Our faithful contributer Richard says:
Monday, January 19, 2026
Grandpa & Grandma
Wednesday, January 14, 2026
IN THE MIX Chrissie Hynde Edition Vol. 1
It seems everyone wants to sing with Chrissie Hynde. IN THE MIX Chrissie Hynde Edition Vol. 1 is packed with The Pretenders’ leader lending vocals to her friend’s songs (Chris Spedding, Cheap Trick, Elvis Costello, INXS, Ringo Starr) joining legends onstage (Jeff Beck, Rod Stewart) & supporting relative newcomers (Hybrid, Incubus, Rufus Wainwright, Tube & Berger). She adds some credibility to Russell Crowe’s band (one of my favorites of the tracks included here) & I included a couple tracks from her new duets album—songs with k.d. lang, & Julian Lennon. Maybe my favorite track is Hynde's live pairing with another go-to duet partner to the stars; Sheryl Crow.
Hynde is a tough as leather rock chick who’s too kind to eat meat. She's skippered a pirate ship on rock & roll's testosterone sea for 45 years without ever losing her femininity. And to me, Chrissie sings like no one else. The only influence I pick up from her singular vocal style is maybe a tiny bit of Cher—who I also find to be unique & unusual in a different way.
And despite all Hynde’s gone through—including the death of two of her original Pretenders bandmates in the space of ten months—she’s always written & recorded great music. And I've always liked that she tends to keep original Pretenders drummer Martin Chambers close. I feel like she's true to her friends, and her fans.
Even when I thought some material was weak, Hynde has proven my assessment to be inaccurate. The songs that failed to grab me on 1990’s Packed (recorded without Chambers) like Sense Of Purpose, & Criminal, and on 1986’s Get Close’s Chill Factor, & Hymn To Her took became some of my favorites when recorded with an orchestra for 1995’s The Isle Of View. The same is true of Revolution from 1994’s Last Of The Independents. I stand corrected, Ms. Hynde.
Sunday, January 11, 2026
NU-DISK Colony Deluxe Edition
Vinyl records, love them or hate them, but I still have a soft spot for those black ‘groovy’ discs: the singles, extended plays, and long players… But there’s one odd format which for no particular reason I like perhaps most and that’s the 10 inch, a sort of ‘inbetweenie’!
Which brings us to record labels’ gimmicks, such us EPIC with their 1980 NU-DISK series. In their own words: WHAT A CHEAP WAY TO GET YOUR ATTENTION!
Well, at least they were honest about it…
Those NU-DISK platters were 10 inches with (at first) 4 songs each, which to be honest isn’t that much, but then again, the keyword was CHEAP, right?!
The first four were by Cheap Trick, New Musik, Propaganda, and The Continentals of which only the first one is still around (perhaps due to their CHEAP name?!)
The other three UK bands threw in the towel many years ago, but actually their music included some really neat New Wave/Powerpop tunes and therefore deserve to be heard again.
No need to say much about Cheap Trick I guess as they’re pretty well known, except for the info regarding their four tracks is misleading!
On the A side “Day Tripper” isn’t live, but was actually recorded in the studio, the crowd noise is apparently from their 1978 US Tour and “Can’t Hold On” is from the 1978 Budokan shows.
“Such a Good Girl” was recorded in 1979 and “Take Me I’m Yours” from 1980.
Another gimmick, this 10 inch was released in two versions, with different pictures of the band members on the Sides…
New Musik (Tony Mansfield, Clive Gates, Tony Hibbert, Phil Towner, & Cliff Venner) was an English new wave pop band from South London, active from 1977 to 1982. They started out as End Of The World and became New Musik in 1977, originally with musicians who also played in the Nick Straker Band. They released three albums between 1980 - 1982.
Propaganda (Gary Finch, Graham Seviro, Julian Macqueen, & Milo Lewis), UK band formed in ca. 1980. Some members were previously in The Passengers together. They released only one album…
The Continentals (Bill Holliday, Tom Doherty, & Alan Harris) came from London and were managed by Doug Smith, then manager of Motorhead. They released only 2 singles and this 10 inch… Bill Holliday and Tom Doherty also co-produced and wrote tracks for the well known UK Rockabilly group Whirlwind.
