[February 24, 1971] Under and down: The Second Pacific Book of Science Fiction

Black & White Photo of writer of piece Kris Vyas-Mall
By Mx Kris Vyas-Myall

I had originally only been planning to review one anthology this week. However, noting my dismay at the loss of Vision of Tomorrow, one of my friends recommended I get hold of a copy of this new book from our antipodal cousins:

The Second Pacific Book of Science Fiction ed. by John Baxter

British cover to The Second Pacific Book of Science Fiction, chosen by John Baxter.  Below is a composite painting of strange images including, a space craft, a demonic creature in a bubble, a leaf, a ambiguouisly gendered naked figure with a burnt head, a translucent series of images of a person with a clock on their forehead, a mouth screaming from the ground with a second screaming mouth on its forehead containing an eye.
Uncredited cover art. Unfortunately, none of the interesting images seem related to the content

In his introduction, Baxter cites two reasons for doing a sequel to the previous collection. Firstly, to show that Australian Science Fiction is not a fluke and, secondly, in response to the amount of excellent submissions he received. From my side, the reason I am electing to cover this one after not reviewing the prior edition is that the second volume has few entries from the American and British magazines, so it will largely be a new experience to me.

The Immortal, by Olaf Ruhen

Philip Marlett is the first man in space, but he touches-down in New Guinea by mistake. He is recognised as a god and becomes uncomfortable with the sacrifices made is his name.

Although no details of prior printings are given, I assume this must be an old story as it concerns the first manned space flight. However, it would have to be a century old to explain how colonialist the narrative is. It feels less a science fiction tale than Victorian propaganda. Also, it has only been a few years since the tragic loss of Yuri Gagarin. Perhaps I am a little over sensitive, but reading this now, the reprint felt in poor taste.

One Star

Siren Singers, by Robyn Tracey

An exploration of linguistics among a species who communicate via song followed by their first encounter with an earthman.

A reasonable little tale, although it suffers from a perfunctory end.

A low Three Stars

The Case of the Perjured Planet, by Martin Loran

Quist, a Librarian and fan of hard-boiled detective stories goes to the planet Napoleon 6. After noticing odd things about the geology of the place, and being shot at, he sets himself up on the planet as a private eye. Eventually, he will find himself involved in a planetwide conspiracy.

By far the longest tale in this anthology, taking up nearly a third of the book, and I spent much of its length counting the pages until it was over. The entire thing felt like a silly pastiche stretched out from a joke vignette. When this was previously covered by our esteemed editor in Analog it got three Stars. I am not inclined to be that generous and will give it two.

Space Poem, by T. F. Kline

A one page poem about a space crew who attack the creatures of an asteroid and suffer from a strange sickness. Poorly put together and very shallow.

One Star

Robinson, by David Rome

John Robinson returns home from a three-year stint in the (space) Navy.

A solid but unremarkable vignette in this subgenre. Honestly not much reason for it to be science fiction, except maybe to heighten the end a little. Could have just as easily been about current young Australians sent to die in Vietnam with only a handful of words changed.

Three Stars

No Sale, by John Williams

Smythe-Browne goes to his local tank dealership and gets surprised by their heavy-handed methods.

A dark comedic vignette that feels like a forgettable Python sketch. Not so much SF as a slightly heightened rant about car salesmen.

One Star

The Man of Slow Feeling, by Michael Wilding

A man has an accident and finds he is only able to experience sensation three hours after the fact.

Even if I try to get past the oddity of the premise (he is somehow still able to drive and have sex with no sensations, he just doesn’t get the feelings of them until hours later) the story doesn’t really do anything other than to say, “having significant nerve damage is depressing.” Yes, it is, but there are thousands of people dealing with it to a more or less of a degree. There are scores of more interesting ways this story could go, and I found myself grumpy at the choices by the end of it.

One Star

Vale, Pollini!, by George Johnston

On the Greek Island of Hydra in 1955, a group of artists become irritated by some boorish pseudo-intellectual tourists who keep bothering them. In response they invent their own philosopher, the Italian professor Luigi Gabriele Pollini.

