‘Moving Home’ is an installation work comprised of scavenged pieces from online marketplaces, local nature strips, and personal artefacts. Reflecting on my experiences moving into nine homes in the span of six years, the installation chews anxiously on what it means to create a home and hospitality within transient spaces and an unstable rental housing market.
‘Moving Home’ invites you to investigate the tactility of its construction by sitting on, touching, and opening and closing its pieces, becoming an active guest in a fleeting home that will soon be packed up, taken away, and rebuilt again and again and again.
The work is a part of group exhibit ‘Recounting Connections’ with artists Nahbananas, Abhijit Pal, Emma Lyn Winkler, and Jessie Turner with the generosity of Trocadero Gallery and invaluable mentorship of Corinna Berndt and Zamara Zamara.
‘Three Postcards from a Feeling, after Mariette Perrinjacquet’ (2025) is a series of postcards created during the Sapphic Seventh writing mentorship program with Seventh Gallery facilitated by writer Ange Crawford and funded by Lesbians Inc.
It draws inspiration from Perrinjacquet’s anti-war postcards and revolves around a theory/perspective I made up one time where, alongside time and space, ‘a feeling’ can also be a place that can be shared or returned to.
Sometimes you are next to someone physically in time and space, but feel disconnected. Sometimes you are together with someone in time and space, and also in a feeling, and you can feel closer because of the proximity you share in that additional plane. In those moments, you might say, “I enjoyed that very much. Can you meet me again at this feeling another time?”
As ‘a feeling’ is not tied to time and space, one can meet another at a feeling from across those planes. Sappho may write a feeling she has found into a poem: words as an emotional roadmap, a set of instructions – and we may use those instructions to meet her at that feeling hundreds of years later, in a Sapphic writing workshop in Richmond. Additionally, as a feeling transcends physicality, we may meet ourselves at a feeling: sharing with our past and future selves across time, keeping each other company.
‘Three Postcards From a Feeling, after Mariette Perrinjacquet’ contains roadmaps to three feelings: a feeling from the past, a feeling that is current, and a hope for a feeling of the future.
The series can be found in Seventh Gallery’s publication ‘Sapphic Seventh’ alongside the works of seven incredibly talented writers and artists, with an introduction by Ange Crawford. The publication was paired with an exhibit wherein writers and artists painted on and covered the walls of Seventh Gallery with art relating to their pieces.
laying on your shoulder during high school mass jumping, singing words to fall out boy in the quadrangle making up characters for comics we never wrote and planning a future home with circular furniture my cheapskate’s mac and cheese
we never lived after that
i wonder what would have happened if the world had progressed a little faster maybe i would have nudged you a little harder while laying in your bed watching hick never knowing how it would end.
my mother goes outside to cut cumquats from the tree. i wash dishes, and from the kitchen window i can see the top of her head if i tip-toe, and her raised arms, and the shears.
i peel an orange i hope to share with her later. i smell the citrus, hear the clippings of the shears.
i trot outside with a pair and cut cumquats from the tree. after, she will pickle them in salt.
trước nhà con (at the front of my house) is a multimedia projection art piece that incorporates poetry, photography, animation, and language to depict a familial love story recognisable to many immigrant parents and children. The projection takes the night-blooming jasmine tree (cây dạ lý hương) as its focal point to represent a daughter’s desire to show her mother the ‘prettiness’ she has achieved rather than the truth of her life’s vicissitudes. This is opposed to the mother’s grapefruit tree she picks from, representing the breadth, generosity, and sometimes horror of a mother’s holistic and bodily sacrifice. The images used are film photography of the aforementioned grapefruit tree as well as of jasmine trees captured across three different countries over the course of two years.
The hand-drawn animation depicts a cyclical nature of care wherein two hearts continuously hold and consume each other, becoming each other’s wombs. The poem, translated in both English and Vietnamese, is a meta-linguistic representation of emotional displacement and mistranslation – the English fails to capture the tender nuance shown in the Vietnamese, and the Vietnamese (written in the cadence of English poetry), in Liên’s mother’s words: “doesn’t sound very good”. Though in theory the two poems complete one another, the reality of how language falls short in human mouths, whether by the language or by the mouth, leaves two hearts deeply connected, but without the proper tools to communicate it.
trước nhà con (at the front of my house) was commissioned by creative brimbank and shown at the brimbank and sunshine projection galleries from jan 1st to march 22nd 2025
Yes, I think I’ve done quite enough — though I’m not quite ever done doing. I’ll tell you, I don’t really believe in New Year’s, because a good day is a good day and a bad day is a bad day. Nothing changes to me when you slap a name over it. Following the Buddhist theory of the instantaneous being — every moment we live, the us of the moment before is being annihilated. In that way, every moment is the same; just as important and unimportant as the last, and just as fleeting.
