Anish Kapoor
Image
  • ImageNon-Object Black,
  • ImageSCAD Museum of Art,
  • ImageApple Red and Magenta,
  • ImageThe Brooklyn Rail 10.12.2025,
  • ImageJewish Museum 2025–2026,
  • ImageBBC Newshour 13.11.2025,
  • ImageBrandy Wine to Clear,
  • ImageThe New York Times 24.10.2025,
  • Image24.10.2025,
  • ImageNon-Object Black,
  • ImageHyperallergic 22.10.2025,
  • ImageMonte Sant’Angelo Subway Station,
  • ImageArk Nova – Lucerne Festival,
  • ImageIridescent Pink,
  • ImageAnish Kapoor: Dissolving Margins 19.08.25,
  • ImageBUTCHERED,
  • ImageThe Guardian 14.08.2025,
  • ImageChannel 4 News 14.08.2025,
  • ImageGold to Burgundy over Gold Satin,
  • ImageUntitled,
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  • ImageCidade Matarazzo 2024–2025,
  • ImageLisson Gallery 2024–2025,
  • ImagePurple to Clear,
  • ImageUntitled,
  • ImageLaser Red Mix to Clear,
  • ImageTime Out Bangkok 08.11.2024,
  • ImageUntitled,
  • ImageARKEN Museum of Contemporary Art 2024,
  • ImageUntitled,
  • ImageLiverpool Cathedral 2024,
  • ImageBlinded by Eyes, Butchered by Birth,
  • ImageCobalt Blue over Silver Satin,
  • ImageArt to the Polls,
  • ImageMagenta to Clear,
  • ImageSister Room,
  • ImageSaint,
  • Image24.03.2024,
  • ImageVoid Pavilion VII,
  • ImagePalazzo Strozzi 2023–2024,
  • ImageUntitled,
  • ImageBlack,
  • ImageLacan, The Exhibition 2023–2024,
  • ImageUntitled,
  • ImageLisson Gallery 2023,
  • ImageHeaven,
  • ImageOut of the Dark,
  • ImageOpera Today 23.11.2023,
  • ImageFurnace,
  • ImageMipa 5 to Cobalt Blue over Silver,
  • ImageSmithsonian 25.10.2023,
  • ImageKukje Gallery 2023,
  • ImageDark Brutal,
  • ImageNo More,
  • ImageNew Red to Dark,
  • ImageRegen Projects 2023,
  • ImageNon-Object Black,
  • ImageUntitled,
  • ImageTurning the World Upside Down,
  • ImageDeath of the Artist,
  • ImageAscension,
  • ImageCentre of Polish Sculpture in Orońsko 2022–2023,
  • ImageBlood in the Sky II,
  • Image08.02.2023,
  • ImageNon-Object (Oval),
  • ImageVertical Abyss,
  • ImageGod’s Advice to Adam III,
  • ImageDark Mipa 5 to Mipa 5,
  • ImageCorriere della Sera 13.12.2022,
  • ImageSkulpturen-Park Waldfrieden 2022–2023,
  • ImagePregnant White Within Me,
  • ImageBina,
  • ImageUntitled,
  • ImageNot the Thing Itself (But the Lessons Learned About It),
  • ImageSky Below,
  • ImageUntitled,
  • ImageGallerie dell’Accademia di Venezia & Palazzo Manfrin 2022,
  • ImageMount Moriah at the Gate of the Ghetto,
  • ImageBlood in the Sky,
  • ImageUntitled,
  • ImageBetween the No Longer and the Not Yet,
  • ImageThe New Yorker 15.08.2022,
  • ImageGod’s Advice to Adam II,
  • ImageUntitled,
  • ImageUntitled,
  • ImageHidden Mirror / Shulamite and Lajja Gauri,
  • ImageThe Benighted II,
  • ImageThe Benighted,
  • ImageShudder III,
  • ImageShudder II,
  • ImageShudder,
  • ImageNuméro 02.05.2022,
  • ImageSplit in Two Like a Fish for Drying,
  • Let me be frank. When I got the invitation to write something about Anish Kapoor’s art, my reaction was what…

    Outside our Sleepwalking by Carlo Rovelli,
  • Image07.03.2022,
  • ImageEin Sof,
  • Image03.03.2022,
  • ImageSolidarity with Ukraine,
  • ImageFinancial Times 25.02.2022,
  • ImageModern Art Oxford 2021–2022,
  • ImageGod’s Advice to Adam,
  • ImageUntitled,
  • ImageBody,
  • ImageUntitled,
  • ImageIn conversation with Ai Weiwei,
  • ImageCommanderie de Peyrassol 2021,
  • ImageIn-between II,
  • ImageLiberal Jewish Synagogue 2021,
  • ImageBlack,
  • ImageBabel,
  • ImageTanztheater Wuppertal 2021,
  • ImageLisson Gallery 2021,
  • ImageThe Guardian 30.09.2021,
  • ImageGate III,
  • ImageDiana Blackened Reddened,
  • ImageOh Mother, Tell Me My Life Again,
  • ImageThe Night Encloses,
  • ImageShenzhen Museum of Contemporary Art and Urban Planning – MoCAUP 2021,
  • Image25.05.2021,
  • ImageBlack Absence,
  • ImageJaipur Literature Festival 09.03.2021,
  • ImageShedding,
  • ImageThe Bangkok Art Biennale,
  • ImageBlackness From Her Womb,
  • Image12.12.2020,
  • ImageConcave Convex Mirror (Diamond),
  • ImageThe Shadowed,
  • ImageHOWL,
  • Image03.11.2020,
  • ImageHoughton Hall 2020,
  • ImageCave,
  • ImageThe world trembles when I retrieve from my ancient past what I need to live in the depths of myself,
  • ImageFirst and Last,
  • ImageThe Innocents,
  • ImageArt21: London. Anish Kapoor,
  • ImageSelf-Made,
  • ImageGlow for Maggie,
  • ImageProsthetic II,
  • ImageCombusted Self,
  • ImageMy Terrible Insides,
  • ImageAll There Under My Skin III,
  • ImageTable of Law,
  • ImageChannel 4 News 09.07.2020,
  • ImageThe Guardian 09.07.2020,
  • ImageUntitled,
  • ImageIn conversation with Yanis Varoufakis,
  • ImageYellow to Spanish and Pagan Gold mix,
  • ImageUluru & Kata Tjuta,
  • ImageThe Unremembered,
  • ImageBlack Lives Matter,
  • ImageUntitled,
  • ImageDumped,
  • ImageThe Guardian 14.03.2020,
  • ImageRegen Projects 2020,
  • MD Marcello Dantas AK Anish Kapoor MD A catalogue raisonné of Anish Kapoor could very well work as a physics…

