Thomas Hood (1799-1845)
Richard Orchard is a hypochondriacal land-owner in early nineteenth century England. Three or four times a week, he experiences dying fits(reminiscent of Redd Foxx) after which he is severely disappointed to discover himself still among the living. As his personal physician, Dr. Carbuncle, persists in giving him no encouragement in his iterated attacks, he decides to undertake a final excursion. In order to either recoup his health, or suffer the final indignities, he plans a journey up the Rhine river. His nephew, Frank Somerville, agrees to accompany him along with his sister, Catharine Wilmot and her maid, Martha Penny. Crossing the channel they encounter a major storm that juggles the passengers about like nine-pins, tossing the luggage around, and blending the cabin constituents all together, like a salmagundi. Once the seas have calmed, two other passengers, John Bowker, a short fat Cockney, and a tall, skeletal, yellow-skinned, un-named American, have a conversation in which the latter, not having gotten sea-sick, offers to instruct the former how to avoid being sick altogether, offering said advice for the inconsequential price of one sovereign. The deal being struck, the American, laconically, informs Mr. Bowker that the secret is “to spend thirty years of your life at sea”. Being of a ruddy and rubescent complexion, Bowker loses his temper and stomps off in a pet. Later in the trip, after passing through the Netherlands(the beauty of which every member of the party appreciates, except for the overwhelming stench), the tall American, whose name is never revealed, once again fools Mr. B when they are disembarking from a hotel along their route. Dashing aboard the barge at the last minute, he informs B that he has by mistake appropriated Mr. American’s bags, and proceeds to grab up every piece of luggage in view and scampers off the boat just before it leaves. Later it’s unveiled that this has been nothing but rampant thievery. Mr. Bowker does recover his baggage, later, when it’s discovered still at the hotel. They send it after him.
Events of this nature, in addition to occasionally lovely bits of doggerel, interspersed with admonitory tales illustrating quirks of the German character, constitute the balance of the book, for the most part. Martha causes trouble when she spontaneously decides to adopt the Catholic faith, to the horror of her employer, Catharine. Later, after engaging in a penitential parade, carrying a heavy candle, Martha reverts back to her Protestant ethic as a result of sore feet. Upon another occasion, Catharine is horrified at the parents of an 8 year old child, who apparently view with no alarm that their son is drinking with relish a large flagon of gin. Catharine throws the offensive liquid overboard, only to discover that the child was actually a 29 year-old midget, one of a large number that live in Germany. Catharine might be compared to Chaucer’s Prioress, a mild and tender-hearted person with an engagingly soft view of the world.
Barging up the river, the party delights in the passing scene: the fresh fields with waving grain, skylarks frolicking in the sun, colorful peasants in their native dress working the fragrant soil… All this description is somewhat tongue in cheek, however, as Hood also expatiates at length on the dire poverty and dirt, the ramshackle living quarters, and the ever-present clouds of smoke to which the large peasant class is addicted. Smoking is omnipresent and pollutes all the interior spaces, except in the cathedrals. Arriving in Cologne, Hood commends the city on it’s many fine churches and cathedrals, monuments and museums, but the whole party is aghast at the horrible reek that covers the town; apparently a sewage disposal problem that is ignored by the inhabitants. So they cut their visit short, and continue on through the Rhine gorges, examining the high castles and low villages, philosophizing on the era of the robber barons who preyed upon the lowly, periodically decimating the surrounding countryside with their feuds and thieveries, and subjecting the villagers to their tyrannies and rapacious taxations.
They arrive at Coblentz, where they rent a house for a month, planning a longer stay because it’s a delightful town in a picturesque setting on the Moselle. Having experienced all along the way his hypochondriacal attacks, Mr. Orchard suffers a real attack at last, one which he barely survives. Frank receives a letter from Richard’s lawyers condoling him upon the demise of his uncle, advising him that his will has been probated and proven, and congratulating him upon his inheritance. In high dudgeon, Richard writes back excoriating his lawyers but finally comes to realize it has been his own fault. Henceforth he changes his ways and quits his hypochondria, becoming a warm and generous older gentleman, more or less normal in his demeanor. Frank leaves the party of four to join a friend who is a captain in the Prussian army and is engaged in traveling home through northern Germany and Poland. He comments on the small, remote villages, their poverty, and on their steadfast generosity to travelers, offering bed and board for mere pennies… although this might have had something to do, he infers, with the presence of forty thousand soldiers marching through the environs. According to Frank’s account, Poland is constituted mainly of sand. Slogging through the endless plains gets to be a trial, so he decamps and returns to Berlin, where he tours the major sites and describes them in sketchy detail. Returning eventually to Coblentz, the four friends travel back to England.
T. Hood was a humorist and editor of several literary magazines. He loved puns(the book is filled with them) and practical jokes. He published a few collections of poetry, notably “The Song of the Shirt”, and “The Bridge of Sighs”, and was a popular essayist. His children, Tom and Frances, were both writers. Tom was a well-recognized illustrator. But all of them suffered poor health and died more or less prematurely. The book is funny and odd, but well worth reading, if only for the window it opens onto the nature of early 19th century humor…