In 1980 EPIC even released a NU-DISK Colony sampler with one track each of the above bands.
Later artists that got the NU-DISK treatment were Gary Glitter (Glitter And Gold, 6 tracks), Rick Nelson (Four You, 4 tracks), Shakin’ Stevens (Shakin’ Stevens, 4 tracks), and The Clash (Black Market Clash, 9 tracks).
It was all in vain, sales were disappointing & NU-DISK ended up on the scrapheap…
Anyway, I put this Deluxe 16 track NU-DISK Colony version together for JOKONKY, so do give it a spin!Saturday, January 10, 2026
Songs That REIGNING SOUND Taught Us - plus more PUNKS GOT SOUL
After the Memphis bands Compulsive Gamblers and Oblivians broke up, Greg Cartwright debuted a new group called Reigning Sound with a 2001 single featuring a Gene Clark cover ("Here Without You") on the A-side, and two Cartwright originals on the flip. This was followed by a full length album (Break Up... Break Down) which further defined the sound of Reigning Sound: garage punk energy with an appreciation for mid-sixties pop and soul, and a keen sense of Memphis musical history.
Between 2001 and 2021, Reigning Sound released seven studio albums, three live albums, and an odds & sods comp (Home For Orphans). The band also backed Mary Weiss of The Shangri-Las on her Norton Records comeback album, Dangerous Game (2007). All of these albums featured Cartwright's songwriting talent and soulful vocals. Cartwright announced the end of Reigning Sound in 2022.
There are cover songs scattered throughout the Reigning Sound discography, most of them "deep cuts" from the 1950's and 60's. The most familiar song would likely be "Keep On Dancing", a soul cover that was a hit for Memphis garage rockers The Gentrys. Today's set ends with a John Felice composition that first appeared on the Mary Weiss album. The Real Kids later recorded it for their 2014 comeback album).
While we're on the topic of garage rock, punk and soul, it seems like a good time to trot out Volume #7 in the blog series Punks Got Soul. This one is packed with 28 great songs, with many moments of "why didn't I think of THAT one before?" while they were being compiled. One of those "aha!" moments happened when esteemed reader Guypinot recently mentioned Evie Sands (whose "I Can't Let Go" was covered by the Hollies and the Dickies).
ELSEWHERE ON THE BLOG: Songs The Dickes Taught Us, Songs The Panther Burns Taught Us, and many more!
Wednesday, January 7, 2026
BEST OF THE SINCEROS LIVE! - Power Pop/New Wave Perfection!
BEST OF THE SINCEROS LIVE!
THE SINCEROS signed with Epic Records in 1979, & put out their debut: The Sound Of Sunbathing. It was hampered by a terrible album cover in the UK, but the US version’s cover is pretty cool. Their first single: Take Me To Your Leader got a lot of airplay—peaking at #70 in Australia.
Their second album was shelved in 1980—eventually getting reworked/re-recorded & released as Pet Rock in 1981--but the delay cost the band their momentum. Both albums are great new wave/power pop showcases for their clever & catchy songwriting, & quirky, yet cohesive, playing.
The Sinceros had so many songs with hit potential. Other highlights are; I Still Miss You, Little White Lies, Disappearing, Are You Ready (A Mark Kjeldsen solo single that was also released as a single by The Sinceros) and the very Joe Jackson-sounding Worlds Apart which are all included here.
Members went on to play in Squeeze, Eurogliders, The Teardrop Explodes, Procol Harum, Nick Lowe & The Impossible Birds, and in Van Morrison’s band.
Drummer Bobby Irwin is probably the member I was most familiar with after the band broke up. He played with everyone in Rockpile—one of my favorite bands. The Sinceros backed LENE LOVICH on her Stateless album—which I consider to be a classic--& they backed Lene on her BE STIFF tour.
Mark Kjeldsen joined forces with the great Danny Adler. I spotlighted Adler here: THE BEST OF DANNY ADLER Vol. 1 & I did a BEST OF THE SINCEROS studio work that can be found here: BEST OF THE SINCEROS.
