gettinggreyer: (Maximoff Twins)
Title: separation anxiety
Fandom: The Avengers (MCU)
Characters/Relationships: Pietro & Wanda
Rating: General Audiences
Length: 3,720 words
Summary: Neither Pietro nor Wanda liked to be apart from the other, especially since the traumatic events of their childhood, but Pietro's speed is needed on a routine Avengers mission whereas Wanda's strange abilities are still too volatile to be used in the field. They both willingly part, Pietro joining Steve and Natasha on the Quinjet and Wanda remaining at the Avengers Compound, but both become incredibly anxious and worried about their twin who has never been apart from them before.
Title: determing the facets of lust
Fandom: The Avengers (MCU)
Characters/Relationships:
Rating: Teen
Length: One Shot, 3910 words
Notes: Demisexual Vision
Summary: Vision had initially assumed that he was incapable of certain human emotions and attractions including the feeling of lust, but his relationship with Wanda proved that theory wrong yet he still often feels confounded by typical human behavior relating to lust. He has only ever been attracted to Wanda and the concept of having any sort of attraction towards a stranger is baffling for him, but he attempts to understand and eventually, he discovers his own sexuality.
gettinggreyer: (Spider-Man (Young MCU))

Okay, so I saw Spider-Man: No Way Home and I have to say that I went into this movie with the lowest of expectations. And by that, I meant that I was hype for the film, but I wasn’t expecting a good movie or story but just a fun time. And it was absolutely a fun time! It was really fucking fun. As for the story … hmmm … I have complicated feelings about it.

Read more... )
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From The Amazing Spider-Man #1

There is so much I love about this! Firstly, I really love how we can see Peter’s financial struggles. He’s the first Marvel hero to really explore that and these panels are just so informative of him, Aunt May, and their relationship.

They’re both headstrong and stubborn not wanting to be a burden on the other. Peter doesn’t want his elderly aunt to struggle for him and May wants Peter to enjoy his youth and focus on achieving his dreams rather than working.

And I love how Peter does momentarily consider turning to crime. It’s an understandable impulse and temptation which makes society’s ostracization of him all the more poignant. He wants to do the right thing and he’s continually punished for it.

Bonus panel:

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Originally posted on December 9th, 2021 and reposted from my Tumblr [tumblr.com profile] spidey-adhd

I’d like to think that Clint knew about Yelena and Nat’s family, but I think there’s a very good chance that he didn’t. Natasha is an extremely private person who rarely opens up and while Clint was her family—the person she loved and trusted the most in the world—I think it would still be extremely difficult for her to open up even to him.

And Nat’s family … for the longest time, I’m sure that was an open wound for her. She was ripped away from that life so quickly and when you listen to Natasha’s cries as she tries to fight for Yelena,,, it’s fucking devastating. That was deeply traumatic and it seems like Nat basically closed the book on that part of her life.

I think there’d be a very good reason for Nat to never talk about it to Clint. She probably shared a lot of horror and traumatic stories with him, but not everything … and would she really share the three or four years of a happy and idyllic childhood that she had? I’m not sure. I think that would be the hardest story for her to share.

And after she found Yelena again, Clint was on the farm and she probably had minimal if any contact with him as she wouldn’t want to ruin things for him and his family. And after the Snap, again, she’s a private person who feels like she has to shoulder a lot of things on her own and (I do think her widow family was snapped) after Clint losing his family … maybe she didn’t want to add to that pain. Or to distract from it. Or let herself feel the pain that she was feeling.

So, there’s a good chance that Clint doesn’t know and when he finds out … he’ll likely be devastated to know that when Nat lost her family, he wasn’t there for her, but he’ll do anything in his power to protect the family that Nat left behind.




Originally posted on December 9th, 2021 and reposted from my Tumblr [tumblr.com profile] spidey-adhd
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Okay, so I just read this ten-page Doctor Strange story from Strange Tales #148 and I loved it so much and I have so many thoughts that I’m just gonna have to dissect it page-by-page. Sorry for the long post, hopefully, my attempt at using a read more link on mobile will work.