    In conversation with Marcello Dantas,
  • ImageThe Guardian 12.02.2020,
  • ImageCAFA Art Museum / Imperial Ancestral Temple 2019–2020,
  • Image07.02.2020,
  • ImageYellowcholia IV,
  • ImageCGTN 16.12.2019,
  • ImageApep,
  • ImageYellowcholia V,
  • ImageGrave,
  • ImageUntitled,
  • ImageVoid Longings IV,
  • ImageNewborn,
  • ImageWhitehot Magazine 18.11.2019,
  • ImageOrgan,
  • ImageNon-Object Black,
  • ImageFlow Red,
  • ImageTsunami,
  • ImageApple Red and Lime mix to Purple Candy satin,
  • ImageLisson Gallery 2019,
  • ImageOriental Blue and Black Mist satin,
  • A continuous trope runs through Fernando Pessoa’s Book of Disquiet, of dreaming. To read Pessoa’s evocative fragments is to feel…

    Materialising the unthought known: Reflections on the work of Anish Kapoor by Christopher Bollas,
  • ImageUntitled,
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  • ImagePitzhanger Manor and Gallery 2019,
  • Image27.08.2019,
  • ImageRed 2 mix to Cobalt Blue,
  • ImageGushing,
  • ImageNaked,
  • ImageUntitled,
  • ImagePortrait of Pink,
  • ImagePortrait of Pink II,
  • ImageSacrifice,
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  • ImageApple Magenta mix 2 and Brandy Wine satin mist,
  • ImageCorpartes 2019,
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  • ImageShade,
  • ImageLisson Gallery 2019,
  • ImageBleed,
  • ImageArtnet 17.05.2019,
  • ImageGalerie Klüser 2018,
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  • ImageThe Guardian 03.04.2019,
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  • ImageBlack Fold,
  • ImageThe Guardian 13.03.2019,
  • ImageDouble S-Curve,
  • ImageRed/Black Mist Magenta,
  • ImageUntitled,
  • ImageVictory over the NRA,
  • ImageBeppu Park 2018,
  • ImageVoid Pavilion VI,
  • ImageMit dem Handstumpf gefundenes Leben,
  • ImageNamibia XIV,
  • ImageSomething Like Her,
  • images as objects, – objects as images

    Images as objects,
  • ImageKnot,
  • ImageUntitled,
  • ImageRitual Dark,
  • ImageRed ²,
  • ImageCovered,
  • Image03.09.2018,
  • ImageBlood Hole,
  • ImageSymphony for a Beloved Daughter,
  • ImageLanguage of Birds,
  • ImageOut of Me,
  • ImageTrans–parence,
  • ImageThe Unmade VI,
  • ImageRed Haze,
  • ImageSerralves 2018,
  • ImageOpen Secret,
  • ImageA Blackish Fluid Excavation,
  • ImageWhat Bodies Do,
  • ImagePUNKT Ø Galleri F 15 2018,
  • ImageUntitled,
  • ImageKamel Mennour 2018,
  • ImageBlood Solid,
  • ImageGalleria Continua 2018,
  • ImageClear/Red to Pagan Gold satin,
  • ImageMatter Apart,
  • ImageInto Yourself, Fall,
  • ImageAnother (M)Other,
  • ImageMound,
  • ImageWashington Post 12.03.2018,
  • ImageOpen letter on the NRA’s unauthorised use of Cloud Gate,
  • ImageUntitled,
  • ImageMagenta to Spanish Gold and Pagan Gold,
  • ImageRectangle Within a Rectangle,
  • ImageUntitled,
  • ImageUntitled,
  • ImageCobalt Blue to Oriental Blue and Silver base with Mipa Blue no.5,
  • ImageMonochrome Grave Red,
  • ImageUntitled,
  • ImageReach,
  • Image#thebean,
  • ImageMAST Foundation 2017–18,
  • ImageSaint–Étienne Métropole 2017–2018,
  • ImageUntitled,
  • ImagePurple to Pagan Gold,
  • ImageMirror ɹoɹɹᴉW,
  • ImageRed to Purple,
  • ImageTurning Blue to Red,
  • ImageUntitled,
  • ImageSplit (Oriental Blue / Ferrari Red),
  • ImageMonte Sant’Angelo Station – Universitá,
  • ImageUntitled,
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  • ImageArk Nova Tokyo 2017,
  • ImageSky Mirror (for Hendrik),
  • ImageUntitled,
  • ImageShadow Self,
  • ImageInvolute,
  • ImageUntitled,
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  • ImageShadow,
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  • ImageParque de la Memoria 2017,
  • ImageTongue,
  • ImageDestierro,
  • ImageARTnews 25.05.2017,
  • ImageThe New School 2017,
  • ImageBrooklyn Bridge Park 2017,
  • ImageLisson Gallery 2017,
  • ImageUntitled,
  • ImageAnother (M)Other III,
  • ImageGoddess as a Girl,
  • ImageUntitled,
  • ImageSplit (Matt Black),
  • ImageGalleria Massimo Minini 2017,
  • ImageMipa Blue to Wild Cherry and Black,
  • ImageStudio,
  • ImageUntitled,
  • Image10.03.2017,
  • ImageStackhouse,
  • ImageOriental Blue to Purple to Laser Red,
  • ImageUntitled,
  • ImageI like America and America doesn’t like Me,
  • ImageHolocaust Memorial 2017,
  • ImageGalleria Continua 2016,
  • ImageStackhouse,
  • ImageSCAI The Bathhouse 2016,
  • ImageMuseo d’Arte Contemporanea 2016,
  • Image27.11.2016,
  • ImageRandom Triangle Mirror,
  • ImageIt Gleamed Like Blood,
  • ImageWrap,
  • ImageBetween Two Deaths,
  • ImageMuscular,
  • ImageHung,
  • ImageI looking in at me,
  • ImageKukje Gallery 2016,
  • ImageGagosian 2016,
  • ImageSeep,
  • ImageSky Mirror, Blue,
  • ImageNuit Blanche 2016,
  • ImageUntitled,
  • ImageOral,
  • ImageFetish Body Inside Out,
  • ImageFirst Milk,
  • ImageTrophy,
  • ImageUnborn,
  • ImagePot Shadow,
  • ImageUntitled,
  • ImageMipa Blue to Cobalt Blue,
  • ImageHysterical Sexual,
  • ImageHidden,
  • ImageGauze,
  • ImageMuseo Universitario Arte Contemporáneo 2016,
  • ImageGladstone Gallery 2016,
  • ImageLisson Gallery 2016,
  • ImageENO 2016,
  • ImageInside,
  • ImageShade,
  • ImageCollège de France 2016,
  • ImageOoze,
  • ImageMother Rising,
  • ImageTongue Memory,
  • ImageThree Days of Mourning,
  • ImageMother, Mother,
  • ImagePlace Under,
  • ImageUntitled,
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  • ImageMist on the Mountain,
  • ImageIn,
  • ImageRed to Blue,
  • ImageUntitled,
  • ImageHorizon Red,
  • ImageCobalt Blue to Wild Cherry,
  • ImageUntitled,
  • ImageLady Chrysanthe,
  • ImageBleed,
  • ImageShe Begins,
  • ImageToday you will be in paradise,
  • ImageUntitled,
  • ImageRed Images–In the Red,
  • ImageMirror (Matt Black),
  • ImageShe Wolf,
  • ImageTo a Mouth,
  • ImageUntitled,
  • ImageCone Shadow,
  • ImageTongue,
  • ImageLuna,
  • ImageUntitled,
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  • ImageUntitled,
  • ImageMirror (Neon Red/Orange),
  • ImageUntitled,
  • ImageUntitled,
  • ImageStone Saddle,
  • ImageTransparent Skin,
  • ImageBull / Moon,
  • ImageUntitled,
  • ImageMonochrome (Apple Red Candy),
  • ImageUntitled,
  • ImageBowl Shadow,
  • ImageApple Shadow,
  • ImageBlack and Garnet,
  • ImageClip,
  • ImageUntitled,
  • ImageHer Body in Violet Mist,
  • ImageHer Body in Alizarin Mist,
  • ImageHeavenly Body,
  • ImageFirst Covering,
  • ImageFlayed II,
  • ImageFlayed,
  • ImageStretch,
  • ImageShe Wolf,
  • ImageUntitled,
  • ImageWho is the Audience?,
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  • ImageRijksmuseum 2015,
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  • ImageHirshhorn Museum and Sculpture Garden 2015,
  • ImageWeight,
  • ImageArk Nova Fukushima Japan. 2015,
  • Image09.10.2015,
  • ImageJewish Museum and Tolerance Centre 2015–2016,
  • ImageUntitled,
  • ImageWalk with Ai Weiwei 17.09.2015,
  • ImageUntitled,
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  • ImageUntitled,
  • ImageCorner to Corner,
  • ImageCouvent de La Tourette 2015–2016,
  • ImageUntitled,
  • ImageIn-Form,
  • ImageUntitled,
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  • JK: The French public discovered your work on the occasion of the 2011 Monumenta at the Grand Palais. Your Leviathan…

