The Horror Tree Recent Markets, Articles, Interviews, and Fiction!

Devil Dragon Ebook Giveaway

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ENTER TO WIN A DIGITAL COPY OF DEVIL DRAGON


Deborah Sheldon, award-winning author from Australia, is giving away 12 of her published titles over the next 12 months, via The Horror Tree. Why? To celebrate her 40th year as a professional writer!

For January, The Horror Tree is giving away TEN e-book copies of her creature-horror novel DEVIL DRAGON, which was shortlisted for the Australian Shadows “Best Novel” Award.
https://www.amazon.com/gp/product/B01N0F32TI/

This giveaway is planned to run from Monday, 19 January to Saturday, 31 January 2026 and is part of Deborah’s year-long giveaway with Horror Tree!

About DEVIL DRAGON
A suspenseful horror story set in outback Australia…
Dr Erin Harris may be a scientist, but she has an unscientific obsession: to find a living Varanus priscus. Cryptozoologists call it the Devil Dragon. This giant Australian reptile went extinct some 12,000 years ago but like Bigfoot or Nessie, there are occasional sightings. Spurred by a credible witness, Erin cobbles together an expedition party consisting of herself, her witness, and his deer-hunting neighbours. They travel into the unexplored heart of a national park. Erin, believing the Devil Dragon to be a larger version of the Komodo, is confident she can outwit a specimen. However, the monster that lumbers out of the bush is a savage and unpredictable predator the size of a campervan. Erin must transform herself from genteel university lecturer to die-hard survivalist.

You can enter to win right here:

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Trembling With Fear 1-18-26

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Greetings, children of the dark. We’ve got some big news brewing here at TWF Towers, but I’ll wait a little before filling you in. See, that’s what they call a non-reveal, a tease, a generally pointless statement. But I don’t want to jump the gun before the boss man says it’s ok, and the poor lad is a bit sick right now so let’s give him some space, yeah?

In the meantime, I hope you’re staying safe out there, wherever you are. The world is dark, but our sanctuary here can provide some temporary escapism for you. 

First up in our dark and trembling menu this week is Jessica Fogal, who’s pondering the things that go through our minds at the end of our lives. That’s followed by the short, sharp speculations of:

  • Nicolette M Ward’s algorithmic misconception,
  • Paul Lonardo’s apocalyptic hope, and
  • Kevin M. Folliard’s towering mistake.

Over to you, Stuart!

Lauren McMenemy

Editor, Trembling With Fear

Wow, what a hard week. I’ve had a viral eye infection (surprisingly not pink eye) all week long, which has led to massive headaches from light sensitivity, which is all something that I’m very much not used to. Saying that it impacted my week is an understatement. (Also, cutting into a fw deadlines I am still hoping to make, but we’ll see, it’s FINALLY getting better, but isn’t quite there yet.)

Enough about me. We’ve got some big behind-the-scenes changes coming soon for Trembling With Fear, and we are still slowly moving forward on our overdue release from last year. Hopefully, this year we’ll catch up and get things out into the world on a reasonable timetable! Speaking of Trembling With Fear, we’re also, as always, in need of your drabbles! Please do send a couple in if you’ve got them squirreled away or want to try your hand at a story in 100 words!

Now for the regulars:

  • Just a reminder that Trembling With Fear: Year 7 and More Tales From The Tree: Volume 5 are available for order! Again, a huge shout-out and a big thank you to all of the authors who contributed to it and all of our editing staff for helping push this one live!
  • Thank you so much to everyone who has become a Patreon for Horror Tree. We honestly couldn’t make it without you all!

Stuart Conover

Editor, Horror Tree

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Serial Saturday: Demon of Ubud: The Last Festival by Olga Korotkaya, Chapter One

Chapter One

                                                          

“It’s so cool, Mel, that you came!” Josh was riding his motorbike along a winding mountain road, chatting with his friend sitting behind him.

“What else could I do? You’ve basically vanished here in Bali. What was I supposed to do—not see my best friend for years?” grinned Mel. “But I see you already ride a bike like a pro. Well done!” She gave him a friendly pat on the back. “But we’ve entered some kind of jungle. There’s nothing out here, not even a hut.”