So on the day we call New Year’s Day, I am quite content, but also quite not much at all. Today is a day like all days, and that is good and also not much, and as it should be, or just as it is. I’m quite content, and quite content to keep going, and do more, which doesn’t even have to be much at all.
“I think this year’s just been me licking my wounds from the last,” I would say over and over to different people over the remnants of 2024. Sometimes I get sad for a long time and I would feel so angry that sadness always returns like a cycle, like seasons, like that inevitable mallet chasing me like a curse. But I learned that hating it has done me little favour. I dreaded the cycle, but now I know to pause and consider. Now I know that when I’m happy, I get quite air-headed, and forget to sit and reflect and think deeply on what I am doing. Sadness is good for that. Sadness is good for me to think and get better. And the more I learn about it, how to take care of myself at my worst and breathe and listen to myself in those moments, the easier they get.
I’m doing good, I’m doing better. Sadness comes, grief comes, but I love that I am the kind of person who can feel those things. To feel so deeply and appreciate things lost and found. I’ve made so many mistakes, but I am far from being the only one. It would in fact be incredibly disconcerting to be someone who did everything perfectly and knew everything and made no mistakes. I’m still learning, and everybody is. I’m going to be hurt, and I’m going to hurt others, but I know I’m never going to mean to, and I trust myself to try to make things right where I can, let go peacefully when I can’t.
I don’t care to uphold myself as a ‘good person’. I am just a person who tries really hard. And I’ve done some really good things and loved a lot of people and made lives better just like how others have made mine better. Best of all, I love myself and have always known this, but now, after the last year, I’ve finally come to trust myself, too.
Bon comes into the room to fix his lipstick, and we chat about learning, growing, and fucking up in your twenties. I tell him being born is like being given this complex machine with no manual, and living is tinkering away at the machine until you figure out how it ticks, what it likes, what makes it sing a little jingle. That machine is your brain and body, and I’m starting to learn the buttons. I can trust the machine not to blow up in my face anymore — or at the very least, I trust that I know what balm to put on the burns when it does.
Life is gonna continue being hard and shitty a lot. But I love living so much and I trust my gathering knowledge of this machine so much that I know I’ll survive the hurdles, even while complaining about it to no end. I’m gonna hate a lot of things. I’m gonna keep fucking up. I’m gonna keep feeling guilt deep in my core for things I didn’t know better about. And I’m gonna keep being annihilated in every moment, and in every moment be born anew. That’s the magic of it. Nothing lasts forever. Not even for a moment. And everything keeps springing anew. It’s gonna suck. I’m gonna fail myself. I’m going to suffer. I’ll never save the whole world. People are gonna hate me. I’m gonna hate myself. And then I’m going to be annihilated. Hell yes. And then I’m gonna kiss the machine that I am, and promise to press the right buttons another day, in another annihilating moment.
I’m visiting my parents’ house feeling cold in the kitchen and my mum comes in with her cross-body bag ‘cross her body going, “Do you wanna go buy some pea shoots with me?”
In the car, I ask and she tells me she found the seller on Facebook, and that they were selling them for $7/kg whereas at the markets it would be up to $12/kg. I ask her to repeat đậu Hà Lan a few times because we’re talking in Vietnamese, I’m rubbish at it, and I have no idea what kind of fresh greens we’re driving to Ardeer to get in the dead of 6pm winter.
We stop at a house with a white van parked diagonally in the front yard, Styrofoam boxes lined side by side on the grass filled with water-speckled sprouts. The porch is lit with a single white light and a Viet lady is weighing up a bag of them by her front door, gloved white hands shoveling greens into plastic pouches. A man stands by the van. A woman in fluffy pyjamas waits with her phone and wallet in hand.
It’s funny how it feels like I’m living through a childhood fever dream. I remember following my parents through someone’s back gate to buy burned DVDs of Hong Kong soap operas. I forgot that feeling was an experience, knew it only as a memory, relived it now as a Sunday night out buying pea sprouts with my mum.