    Blood and Light. In conversation with Julia Kristeva,
  • ImageBBC News 19.06.2015,
  • ImageJudith Benhamou-Huet 05.06.2015,
  • ImageSectional Body preparing for Monadic Singularity,
  • ImageNon-Object Black,
  • Cut end. Suck my Breast

    Cut End,
  • ImageMonochrome (Planet Green),
  • ImageUntitled,
  • ImageStudio,
  • ImageGladstone Gallery 2015,
  • ImageBBC News 09.04.2015,
  • ImageLisson Gallery 2015,
  • ImageGalleria Continua 2015,
  • ImageChâteau de Versailles 2015,
  • ImageDirty Corner 19.06.2015,
  • ImageDirty Corner 06.09.2015,
  • “We live in a fractured world. I've always seen it as my role as an artist to attempt to make…

    Opening of the 13th Lyon Biennale. 09.09.2015,
  • ImageCBC Radio 15.12.2015,
  • ImageUntitled,
  • ImageStave (Red),
  • ImageRegen Projects 2015,
  • ImageUntitled,
  • ImageUntitled,
  • ImageGossamer,
  • ImageDirty Corner,
  • ImageDisrobe,
  • ImageIn-between,
  • ImageInternal Object in Three Parts,
  • ImageKochi-Muziris Biennale 2014–2015,
  • ImageGabriel, the Angel, stops and listens to the silence of the cave,
  • ImageKeriah II,
  • Image2014,
  • ImageShedding,
  • ImageUntitled,
  • ImageDeliverance,
  • ImageUntitled (Midnight Blue),
  • ImageKeriah,
  • ImageUntitled,
  • ImageTunnelling Shadow,
  • ImageUntitled,
  • ImageShadow Stone,
  • ImageUntitled,
  • ImageOrbit. In conversation with Tim Marlow,
  • ImageBBC Radio 4 23.09.2014,
  • ImageUntitled,
  • ImageGathering Clouds I-IV,
  • ImageLike an Ear,
  • ImageGrunt,
  • ImageAlice, Double Circle,
  • ImageUntitled,
  • ImageUntitled,
  • ImageOutside In,
  • ImageUntitled,
  • ImageUntitled,
  • Image21.02.2014,
  • ImageKeriah III,
  • ImageKamel Mennour 2014,
  • ImageArk Nova Sendai Japan 2014,
  • ImageUntitled,
  • ImageGold Corner,
  • ImageDescension,
  • ImageThe Guardian 05.04.2014,
  • ImageUntitled,
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  • ImageStave,
  • ImageUntitled,
  • ImageGlove,
  • ImageYou Instructed Me Oh Mother,
  • ImageUntitled,
  • ImageUntitled,
  • ImageBlood Mirror IV,
  • ImageMonochrome (Maroon),
  • ImageNon-Object (Oval Twist),
  • ImageSplodge,
  • ImageUntitled,
  • ImageCurtain,
  • ImageSakip Sabanci Museum 2013–2014,
  • ImageUntitled,
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  • ImageBlind,
  • ImageSplush,
  • ImageÉcorché,
  • ImageStick Men I–X,
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  • ImageUntitled,
  • ImageSophia,
  • ImageIn Their Nakedness,
  • ImageArk Nova,
  • ImageHuffington Post 20.02.2013,
  • ImageMCA Sydney 2012–2013,
  • ImageResin,
  • ImageSymphony for a Beloved Sun,
  • ImageMartin-Gropius-Bau 2013,
  • ImageInstalling Ark Nova,
  • ImageStone,
  • ImageGalleria Continua 2013,
  • ImageSplat,
  • Image16.01.2013,
  • ImageUntitled,
  • ImageUntitled,
  • ImageNon-Object (Square Twist),
  • ImageCosmobiology,
  • ImageUntitled,
  • Image1st Body,
  • ImageGethsemane,
  • ImageThe Guardian 31.10.2013,
  • ImageArk Nova,
  • ImageSymphony for a Beloved Sun,
  • ImageApocalypse and Millennium,
  • ImageThe Guardian 15.05.2013,
  • ImageStench,
  • ImageUntitled,
  • ImageRed Display,
  • ImageOvaries of the Jewess,
  • ImageUntitled (Corner Void),
  • ImageAll Inside Myself,
  • ImageGangnam for Freedom 2012,
  • ImageIn the Shadow of the Tree and the Knot of the Earth I–XIII,
  • ImageUntitled,
  • ImageDeposition,
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  • ImageIron Sky,
  • ImageFragment II,
  • ImageEarth Sky on Red Ground,
  • ImageUntitled,
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  • ImageInner Beauty,
  • ImageTwo Blues,
  • ImageRobe,
  • ImageFoetal,
  • ImageUntitled,
  • ImageSurf,
  • ImageUntitled,
  • ImageMonochrome (Purple Matt),
  • ImageUntitled,
  • ImageLost,
  • ImageUntitled,
  • ImageInner Stuff,
  • ImageThe Adventures of Anish Kapoor Olympic Saviour,
  • ImageDissection,
  • ImageUntitled,
  • ImageUntitled,
  • ImageGa Gu Ma,
  • ImageErosion,
  • ImageNew York Times 01.06.2012,
  • ImageUntitled,
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  • Image17.05.2012,
  • ImageUntitled,
  • ImageThe Guardian 11.05.2012,
  • ImageKeriah IV,
  • ImageHollow,
  • ImageCopper Sky,
  • ImageUntitled,
  • Fear of the dark, threatening cave. Desire to see if it contains some miraculous thing.