Read more... )


Originally posted on November 21, 2021 and reposted from my Tumblr [tumblr.com profile] spidey-adhd

Okay, I just read Strange Tales issues #126 and #127 where we are introduced to this lovely lady.

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The mysterious woman isn’t given a name in these issues, but from her first panel I suspected she must be Clea, the (future) wife of Doctor Strange, that I’ve heard a bit about and a quick google search confirmed it. And, wow, she is so much more of an interesting character than I thought. I knew she had powers similar to Strange, but I wasn’t aware that she was from the Dark Dimension. I just really love her introduction in this comic.

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The way she first catches sight of Strange as he battles fiercely against Dormammu’s minions. At first, she’s an impartial observer (though admittedly she is quite attracted to and intrigued by Strange) but as she watches Strange battle she sees something of his heart.

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She sees his nobility, his courage, and she finds herself wishing that the man would leave so that Dormammu won’t kill him.

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She goes so far as to actually warn Strange directly, even though the price of such an action is certain death because in the brief time she’s observed him … she finds herself intrigued and feels compassion for him. She doesn’t understand the desire to protect humanity that drives Strange to face Dormammu at the risk of death and she doesn’t understand where her own desire to protect Strange sprouts from.

And then we get to issue #127 and I don’t want to just copy-and-paste every panel, but again, Clea tries to dissuade Strange from facing Dormammu, but this time she shows Strange the potential consequences that even his victory could bring. Because Dormammu may wish harm for Earth, he is a defender of the Dark Dimension and if he should fall then all of the innocent people of the Dark Dimension would perish at the hands of the Mindless ones who Dormammu protects them wrong.

I really like this, because it adds a more complicated moral layer to Strange’s actions. He can’t allow Dormammu to attack Earth, but neither does he wish harm to the innocents within the Dark Dimension. And it portrays Dormammu as more than just a cruel tyrant. He’s a protector of his people and his land. And, as shown towards the end of the issue, he has a sense of honor. As when Strange helps Dormammu defeat the Mindless ones, he promises to not attack Earth as well as to not punish Clea for her betrayal.

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I love Strange offering to bring Clea back to Earth. He doesn’t know this girl well, but like Clea, he is intrigued by this strange woman. And I love how neither knows the other’s name. Clea only knows him as “man of mystery,” so we have this really intense first meeting between these two powerful sorcerers where neither knows the others’ name. They’re each left only with intrigue.

It’s a great dynamic to set up and it makes me really excited for the eventual inclusion of Clea in the MCU. I can’t find any sources on if she’s confirmed for Multiverse of Madness, but that would be a great place to introduce her.


Originally posted on September 28th, 2021 and reposted from my Tumblr [tumblr.com profile] spidey-adhd
Title: wound that never heals
Fandom: Marvel Cinematic Universe
Characters/Relationships: Wanda Maximoff/Vision (not endgame/together anymore though)
Rating: General Audiences
Length: 3,510 words
Summary: Once a year, Wanda Maximoff and Vision meet up and mourn their children together while trying to move on and find joy without each other.
I do really wonder how much of the Vision we see in WandaVision is, well, our Vision. And how similar he is to the original version.

Generally, I like to imagine that he’s essentially the same and that Hex Vision represents Vision’s soul whereas White Vision is his body. And this is supported by the fact that BTS he was referred to as Soul Vision, by the creators.

I prefer this interpretation quite simply because it makes it easier to come to terms with not only his death, but his birth. To imagine him as entirely separate from our Vision feels icky almost and it honestly makes me a little angry too. It feels a bit like a slap in the face for the narrative to make us so attached to this version of the character and then treat him like he’s disposable. It feels like a disservice to both Visions :/

So … I generally, regardless of what canon says, like to imagine Hex Vision as our Vision. I still kind of wish my fan theory of Hex Vision and White Vision fusing came true asdfghjkl (though, I mean … it sort of did?)