This is the first of two pieces which Baxter says may not be considered SF by some. I can understand this point as it is honestly all too real, having been on both the pseudo-intellectual side as a pretentious teen and having such irritation at others as to be involved in fabricating entire persons. It generated a good deal of embarrassment by proxy but also the humour of recognition, such as:

“Patience…Remember Pollini’s dictum. ‘Transvaluing is a concern of our full freedom, and is opposed to all cognitive abilities.’ We must find comfort in that.”
“Comfort in What? What the hell does it mean?”
“How should I know?”

I am willing to let it go, though, because it is all about the process of artistic creation and the development of something with such a sense of verisimilitude that it will be believed. Essentially, the essence of great science fiction.

Four Stars

From: Rutherford, by Douglas Stewart

The first half of the poem by the acclaimed writer. Now it is well written but this abridgement ends up undercutting its purpose. The full-length version is about the responsibility of the scientist and the wrestling with the damage unleashed with splitting the atom against the good that is done. This is instead a verse of child-like wonder at existence. Would it really have blown the bank to add in a few more pages for a full reprint?

Two Stars

Apple, by John Baxter

After a war, all humans are now tiny. Billings is a moth-killer, fighting on an apple.

I previously covered this in New Writings in SF 10 and gave it Two Stars. I still hold to that rating, finding it limited and covering overly trod ground.

A Happening, by Frank Roberts

A boy is kept locked in a dark room for seventeen years and dreams of birds.

Not so much science fiction as a really depressing story of abuse. Effective but unpleasant.

Three Stars

Dancing Gerontius, by Lee Harding

Annually, on Year Day, the elderly residents of the Clinic are taken out of statis and participate in a bacchanalian festival, with a dark conclusion.

I covered this not too long ago in Vision of Tomorrow and gave it Four Stars. I continue to think that is a fair assessment—not perfect but very strong and easily the best tale in this anthology.

Whatever Happened to Suderov?, by Steve Kaldor

Ivan Vasilievich Suderov, permanent representative of the Terran Federation on the Galactic Council, disappeared a few years ago into thin air.  Pete, his former press secretary, recalls the last reeelction campaign before his vanishing.

Some parts are interesting, but certain parts of the story left me scratching my head at the lack of explanations. Why is all food for the solar system produced in hydroponics plants on Venus? Why are Luna pleasure girls a particular luxury? Why, in the 27th century, do we still need to use water for shaving? It felt like it just divided up the solar system into homogenous constituencies for the sake of the election.

Written in a breezy style, in the end the whole thing feels shallow. Is the point just that politicians make different promises to different people to get elected? Hardly keen insight.

Three stars

I’m Backing Britain

I'm Backing Britain badge, a union jack with the phrase on it.

I don’t think people will consider me too xenophobic to find that the British writers generally did it best and to be disappointed by the selection from down-under. I know there many Australians who can produce better works than Baxter choose for his selection (I have reviewed many of them positively in Vision and New Writings) so it is a very disappointing set.

If this is a sign of what Murdoch might bring to TV, I think my weekends will be firmly kept tuned to the BBC.



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[February 22, 1971] Science Against Man

Black & White Photo of writer of piece Kris Vyas-Mall
By Mx Kris Vyas-Myall

In the UK, there are two major sources of broadcast media: the publicly funded BBC and the primarily advertiser funded ITV, whose franchises are awarded under the Independent Television Authority (ITA). In 1967 the franchises were reviewed and shaken up.

One of the biggest changes was with ATV, which had previously provided a weekday service in the Midlands and the weekend service in London. In 1967, they lost the weekend service in London but gained the seven-day franchise for the Midlands.

In London, you might think they would grant Rediffusion (which became Thames after merging with the now franchiseless ABC) the full week’s service but, instead, the weekend contract was given to a new company, London Weekend Television (LWT).

London Weekend Television Logo from 1970s
London Weekend Television Logo

LWT was founded by David Frost and a set of ex-BBC staff members to try to provide a high-brow alternative set of programming on the commercial channels. ITV is primarily known for its populist output with soap operas such as Coronation Street and Crossroads, variety such as The London Palladium Show and David Nixon’s Magic Box, and game shows such as The Golden Shot and Wheel of Fortune. As such there was great appeal for this pitch.