    Fear,
  • ImageBronze Sky,
  • ImageGladstone Gallery 2012,
  • ImagePinchuk Art Centre 2012,
  • ImageHet Muziektheater 2012,
  • ImageInstalling Orbit,
  • ImageBreathing Object,
  • ImageEquipe,
  • ImageYorkshire Sculpture Park 2012,
  • ImageLisson Gallery 2012,
  • ImageIn the shadow of the tree and the knot of the earth,
  • ImageStudio timelapse,
  • ImageDe Pont Museum of Contemporary Art 2012–2013,
  • ImageAnish Kapoor Objects,
  • ImageLeeum, Samsung Museum of Art 2012–2013,
  • ImageChannel 4 News 07.12.2012,
  • ImageUntitled,
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  • ImageDouble Vertigo,
  • ImageDouble Vertigo,
  • ImageSpittle,
  • ImageIntersection,
  • ImageA Ghosts Endeavour,
  • ImageShine,
  • ImageCave,
  • ImageInnocent Blood,
  • ImageOrgan,
  • ImageOrbit,
  • ImageOrbit,
  • ImageActs of Mercy,
  • Image20.11.2011,
  • ImageHain,
  • ImageMonochrome (Pink and Cherry over Silver Pink),
  • ImageEarth Sky III,
  • ImageUntitled,
  • ImageUntitled,
  • ImageMonochrome (Apple Red and Candy over Black),
  • ImageUntitled,
  • Image3-Curve Shadow,
  • ImageC-Shadow,
  • ImageKensington Gardens 2010–2011,
  • Past and future gone.  

    Past and future,
  • ImageVirtual Svayambhu,
  • ImageDharavi 2011,
  • ImageFlesh (detail),
  • ImageLeviathan,
  • ImageManchester Art Gallery 2011,
  • Image12.11.2010,
  • ImageBBC News 10.05.2011,
  • ImageGrand Palais 2011,
  • ImageLeviathan,
  • ImageKamel Mennour 2011,
  • ImageThe Creators Project,
  • ImageChapelle des Petits-Augustin, École Nationale Supérieure des Beaux-Arts 2011,
  • ImageOrbit from memory,
  • ImageCement room,
  • ImageRotonda di via Basana 2011,
  • ImageLeporello,
  • ImageBasilica di San Giorgio Maggiore 2011,
  • ImageNottingham Castle 2011–2012,
  • ImageDirty Corner,
  • Almost human. Sucking in spitting out. suck All But human

    Almost,
  • ImageDeath of Leviathan,
  • ImageThe World According to Anish Kapoor,
  • ImageRolex Mentor & Protégé Arts Initiative,
  • ImageUntitled,
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  • ImageBetween Shit and Architecture,
  • ImageDirty Corner,
  • ImageLeviathan,
  • ImageThe Guardian 03.03.2011,
  • ImageLeporello,
  • ImageSketchbook,
  • ImageUntitled,
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  • ImageThrown Between Him and Her,
  • ImageDisc,
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  • ImageUnder the Edge of the World,
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  • Kensington Gardens has just got bigger. The installation of four of Anish Kapoor’s reflective stainless steel sculptures has suddenly opened…

    Turning the World Upside Down by Darian Leader,
  • ImageUntitled,
  • ImageGold Wave,
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  • ImagePurple Wave,
  • ImageUntitled,
  • ImageSCAI the Bathhouse 2010,
  • ImageUntitled,
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  • ImageGuggenheim Bilbao 2010,
  • ImageBBC News 10.6.2010,
  • ImageStoneyard,
  • ImageIsrael Museum 2010,
  • ImageSketchbook,
  • AK Anish Kapoor AR Andrea Rose GH Greg Hilty AR Starting at the beginning, can you tell me, what was…

    In conversation with Greg Hilty and Andrea Rose,
  • The mind is a treacherous archive. If you ask it for one image, it hands you another; the narrative it…

    The Mind Viewing Itself by Nancy Adajania,
  • ImageAnish Kapoor दिल्ली, मुंबई,
  • ImageNGMA New Delhi 2010–2011,
  • ImageMehboob Studios 2010–2011,
  • ImageBBC News 29.11.2010,
  • ImageThe Institute of Psychoanalysis 2010,
  • Brutal thing to do. Dark before dawn Dark, woman Groan Her Blood.     folds furrow       Burial…

