From the Stack

Future Possibilities: The Framing Power of Narrative in Ben Lerner’s “The Polish Rider”

Threaded Histories: Intertextual Allusion and Recycled Oppression in Margaret Atwood’s The Handmaid’s Tale (1985)

Catch and Release: The Illusion of Possession in Michael Ondaatje’s “The Cinnamon Peeler”

Judge Away!: Inside the Art of Book Cover Design

The Small Press: A Publishing Path for Company Histories, Business Memoirs, and Family Legacies

The Rhetoric of Hybrid Publishing

Metadata Madness: Surviving the Shift from Amazon Advantage to Vendor Central

We the People of Publishing: A Manifesto

Hellas: Island Hopping in the Mediterranean

Deregulating Our Forests Won’t Save the Economy, But It Could Cost Us Everything

Housing as a Fundamental Human Right

So Goes the Oil, So Goes Our Memory

Smith’s Chasing Amy Has Nothing to Say, But Says It Loudly

Obey!: The Annihilation of Consciousness in They Live

Viral Media: The Spread of Infected Language in Pontypool