Originally, she asked for three; two bags for two of her sisters. Then she reasons that her brother’s family lives close, so she’ll get them a bag and deliver it to them too. “You’ve convinced me with your magical words about these sprouts,” she tells the lady, who is telling her daughter to close the door or mosquitoes will get in. “Please give me four kilos.”
We bring the bags into the car and Mum searches uncle’s address on Maps. We’re not on excellent terms with him, but the address comes up after she’d only typed three letters.
“You’re so kind. You have such a good heart,” I tell my mother. “When you find something good, you want to share it with others.”
The divvying up of greens reminds me of that time in high school me and my dad picked all the heavy branches of our lemon tree and he told me to give some to a friend. Keilah’s dad picked up the many bags and the next day at school she told me her dad was so excited, divvying the lemons up on the kitchen table and deciding which friend or family member each pile would go to. The thought gave me a feeling, and that feeling made me both full and sad.
in the shower i try to free a tiny moth from the wet tile instead of masturbating like usual.
its wings are caught in water friction its little legs scramble on my fingertip but can’t catch.
my mum says in buddhist teaching even an ant’s life is worth saving. last night i scrambled about the dining room trying to catch a larger moth in an old take-away container.
i wanted to ignore it. it bothered my dad. i’m trying to stop leaving messes as other people’s problems (sadly they never actually clean themselves).
i thought about leaving it after the first and second time it escaped but tomorrow it may be killed by someone else and it was flying so frantically at the ceiling i felt that it was scared. my mum said even an ant’s life is worth saving.
when i caught it it scrambled about the circular plastic container and didn’t know what would come next. i wish i could have said, “stop struggling! i am trying to save you.” but even an omnipotent being in the sky couldn’t tell us that much, or that little.
–
i think with enough time and resources anyone would save any creature no matter how little. because helping pumps in our blood. humanity began with healed bones, archeologists say, and people who survived no matter who was fittest.
our jobs and fears rob us of our time and resources chasing them into scarcity to churn us for profit. it is not good money to heal another’s bones. it is only good heart, and everyone already has a heart so there’s not really a market in that.
we’re so wary of each other i ignore the people on the street when i could have helped them i’m scared for my so-called safety and would rather go home quickly than help a stranger in need. it is a privilege, or great bravery, to help someone without thinking of what you may lose. i swear to myself i am just not brave enough.
–
“if you want to save others you must become the strongest.” even god knows i am not strong and weakness is such a comfortable excuse.
i am a trembling bastard asking to be saved from saving others.
–
my therapist says we all have our roles. it’s okay that i can’t speak up, she promises, you help people in other ways.
i can’t speak up unless i know for sure that i am blameless but i am a trembling bastard too lazy to do better or clean up my own messes.
–
i want at the end of the day for everybody to win. “we were both wrong” that’s a nice way to put it, to me.
mig says aquariuses don’t want an impasse they only want the truth. i think some truths don’t account for love.
“the truth will set you free.” can love not also set you free? can we not forgive each other without explaining and wave it off out of love and good faith.
as long as you are free, i guess. we clash in our freedoms, anyhow. we cannot even save each other unless we are completely blameless.
–
“we were both wrong” it unsettles me to mean it. even god knows i am shit. i don’t mean to be – it’s in my bones hoping to be forgiven and nurtured anyway.
–
on paper it is easy to convince someone that saving an ant is great kindness and empathy.
“oh look, i care what an ant feels!” shut up, trembling bastard.
you only save it because it cannot kill you, cannot tell you you were useless.
if somebody spoke back i would kill myself.
god, how embarrassing to be wrong after asserting yourself the helper the better the hero of that story.
–
“i was shit” i say. it weighs heavy in my heart. i wish i wasn’t shit. even god knows the feeling.
i am searching for a truth where we can lay the matter flat and, rather than forgive each other, we can accept that we are good and just shit to each other.
i should have just said i was shit and left the matter cold. i should have not worried that you wouldn’t know you were shit too.
but is it not our right to know we were shit! your truth says i was shit. my love says “yes, but you were shit, too. try to understand that.”
i want to throw shit at you and leave the matter cold.
i won’t clean your mess but i’ll tell you that it’s there because no one else will
i put up a wet floor sign. that’s all i have left in me. i don’t want the next person to slip in your shit.
–
i am a trembling bastard. if only the little moth knew. “it’s more scared of you than you are of it.” calculably untrue. i have more area in my body for fear, you see. thank god it cannot see.
