Fops
Yeth Yeth Yeth (Monotreme). Review by P. McEver.
Yeth Yeth Yeth (Monotreme). Review by P. McEver.
A promising new band and a fading classic unite at Orlando’s Plaza Theatre and the audience can’t stay in their seats. Carl F Gauze sat down for a bit of Little Feat.
Before Today (4AD Records). Review by Matthew Moyer.
A Midsummer’s Night Dream - posted by Carl Gauze on January 31, 2011 02:07
Aida - posted by Carl Gauze on January 31, 2011 01:12
Who’s Afraid of Virginia Woolf? - posted by Carl Gauze on January 31, 2011 00:12
Absolute Dissent (Spinefarm/Universal). Review by Matthew Moyer.
A live Halloween 2009 concert reunites Jane’s Addiction at the Voodoo Experience in New Orleans.
A tangle of corpse paint, murky ideologies, and total atonal extremity, this is music for the committed outsider.
CD Review - Street Sweeper Social Club (Tom Morello’s best band - posted by Tim Wardyn on January 27, 2011 12:00
Rock & Roll EP (Epitaph). Review by Jen Cray.
The mostly true story of the Singing Nun shot in the style of the French New Wave.
Best of Broadway 1995 - 1999 - posted by Carl Gauze on January 26, 2011 23:08
Sub Pop melodic noisemakers No Age kicked off a week-long anniversary celebration for one of Orlando’s best concert promoters at one of the town’s coolest little clubs. Jen Cray dropped in to pay her respects.
Low Country Blues (Rounder Records). Review by James Mann.
Hey Colbert, who’d your missile kill? - posted by James Mann on January 25, 2011 16:36
Ayun Halliday gathers the punk rock inside scoop on NYC. Read Zinester’s Guide to NYC from the comfort of your friend’s Brooklyn sofa – and don’t forget the hostess gift.
Tim Wardyn becomes one with Still Bill, the documentary of Bill Withers the man, and challenges any fan not to do the same.
2011 Grammy Nominees (Columbia Records). Review by Tim Wardyn.
The next great singer/songwriter is from western Nebraska?! - posted by Tim Wardyn on January 24, 2011 16:25
Ink 19 talks with Idiot Grins about the making of Golf Cart Life, their evolution from Oakland soul-rock lifers to one of indie music’s most unpredictable acts.
Eight bands from Colorado and as far away as New Zealand knocked the socks off the West Slope music scene on the last day of this year’s Deathslope Music Festival in Grand Junction, Colorado.
John Badham’s 1983 future-tech helicopter thriller, Blue Thunder, with its cautionary tale of militarized police and a surveillance state, still resonates decades later.
What if the miracle of sight came with a curse? The Eye builds its horror from that chilling premise.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.