Photographing Models, by Mary DuPrie

Every so often you come across a photography product worth getting excited about, and it has nothing to do with corporate hype or industry buzz. Recently, I had the opportunity to interview PocketWizard user Mary DuPrie, of Mary DuPrie Studios. DuPrie also runs the well-written blog Photographing Models. To date, she’s released three instructional DVDs. This article will deal with one, Photographing Models.Image

In Photographing Models, DuPrie deviates from the norm, and does so in a wildly successful way. Most instructional products aimed at photographers are about lighting and equipment. They usually miss the most critical thing, and that’s the positioning of models. You can have a gorgeous woman posing in front of your lens, with a team of talented makeup artists and wardrobe stylists at the ready, plus all the lighting and camera equipment in the world, but if your subject doesn’t know how to move, the quality of the photos will be predictably disappointing. Crack all the dumb blonde jokes you want about models, but successful ones who keep working know how to move and pose. Good shots are typically not random, happy accidents.

DuPrie stands alone with this DVD. Not only will photographers learn what poses to avoid, but models will be fascinated to see how critical hand placement is, for instance. She demonstrates how to minimize hands, keep them relaxed, and have them add to the mood of a photo, and not, for instance, compete with a face. How many models know hands are such a deal-changer? More importantly, how many photographers know this?

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DuPrie uses a monitor on set to explain to the model what poses work and why. ©Mary DuPrie

Over the course of this DVD, DuPrie does everything to physically detail to Sally, a young hopeful model, the problems with almost every standard pose imaginable, including getting on the floor and demonstrating the right way,  versus the drawbacks of the way most models naturally position themselves. Viewers follow along, learning how a head-tilt can hide a bad neck angle, how much to move eyes to avoid too much white area, and how to keep the rear of an upper-arm from bulging out unattractively. This and other critical minutia are not thought of or addressed by many professionals until it becomes time to spend hours in Photoshop fixing them. For any photographer, time is money, and the $80 DuPrie is charging for Photographing Models will be recouped during their first post-viewing shoot. For models, watching this DVD and putting the lessons into practice will mean getting hired repeatedly.

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©Mary DuPrie

The other major content area of this DVD is the sets. DuPrie goes into some detail regarding how she creates, stores, and operates a veritable library of backdrops. Unlike many photography studios, DuPrie’s backdrops are solid and freestanding, not hung cloth. Most of her backdrops are styrofoam, and can be positioned and repositioned as needed. For instance, in one segment, she builds a V out of them, positioning her model directly in them. She typically fastens these backdrops with pins and Velcro: easy and non-permanent ways to transform her studio into a wide variety of looks. DuPrie paints each styrofoam panel herself, although this title does not go into the execution of that. It’s a fascinating and atypical way of creating scenes. Although this is a small part of the DVD, it’s incredibly inspiring, and will prompt photographers to consider working with these materials as a viable alternative to the cliched spattered hanging tarps.

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DuPrie and a portion of her vast library of rigid backdrops. ©Mary DuPrie

Filmed with three cameras, Photographing Models is a professional production. The audio quality is excellent, and the editing does the subject matter justice. Although geared toward photographers interested in getting the most from their time with hired models, models themselves will benefit from understanding which movements and poses are camera-friendly, and which are not.

Making no claims this instructional DVD contains lighting information or best camera practices, DuPrie has filled a void in recent photography instructional materials. This is, however, everyday knowledge all photographers will benefit from. Instead of shooting with machine gun rapidity and hoping for attractive accidental poses, many hours and dollars will be saved employing the knowledge offered here.

In the future, we will feature our profile of Mary DuPrie, her own photography and techniques, including her use of PocketWizard technology.

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©Mary DuPrie

Title: Photographing Models
Running time: approximately 110 minutes
Price: $80
Product and ordering information found here.

David Guy Maynard on Packing Light

“I use a lot of big gear in the studio,” says David Guy Maynard. “There’s no question about that. Big monoblocks, the works. But when you go out on location, you generally don’t have a power supply.” This is evident in the video promo (above) from his upcoming DVD. Entitled Location Lighting with Speedlites: Smaller Gear, Bigger Results, Maynard is all about great results from less gear.