    Brutal,
  • ImageTemenos flickr,
  • Image21.01.2010,
  • ImageUntitled,
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  • ImageUntitled,
  • ImageTemenos,
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  • ImageUntitled,
  • ImageAscension (Red),
  • ImageUntitled,
  • ImageUntitled,
  • ImageSketchbook,
  • ImageUntitled,
  • ImageThe Guardian 27.11.2010,
  • ImageTemenos,
  • ImageNon-Object (Plane),
  • ImageTurning the World Upside Down,
  • ImageTurning the World Upside Down (Gold),
  • ImageHex Mirror,
  • ImageUntitled,
  • ImageImagine…,
  • ImageNon-Object (Mirror),
  • ImageUntitled,
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  • ImageWave Torus Horizon,
  • ImageWave Torus Red,
  • ImageWave Torus Blue,
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  • ImageUntitled,
  • ImageBi,
  • ImageUntitled,
  • ImageBrighton Festival 2009,
  • ImageMAK Vienna 2009,
  • ImageGuggenheim New York 2009,
  • ImageCloud Gate flickr,
  • ImageC-Curve timelapse,
  • ImageInfinity on Trial–The making of Dismemberment Site I,
  • ImageRoyal Academy of Arts 2009,
  • ImageAl Jazeera,
  • ImageLisson Gallery 2009,
  • ImageBBC News 28.11. 2009,
  • ImageInstalling Temenos,
  • ImageSky Mirror,
  • ImageTall Tree and the Eye Google,
  • ImageWith a Past,
  • ImageUntitled,
  • ImageHive,
  • ImageImagined Monochrome,
  • ImageDirty Corner,
  • ImageShooting into the Corner,
  • ImageThe Guardian 03.05.09,
  • ImageUntitled,
  • ImageThe Guardian 29.4.2009,
  • ImageThe Guardian 3.12.2009,
  • ImagePush Pull II,
  • ImageTall Tree and the Eye,
  • ImageSky Mirror,
  • ImageSlug,
  • Image56 Leonard Street,
  • ImageDismemberment of Jeanne d’Arc,
  • ImageDismemberment, Site I,
  • ImageSky Mirror, Red,
  • ImageUntitled,
  • ImageDeutsche Guggenheim 2008,
  • ImageSketchbook,
  • ImageMemory,
  • ImageUntitled,
  • ImageCement printing,
  • ImageNational Theatre 2008,
  • In 1997, I described globalization to some European philanthropists as: 'achieved by the imposition of the same system of exchange…

    Signs and Trace by Gayatri Chakravorty Spivak,
  • ImageIslamic Mirror,
  • Image21.11.2008,
  • ImageHorizon,
  • ImageUntitled,
  • ImageUntitled,
  • ImageRIBA 2008,
  • ImageScreen,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageThe Guardian 8.11.2008,
  • ImageLa Monnaie, Brusells 2008,
  • ImageKukje Gallery 2008,
  • ImageICA Boston 2008,
  • NB You were born and raised in India before going to art school in London, where you have lived ever…

    In conversation with Nicholas Baume,
  • ImagePop,
  • ImageIn Out (Red),
  • ImageUntitled,
  • Bag stomach nest sin Brutal dawn Furrow groan cloak

    Bag,
  • ImageNon-Object (Pole),
  • ImageNon-Object (Door),
  • ImageDrip,
  • ImageUntitled,
  • ImageUntitled,
  • ImageHex Hex,
  • ImageDrop,
  • ImageUntitled,
  • ImageMars,
  • ImageJupiter Artland,
  • ImageDouble Corner,
  • ImageCloud Gate,
  • ImageHere For Alba,
  • ImageGladstone Gallery 2008,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageThe farm,
  • ImageOctagons and Squares,
  • ImageUntitled,
  • ImageBlood Stick,
  • ImageUntitled,
  • ImageShadow Corner,
  • ImageShooting into the Corner,
  • ImageGreyman Cries, Shaman Dies, Billowing Smoke, Beauty Evoked,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageGold Mirror,
  • ImageUntitled,
  • ImageShelter,
  • ImageBrandy Wine,
  • ImageHexagon Mirror,
  • ImageFlower,
  • ImageGalleria Continua 2007,
  • ImageThe Journey 2007,
  • ImageTwo Holes,
  • ImageStack,
  • ImageSvayambhu timelapse,
  • ImageUntitled,
  • ImageHaus der Kunst 2007,
  • ImageNon-Object (Spire),
  • ImageUntitled,
  • ImageC–Curve,
  • ImageDouble Hexagon,
  • ImageUntitled,
  • ImageHexagon Mirror,
  • ImageCyan to Purple,
  • ImageSpace as an Object,
  • ImageI Have Places Like These, You Have Places Like These,
  • ImageIn Out,
  • ImageStates of Limbo,
  • ImageLaboratory for a New Model of the Universe,
  • ImageUntitled,
  • ImageArchaeology and Biology,
  • ImageModels for Svayambhu,
  • ImageForklift,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageCorner Piece,
  • ImageChina Landscape,
  • ImageBlock of Light,
  • ImageGladstone Gallery 2007,
  • ImageUntitled,
  • ImageGrey Landscape Mirror,
  • ImageSpire and Chasm,
  • ImageSvayambhu,
  • ImageUntitled,
  • ImageUntitled,
  • ImageMusée des Beaux-Arts de Nantes 2007,
  • ImageRoll Deep,
  • ImageThe New York Times Monday July 30th 2007,
  • ImageUntitled,
  • ImageDismemberment, Site I,
  • ImageVertigo,
  • ImageCentro Cultural Banco do Brasil 2006,
  • MD Marcello Dantas AK Anish Kapoor Formalist MD In an age that art expression is highly motivated by personal or…

    In conversation with Marcello Dantas,
  • ImageDark Brother,
  • ImageTo Divide,
  • ImageBuckets,
  • ImageUntitled,
  • ImageHonshu,
  • ImageBlood Relations,
  • ImageUntitled,
  • ImageInwendig Volle Figur,
  • ImageLisson Gallery 2006,
  • ImageMarsupial,
  • ImagePublic Art Fund,
  • ImageHalo,
  • ImageCloud Column,
  • ImageThe New York Times 20.08.2006,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageGrey With a Little Bit of Yellow,
  • ImageIn Out,
  • ImageKusa,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImagePouch,
  • ImageUntitled,
  • ImageUntitled,
  • ImageSky Mirror,
  • ImageS–Curve,
  • ImageGreen to Purple,
  • ImageUntitled,
  • ImageCAC Málaga 2006,
  • ImageRegen Projects 2006,
  • ImageTurning the World Upside Down (Blue),
  • ImagePast, Present, Future,
  • ImageUntitled,
  • ImageBlue to Red on Blood Red,
  • ImageThe Guardian 23.09.2006,
  • ImageWax models,
  • ImageMirror Heaven, Void Hell,
  • ImageFragment,
  • ImageWhite Dark XIII,
  • ImageUntitled,
  • ImageDark Brother,
  • In a moment of Terror from the dark Darkness and order Tomb Tomb and womb Tomb/womb