“That’s what makes it awesome.” Josh smiled happily. “A music festival in the jungle, a real one! Just us, the music, and untouched nature.”

“Yeah, merging with nature, opening chakras to the Universe—I know those Ubud vibes. We’ll get there, and it will begin: let’s all stand in a circle and thank the spirits of the wind, the mountains, and the forest for accepting us…” She rolled her eyes. “Especially that wild macaque that stole my glasses and ate my sandwich.” Mel burst out laughing.

“Well, yes, Ubud is nearby. Of course, there will be some ‘Ubud-crazies’ at the festival. But I’m sure we’re gonna have a great time. Laura promised it’ll be fire!”

“And how did Laura find out about this festival?”

“Dunno, some friend of hers told her.”

“What friend?”

“No idea, didn’t get it.”

“She’s your neighbor, you must know all her friends.”

“Beats me, she didn’t really explain. But hey, looks like we’re here already.” Josh nodded towards the gap between the trees, where lights were already visible. “Look, Alex is parking his bike.”

“Bro, I barely made it! Liz and I got caught in a rainstorm somewhere near Ubud.” The guy got off his bike, turning to Josh.

“Luckily we had raincoats, so we didn’t get wet,” Liz added. “Let’s go! I can hear the music now. It’s already started. Babe, keep up!” She led the way along the trail, buried in lush tropical greenery, towards the glowing lights and booming bass.

#

“Damn, Laura! You can really scare me like that!” Josh jumped back from the long black robe that the girl was wrapped in, already waiting for them at the entrance.

“It’s for the vibe. To match the setting,” Laura chuckled. “But you’ve finally arrived! I’ve been waiting for you for a long time. By the way, the festival started a few hours ago. I met some French people at the very beginning—weird, of course, but nice. They kept muttering something about energy funnels. Then they decided to meditate, invited me to join them. They left—and disappeared. Never came back. Apparently, they went through a magic portal.” She laughed, but something trembled in her voice.

#

The clearing was lit up with multi-colored garlands. Music poured from speakers hidden under palm leaves: a deep bass echoed in the chest, and above it, as if on vines, fragments of vocals, oriental flutes, and muffled shamanic chants glided. All this together formed something mesmerizing, hypnotic. On the main stage, the crowd danced as if they were enchanted. The air smelled of alcohol, sweat and something that was definitely not eucalyptus.

There were fires burning around the perimeter of the clearing. Some people were hugging each other. Some were lying there, staring at the sky. Some were crying. Some were laughing for no reason.

“What do you think?” Josh shouted to Mel over the music.

“A hundred times better than I expected! Just like an arthouse video, only with sweat and mosquitoes!”

Alex and Liz were already dancing, and Laura, having taken off her robe, sat by the fire, thoughtfully sipping coconut water straight from the coconut.

#

Twilight was falling. The fires were growing brighter, more crimson, the shadows were growing longer, and the jungle around them seemed to be growing denser, compressing.

“Look, I noticed a trail leading off from the edge of the clearing. Straight into the jungle,” Alex said, looking towards the thicket.  “Looks like it leads to the river. Who wants to go for a swim? Without clothes, of course,” he chuckled. “Without any clothes at all.”

“I’m for it.” Mel immediately raised her hand cheerfully.

“Well, of course you are, you have almost nothing to take off.” Alex grinned, casting a sharp glance at her.

“But it’s a brilliant idea,” Mel chuckled. “That’s how nine out of ten characters die in every self-respecting slasher. First, they swim, then: ‘Oh, where did Jenny go?’ Then blood and a ripped-open stomach. According to the laws of the genre, if someone suggests swimming naked in a slasher, then there will be blood, screams, and severed heads.”

“I’ll pass,” Laura responded. “Trails in the dark aren’t my thing. And anyway, I met a guy from Uganda here, he read me poetry. I’m with him.”

“Well, whatever.” Alex shrugged. “We’ll be back soon.”

They took a trail, half-lost in the evening shadows. Behind them was the light, the bass, and the cheerful noise. Ahead was the damp air, the shimmering fog, and a narrow trail that disappeared into the depths of the jungle.

