The No Wave and Independent films produced in downtown New York in the 1970s and 1980s are an intriguing hybrid art form that intermingles music, fashion, performance and visual art.

Similar to the way paintings by Jean-Michel Basquiat have played a key role in the frenzy surrounding contemporary high-end art auctions, the same is happening in the more limited market of vintage contemporary art ephemera. The cards, posters and publications that feature Basquiat and chart the important moments in his…

Houston’s embrace of art can be credited in part to John and Dominique de Menil… The taste for innovative new art quickly spread amongst other wealthy Texans, and the 1970s saw the opening of a number of galleries specializing in contemporary art. The Texas Gallery (originally founded as Contract Graphics in 1971), was perhaps…

In the words of curator Roger Gastman, “Before New York City made graffiti world famous, BLADE was one of the people who made it famous in New York.” BLADE  (Steven Ogburn) was only fifteen years old when in 1972 he tagged his first train. By 1974 he was painting full…

COLAB’s ever-changing nexus of thirty to sixty artists included many who later achieved individual fame, but the group’s real contribution was the philosophy of creative engagement it advanced through collective, do-it-yourself actions.

In the mid-1980s, as gentrification encroached on the East Village, the neighborhood’s eastern fringe remained a lawless landscape of abandoned buildings and rubble-strewn lots.

This is a show filled with unusual masterpieces: psychologically-charged drawings that hint at impropriety; ephemera from guerrilla performances staged in Soho galleries without permission; the notorious rectal-realist paintings created with a paintbrush in his behind; and objects connected with ventures like Carson’s LaRocka Modeling Agency and LaRocka Nite Club (later…

In 1985, No Se No artists took over the empty lot on the corner of Rivington and Forsyth, transforming it into a crammed, junkyard-like Sculpture Garden that would become the Rivington School’s best-known manifestation.

Although Philippe de Montebello, the former Metropolitan Museum director is well-known, few people have heard about his father Roger de Montebello and his life-long creative obsession with three-dimensional photography.

For Keith Haring the line separating fine art and ephemera was thin. His meteoritic career was marked by an unrelenting succession of works cutting across every medium and category of art, but his approach to making art was remarkably consistent whether he was making a large outdoor mural, a commercial…

Perlman’s portraits, executed with a painting method typically used by children, fit broadly into the 1980s wave of neo-expressionism but they go way beyond that context.

To provide sufficient visuals for the substantial airtime allotted to the story each night, Reiter made multiple sketches a day: close-up portraits, as well as wide-angle views of the courtroom incorporating as many as 28 figures.

As the founder of two idiosyncratic, do-it-yourself art spaces, Stefan Eins played a central role in shaking up the insular, overly-intellectualized art world of the 1970s in favor of a more socially-engaged, multi-cultural art with broader public appeal. …

Colette worked without inhibition. Acting out an inner-world of fantasies she began making photographic self-portraits, creating soft fabric environments in which she was often a crucial living presence, and exhibiting self-referential hybrid works that combined sculpture, painting, and photography.

Gallery 98 has been sorting through our Andy Warhol ephemera with the goal of dividing it into two online collections. This first of these features items from before the artist’s death in February 1987. The second looks at posthumous Warhol ephemera from the time of his death to the…