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©David Guy Maynard

“We were out on an island shooting for the DVD. There’s no electricity available there. So then you’re looking at big power packs with huge battery backup systems. I generally have an assistant or two with me, but it’s a lot of gear. I often work on location, and it’s difficult and expensive to take multiple cases. Over the last several years I’ve been trying to minimize what I take, still get the results I want, but have a lot less to carry, set-up and maintain. There are techniques you can use to get the same results to make it look like you shot it in a $50,000 studio, but you do it with a decent size bag and a little imagination.”

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©David Guy Maynard

Maynard’s DVD, due in early 2010, runs for one hour, and promises to explore his evolving philosophy of shooting with lighter gear, planning an entire shoot, running from one to three light setups, the choosing and use of modifiers and other gear, off-camera lighting techniques and dealing with difficult sunlight conditions.

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©David Guy Maynard

“Most photographers I meet are, by nature, techno junkies and gadget freaks,” says Maynard. “It’s just who we are. When I started in photography as a kid with no money, I got used to using whatever was at my disposal, like my dad’s shoplight and the reflectors from car windows to protect your dashboard. When I went pro, I got spoiled by all the great, large gear. For the past five years I’ve done more and more location work. I travel a lot. Working with less gear is a matter of convenience and necessity. I simply can’t afford to stress my back lugging heavy gear around. Because of this, I constantly try new tricks and pieces of equipment to make my location rig smaller. A lot of stuff gets tossed aside because it doesn’t hold up. In the last three years I’ve really honed what’s in my travel photo bag. It’s now a small fraction of what I used to carry, and I’m actually getting better photos than I used to.”

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©David Guy Maynard

Among the smaller gear Maynard is packing these days include the Canon Speedlight 580EX. “It works perfectly with the PocketWizard’s HyperSync technology. A speedlight is a speedlight. It’s how you control them that makes the biggest difference. I carry five speedlights now of different makes and models. It’s rare to see me shooting with just one light.” He also carries the LumiQuest Snoot and assorted lightweight stands, among other goodies in his bag.

Maynard relies on PocketWizard technology to fire all his location lights. A MiniTT1 and three FlexTT5 units enable him to fire up to four lights at a time. “I like to use a lot of odd-ball lighting setups. The TT1 and the TT5 are reliable,” he reports. “They’ll go off every time, and they’ll go off in whatever way I want them to. I like that. I still have Plus IIs and I use those for certain things, but they’re getting less attention now that I’m using the Mini and Flex set-up. They work with the Plus IIs, so if I want to throw a Plus II in for a background light, I can dial that in for less light on Manual setting. This means I can be out in a park and running five lights with no electricity. I can do hair lighting, backlighting, effects lighting under furniture, around walls, or whatever. Any lighting situation that would’ve taken you two hours to set up in the studio, you can do on location with a five minute set-up time. Things have changed, and for the better. I would’ve never dreamt of doing anything remotely close to this ten years ago.”

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©David Guy Maynard

Thanks to Maynard’s advocacy of smaller and better gear, the word is spreading. “I’m happy to say I’m part of pushing that trend. I recommend this gear to someone, or I say, ‘here’s how you can get that big studio shot,’ and that makes them happy. They realize it’s a shot they might not have gotten otherwise out on location. It’s becoming more popular. I’ve seen guys who always used to go out with all the big gear, and now they’re using less and lighter equipment, and they’re getting the shots they want.” Although still a self-professed fan of big studio gear, “I love having that flexibility, but the ability on location has changed.”

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©David Guy Maynard

Never afraid to experiment, Maynard mixes the two worlds now and then. “Sometimes in the studio I’ll run big lights as primary, and I’ll pull out one or two speedlights and throw them in the background as a hair light. I’ll mix the studio lights and speedlights with no problem.”

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©David Guy Maynard

Inspired by his older brother, Maynard has been shooting since he was eleven. He’s shot as a serious hobbiest and twelve years ago started taking paying assignments. Six years ago he went pro full-time. His work has appeared in numerous publications, including Shutterbug, Popular Photography, Digital Photo Pro, PDN, Business Traveler, and many more.

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©David Guy Maynard

2010 promises to be a big year for Maynard. Along with the DVD’s release, a secret project is in the works. He has been collaborating with a manufacturer to create some innovative new lighting products, of which he will say nothing except that he’s been shooting with the prototypes. “The shots I’ve been getting are unreal,” he reports. We can look forward to seeing Maynard get more with less for some time to come.

