
On Saturday, January 24th, before driving to join my monthly RUSH group (Rise Up Singing in Harmony, see TMA 331, 450, 487, 556), I hastily drafted a new verse to Holly Near’s It Could Have Been Me. She wrote the song in May, 1970, after police shot dead students demonstrating against the Vietnam War at Kent State University in Ohio and Jackson State University in Mississippi. Subsequent verses remembered Victor Jara in Chile, women in Vietnam, Karen Silkwood in Oklahoma, and people struggling for freedom in Nicaragua and El Salvador. More recently, Near wrote a new verse in the aftermath of the 2016 mass shooting in a gay nightclub in Orlando, Florida. Her chorus goes like this:
It could have been me, but instead it was you
So I’ll keep doing the work you were doing as if I were two
I’ll be a student of life, a singer of songs
A farmer of food and the righter of wrongs
It could have been me, but instead it was you
And it may be me, dear sisters and brothers, before we are through
But if you can die/sing/work/live for freedom, freedom, freedom, freedom
If you can die for freedom, I can too.
Arriving a little late, I slipped into the circle as the first song was chosen:
John Brown’s Body (Rise Up Singing (RUS) p. 61)
This is a 1959 Smithsonian Folkways Recording, by Pete Seeger. “John Brown’s Body” is a marching song sung, and most probably written, in 1861 by Union soldiers in the U.S. Civil War about the radical abolitionist of the same name. The tune, also that of Julia Ward Howe’s 1861 The Battle Hymn of the Republic, dates back to religious camp meetings of the late 18th century.
We sang it with gusto, starting the afternoon on a high note. Still, as I reflect on it later, both songs had come out of a deeply divided nation in the midst of a civil war; ominous, given that the United States is again deeply divided today, but I dread more than almost anything else the thought that it might descend into another civil war.
Forgive me for listing the rest of the songs out of order and with a few omissions, since I am reconstructing the list from memory.
Loch Lomond (RUS, p.153)
An old favorite of our group, always sung with great longing. I particularly love this less-known version by the Corries. And here’s a more upbeat rendition of the traditional version, sung by Molly Whupple.

(https://docsteach.org/document/demonstrator-offering-flower/)
Where Have All the Flowers Gone? (RUS, p. 165)
Pete Seeger’s anti-war anthem, sung here by The Kingston Trio. The words were inspired by a Cossack folksong and the tune borrowed from an Irish melody.
Hymn for Nations (RUS, p. 159)
To the tune of Ode to Joy, a chorale in Beethoven’s 9th Symphony, sung here by the great Paul Robeson—see the lyrics of his English verse below. (It had been the 50th anniversary of Robeson’s death just the day before, January 23rd, 2026.) Pete Seeger also sang it, slightly tweaking the lyrics as was his wont: you can read the lyrics of his version here.
Build the road of peace before us
Build it wide and deep and long
Speed the slow and check the eager
Help the weak and curb the strong
None shall push aside another
None shall let another fall
March beside me, O my brothers
All for one and one for all.
Morning Has Broken (RUS, p.154)
This beautiful Eleanor Farjeon poem was famously recorded in 1971 by Yusuf/Cat Stevens.
I think that the words and the melody complement each other perfectly.
The Gypsy Rover (Rise Again (RA), p. 4)
Dublin songwriter Leo Maguire’s modern ballad, sung here by Liam Clancy of The Clancy Brothers.
Deportee—Plane Wreck at Los Gatos (RUS, p. 50)
Woody Guthrie wrote this in 1948; tragically. it could have been written yesterday. I can never forget or forgive the meme on the current U.S. president’s social media page as he threatened to send the military into Chicago “to curb crime.”
By the Rivers of Babylon (RUS, p. 63)
This is the 1970 recording by The Melodians. I first encountered it in the film, The Harder They Come, starring Jimmy Cliff, who died just two months ago, in November, 2025, and chose it in his memory.
Roll On, Woody (RA, p. 249)
This song was written by folksinger-songwriter Reggie Harris in honor of Woody Guthrie. It is sung here by Annie Patterson and Peter Blood, champions of group singing and compilers of the Rise Up Singing books. (I’m still looking for a good video-recording of Harris singing it himself.)
We Shall Not Be Moved/No Nos Moverán
Originating as a religious hymn in the early 20th century United States this song became an anthem for social movements, starting with unionizing struggles in the 1930s, then the Civil Rights movement in the 1950s and 1960s, and on until today. It crossed the Atlantic to be sung as “No Nos Moverán” in the resistance against dictator Francisco Franco in Spain, and crossed back to Salvador Allende’s Chile, before he was killed in the military coup of 1973. It is still being sung wherever people need unity, strength, and resolve.
Here, Mavis Staples sings the English version and Joan Baez, the Spanish.
America the Beautiful (RUS, p. 1) I write about this song in TMA #452, America. I think it was chosen at this particular moment because, like the song’s author, Katharine Lee Bates, we recognize that while this country is blessed with abundant natural beauty, the beauty of its nation-state is clearly an as-yet-unrealized ideal. I chose this unpolished video-clip to honor the singer Evelyn Harris, formerly of Sweet Honey in the Rock and beloved in our community, whom we lost just last month, and who would sing it on July 4th every year at the joyful, welcoming citizenship ceremony organized by the Center for New Americans.
Down in the Valley to Pray (RA, p. 12)
A traditional American spiritual. This was recorded in 2003 by Doc Watson, Earl Scruggs, Ricky Skaggs, and Alison Krauss.
Hard Times Come Again No More (RUS, p. 101)
An old Stephen Foster song, and a favorite in our group. Performed here by Mark O’Connor, James Taylor, Yo-Yo Ma, and Edgar Meyer.
Singin’ in the Rain (RA, p. 250)
This was the title song from the 1952 movie, sung and danced by Gene Kelly, and a welcome break from the sombre tone of the day.
Let It Be Me (RUS, p. 126)
We sang this with feeling. I never tire of the Everly Brothers’ harmonies.
A Song of Peace (RUS, p. 163)
Written and sung here by the late Bill Staines, dearly beloved in this part of the country, the lyrics reflect an inclusive nationalism, a much-needed antidote to the virulent strain that is now endemic worldwide.
My country’s skies are bluer than the ocean
And sunlight falls on clover leaf and pine
But the other lands have sunlight too, and clover
And skies are everywhere as blue as mine
So Hear this song you people of all nations
This song of peace for other lands and mine
This song of peace for other lands and mine.

It Could Have Been Me (RUS, p. 215)
I chose Holly Near’s beautiful song, and added this verse to her sad but resolute memorial to the martyrs of U.S. wars:
One cold Minnesota morning
On her child’s kindergarten run
A trigger-happy agent
Killed Renee Good with his gun.
Masks, profiling, violence
In homes, workplaces, towns
But we’ll stand together, support each other
And force ICE to stand down.
Ch. It could have been me. . .
Tragically, the new verse was already out of date: a name was now missing, the name of Alex Pretti, who just that morning had been shot 10 times in five seconds by masked Customs and Border Patrol agents in Minneapolis as he tried to help a woman whom they were accosting.
RIP Renee Nicole Good, Alex Jeffrey Pretti. Students of life, righters of wrongs.
If you can work for freedom, we can too.
May singing together help to sustain us through these hard times.





