Anyway, that’s what I like to imagine… but, firstly, the Vision we see is heavily altered to fit sitcom shenanigans. The Wanda we see in WandaVision is very different from the character we see in Ultron, Civil War, and Infinity War and the same holds true for Vision. So, I don’t think Hex!Vision is a carbon copy of original Vizh because of that.

There’s a lot to support the idea that while they’re generally the same … the two Visions also share enough differences to be two distinct beings. Hex!Vision has a lot of Wanda’s traits, because he’s a fusion of Vision (Wanda’s memory of him and love for him) as well as herself. Metaphorically, or perhaps even literally if the MCU wants to go there, Wanda used her own soul to make him and he is very much a reflection of her.

For instance, this little ramble was inspired by a gifset I saw of Wanda and Vision biting their thumbs in contemplation. And … I honestly don’t think that’s a quirk our Vision would have. It’s something I can absolutely see Wanda doing, but not Vision. It’s hard to say, because we didn’t get a lot of Vision before this show but so much of Vision’s physicality—the way he moves and his emotional quirks—feel way more like Wanda than himself.

I mean, partly that’s because sitcoms are very physical performances by nature, so it isn’t just Wanda’s influence there (well, I mean, it is Wanda’s influence—since she created the sitcom world—but I mean it isn’t just Wanda’s personality rubbing off on him). But the Vision we see in the show acts in ways that I don’t think the original Vision would.

Anyway, ramble, over. I really need white Vision to show up again since … he isn’t quite the original Vision either (trauma changes a person) but he is still another version of Vision and I’d really love to see what direction Paul takes with the character. He’s played three different versions of Vision and two of them were both extremely similar but with notable differences, so I want to see what that third version looks like now that he has free will again.

What traits does white Vision have that are fundamentally the same? What’s different?

Originally posted on November 18th, 2021 and reposted from my Tumblr [tumblr.com profile] spidey-adhd
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I know Wanda and Pietro eventually rejoin the Brotherhood of Evil Mutants (if only temporarily) so I guess this is the setup for that. I wish we’d have seen some actual mutant discrimination before this page in The Avengers series, however, though I guess we’ll see Pietro and Wanda face prejudice in the coming pages and/or issues which will lead them to rejoin Magneto.

And, I have to say, I dislike Wanda’s response here. :/

I dislike how she (and I should note I am less criticizing Wanda here and more so the writer) automatically conflates Pietro’s frustration and anger at the prejudice and double standards they face as mutants with Magneto’s “Evil” Brotherhood and mutant supremacy.

Honestly, one thing that annoys me about the X-Men comics (thus far) is how we have Magneto’s extreme ideology of mutant supremacy and then we have Xavier’s extremely mild “be the better person! we fight for humanity and be the gold standard and eventually the humans will stop discriminating against us.”

The X-Men rarely, if ever–in the issues I have read thus far–actually fight for mutant rights or engage in any sort of meaningful activism. It engages it, I don’t know how to phrase it exactly, but this twisted idea that you have to be this perfect ideal and you have to serve humankind in order to change their perceptions of mutants. It’s all extremely passive since the X-Men never outright challenge prejudice.

Pietro is right.

The homo sapiens honor Pietro and Wanda today, but that’s because they’re “good” mutants and how it doesn’t take much for public perception to turn. Mutants don’t deserve to face discrimination and prejudice at all and they shouldn’t have to prove their worth and value to the human race to justify their existence.

Honestly, the X-Men and mutants are always going to be a bit of a lopsided metaphor and analogy for discrimination. Since, mutant powers are (A) genuinely dangerous in a way no IRL minority group is and are often portrayed to be extremely dangerous in the comics, and (B) the story is just as much about “with great power comes great responsibility” (it’s a Spider-Man quote but the theme is ever present throughout Stan Lee’s work and comics in general) as it is about prejudice and those are two strange ideas to conflate together when the “power” is meant to also be a metaphor for race, sexuality, etc.