“Great, that’s how Hollywood horror movies always start. First, ‘oh, look, a trail,’ then ‘let’s go swimming’.” Mel narrowed her eyes meaningfully. “Then it’s textbook: one of them hears a strange sound, the other finds some symbol—ancient, cursed. Then someone falls, the battery on their phone runs out… We’re totally following the genre. ‘Let’s go down there, it’ll be fun!’ And ten minutes later, someone screams without a head.”

“Okay, this is exactly how slashers start,” said Josh, pushing his way through the branches. “A group of friends decides to go to the river at night. Jungle, moonlight, naked boobs on screen—classic setup. We’re literally marching through a screenplay template. Now we just need someone to say, ‘Be right back,’ and that’s it. Goodbye, dude.”

“At least we don’t have a chainsaw or a token virgin,” Liz chuckled.

“The key thing is not to split up. And not to say, ‘Hang on, I’ll just go check out that sound.’ Anything that starts with that phrase ends with a corpse,” Alex laughed. “And couples who decide to have sex in the bushes are also killed in the first rows. Always a bad idea.”

“Okay.” Josh threw up his hands. “Nobody move away, don’t listen to suspicious noises, and for heaven’s sake, keep your pants zipped.”

“Oh no, what about artistic improvisation?” Liz pretended to be upset.

“Sure, if you’re dying to be the next victim,” Mel chuckled.

“It’s true! We’ve got almost the full cast for a classic slasher. By the rules, we must have a set of archetypes.” Alex grinned. “Who’s who? Let’s figure it out. Just so we know the order we’ll die in.”

“Alright,” Mel said with a sly smile. “I’m the Final Girl.”

“No way,” Alex protested. “The Final Girl is always a virgin, a paragon of virtue, purity, morality, and other boring stuff. Quiet, modest, in jeans and a white T-shirt. No offense, Mel, but you in that skirt, that’s basically just a wide belt, and a top that is held up solely by faith in jungle magic.” He glanced at her. “And with those ‘I do what I want’ eyes… You look more like the Slut archetype—a girl with extremely loose morals, who is always the first to die. She is also usually killed during sex. Or right after. Somewhere near the barn. Or under some phallus-shaped totem.”

“Hah,” Josh snickered, “she is the Final Girl, trust me.”

“Okay,” Liz muttered. “Then who am I?”

“You’re the one who goes to take a shower alone in a cabin in the woods,” Alex prompted. “Naked. Always. Even if you’re just going to get some napkins. You’re the one who screams loudly and dies sexy.”

“Great,” Liz snorted. “Love my destiny.”

“Josh is the Reluctant Hero,” Alex continued. “The guy who doesn’t believe anything at first, then has a sudden epiphany, and in the end sacrifices himself to save the heroine, shouting ‘RUN!’”

“Not the worst option,” Josh said thoughtfully. “The main thing is not to be the guy who says, ‘I’ll be right back.’”

“Well, then I’m obviously the Dumb Jock,” said Alex, squaring his shoulders. “Charming meathead. Always rushes in, does everything wrong, cracks jokes until the very end—when he gets gutted. Dies dramatically and always shirtless.”

“Hey, at least you’ll be the most photogenic corpse,” Mel teased.

A branch snapped somewhere nearby. They all froze. Then they laughed, almost simultaneously.

“There it is,” Alex said. “Total horror movie frame. Laughter, false relief—and then BAM. Someone vanishes.” 

“If one of us falls behind, don’t come back for him,” Mel said firmly. “Or if you do, go back in pairs. Never go alone.”

And then, in the jungle, just off to the side of the trail, there was a quiet, wet gurgle, as if a heavy sack had been dropped into a swamp. Everyone fell silent at once.

Epeolatry Book Review: Ink Vine and Other Swamp Stories by Elizabeth Broadbent

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Disclosure:

Our reviews may contain affiliate links. If you purchase something through the links in this article we may receive a small commission or referral fee. This happens without any additional cost to you.

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Title: Ink Vine and Other Swamp Stories
Author: Elizabeth Broadbent
Genre: Southern Gothic
Publisher: Undertaker Books
Date: 6th March 2026

Synopsis: Stay the hell out of the swamp — the backwater town of Lower Congaree recites it like an eleventh commandment.

