@JeanShin
Artist and educator
Jean Shin's website
Jean Shin's website
From Two Tons of Celadon, Jean Shin Sculpts a Metaphor for the Korean Diaspora — Colossal
From Two Tons of Celadon, Jean Shin Sculpts a Metaphor for the Korean Diaspora — Colossal
Jean Shin's 'Celadon Landscape' presents a pair of large-scale vessels made of the lustrous green-blue material.
jean shin turns fractured korean ceramics into symbols of resilience
jean shin turns fractured korean ceramics into symbols of resilience
at the green-wood cemetery’s green-house, jean shin presents celadon landscape, an installation assembled from broken korean ceramic shards.
Celadon Landscape - Green-Wood
Celadon Landscape - Green-Wood
Installation by Jean Shin Opening April 18, 2026, in the Focus Gallery at The Green-House at Green-Wood Two large vessels lie on their sides, built from thousands of celadon shards. In Celadon Landscape, Jean Shin begins with what was left behind. The work took shape during her visits to ceramic studios in Korea, where pieces ... Read more
Offering - Green-Wood
Offering - Green-Wood
Installation by Jean Shin Opening April 18, 2026 Offering honors trees that have lived and died at Green-Wood. Inspired by Korean tumuli burial mounds, artist Jean Shin transforms fallen trunks, branches, and leaves gathered across the Cemetery into a living memorial and public artwork. The memorial participates in nature’s regenerative cycle. In spring 2026, native ... Read more
WHITEHOT: Beyond the Monument: Jean Shin’s Living Memorial at Green-Wood
WHITEHOT: Beyond the Monument: Jean Shin’s Living Memorial at Green-Wood
Brooklyn’s Green-Wood Cemetery is one of the rare places in New York where time is no longer abstract.
HYPERALLERGIC: Jean Shin’s Living Memorial to the Trees of Green-Wood Cemetery
HYPERALLERGIC: Jean Shin’s Living Memorial to the Trees of Green-Wood Cemetery
Inspired by Korean funerary practices, the artist's new works examine how ritual and reflection mark the cycles of time.
Future Geographies
Future Geographies
WNYC: Artist Jean Shin Honors Ecology and Korean Burial Tradition in Green-Wood Installations | All Of It with on Alison Stewart
WNYC: Artist Jean Shin Honors Ecology and Korean Burial Tradition in Green-Wood Installations | All Of It with on Alison Stewart
On April 18, Green-Wood Cemetery is opening Green-House, a new welcome and educational center that expands on the Weir Greenhouse, build in 1895. To mark the opening, the Cemetery com...
Nurturing the Remains: A Community Ritual at Jean Shin’s Offering
Nurturing the Remains: A Community Ritual at Jean Shin’s Offering
Join us on the first day of Offering, a new site-specific installation by artist Jean Shin.
Get in the Game: Sports, Art, Culture • Pérez Art Museum Miami
Get in the Game: Sports, Art, Culture • Pérez Art Museum Miami
Featuring more than 100 works by artists from around the world—including highlights from PAMM’s collection—Get in the Game demonstrates how sport has inspired both personal expression and shared cultural memory.
Announcing 2026 Creative Capital Awards
Announcing 2026 Creative Capital Awards
Rose Art Museum Presents Fabricated Imaginaries August 20, 2025 – May 31, 2026
Rose Art Museum Presents Fabricated Imaginaries August 20, 2025 – May 31, 2026
Jean Shin - Anderson Ranch Arts Center
Jean Shin - Anderson Ranch Arts Center
Jean Shin at Anderson Ranch Arts Center
Jean Shin, AIRIE 2026 Fellow — Artists in Residence in Everglades
Jean Shin, AIRIE 2026 Fellow — Artists in Residence in Everglades
Jean Shin Transforms Tech Trash into Art at Dorsky Museum Exhibition - Chronogram Magazine
Jean Shin Transforms Tech Trash into Art at Dorsky Museum Exhibition - Chronogram Magazine
Over 20 years ago I first started seeing Jean Shin’s work around Manhattan and Brooklyn, during the early 2000s era when cell phones were gaining
Get in the Game: Sports, Art, Culture | Crystal Bridges Museum of American Art
Get in the Game: Sports, Art, Culture | Crystal Bridges Museum of American Art
Works on Water 2025 Triennial Exhibition - LMCC
Works on Water 2025 Triennial Exhibition - LMCC
Open Friday 2-5:30pm, Saturdays & Sundays, 12-5:30pm | Additional hours by appointment at The Arts Center at Governors Island, Upper & Lower Galleries August 28 – October 26 ၊၊||၊ Listen…
Glimmer of Hope, 2025 — Jean Shin
Glimmer of Hope, 2025 — Jean Shin