It comes across as it being the mutant’s responsibility to constantly break stereotypes and prove themselves against a society that already stands against them, but it doesn’t advocate for meaningful change or reform and (thus far–I am, after all, roughly 50 years behind lol) no homo sapien character is shown to have any responsibility towards mutants the way mutants are shown to have an innate responsibility towards homo sapiens.

Originally posted on April 13th, 2021 and reposted from my Tumblr [tumblr.com profile] spidey-adhd

I saw someone say Peter isn't a very psychologically deep or interesting character and oooh! that upsets me so much. It was an old post from 2017 otherwise I would've replied, but Peter is so much more interesting than people think and I actually think all three major film adaptations have been lackluster in their depiction of Peter's complexity. (Andrew Garfield comes closest.)

Firstly, I think people need to reread (or read for the first time) Amazing Fantasy #15 and the early Amazing Spider-Man stories because people forget about how much of an angry, bitter, loner Peter Parker was. He was this close 🤏 to becoming a villain.

Because goodness was not innate to him. It was a constant choice he chose to make again and again, because he saw the consequences of being selfish and decided he didn't want to be that person.

I've said it before and I'll say it again, but a lot of Spider-Man's villains are egotistical old men who feel like they've been ostracized and/or unappreciated by society. They're geniuses who feel they haven't had their genius recognized. So, because society hasn't given them what they feel they deserve, they decide to take from society instead in order to achieve the fame, glory, riches, etc. that they feel is owed to them.

I think the films and video game are really great at portraying this key aspect of Spider-Man villains, but what I think what a lot of the adaptations miss is that Peter is just as prone to that ego-centric thinking. They are who Peter could have become had he made different choices and they're who he could still become, because choosing to do good is a constant fucking choice. And it's not easily made.

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Peter Parker's origin story as the Spider-Man is nearly identical to that of a villains, especially of a Stan Lee villain from the 60s, with one key difference—which I'll get into in a bit.

But, firstly, Peter is a young, brilliantly intelligent kid who is mocked by his peers and as a result he is deeply angry at the rest of society. He is bitter and as a result he feels that he doesn't owe anything to society.

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He takes to fame as a wrester extremely quickly and his ego goes to his head immediately. He's selfish and he doesn't care about anyone except his immediate family.

Looking at these two experts from the comic, it's not hard to imagine this young boy becoming more and more jaded, more and more misanthropic, and inevitably deciding to become a criminal in order to achieve the life he feels he deserves.

But Ben dies, Peter feels responsible, and more importantly, Peter grows up. Because this bitter, angry, ego-centric thinking is childish and quite characteristic of a teenager and I think the fundamental flaw of a lot of spidey villains is that they're old men who have refused to grow up. They're still stuck in ego-centric thinking whilst Peter has grown into someone who's truly selfless and not because it's natural to him—because it wasn't initially—but because he's made the constant and continually choice to be good.

Honestly, the journey Peter takes from early Ditko-era jaded and bitter loner Peter to Romita-era compassionate, brave, and sociable Peter is honestly the greatest character development of 60s Marvel comics. I feel quite confident saying that. Because it's such an active journey of growth and change.

And it's a journey where he constantly faces challenges and setbacks.

He isn’t appreciated as Spider-Man, oftentimes, and this frequently lends to a bitter egoism and a temper that puts him at odds with others. Sometimes he wants to stop, but ultimately he decides not to because he's decided to give to society even if society doesn't give to him. He's truly altruistic.

Anyway, my ramble is over now. I have said my piece.

Reposted from my Tumblr [tumblr.com profile] spidey-adhd

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Wanda and Pietro discuss leaving the Brotherhood of Evil Mutants and decide to seek out the Fantastic Four for help in Strange Tales (1951) Vol. 1 #128

Okay, but I seriously love so much about these two pages. I love how Pietro has already packed and is ready to go the second that Magneto has gone away and I absolutely love how assertive Wanda is in her demands that they must stay with Magneto. She even goes as far as to use her hex power on him!

Wanda has such a misplaced sense of loyalty towards Magneto, but it makes perfect sense to me for Wanda to feel such loyalty. They’ve been discriminated against because of their mutant abilities for years (as well as for being Romani, but that hasn’t been written yet in these comics) and Magneto was the first person they met who seemed to stand up for them.