Lower Congaree is a backwater of a backwater, a poverty-stricken South Carolina town where nail salons come and go, but the Marine recruitment center never closes. Swamp surrounds it, and strangeness stretches back as far as anyone can remember.

For the first time, Undertaker Books has collected Elizabeth Broadbent’s intertwined Southern Gothic stories, including her linked novella, Ink Vine. Swamp witches and standing stones, battered mansions and shoeless patriarchs, strip clubs and roadside diners—Lower Congaree blossoms with the otherworldly, the bizarre, the outcast and the outside of time.

Ink Vine

“A stunning debut with a narrative voice so strong, you’ll feel the swamp breathing down your neck. Eerie and very moving.” —Tim McGregor, author of Eynhallow and Wasps in the Ice Cream

 

When exotic dancer Emmy Joiner escapes to the swamp, she meets beautiful, long-legged Zara, the first girl she dares to kiss. But the small-town South hates a woman who dares to dance instead of plucking chickens for minimum wage. As Emmy’s life falls apart, her relationship with Zara grows more tangled and bizarre. Zara’s offering something beautiful. Its price may be more than Emmy’s willing to pay.

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Taking Submissions: Cosmic Roots And Eldritch Shores February 2026 Window

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Submission Window: February 1st – 2nd, 2026
Payment: 8 cents per word for original, 2 cents for reprints, For artwork: $10 for the non-exclusive right to use each image, for as long as the site is online.  If we publish a print collection we will pay a pro-rata share for each image used.
Theme: Well written original work in science fiction, fantasy, myth, legend, fairy tales, and eldritch, in written, podcast, video, and/or graphic story form, and from around the world.
Note: Reprints welcome

 

 

Submissions Schedule

The first and second day of every month, 12 am of the 1st to 12 am of the 3rd, E.S.T.

For reading impaired individuals, our submissions manager and ‘forget password’ have a captcha compatible with screen readers.

We pay 8¢ per word for new fiction, 2¢ per word for fiction reprints, 2 – 8¢ per word for new fact-based work, 1- 4¢ per word for reprinted fact articles.
For new poetry, we pay $1 per line, and for reprints we pay 50¢ a line  We’re looking for poems up to 40 lines. We’ll consider longer poems but that would be a hard sell, and words over 40 lines would be paid at 8¢ per word.

We sponsor The Kepler Award to recognize and encourage writers of excellent science fiction and fantasy stories that creatively extrapolate on known science in constructive and exciting ways. You can learn aboutThe Kepler Award here.

You can read a copy of our standard contract here.   It can be varied as needed to include the rights of translators, voice actors, etc.

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Indie Bookshelf Releases 01/16/2026

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Got a book to launch, an event to promote, a kickstarter or seeking extra work/support as a result of being hit economically by life in general?

Get in touch and we’ll promote you here. The post is prepared each week for publication on Friday. Contact us via Horror Tree’s contact address or connect via Twitter or Facebook.

Click on the book covers for more information. Remember to scroll down to the bottom of the page – there’s all sorts lurking in the deep.

 

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“Your place is here now.” It sounds like an invitation. It’s actually a command.

In this collection of horrors, Jason Fischer turns familiar spaces into deadly traps:

A dinner with a new “mother” who wasn’t invited. A Halloween visitor offers a treat you must not refuse. A puzzle book that predicts your future—and takes its cut. A cardboard cutout boy that won’t stay where it’s put. A dark carnival ride with no power runs perfectly on what you fear most.

These and other tales of folk, psychological, and elevated horror converge on one message: your place is here now. Take your seat.

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We invite you, fellow horror aficionados, to take a ride on HellBound Highway – a terrifying trip into the darkest recesses of the human mind you’d care to discover, your ticket to ride provided by a bunch of the very best authors writing on the independent horror scene today.

Of course, it’s not your ordinary ticket, it’s a boarding pass to twenty-eight sinister tales about terror excursions you most definitely wouldn’t want to experience first-hand.

