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MoMI x TEZOS

MoMI x TEZOS

MoMI x TEZOS

Artists selected from FA2 Fellowship

October 2026

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Jonas Lund × Yoshi Sodeoka

August 2026

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Sarah Friend × Yehwan Song

19 Feb 2026 - 10 May 2026

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Linda Dounia × Rhea Myers

14 May, 2026 - 2 Aug, 2026

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James Bloom × Gottfried Jäger

28 Nov 2025 - 18 Feb 2026

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Artists selected from FA2 Fellowship

October 2026

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Jonas Lund × Yoshi Sodeoka

August 2026

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Sarah Friend × Yehwan Song

19 Feb 2026 - 10 May 2026

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Linda Dounia × Rhea Myers

14 May, 2026 - 2 Aug, 2026

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James Bloom × Gottfried Jäger

28 Nov 2025 - 18 Feb 2026

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Media Wall Curations

Artists selected from FA2 Fellowship

October 2026

Image

Jonas Lund × Yoshi Sodeoka

August 2026

Image

Sarah Friend × Yehwan Song

19 Feb 2026 - 10 May 2026

Image

Linda Dounia × Rhea Myers

14 May, 2026 - 2 Aug, 2026

Image

James Bloom × Gottfried Jäger

28 Nov 2025 - 18 Feb 2026

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Explore the Partnership

Explore the Partnership

01

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After a successful 2024-2025, the Museum of the Moving Image (MoMI) and the Tezos Foundation have launched an expanded partnership for 2025-2026.

After a successful 2024-2025, the Museum of the Moving Image (MoMI) and the Tezos Foundation have launched an expanded partnership for 2025-2026.

The partnership will feature a new series of artists commissions exploring blockchain as a creative material, with a focus on FA2 smart contracts, a standardized framework in the Tezos ecosystem that allows anyone to create and manage different digital assets.

In addition to artist projects, a ​​public workshop track, the FA2 Fellowship, invites a broader community of artists to engage with FA2 through hands-on instruction, mentorship, and guided development. Complementing these two components, the program also includes a series of two live events, featuring performances and time-based pieces.

ON VIEW

ON VIEW

linda dounia × Rhea Myers

linda dounia × Rhea Myers

14 May 2026 - 2 August 2026

14 May 2026 - 2 August 2026

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To Be Perceived, Against Evil (2026)

Inspired by Édouard Glissant’s “right to opacity,” the work asks what we choose to make visible, what we withhold, and who gets to decide. Trees shape the work on two levels: as images on the projection’s surface, and as branching data structures in the system that determines what is revealed. The projection first appears submerged in blur. Passersby become encrypted branching data to a program which decrypts this “proof of presence” through Tezos smart contracts. A single visitor may reveal only traces; a group that stays together brings more into view. For Dounia, opacity connects to her research with the Serer community in Senegal, whose cosmology centers five sacred trees tied to creation, burial, ancestry, and memory. For Myers, opacity speaks to the double-edged nature of trans visibility, and to systems that demand proof, categorization, and exposure. 

To Be Perceived, Against Evil (2026)

Inspired by Édouard Glissant’s “right to opacity,” the work asks what we choose to make visible, what we withhold, and who gets to decide. The projection first appears as a blur. Passersby become encrypted branching data to a program which decrypts this “proof of presence” through Tezos smart contracts. One visitor reveals traces; a group that stays together brings more into view. 

To Be Perceived, Against Evil (2026)

Inspired by Édouard Glissant’s “right to opacity,” the work asks what we choose to make visible, what we withhold, and who gets to decide. Trees shape the work on two levels: as images on the projection’s surface, and as branching data structures in the system that determines what is revealed. The projection first appears submerged in blur. Passersby become encrypted branching data to a program which decrypts this “proof of presence” through Tezos smart contracts. A single visitor may reveal only traces; a group that stays together brings more into view. For Dounia, opacity connects to her research with the Serer community in Senegal, whose cosmology centers five sacred trees tied to creation, burial, ancestry, and memory. For Myers, opacity speaks to the double-edged nature of trans visibility, and to systems that demand proof, categorization, and exposure.

Process Image

Process Image

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Each MoMI x Tezos commission is accompanied by a process image you can collect at no cost in person at the musem or online. Minting powered by objkt.

To Be Perceived Against Evil (In Progress) is a process image from the production of To Be Perceived Against Evil (2026) This is a short recording of the final draft of the project.

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To Be Perceived Against Evil (In Progress) is a process image from the production of To Be Perceived Against Evil (2026) This is a short recording of the final draft of the project.


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FA2 Fellowship

FA2 Fellowship

02

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At the heart of the partnership is the FA2 Fellowship, a series of virtual educational sessions focused on smart contracts and creative blockchain applications.

Tezos’s FA2 standard offers powerful capabilities for artists, enabling multi-asset structures, batch operations, and low-cost transactions that are ideal for complex, interactive works. The FA2 fellowship empowers artists and builders to learn from industry experts about the Tezos blockchain smart contract applications and develop their own projects under the guidance of MoMI curator Regina Harsanyi and participating lecturers. The program culminates in two finalists being comissioned to present a collaborative project on the MoMI Schlosser Media Wall for a 2-month exhibition period.

By completing 4 sessions, fellowship participants also qualify to apply for the Microgrants to receive further support in developing their projects.

[ Learn more ]

Press

Press

03

Now Media

Oct 21, 2025
Museum of the Moving Image & Tezos Foundation Explore Blockchain as the Next Artistic Medium
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NFT News Today

Feb 20, 2025
Compositions in Code: MoMI’s Exhibit Celebrating Processing & p5.js, in partnership with the Tezos Foundation
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The Art Newspaper

Sep 24, 2024
Community curators: artists chosen by public vote for exhibition at Museum of the Moving Image
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