Really, these two are just young kids who are looking for their place in life and, I think, they’re also looking for a parental figure, in a sense, which makes the fact that they ran into Magneto extra ironic ahahaha!

Anyway, I also love these pages, because it shows that Wanda and Pietro are on equal terms for the most part. They make decisions as a unit and they find a compromise that’s between Wanda’s desire to stay and Pietro’s desire to leave; they seek out the Fantastic Four in hopes of them being able to guide them on a path that’s different from the one that Magneto has them set upon. Because Wanda concedes to Pietro that Magneto isn’t good, but she doesn’t wish to leave without a plan because … well … they have nothing.

Absolutely nothing outside of Magneto and it's hard to leave a cult when you have nothing outside of it. Wanda just wants to make sure that they’re running towards something!

(Yes, I called the Brotherhood of Mutants a cult. Prove me wrong.)

Originally posted on September 29th, 2021 and reposted from my Tumblr [tumblr.com profile] spidey-adhd
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Wanda and Pietro’s first appearance in X-Men #4

I absolutely love everything about these panels. Pietro being protective of Wanda, but importantly, Wanda being in control here. She tells him to calm down—something we will see her do very often especially when they join the Avengers and Pietro and Clint often butt heads—but if anything she’s just as tempestuous and ready to smack down as Pietro asdfghjkl. And then she calls Pietro to her side like he’s a goddamn Pokémon!

“Don’t fight on my account, Pietro … actually this guy’s a prick! Let's go! Quicksilver! To my side!”

It’s delightful.

And the image of Pietro standing protectively in front of her, arms spread out, and Wanda holding his shoulder as she cautions him—that’s such a perfect image for them!!!

Their introduction is so perfect!

A repost from my Tumblr [tumblr.com profile] spidey-adhd Originally posted on November 23rd, 2021

gettinggreyer: (Maximoff Twins)

I'm gonna vent real quick and I hope y'all don't mind. So, I was looking for a good HD image from Avengers: Age of Ultron of the Maximoff Twins on Google images; specifically of the scene where my current icon is from, because the icon I have is quite blurry and I want to try to make the icon a bit crisper. Idk I'm not good at editing, but I make attempts for icons, anyway … I find an image and it's link to a Twitter post of someone claiming that Elizabeth Olsen confirmed that the twins were portrayed to be incestuous and big sigh "that's why they're so touchy-feely."

And, firstly, I have seen this claim against the MCU!Twins countless times! And it's just not true. I have no qualms with Maxicest shippers who interpret it that way, but people trying to "call out" the directors and actors because they presume the incest interpretation was the canonical intent??? God, it infuriates me for so many reasons. There is a lot of valid criticism against the MCU's portrayal of the twins, but them being canonically "incestuous" isn't even close to one of them.

As far as I'm aware, and please correct me if I'm wrong, there have been two separate occasions where either actor vaguely referenced incest.

Firstly, at a Godzilla panel, where Aaron and Elizabeth were asked if they approached playing the twins differently compared to their previous roles of husband and wife. Aaron replied, "No, we did the same thing," and the audience erupts with laughter. And Elizabeth actually has a funny comment too where she says that after playing lovers, you [the actors] sort of feel like brother/sister. I'm not entirely sure what that means as I'm not an actor but I presume she's referring to general teasing and level of comfort the actors feel with one another.

Secondly, and I think this is what people are widely taking out of context when saying their was intentional incestuous subtext, when Elizabeth said, "They’re like the closest you can get. They’re the only thing that matters in the world. You see in the comics, every time you see an image for them, they’re always holding each other’s hand and looking over each other’s shoulder. They’re always so close, it’s almost uncomfortable. Aaron and I have been playing a little bit with those kinds of images just for ourselves, because we think it’s nice for them to have that tight, that real tight union." (Source)

And people taking this quote and using scenes from the films to corroborate it absolutely fucking piss me off!