However, a combination of mismanagement, bad luck and ill-feeling led them into severe financial trouble and last year they looked to be on the verge of going bankrupt. Step in Rupert Murdoch. As I already talked about previously, the Australian businessman has been entering into the UK market, already controlling two newspapers: the Sun and the News of the World. Following the troubles at LWT, he injected a huge amount of cash but in exchange appointed himself chairman and then managing director. He proceeded to fire a large amount of the original staff, with many more resigning in protest.

Black and white photo of Rupert Murdoch in a suit standing in a newspaper office.
Media Mogul Rupert Murdoch

This has created severe debate, and a headache for the ITA. On the one hand, they cannot just let the franchise go under and have only the BBC broadcasting in London after 7PM on a Friday. On the other hand, it runs afoul of their rules in three ways:

Firstly, a franchise cannot be held by a foreign national. Technically, Murdoch currently has a less than 50% stake in the company, but it is still under his effective control.

Secondly, all the people who the contract was awarded to were gone after only a few years, so it is the same licence holder in name only.

Finally, there is no guarantee Murdoch plans to keep the high-brow mission of LWT in place, when this was the main reason they got the franchise in the first place. And his current approach to his newspapers suggests the opposite approach may be taken.

Whilst this fight goes on, I turned to a couple of anthologies that came my way, one that was heavily British and in the high brow spirit of LWT, the other entirely Australian and decidedly more old fashioned:

Science Against Man, ed. by Anthony Cheetham

Cover of Science Against Man Avon paperback. The left hand side of the cover is a series of painted images, from the top, star field, planet, space probe, punchcards, hominid skull, computerized text, saturn rocket launch, computer lights, miccroscopic organisms, pills. crossing over to the right hand side are a grecoroman statue and observatory. On the right hand side the title is at the top. Below it says:
New Science Fiction and lists the authors.
Cover Artist Uncredited

Cheetham’s short introduction tells us that the kind of technical advances predicted by science fiction have become reality. As such, this anthology will not concentrate on "what if these devices are invented", but instead how people will cope with our new reality.

The Lost Continent, by Norman Spinrad

Two centuries in the future, Balewa, a professor of American history from Accra, goes to visit the collapsed civilization. However, it is not an easy trip. The air pollution is so bad, tourists are provided with government-approved air filters and self-sealing goggles. Whilst some of the natives are resentful, most appreciate that 30% of America’s GNP comes from tourism and are willing to accept their servile position.

Mike Ryan, their Native guide, offers them a special opportunity: the chance to venture down into the still-inhabited subways of New York and even try out a piece of Space Age Technology. That is, if they can survive it.

This kind of tale is not new. I reviewed a 19th Century take on it when Mitchell’s The Last American was reprinted in Famous, and even professional anthropologists have gotten in on the game, such as Horace Miner’s Body Ritual among the Nacirema. But there is a reason this kind of story is still important, as it puts the reader into the position of "the other", the way writers often unconsciously make "others" of much of the rest of the world. Even in contemporary science fiction, attempts to expand beyond New York or the Home Counties in SFnal settings far too often fall into exoticism over inclusion.

Also, it helps that Spinrad is such a terrific writer. His clever use of language, narrative and atmosphere are a marvel to behold, I sometimes wonder if he invented a device that allowed him to steal Philip Jose Farmer’s talent for producing weird but incisive fiction. There are a couple of points that might have needed tightening up to give it a full five stars, but it is still a great novella.

A high Four Stars

In the Beginning, by Robert Silverberg

Silverberg once more returns to the world of the Urban Monad. In Chicago 2382, fourteen-year-old Aurea Holston has been struggling to get pregnant. Even with her husband’s engineering skills, they are worried at next thinning they will be forced to move to a new Monad.

I think I have been feeling the same way as my colleagues on this series that, at this point, it seems like it is just spinning its wheels. We know the system won’t break, we know it is overcrowded and its hedonism is a cover. But what is it actually all about? Is there anything new that can be gained from a fifth tale of someone’s depressing fate inside this Monad? Also, if it was another writer, I would assume it was definitely satirical in its discussion of teenage sex. With Silverberg’s repeated writing on this subject I have to wonder if, at this point, it is just something he likes to include, particularly with descriptions such as:

“Her breasts are full and her lips broad.”

