Big Joe Williams
Southside Blues (RockBeat Records). Review by Carl F Gauze.
Southside Blues (RockBeat Records). Review by Carl F Gauze.
The Water (Island City Records). Review by Christopher Long.
Go Gently Into the Night (E-Tron Records). Review by Carl F Gauze.
For 25 years fans of the outrageously quirky ABC television show Twin Peaks have been patiently waiting for more. The fans kept this series alive long after it was dead and now it is back raw and rated R.
The Complete Songs of Innocence and Experience (Omnivore Recordings). Review by James Mann.
Step Into Light (33 1/3). Review by Christopher Long.
A pious young Polish girl falls from grace and becomes the most potent sex symbol of Gilded Age France.
Two Parts Viper (Cooking Vinyl ). Review by Jen Cray.
Magic Valley (Interscope Records). Review by Michelle Wilson.
Red Hot: A Memphis Celebration of Sun Records (Americana Music Society Records). Review by James Mann.
Lindsey Buckingham / Christine McVie (Rhino). Review by Christopher Long.
A struggling circus in rural England suffers through emotional turmoil, jealousy and attempted murder in this gorgeous art film.
The Lion In Winter - posted by Carl Gauze on June 18, 2017 19:35
An estimated crowd of 50,000 barbecued enthusiasts converged on the infield of Daytona’s World-Famous International Speedway for a three-day celebration of “Great American Music.”
Makes Me Sick (Hopeless Records). Review by Jen Cray.
They said he was mad, they said he was incapable of running a country, they say he was obsessed with irrelevant details, but Ludwig the Second died young and left a good looking corpse.
Dirty Pictures Pt. 1 (Contender Records). Review by Bob Pomeroy.
Next To Normal - posted by Carl Gauze on June 14, 2017 21:12
It’s Country. Review by Carl F Gauze.
I Am Nice (New West Records). Review by James Mann.
Ink 19 talks with Idiot Grins about the making of Golf Cart Life, their evolution from Oakland soul-rock lifers to one of indie music’s most unpredictable acts.
Eight bands from Colorado and as far away as New Zealand knocked the socks off the West Slope music scene on the last day of this year’s Deathslope Music Festival in Grand Junction, Colorado.
John Badham’s 1983 future-tech helicopter thriller, Blue Thunder, with its cautionary tale of militarized police and a surveillance state, still resonates decades later.
What if the miracle of sight came with a curse? The Eye builds its horror from that chilling premise.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.