Mastodon Skip to content

Giving Bad News, Badly

/
Members Only
Abstract geometric painting with a bold diagonal black grid dividing white and grey fields, punctuated by solid blocks of blue, yellow, red, ochre, and pale grey.

In Defence of the Em-Dash

/
Early printed page from Shakespeare’s Othello (The Moor of Venice), showing dense blackletter text with repeated long dashes used for pauses, interruptions, and rhetorical emphasis.
Abstract geometric painting with a bold diagonal black grid dividing white and grey fields, punctuated by solid blocks of blue, yellow, red, ochre, and pale grey.

Giving Bad News, Badly

Bad news rarely breaks trust; bad delivery does. Too often managers turn necessary cuts into needless cruelty. Yet, predictability, clear reasons, real control, and concrete compassion can preserve dignity and actually build trust even when decisions hurt.

/
Members Only

Leadership & Management

Articles examining the distinction between leading and managing, the limits of managerialism, and the conditions under which authority, judgement, and responsibility can be exercised well.

All in Leadership & Management

Why Is Everyone in My Meeting?

/
Members Only
An illustration depicting a crowded business meeting in an office. At the centre, a bewildered manager in a navy suit gesture

Governance

Writing on boards, accountability, decision-making, and institutional design, with a focus on how governance either sustains or corrodes organisational legitimacy over time.

All in Governance
Rembrandt’s The Night Watch (1642), a large Baroque painting depicting a militia company in a theatrical, loosely ordered for

Who Guards the Guardians?

When CEOs and Chief People Officers become the source of misconduct, who guards the guardians? The Astronomer scandal reveals how those entrusted with culture and ethics often shield power instead. HR curates the truth, boards hear only what’s filtered, and employees withdraw into defensive silence.

/
Inner Circle Only

Shinise, as a Concept of Organisational Renewal

/
Members Only
Woodblock print by Katsushika Hokusai titled *The Fuji from Kanaya on the Tōkaidō*, depicting laborers and travelers crossing

Strategic People Architecture

/
A ruined classical gallery with broken columns and scattered statues. Visitors in 18th-century dress study fragments as light from a collapsed ceiling highlights the debris.

Governance in Name Only (GINO)

/
Inner Circle Only
A whimsical, satirical illustration showing a group of corporate executives theatrically posing on a stage. The backdrop subt

Business & Strategy

Analysis of strategy, competition, and organisational coherence, drawing on classical strategy, contemporary practice, and scepticism toward fashionable frameworks.

All in Business & Strategy

Using Outrage as a Negotiation Tactic

/
Satirical illustration depicting a tense negotiation scene in an opulent boardroom.

Society & Politics

Reflections on power, institutions, and public life, exploring how political ideas shape—and are shaped by—social norms, incentives, and cultural assumptions.

All in Society & Politics

Ideas & Culture

Essays on the intellectual currents that influence how we think and work: philosophy, culture, language, and the often-unexamined ideas that structure everyday decisions.

All in Ideas & Culture

Why Great Managers Know When to Switch Doors

/
Members Only
Illustration of game show host in a blue suit and red tie holding a microphone and gesturing toward three doors.

Why Hype Erodes Communication

/
Members Only
Illustration showing a corporate meeting in a modern glass-walled conference room. A visibly confused man in a suit sits at t

The Art of Not Reading

/
An illustration depicting a man and a woman in a classic study, surrounded by overflowing bookshelves. Both are blindfolded a

Science & Technology

Writing on technological change, scientific authority, and their organisational and social consequences—separating genuine progress from inflated promise.

All in Science & Technology

Publishing & Media

Observations on writing, publishing, and the media ecosystem, including the economics of attention, the craft of authorship, and the changing conditions of public discourse.

All in Publishing & Media
Early printed page from Shakespeare’s Othello (The Moor of Venice), showing dense blackletter text with repeated long dashes used for pauses, interruptions, and rhetorical emphasis.

In Defence of the Em-Dash

The em-dash has fallen under suspicion—treated as a tell-tale sign of artificial writing rather than what it has always been: a mark of care, rhythm, and thought in motion. It should return to good standing so we can recover linguistic standards we seem oddly eager to abandon.

/

Podcasts

See all