Tracks on this live compilation are from shows at the legendary London venues The Hope & Anchor, & The Paris Theatre, and Boston’s Rat Club. Some (most?) of them are from the wonderful BB Chronicles blog: BB Chronicles/Sinceros. A tip of the hat to them!
Sunday, January 4, 2026
Reggae Paradise
To my pleasant surprise I found quite a few way above average tracks by familiar names such as Adrian Sherwood, Dub Syndicate, Fishbone, Manu Chao, Hollie Cook, Roots Radics, & Mark Stewart and a bunch by unknown artists: Chalart58 & Matah, Chancha Via Circuito ft. Leon Demaria, El Búho & Alex Serra, Iseo & Dodosound, Joe Yorke & Big Chip, Santa Fe Klan, Gambeat, Pachyman, Skaracha, Stick Figure, & Sumac Dub & Jardin Secret.
Matah - Spanish-based dub and reggae musician known for energetic, "rub-a-dub" style vocals, releasing music via La Panchita Records.
El Búho - British-born DJ and music producer, his music mixes Latin American folk rhythms with organic sounds, birdsong and downtempo electronica.
Friday, January 2, 2026
THE SINS Discography: SoCal Punk 1982-87
Here’s something I haven’t seen anywhere else online: the complete discography (as far as I know) of California punk band The Sins. I first heard them on the Sudden Death compilation LP (1982), which I bought because Redd Kross was on it. Impressed by The Sins’ songs, I mail ordered their 7” EP Mood Music (which now sells for three figures). The songs were short and fast, with violent and antisocial lyrics, but you could tell The Sins had something more than the average hardcore band. The EP ends with “Skin Walk” (a bluesy riff that reminded me of “Shake Appeal”) and “525” (a 12 bar train song that Chuck Berry could have written).
The Sins appeared on the Version Sound tape Try A Dull Knife (1983), Kevin Seconds’ compilation LP Another Shot For Bracken (1986) and the Bad Compilation Tapes release Experience The Freedom Of Total Control (1987). In 1986, Kevin Seconds also released The Sins’ album Beginning From The End.
At some point in the late 80's The Sins broke up, but Tony Fate (guitar) and Randy Stain (drums) recruited a new singer and bassist for a new band, The Grey Spikes. Their self-released 1990 cassette (Sex & Hate) was issued on CD in Japan. Several singles and compilation appearances followed on Tony’s record label (Vital Gesture), and a second Grey Spikes CD (Year Zero) appeared in 1997.
Meanwhile, Tony produced an LP for The Rosethorns (singer Lisa Kekaula and her husband Bob Vennum). The Rosethorns became The Bellrays, and Tony produced their 1990 debut and 1992’s In The Light Of The Sun.
Tony Fate joined The Bellrays as guitarist for Let It Blast (1996). Bob Vennum switched from guitar to bass. Ten of the 16 songs on Let It Blast were written by Tony. He wrote all but one of the songs on Grand Fury (2000), and the majority of the originals on Raw Collection (2002), The Red, White & Black (2003), Merry Christmas From The BellRays (2005), and Have A Little Faith (2006).
Tony left the Bellrays sometime before the recording of Hard Sweet And Sticky (released in 2008), but he continued to play with Bob Vennum in the instrumental band The Black Widows (who released three studio albums and a live set between 2001 and 2016). Tony joined reunited SoCal punk band Symbol Six in 2011. His current project is The Rat Brigade.
Anyway, here’s an hour of music from The Sins, including their EP, LP and compilation tracks. Most of it sounds (to me) less like hardcore and more like first wave bands such as The Saints and The Heartbreakers. “Sins Prayer”, “Born To Plagarize” (sic), and “Deadly Morning Rain” have some interesting “free” and improvisational elements. Tony lists jazz, blues and soul musicians among his influences in this bio. These aren’t my vinyl rips; I only compiled them. Thank you to the original rippers and uploaders who shared the music of The Sins!









