Published on 2026/01/15
AI-MADE MOVIES

How long will it take until we see a movie entirely made by artificial intelligence? Not a short experiment, not a flashy demo, not a half-decent trailer. A real movie. With a beginning, a middle, and an end. With rhythm, intent, characters that evolve, and a story strong enough to keep you sitting there for an hour and a half in front of the screen.





The question no longer sounds like science fiction. Just a few years ago, talking about this was pure speculation. Today, seeing how AI keeps advancing in the generation of images, video, voices, music, and scripts, the question is no longer if it will happen, but when.

And what�s interesting isn�t just that AI can replicate what already exists, but what it can break along the way. An AI isn�t limited by budgets, impossible shoots, actors aging, schedules, locations, or even the laws of physics. It can design complex sequences without worrying about how they�ll be filmed. It can chain visual ideas together without hearing the usual �that can�t be done.� It can build more intricate narratives, denser and riskier, without having to convince anyone that the investment is safe.

Cinema has always been shaped by technology. Every major leap has changed how stories are told: sound, color, digital effects. Artificial intelligence points in a different direction. It�s not just another tool. It�s a new kind of creator, capable of generating entire worlds from scratch and adapting them in real time. Stories that could even change depending on the viewer. Different versions of the same movie. Pacing adjusted to who�s watching. Narrative decisions that aren�t locked in from the start.





That doesn�t mean traditional cinema will disappear. But it does mean the idea of a �movie� can stretch much further than what we�re used to. And when that happens, it won�t be overnight. It�ll arrive gradually, like everything else. First short pieces, then mid-length films, and eventually something we can call a movie without quotation marks.

As a small preview of all this, today I�m sharing three AI-generated videos where characters from Toy Story, The Incredibles, and Shrek jump into the real world, integrated into film sets as if they�d always belonged there. They�re not a movie. They don�t try to be. But they work as a pretty clear window into something that�s probably much closer than we think.
And when that moment arrives, maybe we won�t even ask whether it�s cinema or not. Maybe we�ll just hit play.



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United by one body...



Vs united by one cock.

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Published on 2026/01/15
THE NUDES OF CLAUDE FRENETTE

Claude Frenette develops artistic nude photography that is elegant and deeply aesthetic.
His work is characterized by clean compositions and a sensitivity that prioritizes form, texture, and the presence of the body without artifice.

Frenette leans toward images that evoke stillness, intimacy, and contemplation, creating scenes that feel closer to visual expression than to conventional photography.



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It really doesn�t take much to make someone else�s day better.

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Published on 2026/01/15
COMFORT VS EFFORT

In WALL�E, humans spend their days lying on floating chairs. They eat, consume content, and move around without moving, without effort. Technology takes care of everything. Work disappears. Movement becomes optional. Desire turns passive.
The result is obvious: bodies that no longer need to do anything. Everything is covered. Everything is easy.

And that�s naturally where technology tends to go. Anything that makes life easier is welcomed with open arms. If it saves time, energy, or discomfort, it has a better chance of being developed, funded, and normalized. It�s not a conspiracy, it�s simply how progress works.





The question is: what�s the price?

A future where all needs are covered with the minimum possible effort can be very tempting. There are definitely people who love that idea. But comfort has a strange side effect: when everything is too easy, it starts to lose its appeal.
And this is where the video comes in.
A bed that moves for you. A system designed to reduce physical effort to the bare minimum. The body stops leading and the mechanism takes over. You�re there, but you�re not really doing much. You let the device handle it.
Sure, it might be fun to try. Novelty always is. But once the surprise wears off, what�s left? When even that becomes automatic, predictable, optimized� doesn�t it start to feel a bit empty?

Technology always ends up asking the same question, just in different formats: How much effort do you want to remove? And how much are you willing to lose in return?



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The slow-motion clip of the day.

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Published on 2026/01/15
VISUAL STIMULI VS FANTASY

smm, sosuke, david, walter
Our brain doesn�t always work the same way. It doesn�t operate the same when it�s receiving stimuli as when it�s creating them.
When we watch videos, reels, porn, or any kind of visual content, the brain switches into reception mode. The images are already there. The pace is already set. You just look and react. It�s comfortable. It�s fast. It�s effective.

But when you imagine, things change. Nothing is given to you. The scene comes from inside. You have to build it, hold it, keep it going. That�s when the brain works in projection mode. It�s slower, more demanding, and it requires focus.
Watching is absorbing. Imagining is creating.

And like everything else, what you don�t use gets clumsy.
You can see this clearly in kids today. They spend hours consuming constant stimuli�everything animated, everything fast, everything resolved. There�s barely any room for boredom, and boredom used to be exactly what pushed us to imagine, to invent, to create from within. It�s not that they can�t do it�it�s that they don�t train it.
The same thing happens with masturbation.

For years, a big part of arousal came from fantasy. Now visual porn gives you everything done. And sure, it works. But it trains the brain to get turned on by reacting, not by creating.
And once you get used to that path, it becomes harder to get going using only imagination. Not because something�s wrong with you, and not because things were better before, but because that part of the brain hasn�t been used in a while.

It�s not about demonizing anything. It�s about understanding that absorbing and projecting aren�t the same. And maybe not forgetting how to do the second one.



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Shoe Kick Outfit Change.