–
i wrap myself in a towel and take the little moth on my finger outside. now fuck off, i’ve done all i can, i lie.
it struggles on the ground. is it even possible to heal it if anything is broken? i try to right its position. then go inside and close the door.
have i even saved anything today except my own conscience?
–
my mum says in buddhist teaching even an ant is worth saving.
because if you can save an ant you will save a moth and you will be in the habit of helping.
my mum says if you kill an ant you may kill a moth and it will be easier to kill something larger.
i save the moth because i cannot help anyone else. and i wanted to be blameless.
i’ve been thinking about reaching nirvana, and also people finding partners. i think i want to fall in love, but it sounds difficult, and i feel like a lot of it is dependent on luck of the draw. but i also want to reach nirvana, but keats thinks maybe in my next life, and so does atty, because i’m still enjoying worldly things. i was eating that wild sour cherry tart on the train and enjoying the way the custard moved when i squeezed it gently in my hand and i thought to myself, comically: “this is why you’ll never reach nirvana.”
i always thought finding romantic love was unnecessary since i didn’t need anyone but myself, and also i have friends who love me, but my mum said friends will get married and become busy, even your children will get married and become busy, and you will have no one to go on walks with, and i thought: “oh no she’s kind of right.” maybe love on my end is just, person you go on walks with when everyone is old and married. atty says i probably won’t have to worry because he probably won’t get married for a long long time. i say, “that’s exactly the attitude that gets you a lifelong partner within three days. i know you’ve watched that himym episode.”
. atty also says that in chinese buddhism, you can tell when a person is on their last life before reaching nirvana because they are recluse and don’t show those worldly feelings, have those worldly connections with others, harbour those worldly desires. i am a little mad because i feel i capture about 3% of that which means i have a long way to go. at this time last year i took out all my piercings and threw away almost all my clothes and said i’d stop drinking and smoking and embrace an ascetic lifestyle. it changed me in one or two ways but ultimately i failed miserably. but nirvana doesn’t mind failures. it’s just a destination after all. the road is always ahead. i just like the way custard moves when i squeeze a tart gently in my hands. “i’m so mad. i was so close to detachment earlier this year. and yet here i am.” in august i told all my friends i could leave them at any time on a whim and they would have to accept that. a cruel thing to say, maybe even a punishment i was issuing them for my own shortcomings. from october, my friends said “that’s hard to hear, and it makes me sad to think of, but i accept that. i accept you.” how i could cry. i was so close to nirvana. why did you love me? (3% is close enough.)
. “buddhism isn’t about detachment,” explains keats. “the true buddhists were the ones who reached nirvana and then came back. they came back into the world to teach others how to reach it.” siddhartha gautama came back and still associated with his wife and child from his former life. even his parents. “but the connection was different,” keats tells me. he’s right. even though there was so much of a certain love before, the worldly kind of love, now there was just–
in may i had wanted to die. so peacefully. in a very logical way. “the pain is not worth the minute happinesses. i have done some of the things i have wanted to do. i’ve helped a few people. i would not regret anything today if i died.” i resented my family for being a reason to stay. i quietly wished they would all die so i could too, without regrets. “the true buddhists were the ones who reached nirvana and then came back.” “the connection was different.” i want to love like that. in that different way. with only compassion and no desire. “no relation between people can be considered truly altruistic.” keats is talking about the relationships in this current world, in this current way of living. i’m sunken in my armchair. it’s nearly 8am and i haven’t slept. we’ve been talking on the phone for hours to try to keep me awake for the palestine rally at 12. “i think in relations of two, where one person is happy and carefree, the other is always suffering. there are winners and losers. there is always imbalance. someone is always making up for the shortcomings of the other,” i say, sleepily. i’m aromantic. that’s what i say on the tin. this year, i was so happy to find that word for this part of how i live. i was so happy to tell people, to meld their expectations of me in a way that made me breathe relief. i’m so scared of what people want from me. i always just wanted to run away, because running away was easier than testing my inability to say ‘no’. in october my friends said “i accept you”, and now the very expensive therapy is working, and now i want to stay. . i woke up at four today with a tickle on my lips. it’s happened a lot recently. the wanting to be kissed. yesterday i laid in bon’s lap at carlton gardens, hugged by mimi’s autumn coloured cardigan and the sun. bon is a friend i’m wary of, because he’s kind of better at caring than me, and i don’t like losing. they play with my hair and it feels better than anything in the world. i want to say “that’s nice” to encourage him not to stop, but that would betray that i am not sleeping. instead, i think to myself about how fun it would be to roll around in the grass with someone, and try to imagine which character from the webnovel i like would be best to roll around with. lan wangji? no. wei wuxian? ew. but maybe? no. someone rolls on top of me in my head and clasps my wrists in their hands. it’s me. “you’re so stupid,” says me. i giggle, and we roll in the grass in my head, and i like it when she kisses my shoulder, and i know she wants nothing else, because i don’t. i feel so incredibly happy and safe in this fantasy, because i don’t have to worry about disappointing me, because he wants what i want, and i don’t have to say a thing. i think it’s sad that i can’t imagine feeling that way about anyone other than myself. “no relation between people can be considered truly altruistic.” i’m terrified of sex because of the mysticism behind its wanting. i’m terrified of rolling in the grass with someone and the expectation of sex rising from the flowers. or is sex in my head just a representation of possession? of that worldly desire i observe as a sickness.
