 :: Tuesday, September 30th, 2003
For The Ride Home (Hollywood). Review by Andrew Ellis.
Robert Rodriguez has finally had enough of those pesky Spy Kids, and returns to his Sergio Leone-worshipping El Mariachi saga. Our man south of the border, Steve Stav, dons his bulletproof vest for a clip-emptying review of Once Upon A Time In Mexico.
De-loused In The Comatorium (Universal). Review by Nick Plante.
Fever to Tell (Interscope). Review by Stein Haukland.
Structure and Fear (Southern). Review by Aaron Shaul.
Inconvenience Store :: Retarded Adolescent Review: Hondaboy :: Monday, September 29th, 2003
Minority Report :: Baaa-buh Saaaapp-puhh! :: Monday, September 29th, 2003
Static Transmission (DBK Works). Review by Sean Slone.
Trouble No More (Columbia). Review by Matt Cibula.
Something Dangerous (Mantra/Beggars Banquet). Review by Bill Campbell.
In a Beirut Mood (Piranha). Review by Bill Campbell.
Mind Over Mind (Ultimatum Music). Review by Dylan Garret.
I Saw a Bright Light (Daemon). Review by Aaron Shaul.
Black Feather Wings (Accurate). Review by Stein Haukland.
On the one Mickey Mouse hand, Makin’ Toons: Inside the Most Popular Animated TV Shows & Movies is the first real successor in interest to Leonard Maltin’s great study of the first 75 years of American animated cartoons, Of Mice And Magic. On the other, it calls The Simpsons “inarguably the finest prime-time animated series ever made.” Ben Varkentine gets animated.
Light and Sound EP (Second Nature). Review by Margie Libling.
Phantom Power (XL). Review by Sean Slone.
(RCA). Review by benvarkentine*.
Your Game … Live at the 9:30 Club (Liaison Records). Review by Alicia Benjamin-Samuels.
The Howler: An English Breakfast (Overdrive/Invisible Records). Review by Peter Lindblad.
Ink 19 talks with Idiot Grins about the making of Golf Cart Life, their evolution from Oakland soul-rock lifers to one of indie music’s most unpredictable acts.
Eight bands from Colorado and as far away as New Zealand knocked the socks off the West Slope music scene on the last day of this year’s Deathslope Music Festival in Grand Junction, Colorado.
John Badham’s 1983 future-tech helicopter thriller, Blue Thunder, with its cautionary tale of militarized police and a surveillance state, still resonates decades later.
What if the miracle of sight came with a curse? The Eye builds its horror from that chilling premise.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.