One Star

The Hunter at His Ease, by Brian Aldiss

Aldiss continues his recent fascination with westerners in South Asia, now with a 21st Century visit to the volcanic island of Amelegla in the Indian Ocean. Once famed for its Giant Tortoises, they have all been wiped out to make room for a relay station. Whilst the westerners believe it will bring in prosperity, many of the locals wish to just live as they are.

An effective and beautifully tragic piece.

Four Stars

Man's Estate, by Paul Ableman

Ableman is a new writer to me. Apparently, he is a British playwright of some renown who has written both an SF novel and a censored book on oral sex. Anyway, this is a train of thought story, following an intelligence in a data rich world, where it is unclear if it is a machine or a human.

It is an interesting concept, but it can be a bit opaque and rambling at times.

Evens out at Three Stars

Harold Wilson at the Cosmic Cocktail Party, by Bob Shaw

In the next century, death does not have to be the end. Biosyn offers for consciousnesses to be scanned just before death and stored in The Tank, a computer matrix. People can then rent out these consciousnesses' services whenever required. In Africa, the nation of Losane had been carved out by Colonel Crowley as a British imperial enclave. To maintain power, the loyalist party rely on his consciousness’ regular guidance. Unfortunately, Crowley has grown bored of this and has instead created his own fantasy kingdom, where he brings in the other consciousnesses and hunts them on dragons.

President Martin M’tobo comes angrily to Biosyn and demands that they return contact with Crowley within five days or their problems will be revealed to the general public. Their technical director has a plan, however. They need to get Crowley to face the risk of an even bigger threat, an interstellar invasion by a Labour Prime Minister!

For a novel this already sounds completely absurd a synopsis, yet somehow Shaw manages to make this intelligible and engaging in a twenty-page story even allowing for diversions into animated sales films and odd side details (I am not sure if I am more horrified by the idea of wearing a vibrating bra to work or drinking cofftea). A real achievement.

Five Stars

Statistician's Day, by James Blish

In 1990, Wiberg, the foreign correspondent for the New York Times, goes to interview Edmund Gerrard Darling. He is surprised when Darling starts telling him that he can statistically prove that people are being killed off based on profession—a government policy.

Part of the problem is this is based in an alarmist future of the Ehrlichs and their ilk, where global population control is instituted after the world famine of 1980. Even if I chose to believe the predictions of neo-Malthusians (which are as regularly wrong as the prophets of the second coming, relying as they do on exponential population increases and no technological progress) the idea that people will just submit to state mandated birth control and euthanasia so we can have village greens is just laughable.

The other issue is that the style is just a very dull arch conversation between two newspapermen on the facts of the current world.

Two Stars

The Invisible Idiot, by John Brunner

War is brewing between Earth and Mars, as a result of inexplicable messages full of nonsense sentences, being distributed at random throughout the solar system. When one arrives of the desk of Dr Casper Minsky of Paré Polyclinic, he believes he knows the cause and solution, all of which relate to a young boy having bad dreams.

The title is based on a story about a computer programmed for language translation, where they tried to translate the idiom “Out of Sight, Out of Mind” into Chinese (or Russian in some versions) and back into English and it came out as “Invisible Idiot”. This is most likely apocryphal* but it is useful to illustrate both the problems of overly trusting computers and how minds work.

Whilst the cause of the problem does feel a little anthropomorphic, it is still somewhat plausible and I was intrigued throughout.

A high three Stars

*Part of the issue with this anecdote is that it would require the computer to make multiple semantic errors at the same time, assuming one phrase is about an object which is unable to be seen, the other is about an object without a mind and that these two phrases, separated by a comma, should then be combined into a single statement. More likely clunky machine results would be along the lines of “external vision, external brain”, “hidden, exclusive of knowledge” or “outside the eyes, outside the head”.

Small Mouth, Bad Taste, by Piers Anthony

Miss Concher and Mrs Rhodes are on an expedition in Tanzania, to discover what predator gave man the impetus to evolve speech. The search discovers a lost civilization with surprising builders.

Where to even start with this one? First off, the theories Anthony puts into the text on man’s evolution are ones I have not only never heard before but are so bizarre I wondered if he was being satirical. How would you even know if early humans tasted bad? Even the least implausible parts have been discredited for decades.