.
“i was telling jin-ah about how liên is just so aloof and mysterious,” says thea, who’s stopped by level two of storyville to say hi. i’m shaking them a lychee martini and laughing. “that makes me so happy to hear. i want to be seen as aloof and mysterious so bad.” i strain the sweet thing into a coupette and top it with a lemon twist. the punchline when bon had told me about thea’s thoughts a week prior was “thea thought you were so aloof and mysterious, until you started talking about woozi from seventeen.” classic failure. i get so human when i think about that kpop boy from that kpop group. “i’ve started watching clips of seventeen,” says thea. i light up and feel so happy. . keats tells me he’s good on the nirvana front. he’s not interested despite having a hyperfixation on buddhism, because he enjoys his worldly desires. we are both writers, and i’m trying to think of things i like and can’t let go of. “would you give up on nirvana for poetry?” i ask him. “no,” he says. he hasn’t written poetry in a long time. “would you?” “yes,” i tell him. classic failure. i am half ashamed and half proud. “would you give up on nirvana for jiang cheng pussy?” for keats, it’s an astounding “yes yes absolutely obviously any day”. i laugh. “pussy over eternal peace, huh?” keats isn’t even ashamed. “yes,” he laughs.
. i stop by sweet nata on my way to the train station to grab a coffee and a portuguese tart before the rally. there are bits of purple jelly mixed in with the custard. in theory, i can let go of almost anything. if any of my friends left me tomorrow, i wouldn’t ask them to stay. if i wasn’t allowed to listen to music anymore, i’d start brainstorming other ways to pass the time. i’d even give up on that beautiful boy woozi from hit kpop group seventeen.
when i was younger, i used to throw away a shirt if i liked it too much. i didn’t want to rely on anything. i used to lose things all the time, and the things i didn’t lose, i’d destroy with careless wear and tear. whenever i discovered i’d lost money dropping it outside, i’d tell myself “i probably would have spent it on something stupid anyway” and stop feeling bad. as someone who is always losing things, i am very well practised in the art of letting go. if you told me i could never squeeze a tart gently in a way that would make the custard move in an interesting way ever again, i would tell you i didn’t really like the tart anyway. it was more a symbol than anything. i enjoyed it only because i decided it was for enjoyment.
but perhaps if you told me i could never enjoy another tart, and also could never lay in a friend’s lap, could never smell the scent of fresh coffee, could never sit in my armchair, could never have a long phone call with a friend, could never listen to music, could never massage coconut oil into my nail beds, could never take a long hot shower, could never go on a roller coaster, could never put up posters in my room, could never go to singapore, could never watch a tv show– oh, maybe, i would momentarily hesitate on nirvana. after the rally, atty and i find a chair left on the street on the way home and we put it in the little smoking area outside our living room window. and i sit on that chair and atty sits on the one that was already there. “i think you’re enjoying your life right now too much to reach nirvana,” he says. we’re smoking the double happiness cigs aj found on the floor yesterday. when he’d offered it to me i’d almost cried.
i think of myself as an expert on self restraint. but i’m also a master of circumventing the need for restraint. on that chair, i tell atlas that all his repeated efforts to be a good friend and housemate to me this year has made me feel trust, has made me feel safe. i tell him i love him. i didn’t believe in such feelings before. but the expensive therapy is working, and unfortunately trusting the right people and being vulnerable in the most anxiety-inducing ways produces a wonderful connection. damn it all to hell.
. today i woke up from the sleep meant to stave off the effects of staying up for 36 hours, and my lips felt ticklish.