Jean Shin’s “Glimmer of Hope,” curated by Eric Shiner at Powerhouse Arts, features sculptures and prints made from salvaged shell buttons and natural materials. Merging human craft with ecological healing, Shin’s works explore memory, resilience, and empowerment through tactile beauty and innovative
Video documenting install at Amon Carter Museum
Video documenting install at Amon Carter Museum
Jean Shin: The Museum Body at Amon Carter Museum of American Art
Jean Shin: The Museum Body at Amon Carter Museum of American Art
Artist Jean Shin Commissioned to Activate the Carter’s First-Floor Gallery with a Site-Specific Installation Created from the Clothing of Museum Staff
Artist Jean Shin Commissioned to Activate the Carter’s First-Floor Gallery with a Site-Specific Installation Created from the Clothing of Museum Staff
SFMoMA: Get in the Game: Sports, Art, Culture
SFMoMA: Get in the Game: Sports, Art, Culture
Video: Trustees presents Perch
Video: Trustees presents Perch
Hyperallergic: Jean Shin Gifts At-Risk Birds a Safe Perch
Hyperallergic: Jean Shin Gifts At-Risk Birds a Safe Perch
WBUR: An eco-art installation that's for the birds — literally
WBUR: An eco-art installation that's for the birds — literally
Art Installation Exploring Habitat and Human Activity Debuts at Appleton Farms on Earth Day
Art Installation Exploring Habitat and Human Activity Debuts at Appleton Farms on Earth Day
Jean Shin: Perch, Commissioned by Trustees, Opens at the Appleton Farms in April
Jean Shin: Perch, Commissioned by Trustees, Opens at the Appleton Farms in April
$500M Performing Arts Center Opens Near World Trade Center
$500M Performing Arts Center Opens Near World Trade Center
The Armory Show, in a Back-to-School Edition
The Armory Show, in a Back-to-School Edition
I Hate to Admit it, But I Loved the Armory Show
I Hate to Admit it, But I Loved the Armory Show
2023 | Show Guide | Platform | The Armory Show
2023 | Show Guide | Platform | The Armory Show
Jean Shin is Generating Beauty from Waste
Jean Shin is Generating Beauty from Waste
Second Skin | 16 June - 23 July 2023
Second Skin | 16 June - 23 July 2023
Artist talk in conversation with Eva Respini -recording
Artist talk in conversation with Eva Respini -recording
Jean Shin: Floating MAiZE
Jean Shin: Floating MAiZE
Jean Shin’s Art Just Keeps Evolving
Jean Shin’s Art Just Keeps Evolving
Women Reframe American Landscape | Thomas Cole National Historic Site
Women Reframe American Landscape | Thomas Cole National Historic Site
Convergence Zone | Anderson Collection at Stanford University
Convergence Zone | Anderson Collection at Stanford University
Stanford University l Denning Visiting Artist Jean Shin
Stanford University l Denning Visiting Artist Jean Shin
Brooklyn Public Library | Public Art Something Borrowed Something Blue
Brooklyn Public Library | Public Art Something Borrowed Something Blue
Hyperallergic: Jean Shin Wants to Change the Tide of Pollution and Extinction by Isabella Segalovich
Hyperallergic: Jean Shin Wants to Change the Tide of Pollution and Extinction by Isabella Segalovich
Sculptural fountain at Cherry Street Pier is a 16’ glass bed of living mussels
Sculptural fountain at Cherry Street Pier is a 16’ glass bed of living mussels
Jean Shin: Freshwater @ Philadelphia Contemporary
Jean Shin: Freshwater @ Philadelphia Contemporary
THE BROOKLYN RAIL
THE BROOKLYN RAIL
Artnet Interview by Sarah Cascone
Artnet Interview by Sarah Cascone
Artforum--Review by Dawn Chan
Artforum--Review by Dawn Chan
What to see in NYC Galleries Right Now-The NYTimes
What to see in NYC Galleries Right Now-The NYTimes
Sculpture Magazine--Everyday Matters: A Conversation with Jean Shin by Susan Canning
Sculpture Magazine--Everyday Matters: A Conversation with Jean Shin by Susan Canning
NEW YORK TIMES | A 140-Year-Old Hemlock Was Lost. Now It Has New Life as Art, By Meredith Mendelsohn
NEW YORK TIMES | A 140-Year-Old Hemlock Was Lost. Now It Has New Life as Art, By Meredith Mendelsohn
ART IN AMERICA | Jean Shin’s Latest Installation Showed the Environmental Impact of Our Desire to Connect, by Dorothy R. Santos
ART IN AMERICA | Jean Shin’s Latest Installation Showed the Environmental Impact of Our Desire to Connect, by Dorothy R. Santos
BOMB MAGAZINE | Reimagined Objects: Sculpture as communal. Jean Shin Interviewed by Louis Bury
BOMB MAGAZINE | Reimagined Objects: Sculpture as communal. Jean Shin Interviewed by Louis Bury
INTERVIEW: Jean Shin: Floating MAiZE, Brookfield Place
INTERVIEW: Jean Shin: Floating MAiZE, Brookfield Place
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