So, please do immerse yourself in HellBound’s bone-chilling anthology of traveling terror, curated by indie horror superstars Jane Nightshade and Ann O’Mara Heyward, and featuring stories by: 

James H. Longmore, Ann O’Mara Heyward, Jane Nightshade, Todd Mitternacht, Damon Nomad, D.W. Milton, Michael Penncavage, John Wolf, Andrew Adams, Ross Baxter, D. Winchester, Ricardo Rebelo, S.J. Townend, David Bartlett, Nicola Lombardi, Blake Kourik, R. D. Davidson, Harley Carnell, Kevin Hollaway, Eliza Hyde, Mason Gallaway, D. C. Kugtima, Patrick Wright, Sean Seebach, Eldon Litchfield, Meg Belviso, Jay T. Levy, and Randall Drum.

Out Now!

ImageTrembling With Fear: Year 7 invites you back into the unsettling, awe-inspiring worlds that only speculative fiction can conjure. Curated from the chilling archives of HorrorTree.com’s 2023 publication year, this latest volume features the best in dark fiction—from emerging voices to seasoned storytellers.

Inside these pages, you’ll find a haunting fusion of horror, dark fantasy, and eerie science fiction. Each story first appeared online in Trembling With Fear, our showcase for drabbles, flash fiction, and short stories that creep under your skin and linger in your thoughts. These tales don’t just entertain—they whisper, scratch, and scream from the margins of reality.

Whether it’s a glimpse into dystopian futures, encounters with twisted creatures, or moments of quiet terror that turn the mundane into the macabre, this anthology captures the full breadth of speculative storytelling in compact, powerful doses.

Unlock a year’s worth of nightmares, dreams, and the uncanny. Welcome to Trembling With Fear: Year 7. The portal is open.

 

ImageIn this fifth volume of Trembling With Fear: More Tales from the Tree, we branch out once again with a fresh harvest of dark delights from HorrorTree.com’s 2023 special edition and themed fiction calls.

Inside this volume, you’ll uncover holiday horrors, twisted seasonal tales, and curated collections that appeared outside our weekly posts. From Valentine’s chills to summer screams and Halloween hauntings, these stories offer a range of tones—from eerie and unsettling to wildly imaginative and sharply satirical.

This year’s anthology also features our fan-favorite Unholy Trinities—sets of three connected drabbles (100-word stories) that pack a sinister punch in miniature form.

Spanning the spectrum of speculative fiction—horror, science fiction, dark fantasy, and the weird—this volume showcases diverse voices from around the world. Whether you’re drawn to haunted holidays, uncanny love stories, or creeping cosmic dread, there’s something here to satisfy every dark fiction appetite.

More themes. More nightmares. More from the Tree. Dive in and discover the stories that grew from the shadows of 2023.

 

Indie Bookshelf Releases May

Novels and Novellas

1st 2nd 4th
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5th 6th 7th
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8th 9th 12th
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13th 14th 15th 16th
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21st 24th 28th 29th
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Short Story Collections, Anthologies, and Others

  1st 2nd   6th
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9th 12th   16th  
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Indie Bookshelf Releases May

Novels and Novellas

1st 7th 8th 10th 12th
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20th 16th 20th    
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  23rd   28th  
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31st        
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Short Story Collections, Anthologies, and Others

3rd 10th 26th 27th  
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Indie Bookshelf Releases May

Novels and Novellas

8th 9th 10th 14th  
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15th 17th      
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Collections, Anthologies, and Others

3rd 10th   11th  
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Indie Bookshelf Releases May

Novels and Novellas

3rd 15th 27th 31st  
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Collections, Anthologies, and Others

24th        
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Note: These shelves are very much ‘reminders’ of the magazines that are out there, so the covers might not change too often! Please let me know if there are magazines, journals, periodicals we are not aware of.

34 Orchard Cover - a creepy tree with red mountains in the background
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Augur Magazine
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Cold Signal Issue 3 Underworld
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Frost Zone Stories
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A pink dragon looking over a cliff with eggs behind it
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Luna Station Quarterly
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Pulp Literature
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Seize the Press
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Stygian Zine
Suspense Magazine</p>
<p>Suspense, Mystery, Horror and Thriller Fiction
Tales and Feathers Magazine
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Happy reading.