. i want to go to bar oussou soon, and run into that boy named hartley i met there in january. i think we could have some sort of connection. i’m scared of the expectations that may arise, but he would probably listen if i told him what i wanted or didn’t want. in ten days, my friend levin will land in naarm, and it will happen to be my birthday, so the plan has been that he’ll come to my party and stay the night. he says he’ll tuck me into bed, and i’m excited to be tucked into bed.
. today i woke up from a very long sleep, and i made myself coffee and didn’t do any of the chores i’ve been putting off. i thought about reaching nirvana and of people finding partners instead. i put on a playlist i really like and sat in the armchair in the corner of my living room and wrote this, not knowing where it would end. not knowing where or how anything would end. perhaps, abruptly. i still want to reach nirvana if i can. maybe next life if i can’t. tomorrow i could have another tart, if i wanted. and i want to stay with my friends selfishly for at least a little while longer.
I don’t like doing anything that requires too much effort.
Deadlines upon deadlines left unmet, the dinner we’ve planned for six weeks still unreserved, Failures upon failures I will endlessly deliver.
Well I despair and
Our dishes stack up in the sink,
a quiet game of chicken
I don’t want to get up and
do.
So, see, listen, Last night when I made you that cup of coffee, before I woke you from your nap, I did it only because it was easy. It required minimal effort, and it was nothing, really. Just hot water and freeze dried coffee. Not even brewed by hand. A teaspoon and a half of sugar.
You only asked me to wake you and nothing else but It only took me two minutes, wandering the dark with the torch on my phone as you snored away with the cat on our couch.
I turned on the lamp above your head when it was done and woke you by hand waved the smell of coffee beneath your nose enticingly. You refused to wake up even though you had a deadline to meet but
Last week, I had wanted to die and I couldn’t help you with anything and all you did was help me.
You washed the dishes in the sink and
bought me food when I asked you to.
You leave me alone when I say to and you’re not afraid to say sorry and I’m not afraid to be sorry to you.
Most things with you are easy like reading a book I like is easy and I really liked not talking to you for that week and yesterday I liked talking to you for hours.
I liked using Chat GPT together to make k-pop fanfiction And watching videos from that game you like on your laptop because it was fairly easy.
So when you laid on the couch and asked me to wake you in an hour I got ready for bed, brushed my teeth and didn’t sleep, just Waiting for the chance to make a coffee I wouldn’t drink.
I think I did it because I thought it would be nice. And in thinking that, I decided that doing it was much easier than not doing it In the same way that loving you is easier than not loving you, you see?
Before handing you the cup, I blew softly on its surface because taking those few seconds to blow on the surface of the coffee was easier than possibly watching your lips burn on it.
You go back to sleep before even taking a sip but it’s okay because once again it was a nothing that took nothing from me and I only did it because it was easy.
This is my dishes, I think to myself. Later today I will take out the trash. Next week you might make that dish from the photo on your phone. We might never have that nice dinner but the fridge is always full with food that fills all the dishes that stack up in the sink.
Today, the trash. Tomorrow, I might do the dishes, or you will. Or neither so we Continue to play a quiet game of chicken
we both take turns losing.
i want to be honey toasted muesli if you were to be milk in a bowl
hong bounds into the uber left-foot first— an unnatural decision she’ll attribute to the general fashion of the night: impulsive, strange, and a little frightening.
the driver chuckles but seems to quickly understand she is not the type for boisterous chats. as the car picks up, the buildings out the window make for nicer, quieter companions, friends that wave sedentary in the night. she had always wondered how she would feel if she were the type to walk the streets outside at this sort of time. if she would go into those ice cream shops or ride those lime scooters all lined up in a row, with other people side by side. if she might laugh and speak lines that might sound acceptable in their ears.
she isn’t. inside this metal compartment she’ll be safely transported to that other location, where a woman waits for her, a sedentary companion of the night, a cool beauty held only under bedroom light. a body held by a coward who can’t even go outside, can’t even say things right with actions and words alike.
so thu must be a phantom, hong thinks. for hong’s hands can only hold phantoms, weak workless hands too afraid for anything tangible, anything with weight.
indeed, thu feels weightless when hong holds her. curve of her face like feathers, dips in her hips like autumn leaves. hong’s always been allergic to nature, hay-fever running red in her nose and blocking up pathways to her ears. hong stays inside year-round to avoid it, nothing worth the torture of those woes.