    In a moment,
  • ImageUntitled,
  • ImageUp Down Shadow,
  • ImageUntitled,
  • ImageMoon Shadow,
  • ImageStudio,
  • ImageV-Shadow,
  • ImageUntitled,
  • ImageUntitled,
  • ImageMurasaki,
  • ImageKon (Syphon Mirror),
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageMound,
  • ImageUntitled,
  • ImageUntitled,
  • ImageNegative Box Shadow,
  • ImageTail Pavilion,
  • ImageUnderground,
  • ImageElephant,
  • ImageUnderground,
  • Objects that Bleed

    Objects,
  • ImageUntitled,
  • ImageUntitled,
  • ImageArena,
  • ImageSister,
  • ImageVortex,
  • ImageUntitled,
  • Be Nothing

    Be,
  • ImageGlow,
  • ImageUntitled,
  • ImageWhite Dark XII,
  • ImageUntitled,
  • ImageMonte Sant’Angelo Station – Traiano,
  • ImageEight Eight,
  • ImageDouble Vortex,
  • ImageUntitled,
  • ImageLeviathan,
  • ImageUntitled,
  • ImageMelancholia,
  • ImageUntitled,
  • ImageUntitled,
  • ImageMACS 2004–2005,
  • ImageUntitled,
  • ImageParkett 69 2004,
  • ImageKissing Bridge,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageAima,
  • ImageUntitled,
  • ImageUntitled,
  • ImageSack,
  • ImageDouble,
  • ImageUntitled,
  • ImageUntitled,
  • ImageImplant,
  • ImageBlade,
  • ImageSpire,
  • ImageCarousel,
  • ImageUntitled,
  • White limbs dark cave double valley­

    White limbs,
  • ImageBridge,
  • ImageWidow,
  • ImageOval Transposed Through 90°,
  • ImageBarbara Gladstone Gallery 2004,
  • ImageRed Solid,
  • ImageCloud Gate,
  • ImagePaul Neagu 28.06.2004,
  • ImageCloud Gate,
  • ImageWhiteout,
  • ImageL’Origine du monde,
  • ImageGrace,
  • ImageL’Origine du monde,
  • ImageUntitled,
  • ImageUntitled,
  • ImageWhite Dark XI,
  • ImageExtreme,
  • ImageDouble Mirror,
  • ImageMama,
  • ImageUpside Down / Inside Out,
  • ImageSketchbook,
  • ImageSketchbook,
  • ImageKunsthalle Erfurt im Haus Zum Roten Ochsen 2003,
  • ImagePillar,
  • ImageOde to Peter,
  • ImageIshi’s Light,
  • ImageKukje Gallery 2003,
  • ImageUntitled,
  • ImageLisson Gallery 2003,
  • ImageImagine Blue,
  • ImageUntitled,
  • ImageUntitled,
  • ImageAscension,
  • ImageUntitled,
  • ImageUntitled,
  • ImageIndia Wound,
  • ImageWound III,
  • ImageGalleria Continua 2003,
  • ImageSketchbook,
  • ImageThe World Turned Outside In,
  • ImageWave,
  • ImageMollis,
  • ImageThe Guardian 7.5.2003,
  • ImageMountain with Sun and Moon,
  • ImagePool,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • Space is a living entity.

    Space,
  • ImageWound I,
  • ImageDevotion,
  • ImageSan Gennaro,
  • ImagePhantasma,
  • ImageUntitled,
  • ImageMama,
  • ImageAfter Marsyas,
  • ImageUntitled,
  • ImageUntitled,
  • ImageNational Archaeological Museum 2003–2004,
  • ImageUntitled,
  • ImageUntitled,
  • ImageLevitation,
  • ImageShrine,
  • ImageJust Now, Space Becoming an Object,
  • ImageCorona,
  • ImageRed Solid,
  • ImageMy Red Homeland,
  • ImageKunsthaus Bregenz 2003,
  • ImageGlyndebourne 2003,
  • ImageTurning Water into Mirror Blood Into Sky,
  • ImageMy Red Homeland III,
  • ImageVertical ⁄ Horizontal Pavilion,
  • ImageUntitled,
  • ImageAlba,
  • ImageStill Turned Upside Down,
  • ImageUntitled,
  • ImageUntitled,
  • ImageWhite Dark X,
  • ImageWhite Dark IX,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageTorus,
  • ImageUntitled,
  • Anish Kapoor met with Heidi Reitmaier to talk about the third in the Unilever series of commissions for the Turbine…

    In conversation with Heidi Reitmaier,
  • ImageUntitled,
  • ImagePrincess Diana Memorial,
  • ImageRoyal Festival Hall 2002,
  • Notes on the Recent Sculpture of Anish Kapoor by Yehuda E Safran ..Out, out, brief candle! Life's but a walking…

    The Valves of Sensation,
  • ImageStudio,
  • ImageUntitled,
  • ImageUntitled,
  • ImageIn Out,
  • ImageUntitled,
  • ImageUntitled,
  • ImageThe Observer 13.10.2002,
  • ImageMarsyas,
  • ImageUntitled,
  • ImageMarsyas,
  • ImageMarsyas,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • Cloak. Flaying. Martyrdom. Skin. Cannibal.

