Tag Archives: visual

Exhibit: Moving Home [2025]

‘Moving Home’ is an installation work comprised of scavenged pieces from online marketplaces, local nature strips, and personal artefacts. Reflecting on my experiences moving into nine homes in the span of six years, the installation chews anxiously on what it means to create a home and hospitality within transient spaces and an unstable rental housing market.

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‘Moving Home’ invites you to investigate the tactility of its construction by sitting on, touching, and opening and closing its pieces, becoming an active guest in a fleeting home that will soon be packed up, taken away, and rebuilt again and again and again.

The work is a part of group exhibit ‘Recounting Connections’ with artists Nahbananas, Abhijit Pal, Emma Lyn Winkler, and Jessie Turner with the generosity of Trocadero Gallery and invaluable mentorship of Corinna Berndt and Zamara Zamara.

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Exhibit: Three Postcards from a Feeling, after Mariette Perrinjacquet [2025]

‘Three Postcards from a Feeling, after Mariette Perrinjacquet’ (2025) is a series of postcards created during the Sapphic Seventh writing mentorship program with Seventh Gallery facilitated by writer Ange Crawford and funded by Lesbians Inc.

It draws inspiration from Perrinjacquet’s anti-war postcards and revolves around a theory/perspective I made up one time where, alongside time and space, ‘a feeling’ can also be a place that can be shared or returned to.

Sometimes you are next to someone physically in time and space, but feel disconnected. Sometimes you are together with someone in time and space, and also in a feeling, and you can feel closer because of the proximity you share in that additional plane. In those moments, you might say, “I enjoyed that very much. Can you meet me again at this feeling another time?”

As ‘a feeling’ is not tied to time and space, one can meet another at a feeling from across those planes. Sappho may write a feeling she has found into a poem: words as an emotional roadmap, a set of instructions – and we may use those instructions to meet her at that feeling hundreds of years later, in a Sapphic writing workshop in Richmond. Additionally, as a feeling transcends physicality, we may meet ourselves at a feeling: sharing with our past and future selves across time, keeping each other company.

‘Three Postcards From a Feeling, after Mariette Perrinjacquet’ contains roadmaps to three feelings: a feeling from the past, a feeling that is current, and a hope for a feeling of the future.

The series can be found in Seventh Gallery’s publication ‘Sapphic Seventh’ alongside the works of seven incredibly talented writers and artists, with an introduction by Ange Crawford. The publication was paired with an exhibit wherein writers and artists painted on and covered the walls of Seventh Gallery with art relating to their pieces.

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Exhibit: trước nhà con (at the front of my house) [2025]

trước nhà con (at the front of my house) is a multimedia projection art piece that incorporates poetry, photography, animation, and language to depict a familial love story recognisable to many immigrant parents and children. The projection takes the night-blooming jasmine tree (cây dạ lý hương) as its focal point to represent a daughter’s desire to show her mother the ‘prettiness’ she has achieved rather than the truth of her life’s vicissitudes. This is opposed to the mother’s grapefruit tree she picks from, representing the breadth, generosity, and sometimes horror of a mother’s holistic and bodily sacrifice. The images used are film photography of the aforementioned grapefruit tree as well as of jasmine trees captured across three different countries over the course of two years.

The hand-drawn animation depicts a cyclical nature of care wherein two hearts continuously hold and consume each other, becoming each other’s wombs. The poem, translated in both English and Vietnamese, is a meta-linguistic representation of emotional displacement and mistranslation – the English fails to capture the tender nuance shown in the Vietnamese, and the Vietnamese (written in the cadence of English poetry), in Liên’s mother’s words: “doesn’t sound very good”. Though in theory the two poems complete one another, the reality of how language falls short in human mouths, whether by the language or by the mouth, leaves two hearts deeply connected, but without the proper tools to communicate it.

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trước nhà con (at the front of my house)  was commissioned by creative brimbank and shown at the brimbank and sunshine projection galleries from jan 1st to march 22nd 2025