yet for thu, she’ll give up her senses, let her fuck her senseless, unrepented. stuff her nose with tears and ears with the sounds of roses. hong picks away the thorns with the nail of her thumb. a sweet-smelling thing with barbs along the sides of her tongue, thu is weightless, thu is reckless, thu is a bit of pain and prickling that hong picks away with the sides of her thumb.
it’s all worth it though, hong thinks. the trouble becomes no trouble at all when thu delivers it in the way she does. regardless of the gentle unease or the strange feeling against the back of hong’s neck. thu makes constant empty promises and hong inscribes them into the insides of her arms, and when thu forgets them, hong picks them away with the nails of her thumbs and lets them bleed out again, blurring scabs into red, into new skin to write on once again. for when thu comes back again. for when she disappears.
hong sometimes doubts her decisions to see the woman, sometimes second-guesses once thu opens her mouth for more.
but hong thinks, when you have next to nothing, you’d let a phantom pass through your hands just to pretend to feel something. and thu’s company, for a no one, means everything, for a moment— before the blood dries and thu picks away at it with the sharp of her phantom hands, and hums.
I smoke out the window of your heart and you hate the smell. I kiss you with smoggy lips just as well. I tell you: “Every poem is a love poem” – I speak it to your soul. I touch you on your shoulders and my hands are cold.
Originally performed at Slamalamadingong Slam Poetry Night at Brunswick Ballrooms 22NOV22
I want to be on your mind More than I deserve I want that smile on your face I thought I could never earn.
I want to see relief in your eyes when you see I only want good for you
I want you to feel loved by me even when I’m asleep And I want you to not want me from where I cannot leave
I want your free sighing, only crying in the backseat of your mind (I press my coat over your shoulders and tell you I don’t mind.)
I play a song I hope will follow you like memories of that kind Hot dinners on rainy days the ways our mugs look like painted glaze— And I try my best to serenade you, as the candles go out on the balcony.
.
I don’t like tugging on my shoulder I don’t like comparing hands I want to only touch in places that small deaths understand I want you to hate being small so I don’t have to. I hope you understand.
I want you to want there to be less of me so only you can have what’s left And I want that to mean nothing to you the same way tomorrow’s weather won’t be checked on your phone or in your mind and eventually, you’ll find that
when you spend your days alone you will remember that I want you to imagine me there and still indulge in being alone because isn’t it just more lovely when we are on our own?
Finally, I want you to wish I had died a thousand years ago, feeling I’m someone much better known In story books that forget my crooks and you are still alone from where I cannot yet disappoint you.█
First time I saw you, you were holding a box for a king sized electric blanket, it was autumn I thought you were married but it turns out you just like your own company
You were reading the paper when you asked me to stop the stupid music box from playing I asked you why you didn’t like the music you said it sounded like an ice cream truck’s song
I played Bowie on the nights when it rained you liked Graham and Russell I didn’t think much of Them, but I put them on because it made you hum and I could think of nothing more beautiful than the face you made
You never liked the grilled cheese sandwiches I made you I never enjoyed the lewd drawings you drew me But I was never a poet and you still liked my poetry and you weren’t no one’s mixologist but I still enjoyed the drinks you made
It usually gets worst when outside it hails I think the sound of it irritates you I still loved you when you told me to leave but I’ve always known you’re better in your own company. █
It was last month February when you went away, and I’m still tearing through phonebooks and missing-persons magazines trying to find you. I’ve been tired for so long now. Sometimes I just lie back in that hard folding chair with paper clippings in my mouth as I scissor away at newspapers, grasping at hopeless frayed strings. Actually, I’m in that folding chair right now; same clippings, same mouth, same scissors and papers. It’s pretty pathetic. Those red cotton strings I’m reaching for must have been lit with flame – it’s like time is wasting away faster than the tempo it was meant to. I’m going mad trying to beat the countdown that I can’t see. And for what, even?
Because you’re not coming back, but I still want you to be back, I say (through the paper clippings, so it’s a bit muffled). I stop snipping for a minute at that and press my lips together (around the clippings), realising the measure of my (muffled) words. It’s a bit poetic, isn’t it? Me, left hunched over the pile of papers in my lap, shamelessly dressed in nothing but the fancy bra from the bottom of my drawer and a pair of funny striped shorts (and the grey legwarmers you said looked dumb but liked anyway). I must look stupid, but what I’m busy visualising most is what you would look like right now – would you be wearing all white? Strewn across a chaise with an empty, light lap and a mouth full of pearly white teeth (which you can show off without dropping all your clippings all over the floor). No, but I’m still mostly thinking about your hair, even now. I was so obsessed with touching it, so soft and black, but a warm doting brown in the light. I always missed it.
