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CHRIS BALDWINperformance director, curator and author

Chris Baldwin

© Martynas Plepy

Chris Baldwin is a performance director, curator, and author. His Teatro de Creacion (TdC) and citizen-centred dramaturgy, approaches to making large-scale performances designed for a place and made in deep collaboration with the people of that place, have culminated in major events in multiple countries.

Chris was Artistic Director of Mystery 0 – Mysteries of Transition for Elefsina (European Capital of Culture, Greece 2023), Artistic Director of Sukilimas and The Kaunas Kantata (Kaunas, European Capital of Culture, Lithuania), Creative Director of Galway 2020 (European Capital of Culture, Ireland) and Curator of Interdisciplinary Performance and Flow Quartet for Wroclaw 2016 (European Capital of Culture, Poland). He was cultural coordinator for Piran4Istria2025 (Slovenia), and international expert for cultural programming for both Bielsko-Biała ESK 2029 (Poland) and Nicšić (Montenegro), winner of the European Capital of Culture title for 2030. He helps cities and regions define, structure and develop their cultural programmes for large-scale initiatives such as European or national cultural projects.

Chris curates Clickbait Citizen at Substack. Regular podcasts, interviews and extended written texts focus on the evolving relationship between power, propaganda, art and culture. 

His writing, books and plays have been published in various languages. He regularly teaches and speaks at conferences and universities across Europe and holds a PhD from the University of Kent (UK). He is a permaculture designer.

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Teatro de Creación and Citizen Centred Dramaturgy

The working methods associated with Chris Baldwin’s productions are called Teatro de Creación and Citizen Centred Dramaturgy. Productions are both site and time-specific and designed to be of that place, its history and problems and its relationship with local people. The productions are usually for and made with the people of that place and are not readily transferable. This approach to making performances abandons concepts such as 'professional' and 'amateur' although professional and non-professional involvement in the process of performance-making is present. The perspectives and stories of people with close attachment to places and spaces determine their importance to the project.

Poetry of space resonates with those who have the need to tell.

PERFORMANCE. CULTURE. TRANSFORMATION.

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