    Cloak,
  • JT John Tusa AK Anish Kapoor JT When talking about the work of the sculptor Anish Kapoor, you should beware…

    In conversation with John Tusa,
  • ImageFlesh,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageFloating Dawn,
  • ImageTurned Into the Interior,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageMountain,
  • ImageYellow Scrape,
  • ImageUntitled,
  • ImageLiver,
  • ImageBlood,
  • ImageRemember the Mountains,
  • ImageSketchbook,
  • ImageKunsthalle Helsinki 2001,
  • ImageSky Mirror,
  • ImageSpace as an Object,
  • ImageMV,
  • ImageUntitled,
  • ImageDante,
  • ImagePavilion for Salvation Army,
  • ImageTurned Into the Interior,
  • ImageVein,
  • ImageSky Mirror,
  • ImageScheme for South Bank Centre,
  • ImageTowards Marsyas,
  • ImageBlood Mirror II,
  • ImageUntitled,
  • ImageWhite Dark VIII,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageBlood Solid,
  • ImageUntitled,
  • ImageTurned into the Interior,
  • ImageSpace as an Object,
  • Image7 Ways In,
  • ImageUntitled,
  • ImageUntitled,
  • ImageApparitions, Reflections and Dreams,
  • ImageTongue,
  • ImageTurning Water into Mirror, Blood into Sky,
  • ImageRegen Projects 2000,
  • ImageLisson Gallery 2000,
  • ImageStoneyard,
  • ImageBlood Cinema,
  • ImageBlood Solid III,
  • ImageBlood Solid II,
  • ImageBlood,
  • ImageBlood Mirror,
  • ImageStudio,
  • Imagefig-1 2000,
  • ImageForm towards Marsyas,
  • ImageLakshmi,
  • ImageUntitled,
  • ImageImminence,
  • ImageTaratantara,
  • ImageRuby,
  • ImageFor Richard Deacon,
  • ImageCAPC Bordeaux 1998,
  • ImageUntitled,
  • ImageWhite Dark VII,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageMy Body Your Body,
  • ImageUntitled,
  • ImageUntitled,
  • ImageTurning the World Upside Down V,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageSky Mirror,
  • ImageTaratantara 1999–2001,
  • ImageTaratantara,
  • ImageInstalling Taratantara,
  • ImageUntitled,
  • ImageTaratantara,
  • ImageThe South Bank Show,
  • ImageYellow,
  • ImageYellow,
  • ImageSketchbook,
  • ImageUntitled,
  • ImageParabolic Water,
  • ImageAlmost Human,
  • ImageWhite Dark V,
  • ImageApparitions and Reflections and Dreams,
  • ImageAt the Edge of the World II,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageLucio,
  • ImageTurning the Word Upside Down IV,
  • ImageUntitled,
  • ImageLisson Gallery 1998,
  • ImageMillennium Dome project,
  • ImageWounds and Absent Objects,
  • ImageDouble Mirror,
  • Inability to tolerate empty space limits the amount of space available. W.R. Bion, Cogitations ¹ The important thing is that…

    Making Emptiness by Homi K. Bhabha,
  • ImageThe Eye in the Stone,
  • ImageAt the Edge of the World,
  • ImageHayward Gallery 1998,
  • ImageBBC News 04.05.1998,
  • ImageResin, Air, Space II,
  • ImageIris,
  • ImageUntitled,
  • ImageBarbara Gladstone Gallery 1998,
  • ImageSuck,
  • ImageWhite Dark VI,
  • ImageUntitled,
  • ImageHer Blood,
  • ImageResin, Air, Space,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImagePlug,
  • ImageUntitled,
  • ImageIndia,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageMirror,
  • ImageRed Holes To…,
  • ImageBody to Body,
  • ImageCloak,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled (VIII),
  • ImageUntitled,
  • ImageMaking the World Many,
  • ImageIn the Beginning of Form,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled (III),
  • ImageVolterra,
  • ImageUntitled,
  • ImageRed Proverbs,
  • ImageUntitled,
  • ImageIn the Beginning,
  • ImageUntitled,
  • ImageUntitled (VII),
  • ImageBritische Kunst an der Unterelb 1997,
  • ImageUntitled, Untitled, Making the World Many,
  • ImageDrawings,
  • ImageUntitled,
  • ImageUntitled,
  • Shadow dark as pregnant clouds Sink Deeper and deeper

    Shadow,
  • ImageUntitled,
  • ImageGhost,
  • ImageUntitled,
  • ImageThe Shoah Memorial,
  • ImageUntitled (XIX),
  • ImageUntitled,
  • ImageDouble Mirror,
  • ImageUntitled,
  • ImageMountain,
  • ImageTurning the World Upside Down again,
  • ImageFrauenkirche Altarpiece,
  • ImageUntitled,
  • ImageThe Healing of St.Thomas,
  • ImageTurning the World Upside Down III,
  • ImageUntitled,
  • ImageMirror,
  • ImageWounds and Absent Objects,
  • ImagePurple Scrape,
  • ImageUntitled,
  • ImageSketchbook,
  • ImageKunst-Station St Peter 1996,
  • ImageMalmö Konsthall 1996,
  • ImageGalleria Massimo Minini 1996,
  • ImageUntitled,
  • ImageUntitled,
  • ImageMelancholia II (Cube to Sphere),
  • ImageUntitled,
  • ImageUntitled,
  • ImageMountain,
  • ImageUntitled,
  • ImageWhite Dark III,
  • ImageUntitled,
  • ImageUntitled,
  • ImageWhite Dark II,
  • ImageOblivion IV,
  • De Pont, Tilburg, April 1995. The first two works in Anish Kapoor's exhibition are located on two parallel walls in…

    On the sublime in the work of Anish Kapoor by Camile van Winkle,
  • ImageSketchbook,
  • ImageDe Pont Foundation for Contemporary Art 1995,
  • ImageLisson Gallery 1995,
  • ImageStudio,
  • ImageWhite Dark I,
  • ImageMountain,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled VIII,
  • ImageUntitled,
  • ImageEarth Cinema,
  • ImageTurning the World Upside Down II,
  • ImageWhite Dark IV,
  • ImageCloud,
  • ImageTurning the World Inside Out,
  • ImageTurning the World Upside Down,
  • ImageTurning the World Inside Out II,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageOblivion,
  • ImageMountain,
  • ImageDL,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageVoid,
  • ImageMountain,
  • ImageMountain,
  • ImageMountain,
  • ImageMountain,
  • ImageMountain,
  • ImageMountain,
  • ImageUntitled,
  • ImageUntitled,
  • ImagePortrait of Light, Picture of Space,
  • ImageEcho,
  • ImageUntitled,
  • ImageUntitled,
  • HB Homi Bhabha AK Anish Kapoor HB Being here this morning in your workspace and looking at different works in…