Cause she never once says they're incestuous, only that they're "uncomfortably close," and the fandom reaction kind of just proves the validity of her statement. Wanda and Pietro are uncomfortable close, because we—as a general society—look at this scene:

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A scene where Wanda is emotionally frightened and devastated; a scene where Pietro sees his sister's emotional turmoil and instantly seeks to comfort and protect her—the fact that you look at this scene and think it's incestuous says a lot about you and our society.

Wanda and Pietro literally have no one else in their lives! They only have each other. They were orphaned at ten years old and had to raise themselves after that. They grew up in a war-torn environment with constant hardship that eventually led to them volunteering for human experiments because they believed that was the only way out of their life. Of course, they're close! Of course, they offer each other comfort and sanctuary!

Know what? Fuck it! I'm gonna say what I really want to say. Fuck amatonormativity! Fuck the idea that romantic (and sexual) relationships are the main, predominant, exclusive, and "most special" type of relationship that there is. Cause I do think the exclusive branding of certain gestures as inherently romantic, such as "extreme" closeness and emotional intimacy, is absolutely related to how people perceive the twins' relationship.

We're made uncomfortable by displays of affection; though it should be said that in other cultures and in history, it wasn't uncommon for platonic affection to be more "extreme." So, perhaps it isn't amatonormativity at play here, but puritism or something else embedded in our sick culture.

Regardless, I am so tired of the idea that romance is the greatest thing ever! The Maximoff Twins are close, closer to each other than anyone else, and they don't have to be fucking one another in order for that to be the case. Platonic love doesn't have to be inherently lesser to romantic.

And, additionally, Wanda and Pietro's traumatic background lends to their extreme closeness! Yes, they are codependent and enmeshed, but that doesn't make them incestuous. Fuck you!

ahem

Again, I'd like to reiterate that this rant isn't aimed at Maxicest shippers, but at people who—are largely anti the ship and anti the incestioys ships in general—attack Josh Whedon, Elizabeth Olsen, and the MCU for the completely baseless claim that they portrayed the twins to be incestuous.

I have a lot of respect and appreciation for Maxicest shippers. The best platonic Maxitwins fic is usually written by Maxicest shippers who write Gen ("but maxicest if you squint") works. Probably because they aren't afraid to portray their relationship as "uncomfortably close" and to delve into the "problematic" elements of their dynamic.

I've tried to read some more explicit Maxicest works, but I can't do it. Partly because of how much I ship Wanda/Vision, partly because I just vastly prefer the platonic interpretation, and, admittedly, partly for reasons stated above.

I have some incest ships, but most involve characters who escaped the sibling dynamic by being raised apart. I find that most incest fic makes me uncomfortable because of how it sexualizes innocent gestures (a character presuming romantic intent because "siblings don't hold hands") or undermines the sibling relationship in favor of romance (a character stating that they don't consider their sibling a sibling and wish them to be their lover instead).

I'm mostly aro (probably?) so the heavy emphasis on how romantic love is always above platonic sibling love just makes me very uncomfortable and it honestly feels extremely isolating. That's my personal take though and I'm always of the opinion to let people ship and let ship.

Anyway, that's my long vent. Thanks for reading and if you feel the same way, feel free to drop a comment.

gettinggreyer: (Maximoff Family - Holding Babies)
Chapter Title: planting seeds
Fandom: The Avengers (MCU)
Characters/Relationships: Wanda Maximoff/Vision
Rating: Explicit
Total Length: 11/50 Chapters | 21,812 words
Chapter Length: around 1,200 words
Summary: Wanda and Vision decide to try for a third child.
Title: barren machine
Fandom: WandaVision (MCU)
Characters/Relationships: Mantis/Vision
Rating: General Audiences
Length: 2,825 words
Summary: After Westview, the Vision remembered who he was, but he still didn't know what he was. Not wishing to remain on Earth, the Vision fled the solar system and found himself somewhere far, far from Earth and the life he left behind. It's there he met Mantis who just might be able to help him feel alive again.

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