Secondly, a large part of it is concerned with the fact that Concher has some kind of special ability to see into the past. She will just suddenly stop to say “do you see that?” and then proceed to explain at some length about another extinct animal. No explanation of this power is given, and it makes the story dull and dragged out.

And then the conclusion is, humans were originally servants for ancient lemurs who couldn’t contain them once the humans learned to hunt. Yes, it is Planet of the Apes, but with the time periods inverted and the semi-plausible great apes replaced by the Strepsirrhini suborder, who, I am guessing, were primed to develop sailing millions of years ago due to… their wet noses and grooming claw? Maybe there was also a bushbaby colony in Australia who came up with competitive surfing.

A low Two Stars, primarily over the amusement I got by imagining a family of lemurs in Victorian dress, riding carriages pulled by naked hominids.

The Ever-Branching Tree, by Harry Harrison

Thankfully, we have Harrison, who seems to have more of a handle on evolution. This is less a story and more a science fact article on the history of natural selection via the mode of a science class time travelling. Pretty good stuff.

Three Stars

Sea Wolves, by Michael Moorcock

What would an anthology such as this be without another visit from Jerry Cornelius? This edition of “the scarcely sane adventures of Michael Moorcock’s quirky modern myth figure” (as Cheetham’s introduction puts it) is another episode in his spy career in East Asia. Even though the war between the US and China still rages on, Jerry is more concerned with the rise of autonomous factories, who require more human input than you might expect.

I found it curious that the editor said he struggled to understand the inner meaning of it, because I actually found it the most straight-forward of the Cornelius stories, almost verging on the didactic at times. Yes, we have the usual surreal elements like the side switching Brigade of St. Basil in their strange uniforms and Jerry driving so many different vehicles you would think he was being sponsored by a second-hand dealership, but it is fundamentally a tale of where we are going with the approaching computerization of the world and how business and government are diving headfirst into it without thinking of the consequences. Interspersing it with actual advertisements from Business Week is a delicious twist.

As an aside, I know it is antithetical to its purpose, but sometimes I wish someone would produce a guide to the Cornelius stories, trying to estimate the approximate order in which they happen. I have a suspicion this is set between The Sunset Perspective and The Last Hurrah of The Golden Horde, but I would have to check all the references, and my brain cannot let go of trying to organise them in some way. Now I am the kind of person who spent their teen years trying to align Thomas Mallory with the Mabinogian even though they were written centuries apart, so I am in good company about it, but there are also regular themes and interesting concepts emerging in these recent tales. In particular a split has been forming between Cornelius and Brunner, with the latter favouring magic leading her down a dark path. I can’t help but wonder if this is going to lead to a bigger confrontation between them or perhaps in some way lead to the devastation of England we see in The Ash Circus and The Anxiety in the Eyes of the Cricket.

Anyway, Four Stars

The Penultimate Trip, by Andrew Travers

This Penultimate Trip is actually the final one in this collection. It tells of a prisoner who goes on trips to weird worlds, one where they are a spider on a low gravity planet, one where they are a worm inheriting the planet from extinct humanity, and, strangest of all, one where bipeds exchange coins for essential goods and live in locked houses.

This is apparently the SF debut of this writer, and it gives us a solid if fairly predictable tale of “science fiction or madness” told in long paragraphs of flow of consciousness. It does gives some interestingly imagined details of these other futures which indicates promise.

Three Stars.


As it turns out, another science fiction anthology, from Murdoch's native land of Australia, has also just arrived at my desk.  But that's a story for two days hence…



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[February 20, 1971] “It's been a long way, but we're here” (Apollo 14)

A black-and-white photo portrait of Kaye Dee. She is a white woman with long, straight dark hair worn down, looking at the camera with a smile.
by Kaye Dee

Philatelic cover for the Apollo-14 mission. It has illustrations of the crew and spacecraft and text giving the dates of major ission events.

In a just a week’s time, the Apollo-14 astronauts will be released from post-mission quarantine, after their successful flight that has put NASA’s manned space programme back on track, following last year’s Apollo-13 accident.

I have all the details on their historic flight, but first, a look at something no less historic. For while it's been a long journey for the Apollo 14 trio since the crew was announced in August 1969, theirs is not nearly as long as that of Australia’s homosexual community, who are just beginning to see some important social change in a nation that has been notably intolerant of homosexuality.