David Maynard Photography

Mini/Flex Bikini Beach Shoot, DVD Preview

MiniTT1 & FlexTT5 Introduction Video

Video: EXTREME distance demo with Mini & Flex by Mark Wallace

Wow. You go, Mark.

MWTOUR: Video from Seattle Meetup

Product Updates – October 2009

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Yes, it’s been awhile since the last update and for those that feed off every tidbit of information, we apologize for our silence as we work on the products you are anxiously waiting for.  Here’s what we can tell you today: READ MORE at PocketWizard.com

And in other news, here is a video from Mark Wallace about the new AC5 Soft RF Shield:

Shoot the Pig!

We got a GREAT recession-buster email this morning from Jaren Wilkey, Manager of BYU Photography. We liked it so much it almost felt like we were using Hypersync ourselves by posting it immediately!

Recently we were asked to shoot an illustration for a story on bankruptcy. They wanted something simple like a broken piggy bank with coins laying everywhere, but I thought that it would be a lot more fun to get a shot of a piggy bank as it was hitting the ground and breaking up into pieces. This turned out to be the perfect opportunity to use our new PocketWizard Mini TT1’s and Flex TT5’s which allowed us to achieve TTL and High Speed Sync with at 1/8000 a second.

1/8000 Sec F/5.6 ISO 400 - Photo by Mark A. Philbrick/BYU

1/8000 Sec F/5.6 ISO 400 - Photo by Mark A. Philbrick/BYU

Now that’s cool. Wanna see how it’s done?

See all of the images and read the full story.

Thanks for emailing us, Jaren (hint, hint, everybody else!)! Be sure to browse the rest of the UtahPhotojournalism.com website to get a taste of good community.

Video: Tony Donaldson and Clementine Ford

tony-donaldson-clemetine-ford-video

Tony sent us a link to a great video of his photo shoot with Clementine Ford for Curve Magazine.

I recently photographed actress Clementine Ford (“The L Word”, “The Young and the Restless”, also Cybill Shepherd’s daughter) for Curve magazine. I love working for Curve, they interview interesting people and give me the opportunity to create whatever images I feel like. I never see the interview first. And usually I don’t talk to the personality before the shoot, as it’s all done with their “people”.

Link – Tony asks for feedback – show him some love!

Mark Wallace: On Location with PocketWizard

We’re excited to be working with Mark Wallace from SnapFactory. Our collaboration will bring some great educational tutorials from a great educator, who also is a working pro photographer. Details and the finished tutorials are forthcoming. But…until the finished tutorials are ready, here is a sneak-peek of what’s coming:

Quoth the Mark:

I’ve been shooting a bunch of tutorial videos for PocketWizard over the last three weeks. while we were on location I wanted to give a very quick overview of one of the setups. Here’s a quick one minute video that shows how easy it is to use the new Mini and Flex.

You can see exactly what the flashes are doing by looking at the shot that was taken with Ab, our cameraman, in the shot. The background was much brighter than the foreground and the flashes really make the shot.

©Mark Wallace

©Mark Wallace

Visit Mark’s blog to read about this and more.

Kevin Jairaj Video: “I Tell You, I Could Love These Things!”

Kevin Jairaj wins more awards than our cat has fleas, and he tours the country, speaking on a seemingly non-stop schedule. You’d think he was a politician. But, no, he’s better than that. He’s one of the finest wedding photographers doing local (Dallas, TX) and international destination weddings today. At WPPI this year, Kevin was, in his words, “we were kinda’ just running and gunning – shooting with some cool backgrounds and a girl and we got some really cool stuff” [thanks, reader Danno!] His secret? PocketWizard MiniTT1 and FlexTT5. Find out how here and see the beautiful results. See more at PocketWizard.com

David Guy Maynard Video: “Oh my…smokin!”

We hope David Guy Maynard would react when forced to photograph stunning Jamillette Gaxiola (Miss Cuba 2009) at this year’s WPPI show in Las Vegas. But if you view the video (below) of David putting the new Mini/Flex system through the paces, you understand why. “The blacks are coming out,” he says. “Dark hair. Dark clothes. Under a canopy in a rainstorm in full e-TTL. That is what TTL is supposed to give me!” David is an award-winning, internationally published photographer who also holds seminars in Studio and Location Lighting, Color Management and Workflow. Check it out and see David work magic with PocketWizard TTL! More at PocketWizard.com

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