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Published on 2026/01/14
SPECIAL CAMELTOE VOL15

Tight clothes and good angles. That�s what this compilation is about: tight clothes and good angles.
Tight garments doing their job and videos created with a very clear intention. Nothing improvised and nothing left to chance.

There�s no context, and there doesn�t need to be. Just images designed so you look exactly where you�re supposed to.
Hit play and enjoy. If you�re here, you know exactly what you came for.



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Face your fears.

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Published on 2026/01/14
SRVIRAL #2141

Practicing with a fake one

Bad ideas	jellyfish	Visit
Little push	We don't leave anyone	Getting worse
Trick	Overtaking	Failed dunk

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Published on 2026/01/14
WOMEN ALSO RESORT TO VIOLENCE

Sometimes violence is talked about as if it were something exclusive to men. And it�s true that we tend to be more impulsive, more physical and, statistically, more lethal. Most homicides are committed by men, and more often than not, it�s men killing other men. That�s what the data shows.
But from there to thinking that violence is only our thing� there�s a long way to go.

Women also resort to violence in certain contexts. Not with the same frequency or the same lethality, but they do. Because violence isn�t just about testosterone or brute force: it�s about pride, fear, defending territory, that primitive impulse to flee or fight when a situation spirals out of control. And that impulse lives in all of us.
No matter how civilized we think we are, those instincts are still there. Right now they�re dormant because we live in societies that provide almost everything for us. But if tomorrow we had to fight over basic resources, don�t doubt it: we�d be living in a much more violent world. And it wouldn�t be just a men�s issue.

That�s why the idea that �women are beings of light� or that a world run by women would automatically be peaceful feels so off. Ask women themselves. Many will tell you the same thing: a woman�s biggest enemy is often another woman. Competition, resentment, hierarchies� same dynamics as always, just wrapped differently.

So no, violence is never going to disappear. It�s part of human survival, whether we like it or not. We can contain it, channel it, disguise it� but it�s still there, waiting for the right context.



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To perform at your best in a company, a healthy work environment is essential.

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Published on 2026/01/14
RANDOM AI-GENERATED IMAGES VOL28

Lately we keep hearing the same line: artificial intelligence is going to take our jobs.
And it�s probably true. Not everyone�s, not all at once, but many of them. Factories, offices, services, creative work, customer support� the sector doesn�t matter. If something can be automated and made cheaper, it will be.

And that�s where an uncomfortable question pops up: if people lose their jobs, who�s going to buy what companies produce?

Because the system has always worked the same way: you work, you get paid, you consume. Companies sell because there�s money on the other side. But if that �other side� loses its income, the equation starts to squeak. Badly.





The usual answer is optimistic: new jobs will appear, wealth will be redistributed, solutions will be found. Progress always ends up benefiting everyone.
But� does anyone really believe that those who concentrate power and money are losing sleep over it?

The famous 1% doesn�t need the 99% to live well. What it needs is to maintain its status. And that doesn�t depend on whether you or I have a job, but on staying on top. Money matters, sure, but power matters more. And power is not handed out out of goodwill.

Sometimes we think they�ll �have to find a solution�, otherwise the system will collapse. But maybe not. Maybe the system doesn�t collapse: it just becomes smaller and more closed. Fewer people inside, more people left outside.

It�s not a new idea. It�s been in countless movies: walled cities, elites living comfortably with every service available, and outside� whatever�s left. Survival, precariousness, chaos.
It�s always felt like science fiction. But so did many things we now consider completely normal.

So maybe the real question isn�t whether AI is going to take our jobs. The real question is: do the people in charge actually care if it does?
And the honest answer isn�t very optimistic.

Think about it.

And to make it easier to digest, I�m sharing AI-generated images with you. It�s not all bad.



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The human centipede returns.

The scene belongs to the porn parody The Human Sexipede.

The acting weight falls on actresses Jynx Maze and Sunny Lane. In the following links you can watch several scenes they�ve starred in throughout their film careers.

Jynx Maze porn videos

Sunny Lane porn videos




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Published on 2026/01/14
THE INSTAGRAM OF THE DAY: SARAAHLLOYD

sarah lloyd
im australian so i have more fun ❀♡



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Hypnotized by Angela White.

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Published on 2026/01/14
NO ONE CAN STOP THEM

These driverless vans starting to pop up around China have something deeply unsettling about them. Not so much because they look futuristic, but because they don�t seem to understand the concept of braking. They just do their thing. Period.

You see them crossing pothole-filled roads without slowing down, bouncing along as if the ground didn�t exist. There�s no hesitation, no adjustment, none of that very human instinct of �maybe I should take this slower.� The algorithm has decided to move forward, and forward it goes.
In another clip, one of them is dragging a motorbike stuck underneath. It doesn�t stop. It doesn�t react. It keeps going as if hauling a motorcycle were a minor detail. In another scene, it drives straight onto a freshly poured concrete street, still soft. The cement gives way, the van doesn�t. It doesn�t understand the mistake because it doesn�t understand the context.

And that�s where the video stops being just funny and starts getting unsettling. Because what makes you laugh isn�t clumsiness, but the total absence of human judgment. There�s no improvisation, no common sense, no sense of �this isn�t the moment.� Just an instruction being carried out to the very end.



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Today�s slow-motion moment.

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