Melody

 on behalf of Stuart and the Horror Tree Team

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Epeolatry Book Review: The Exorcism at 1600 Penn by Hannah Rose May & Vanesa Del Ray

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Disclosure:

Our reviews may contain affiliate links. If you purchase something through the links in this article we may receive a small commission or referral fee. This happens without any additional cost to you.

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Title: The Exorcism at 1600 Penn
Author: Hannah Rose May
Artist: Vanesa Del Ray
Genre: Psychological horror/graphic novel
Publisher: IDW Publishing
Date: 19th August, 2025

Synopsis: The most famous address in the U.S. becomes the center of an epic struggle in this chilling supernatural-horror graphic novel!

Kelly Doyle has just been elected the first female president of the United States of America, and boiling political tension could spill over at any second. Having to balance being a mother to two teenagers and navigating the shifting media landscape, all while preventing World War III, has Kelly spread thin, but she could never predict that the nation’s hallowed halls would soon become a demonic battleground for good versus evil.

From the pen of rising comics writer Hannah Rose May (Rogues’ Gallery) and acclaimed artist Vanesa Del Rey (Scarlet Witch) comes this psychological tale perfect for fans of Nice House on the Lake and The Haunting of Hill House.

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Taking Submissions: Electric Spec May Issue 2026

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Deadline: April 15th, 2026
Payment: $20 per story or artwork
Theme: Electric Spec prefers science fiction, fantasy, and the macabre, but we’re willing to push the limits of traditional forms of these genres.

Fiction Submission Guidelinessubmissions at electricspec (dot) com
Issues are published at the end of February, May, August, and November. We reserve the right to shift publication date slightly, as necessary.

We have reading periods for each issue, though we never close to submissions.

February closes January 15

May closes April 15

August closes July 15

November closes October 15

We do not consider stories or art created, or partially created, by A.I.

We consider stories between 250 and 7000 words with speculative fiction elements. We prefer science fiction, fantasy, and the macabre, but we’re willing to push the limits of traditional forms of these genres.

We do not consider poetry, stories with over-the-top sex or violence, serials, novels, fan fiction, or non-fiction. We don’t accept multiple submissions; in other words, only submit one story at a time and wait for a response before submitting another. We accept simultaneous submissions as long as you let us know up front and tell us as soon as it’s accepted elsewhere. We do not publish reprints, including anything that has appeared on a website.

We pay $20 for each story we publish. We buy first-printing world exclusive rights for four months. Payment will be made shortly after publication using PayPal. We encourage our authors to establish a PayPal account if they don’t already have one.

We prefer to read submissions in traditional manuscript format. This means indented paragraphs instead of left justification, and Courier or Times New Roman font in 12 pt, double-spaced. Also, please include the title, your name, address, and word length on the first page of your story.

To submit your story to Electric Spec, e-mail it as an attachment in Rich Text Format (RTF) to submissions at electricspec (dot) com. Use the following subject line: SUBMISSION: Story Title by Author’s Name (Word Count). In the body of the e-mail, include writing credits, if any, and the word count of the story. We do not generally open attachments unaccompanied by a cover letter.

If you submit, please put our email address on you approved email list so you receive our reply. There’s some info about whitelisting on the Electric Spec Blog.

Please do not submit the same story more than once, and please submit only one story at a time.

A note on our editorial policy: before publication we may work with the author to edit the story for length or readability. However, we always remain true to the spirit of the story and the author has final approval.

Please don’t query us about your story submission. We don’t have the manpower to answer such queries. An editor will email you back as soon as possible with the decision about your story. This can take a few days, or, a few months. We make every effort to get back to authors in a timely manner but we get a lot of submissions so sometimes it’s not possible.

Because we are a quarterly magazine, it may take us up to three and a half months to make a final decision, but we will let you know if your story is being held for voting. Please note we do not send out messages upon receipt of stories.

If you want to withdraw a story from consideration, please e-mail us at submissions at electricspec (dot) com and include the word WITHDRAW in the subject line. If you have urgent questions or comments (not a query about the status of your story), please e-mail us at our submissions address and include the word QUERY in the subject line.

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