Sharron Kraus
The Woody Nightshade (Strange Attractors Audio House). Review by Carl F Gauze.
The Woody Nightshade (Strange Attractors Audio House). Review by Carl F Gauze.
El Sonido Nuevo (Spark and Shine). Review by Carl F Gauze.
Keys to the Kingdom (Songs of the South). Review by James Mann.
Yuck (Fat Possum Records). Review by Jen Cray.
Charm - posted by Carl Gauze on March 27, 2011 11:26
Here Before (Bar None). Review by Jeff Schweers.
Live execution! Live on stage! Mark Eisenstein’s The Electric Chair tells the story of a shoe salesman attempting to revive his failed career as a comedian, sharing the stage with an electric chair.
The best of 2010’s short film selections from The Sundance Film Festival
Sympathy (Roll Call Records / EMI). Review by Carl F Gauze.
Colin Hay tells stories and knocks off his hits in this intimate acoustic show at Orlando’s Plaza Live. Carl F Gauze sits in.
Zonoscope (Modular Recordings). Review by Jen Cray.
Stop Obama now, or watch Palin later. - posted by James Mann on March 22, 2011 16:45
Carl F Gauze can never get enough of good post punk Celtic Canadians, so it’s a good thing when Enter the Haggis comes to town.
We Live in Rented Rooms (Merge Records). Review by James Mann.
CD Review - The Wilderness of Manitoba (Sounds just like you thi - posted by Tim Wardyn on March 21, 2011 12:00
Salt on Sea Glass (Chimera Music). Review by Carl F Gauze.
Art - posted by Carl Gauze on March 20, 2011 22:19
Theatre Tailgate #2 at “Circle Mirror Transformation” - posted by Carl Gauze on March 19, 2011 13:12
Circle Mirror Transformation - posted by Carl Gauze on March 19, 2011 12:42
Dum Dum Girls top a promising indie rock bill that woos Jen Cray into downtown Orlando in the midst of St. Paddy’s Day madness.
Ink 19 talks with Idiot Grins about the making of Golf Cart Life, their evolution from Oakland soul-rock lifers to one of indie music’s most unpredictable acts.
Eight bands from Colorado and as far away as New Zealand knocked the socks off the West Slope music scene on the last day of this year’s Deathslope Music Festival in Grand Junction, Colorado.
John Badham’s 1983 future-tech helicopter thriller, Blue Thunder, with its cautionary tale of militarized police and a surveillance state, still resonates decades later.
What if the miracle of sight came with a curse? The Eye builds its horror from that chilling premise.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.