Not There Yet
For some years now, the Journey has been drawing attention to the growing visibility of homosexuals through various articles, including coverage of the activities of the Gay Liberation Front and similar activist movements. Inspired by this greater openness in the US, we are seeing a surge in activities in Australia aimed at enabling homosexuals and lesbians to “come out of the closet” and be themselves without fear of persecution or criminal prosecution.

Newspaper headline reading "Beaten up in the street - yet the police didn't want to know", with a picture of the injured man"Poofter bashing" has unfortunately been seen as a "sport" by young men for many years. This newspaper headline from last year presents a typical story: a homosexual man is beaten up by thugs, and the police do little or nothing to investigate.

A Homosexual Law Reform Society was established in Canberra in 1969, while the Australian Lesbian Movement was set-up in Melbourne in early 1970, as a chapter of the Daughters of Bilitis. More significant, however, has been the formation of the Campaign Against Moral Persecution Incorporated (CAMP Inc), established on 10 September last year. Dedicated to removing the social stigma attached to homosexuality, the campaign founders, John Ware and Christabel Poll, have deliberately crafted the acronym in reference to the use of “camp” as a self-descriptive term within the Australian homosexual community (rather than the term “gay” with which American readers will be more familiar). The formation of CAMP was featured in an article in the conservative "The Australian" newspaper, on 19 September causing quite a stir in the media!

Recently, on 6 February, the first open public gathering of homosexual men and women in Australia took place in a small church hall in Balmain, a suburb of Sydney. And no one was arrested! CAMP branches are now being established in Brisbane, Melbourne and at the University of Sydney. Australia’s Camp community may not be able to be themselves openly and without fear yet – but at least the first step on the journey has been taken.

Newspaper story with the headline "Gay Power group Formed"Article in the University of Sydney student newspaper "Honi Soit" announcing the formation of the campus' CAMP Inc group. Curiously, despite the new group's name, the headline uses the American term "gay".

Continue reading [February 20, 1971] “It's been a long way, but we're here” (Apollo 14)

[February 19, 1971] Tomorrow is too far (February Galactoscope #2)

For February's second Galactoscope, we not only have an Ace Double and a James White novel, but an update from West Germany…

The covers of the books discussed in this article, described more fully hereafter.

Continue reading [February 19, 1971] Tomorrow is too far (February Galactoscope #2)

[February 18, 1971] The Truth About Dragons (February 1971 Galactoscope #1)

For the first Galactoscope of the month (yes, it's a bumper crop, once again), we've got a quintet of tomes for you: 60% are worth your time, and be glad of the warning on the other two!

A banner of the covers of the five stories covered in the article.

Continue reading [February 18, 1971] The Truth About Dragons (February 1971 Galactoscope #1)

[February 16, 1971] Return of The Faceless Man (March 1971 Fantasy and Science Fiction)

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Ohayou!

Hot off the press: Japan has launched a second satellite into space!

You'll recall our breathless excitement when, last year, Japan became the fourth space-faring nation with the launching of "Ohsumi" (named after the district whence it was launched). 

Well, now they've done it again.  After a scrub on Valentine's Day due to rain, Tansei soared into a low orbit early this morning.

Japanese postcard commemorating the launch of the Tansei satellite. It explains that the name Tansei means Light Blue and includes a photograph of the rocket and a simple drawing of the satellite, which looks like a roughly spherical object covered in square panels and topped with a handful of antennas.

Interestingly, the expectation was that this second launch would be of a full-fledged scientific satellite.  Instead, "Tansei" ("Light Blue" — named for the colors of the University of Tokyo, whose Space and Aeronautics Institute was responsible for the mission) was a simple spacecraft, an “engineering test for the launching of scientific satellites.” I can't even tell if the thing has any experiments on it, or if it's just a beacon satellite like the first Sputnik.

Another Japanese postcard commemorating the launch of the Tansei satellite. It explains that Tansei was launched by a rocket of 23.6 meters in length and 43.8 tons in weight. The satellite itself weighs 63 kilograms. Thes postcard also shows an aerial photograph of the launch site.