You first met me in childhood at the dog park, where my mum used to take me because I liked dogs, but couldn’t get one because my dad was allergic. That wasn’t where I first met you, though (I saw you on my way home from grade four book club, when you were playing with your friends behind the kindergarten gates). You met me in the dog park, though, lugging around a branch wrapped in a chaffed red dog collar because your border terrier Mary had died six weeks before and you were still going through your mourning stage, apparently. You’d imposed an introduction on me because I was all alone and crouched under a group of trees (someone had brought one of the big dogs to the park, and I was scared of it).
“My name is Christophor Babar. And not ‘barber’, like the hair-cutter lady, but ‘Babar’, like the elephant. Ya know Babar the Elephant?” I’d nodded my head in reply, although I knew nothing of it (I was actually thinking of Barbapapa). You might have thought I was younger than you because I was curled up in a ball, so you must have been surprised when I shifted into a kneel to shake your hand. “I’m Stephanie,” I said. “Cole. Like coleslaw.” (I’d wanted to impress you.)
You’d perked up and puffed out your chest like you had some useful bit of information to offer me. “I don’t like coleslaw. Me mum makes me eat it all the time but I hate it.” (I giggled at that and you suddenly looked shy so I stopped and said, “Me too.”)
Thinking back, was it February when I met you, too? The weather was definitely a little hot. I might just be lying to myself, but I think I even remember perspiration dripping from your hairline and sweat marks under the arms of your shirt. You always used to like running a lot, I think.
I have one paper-cut on my right ring-finger and a bruise on my leg from some days ago when I accidentally dropped the scissors onto it in an awkward way. I haven’t been out since you left, anyway, so none of the little marks matter (I’m more concerned with the little markings on the page). I know you never minded the pains around your body, and so I try to be the same. I remember you’d go out even if you had bruises everywhere, and couldn’t walk except when I helped you around. You’re so strong.
You’d cut all your hair at that point, and I used to put my nose against the nape of your shaved neck and nuzzle it. It always made you smile when you were sad. I really really like your smile. I miss it now, especially. It was only last month February when I last saw you, and somehow it feels like both all time and no time has passed. I keep tearing through these phonebooks, and I ignore the telephone when it rings because I know that it is my mother and I only use the disposable now. She really loves you, too, but I don’t want to listen to her trying to tell me things I don’t want to hear. She’s poisonous with her words because I know I’m going to find you no matter what she tries to say. I don’t care where you are. I’m going to be there. I’m going to thread my fingers through your hair and tell you I’ll always be with you. I’ll take care of you. I’m not going anywhere else.
The cell rings and I fumble with the scissors in my hands, drop them, then dive for the phone. It’s a private number, and as I move my thumb to answer it, the call disconnects and disappears, leaving the time and date on the screen – it’s incorrect, because I never bothered to input the date and time when I started it up. I just know that it was February the month before, and that I miss you.
I remember humming the tune of the Babar the Elephant theme to you so that you’d sleep even when it hurt to. You’d rest your head in my lap and I’d stroke your temple and sing until you grew less wary and fell into dreaming. I’d never sleep with you in my lap. I’d always end up watching you, my fingers still brushing the side of your cheek, begging God to let you have a good eight hours of rest even though I know your dreams are horrid and it makes me want to cry and scream just thinking about how selfish it is of me to wish sleep upon you when it was just as bad as living (I’m sorry.).
But I still don’t want to lose you forever.
So I’ll keep looking, even if the thin recycled pages seem useless and the calls on the disposable never give me the right answer. I don’t care. I don’t care. I won’t remember asking your name at to the receptionist — telling the girl it’s Barber, like the elephant and humming the theme song through ragged breaths as if it’d make her understand, I won’t remember you asking me to wake up, to accept it all and you all, I won’t remember you crying, dressed all in white tinged with blue, I won’t remember mum dragging me away, I won’t remember that the date on the disposable had said December, and that I’m dying. And that none of that means that I’ll find you.
Yes, it was last month February when you went away. And tomorrow will be February, too. Maybe March. I’ll snip a few hundred more Yellow Page advertisements for private eyes who will tell me I am mad. I’ll find you. I’ll find you. Through all the days of March. Maybe June. █