    Homi Bhabha and Anish Kapoor: A Conversation,
  • ImageUntitled,
  • ImageIn the Presence of Form II,
  • ImageBlack Stones Human Bones,
  • ImagePassage,
  • ImageUntitled,
  • ImageUntitled,
  • ImageHeart,
  • ImageUntitled,
  • ImageUntitled,
  • ImageRed Void,
  • ImageUntitled,
  • ImageBright Mountain,
  • ImageUntitled,
  • ImageMountains,
  • ImageIndependent 31.03.1993,
  • ImageBarbara Gladstone Gallery 1993,
  • ImageTel Aviv Museum of Art 1993,
  • ImageBarbara Gladstone Gallery 1993,
  • ImageSketchbook,
  • ImageLisson Gallery 1993,
  • ImageEyes Turned Inwards,
  • ImageThe New York Times 24.12.1993,
  • ImageMy Body Your Body,
  • ImageUntitled,
  • ImageUntitled,
  • ImageVoid, XIII,
  • ImageUntitled,
  • ImageUntitled,
  • ImageMCA San Diego 1992,
  • ImageSketchbook,
  • ImageEndless Column,
  • ImageDragon,
  • ImageDescent into Limbo,
  • ImageBuilding for a Void,
  • ImageBuilding for a Void,
  • ImageUntitled,
  • ImageWhen I am Pregnant,
  • ImageDescent into Limbo,
  • ImageUntitled,
  • ImageUntitled,
  • ImagePillar of Light,
  • ImageUntitled,
  • ImageMountain,
  • ImageVoid XI,
  • ImageUshimado 1991,
  • ImageUntitled,
  • ImageVoid, IX,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageKunstverein 1991,
  • ImageSketchbook,
  • ImageCentro de Arte Reina Sofia 1991,
  • ImageTurner Prize 1991,
  • ImageDelta,
  • ImageLandscape Void (Crack),
  • ImageThe Earth,
  • ImageUntitled,
  • ImageVoid VIII,
  • ImageUntitled,
  • ImageMoon,
  • ImageOracle,
  • ImageVoid VI,
  • ImageBritish Pavilion 1990,
  • ImageLe Magasin 1990,
  • WF I am very fortunate to have some of your time because I know it is very hectic. You have…

    Interview by William Furlong,
  • 45° ✕ 60°           45° Room. 45°           60°

    45 ✕ 60,
  • ImageBOMB Magazine 01.01.1990,
  • ImageBlack Fire,
  • ImageLandscape Void,
  • ImageThree Witches,
  • ImageA Wing at the Heart of Things,
  • ImageAngel,
  • ImageUntitled,
  • ImageKohji Ogura Gallery 1989,
  • ImageBarbara Gladstone Gallery 1989,
  • ImageUntitled,
  • ImageMother as a Ship,
  • ImageVoid IV,
  • ImageVoid III,
  • ImageUntitled,
  • ImageMother as a Void II,
  • ImageTomb,
  • ImageNot Eve,
  • ImageUntitled,
  • ImageVoid II,
  • ImageMoonstone,
  • ImageVoid,
  • ImageUntitled,
  • ImageHealing,
  • ImageStudio,
  • ImageSketchbook,
  • ImageUntitled,
  • ImageNo Place,
  • ImageThe Healing of St Thomas,
  • ImageVoid Field,
  • ImageVoid,
  • ImageMadonna,
  • ImageIt Is Man,
  • ImageMother as a Ship,
  • ImageHole,
  • ImageBlood Stone,
  • ImageUntitled,
  • ImageUntitled,
  • ImageSky,
  • ImageLisson Gallery 1988,
  • ImageVirgin,
  • ImageUntitled,
  • ImageBody,
  • ImageWound,
  • ImageMother As A Void,
  • ImageAdam,
  • ImageVoid,
  • ImageShrine,
  • ImageI,
  • ImageUntitled,
  • ImageHere and There,
  • ImageShrine,
  • ImageAt the Hub of Things,
  • ImageUntitled,
  • ImageUntitled,
  • ImageBlue Flower,
  • ImageDark,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • ImageA Flower, A Drama Like Death,
  • ImageThe New York Times 18.05.1986,
  • ImageOval Pavilion,
  • ImageThe Pot is a God II,
  • ImageIn Search of the Mountain II,
  • ImageUntitled,
  • ImageUntitled,
  • ImageMother as a Mountain,
  • ImageUntitled,
  • ImageDocumentary 1985,
  • ImageKunsthalle 1985,
  • ImageThe Pot is a God,
  • ImagePlace,
  • Image1000 Names,
  • ImagePot for Her,
  • ImageMother as a Mountain,
  • ImageUntitled,
  • ImageHalf,
  • Image1000 Names,
  • ImageHalf,
  • ImageUntitled,
  • ImageUntitled,
  • ImageUntitled,
  • Image1000 Names,
  • ImageWound,
  • ImageChant of Blue,
  • ImageHole and Vessel II,
  • ImageUntitled,
  • Image1000 Names,
  • ImageUntitled,
  • ImageBarbara Gladstone Gallery 1984,
  • ImageIn Search of the Mountain,
  • ImageRed,
  • Image1000 Names,
  • Image1000 Names,
  • Image1000 Names,
  • ImageHole and Vessel,
  • Image1000 Names,
  • Image1000 Names,
  • ImageBlack Earth,
  • Image1000 Names,
  • ImageUntitled,
  • ImageSix Secret Places,
  • ImageUntitled,
  • ImageUntitled,
  • ImageFull,
  • ImageSketchbook,
  • Image1000 Names,
  • Image1000 Names,
  • ImageUntitled,
  • ImageUntitled,
  • Image1000 Names,
  • ImageThe Chant of Blue,
  • Image1000 Names,
  • ImageTongue,
  • Image1000 Names,
  • Image1000 Names,
  • Image1000 Names,
  • ImageUntitled,
  • ImageLisson Gallery 1982,
  • ImageRed in the Centre II,
  • Image1000 Names,
  • Image1000 Names,
  • ImageDrawing,
  • ImageRed in the Centre,
  • ImageThree,
  • ImagePlace No Place,
  • Image1000 Names,
  • ImageWhite Sand, Red Millet, Many Flowers,
  • Image1000 Names,
  • Image1000 Names,
  • Image1000 Names,
  • ImageCoracle Press 1981,
  • ImageStudio,
  • Image1000 Names,
  • ImagePart of the Red,
  • ImageTo Reflect an Intimate Part of the Red,
  • ImageAs if to Celebrate I Discovered a Mountain Blooming with Red Flowers,
  • Image1000 Names,
  • ImagePatrice Alexandre 1980,
  • Image1000 Names,
  • Image1000 Names,
  • Image1000 Names,
  • Image1000 Names,
  • Image1000 Names,
  • Image1000 Names,
  • Image1000 Names,
  • Image1000 Names,
  • ImageSketchbook,
  • ImageUntitled,
  • ImageEternal Bonds,
  • ImageTable of Dreams,
  • ImageUntitled,
  • ImageCircle to Square Drawing
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