Chemical batteries will keep Tansei powered for seven days.  Apparently, the satellite does have an onboard tape recorder, which means that data from its entire orbit can be sent as opposed to just real-time data when the satellite is in range of a ground station.

I have to wonder if we got a budget spaceship instead of the real deal because the Lambda 4U-S is still having teething troubles; a launch attempt last September failed.  In any event, I'm just glad our Pacific partners are still in the game, and I look forward to their next endeavor!

On the other hand, third time's the curse for the March (third of the year) 1971 issue of F&FSF.  You'll want to read it…but not all of it:

Cover of The Magazine of Fantasy of Science Fiction for March 1971. It announces stories by Jack Vance, Ted Thomas, Isaac Asimov, James Blish, Stephen Barr and Avram Davidson. The illustration shows a sitting robot manipulating a tool on its own face in front of a broken mirror.
Cover by Mel Hunter

Continue reading [February 16, 1971] Return of The Faceless Man (March 1971 Fantasy and Science Fiction)

[February 14, 1971] Don’t Mind Me (Doctor Who: The Mind Of Evil [Parts 1-3])

Image
By Jessica Holmes

Imagine if we could make prisons obsolete. If, at the flick of a switch, a convict’s mind could be purged of all capacity for malice and aggression. Or indeed, any negative thought at all.

That’s the idea behind the latest Doctor Who serial, and because it’s Doctor Who, it’s naturally only a matter of time before things start to go terribly, terribly wrong. Welcome to “The Mind Of Evil”.

A darkened operating room. Under a spotlight sits Barnham, wearing a medical gown and sat in a chair with a helmet on his head, with the Keller machine beside him. Three men also in medical gowns stand behind him, and a number of seated observers are visible in the shadows.

Continue reading [February 14, 1971] Don’t Mind Me (Doctor Who: The Mind Of Evil [Parts 1-3])

[February 12, 1971] Billing and Couping (March 1971 Amazing)

A black-and-white photo portrait of John Boston. He is a clean-shaven white man with close-cropped brown hair. He wears glasses, a jacket, shirt, and tie, and is looking at the camera with a neutral expression.
by John Boston

The March 1971 Amazing leads off with the first installment of Ursula K. Le Guin’s new novel, The Lathe of Heaven, which of course gets top billing—and it’s a coup!  (Nurse, the slapstick, please.) You would think that the instantly near-revered winner of the Hugo Award for her previous novel The Left Hand of Darkness would command the more elevated pages of Fantasy and Science Fiction, or at least those of the fading Galaxy

Unfortunately the cover does not reflect any such refined sensibility as Le Guin’s; it’s another generic one by John Pederson, Jr., featuring a guy (or maybe an alien) in space suit on a barren planet or satellite, leaning on what looks like a gun, unless it’s a stick vacuum cleaner.

Colour cover illustration of the March 1971 issue of Amazing Science Fiction Stories.  The painted image depicts a solitary figure in an insulating outfit (closely resembling a NASA Lunar EVA suit sans pressure seals).  They stand in a landscape of snow and stone, a moon hanging large in the sky, with a hawk-contoured rocket perched on its tail just behind the nearest hill.
by John Pederson, Jr.

This month’s editorial recounts the somewhat tortuous path to publication of Dick Lupoff’s groundbreaking comics history book, All in Color for a Dime, to which White contributed, then segues to an account of his unpleasant experience as a guest on a radio program with a gossipy and airheaded mistress of ceremonies with crude misconceptions about science fiction. 

And speaking of unpleasant experiences: in last November’s issue, Barry N. Malzberg’s article “Dianetics: The Evolution of a Science” recounted his encounter with Dianetics’s successor Scientology.  Apparently the editor was contacted by Scientology representatives (details a little murky), and as a result this issue contains “What Is Scientology,” by the Rev. Robert N. Thomas, Deputy Guardian for the U.S. Churches of Scientology.  I didn’t manage to finish it (not that I tried very hard) and will not comment on it.  The editor says that this item “is not a dispassionate survey or evaluation of Scientology. It was written in rebuttal to Malzberg and is designed to state the Scientologists’ own case as persuasively as it might.” He adds that its publication is not an endorsement of Scientology, that it is published “largely in the interests of fair play,” and that he hopes it will close the Pandora’s Box Malzberg’s article inadvertently opened.

