What are they so afraid of?
What are they so afraid of? - posted by Ben Varkentine on January 31, 2004 12:07
What are they so afraid of? - posted by Ben Varkentine on January 31, 2004 12:07
Three questions… - posted by Ben Varkentine on January 31, 2004 11:54
There’s going to be a lot of ironic quotation marks in this one - posted by Ben Varkentine on January 30, 2004 16:13
The Everlasting Blink (Guidance). Review by BEn VarkeNTine.
Daniel Mitchell enjoys the occasional musico-archaelogical jaunt through the wonderful world of Ohio record shop dollar bins; what follows are his top 19 finds of 2003.
Kish Kash (XL / Astralwerks). Review by Stein Haukland.
Ink19 Update Updated - posted by Ben Varkentine on January 30, 2004 01:59
Something for Moya’s sister - posted by Ben Varkentine on January 30, 2004 01:48
See if you’re with me on this… - posted by Ben Varkentine on January 29, 2004 18:59
This is shallow, but… - posted by Ben Varkentine on January 29, 2004 18:42
Wonderfully Nothing (Unfiltered). Review by Ben Varkentine.
<i>Apropa’t</i> (Warp). Review by <b>Bill Campbell</b>.
Legion of Boom (V2). Review by Ben Varkentine.
Split (Hill Billy Stew). Review by Stein Haukland.
Put Your Face in Gwod: The 366th Revival (The Smack Shire). Review by Steven Garnett.
Pass The Flask (Fiddler). Review by Nick Plante.
Explosion, implosion… then nothing. Another explosion. Gail Worley tackles the genesis and chronology of one of the most influential bands to come out of Los Angeles, Jane’s Addiction, with drummer Stephen Perkins.
Chaos UK (Dead Ringer / Candlelight). Review by Stein Haukland.
Antistar (Mirsa). Review by Ben “A firm hand” Varkentine.
The Labor Day EP (). Review by Ben Varkentine.
Ink 19 talks with Idiot Grins about the making of Golf Cart Life, their evolution from Oakland soul-rock lifers to one of indie music’s most unpredictable acts.
Eight bands from Colorado and as far away as New Zealand knocked the socks off the West Slope music scene on the last day of this year’s Deathslope Music Festival in Grand Junction, Colorado.
John Badham’s 1983 future-tech helicopter thriller, Blue Thunder, with its cautionary tale of militarized police and a surveillance state, still resonates decades later.
What if the miracle of sight came with a curse? The Eye builds its horror from that chilling premise.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.