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街頭相對論》「為什麼一定要叫人哥或姐?叫名字不行嗎?」——陳弘洋(劇作家)VS. 秦佐(作家) | 逗點文創結社
街頭相對論》「為什麼一定要叫人哥或姐?叫名字不行嗎?」——陳弘洋(劇作家)VS. 秦佐(作家) | 逗點文創結社
街頭相對論》「人什麼時候會裝傻?為什麼要裝傻?」——黃郁晴(劇作家)VS. 孫得欽(詩人) | 逗點文創結社
街頭相對論》「人什麼時候會裝傻?為什麼要裝傻?」——黃郁晴(劇作家)VS. 孫得欽(詩人) | 逗點文創結社
你記得上一次裝傻是什麼時候嗎?你有沒有想過,為什麼人要裝傻?逗點編輯部邀請剛出版新詩集《想死的愚人》的詩人孫得欽,與劇作家黃郁晴一起討論與「裝傻」有關的回憶與思考,有點輕鬆但實際上談到了很多人生的為難,請不要錯過啦!不囉唆,街頭相對論,Battle! 得欽:你看到「裝傻」直覺想到的會是什麼? 郁晴:看到「裝傻」兩個字的時候,我先想到了逗點「普魯斯特問卷」其中一題:「在什麼狀況下你會說謊?」當時我的回答是:「害怕對方的時候。」 裝傻的情境給我類似的感覺。如果突然知道某人他在裝傻,通常好像有著負面意味,但我認為,需要裝傻,也是因為有個直覺是「此時此刻展露我的聰明,也不會讓事情變得更好」吧?
〈中華副刊〉不可避免的結局是我要成為我自己──閱讀孫得欽《有些影子怕黑》 經典重版 文/沈眠
〈中華副刊〉不可避免的結局是我要成為我自己──閱讀孫得欽《有些影子怕黑》 經典重版 文/沈眠
好好生活,是「想死」的隱秘渴求——TBF座談紀錄
好好生活,是「想死」的隱秘渴求——TBF座談紀錄
《想死的愚人》採用寓言形式書寫,生動詮釋了「想死」的複雜情感,如同一面鏡子,映照出現代人的心靈掙扎。在2025年台北國際書展,作者孫得欽與編輯李霈群,交換了彼此對這一敏感主題的見解,「想死」與「活著」之間的矛盾與糾結,究竟背後真實的渴望為何?
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EP225 詩的普通快樂4|像愚人般自由的詩
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