But there’s more: a note from Malzberg himself states that he was contacted by an attorney who accused Malzberg of libelling an interviewer who appeared in a film shown at the Scientology center.  He says: “I wish to put the following on the record: it was not my intention in this article to make any comment or inference on the character of this alleged interviewer, who I do not know and have never met. The article was a self-investigation written within the context of an encounter with modern Scientology. It was autobiographical in intention and execution and I had hoped that the context of this article would have made that clear.” It’s a fair inference that the editor received an equally menacing communication from the notoriously litigious Scientology organization, and that’s why White has given over nine pages of his magazine to this turgid lump of propaganda.

And that is no doubt why the book review column is missing again this month, to my continued annoyance, along with the fanzine review column.  But the letter column “Or So You Say” survived the Scientology onslaught, with the usual mix of the interesting and the tiresome.  With the James Blish/Ted White feud put to bed last issue, now we have Sam Moskowitz tediously disputing Richard Lupoff’s review of his book Under the Moons of Mars and claiming Lupoff is biased because Moskowitz has discredited his theories about Edgar Rice Burroughs’s work.  Lupoff replies, less bombastically. 

Robert A.W. Lowndes, former editor of SF mags and famous for making something out of almost nothing in the way of budget, recounts James Blish’s acerbic comments on the dumbing down of popular taste. There’s yet more about Dr. Fredric Wertham, who attacked comic books in The Seduction of the Innocent: it seems this book contained a picture portraying a man’s shoulders with a detail that, if sufficiently enlarged, sort of resembles a woman’s crotch.  Unfortunately the editor merely tells but does not show us this wonder.  And there’s more on Dianetics, parent of Scientology; but enough of that. 

A reader accuses Bob Shaw of plagiarism of two earlier short stories in his recent serial One Million Tomorrows, based on having read its first installment. Editor White says he hasn’t read the stories, but “Ideas are a dime a dozen in this field; there's not one which hasn't been used many times before and by many writers, often without knowledge of each other.” He also chides the writer for making the accusation based on only half the story.  Another reader wants to know why the new cover logo looks so much like Analog’s.  White responds that it “was designed to fit approximately the same space as the old.  It was designed to be modern, sans-serif, and attractive. Esthetically, that demanded lower-case letters (perhaps you remember our uppercase logo of the fifties?).” And they wanted something that looked good and those design choices inexorably yielded something a bit like Analog's "extremely well-designed package.”

Continue reading [February 12, 1971] Billing and Couping (March 1971 Amazing)

[February 10, 1971] Boiling Over (Timeslip: The Year Of The Burn Up [Parts 4-8])

A color headshot of a white woman with brown hair.  She is wearing a white headband and green-framed glasses, and is looking to the left of the viewer with a smile.
By Jessica Holmes

The Year Of The Burn Up” started off promisingly in my last review, with the kids finding themselves in a scorching not-too-distant future brought about by reckless industrialisation. But has the setup led to an explosive payoff, or does the story just crash and burn? Let’s take a look at the conclusion of Timeslip’s “The Year Of The Burn Up”.

Simon (foreground) and 2957 in his office. There is a map of the British Isles on a screen on the wall.

Continue reading [February 10, 1971] Boiling Over (Timeslip: The Year Of The Burn Up [Parts 4-8])

[February 8, 1971] Mother in the Sky with Diamonds (March 1971 Galaxy)

photo of a man with glasses and curly, long, brown hair, and a beard and mustache
by Gideon Marcus

Homecoming

As we speak, Apollo 14 is speeding back from the Moon after two successful "space"walks.  Splashdown coverage will be tomorrow, and you can bet I'll be interrupting my workday to watch it.  I hope you will, too!

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A bad ending

Unlike this latest Moon mission, if there's a common element to the stories of this month's Galaxy, it's that many of the stories feel incomplete or abruptly ended.  I find that stories which lack a satisfying conclusion are disappointing in direct proportion to how much promise their beginning has.  Still, there's some gold in these here hills…

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Cover by Jack Gaughan illustrating Pegasus 2

Continue reading [February 8, 1971] Mother in the Sky with Diamonds (March 1971 Galaxy)

55 years ago: Science Fact and Fiction