Godzilla (1998)
My rating: 1 out of 5 stars
Godzilla is the 1998 film that was the first Hollywood-produced film within the franchise which sees authorities investigate and battle the titular giant monster who migrates to New York City to nest its young. Roland Emmerich directed the film based on the script that he and Dean Devlin wrote using the story they planned out with Ted Elliot and Terry Rossio.
An iguana nest is exposed to the fallout of a military nuclear test in French Polynesia.
Years later, a Japanese cannery vessel in the South Pacific is suddenly attacked by a giant creature, with only one fisherman surviving. While confined in a hospital in Tahiti, the traumatized survivor is visited by a mysterious Frenchman, who questions him over what he witnessed. The survivor repeatedly replies “Gojira”.
NRC scientist Dr. Niko “Nick” Tatopoulos is researching the effects of radiation on wildlife in the Chernobyl exclusion zone when he is interrupted by an official from the U.S. State Department who has come to pick him up for a special assignment. Nick is sent to Panama to observe a trail of destruction and footprints left by an unknown creature including Jamaica to examine the damaged ship with massive claw marks on it. Nick identifies skin samples he discovered in the shipwreck as belonging to an unknown species. He dismisses the military’s theory of the creature being a living dinosaur, instead deducing that it is a mutant created by nuclear testing in French Polynesia, close to where it was last spotted.
The creature drowns several fishing trawlers in the Eastern American Seaboard, and travels to New York City, leaving a path of destruction. The U.S. military orders an evacuation of the city. On Nick’s advice, a plan is set to lure the creature into revealing itself with a large pile of fish. However, their attempt to kill it fails, causing further damage to the city before it escapes. Nick collects a blood sample and, by performing a pregnancy test, discovers the creature reproduces asexually and is about to lay eggs. Nick also meets up with his ex-girlfriend Audrey Timmonds, a young aspiring news reporter. Unnoticed by Nick, she uncovers a classified tape in his provisional military tent concerning the monster’s origins and turns it over to the media. She hopes to have her report put on TV to launch her career as a news reporter. Charles Caiman misuses the tape in his own report, declaring it his discovery, and dubs the creature “Godzilla”.
As a result of the tape’s disclosure, Nick is removed from the operation, and he ends his relationship with Audrey. His taxi is hijacked by the mysterious Frenchman, who identifies himself as Philippe Roaché, an agent of the French secret service. Philippe explains that he and his colleagues have been closely watching the events to cover up their country’s role in the nuclear testing that created Godzilla. They suspect a nest somewhere in the city and cooperate with Nick to trace and destroy it. Godzilla resurfaces again and evades a second military strike. After diving into the Hudson River, it is attacked by Navy submarines. After destroying one submarine, it is shot down by torpedoes as it tries to burrow to safety; Godzilla sinks to the river bed and is believed to be dead by the authorities.
Meanwhile, Nick and Philippe’s team, followed by Audrey and her cameraman Victor “Animal” Palotti, find the nest inside Madison Square Garden. The eggs begin to hatch, and the offsprings attack the team as they carry the scent of fish. Nick, Animal, Audrey, and Philippe take refuge in the Garden’s broadcast booth and successfully send a live news coverage to alert the military of the offsprings presence. A prompt response involving an airstrike is initiated as the four escape moments before the Air Force raptors bomb the arena.
Audrey and Nick reconcile before Godzilla emerges from the Garden’s ruins, having survived the torpedo attack. Enraged by the deaths of its young, it chases them across the streets of Manhattan. The team manages to trap Godzilla within the suspension cables of the Brooklyn Bridge, allowing the returning Air Force to strike it down with missiles. Godzilla collapses to the ground and dies, as the remaining citizens and authorities celebrate. Audrey tells Caiman that she quits working for him after what he has done, before leaving with Nick and Animal. Philippe, taking Animal’s tape and promising to return it after removing its specific contents, thanks Nick for his help, and parts ways.
Meanwhile, in the ruins of Madison Square Garden, a single surviving egg hatches, and the hatchling roars to life.
Godzilla has a 139-minute runtime that at times dragged mainly because most of the human characters were either unlikeable or—worse—simply uninteresting, with the only exceptions being Jean Russo’s Philippe Roache and Hank Azaria’s Victor “Animal” Palotti. Unfortunately, Hollywood’s first attempt at Godzilla himself was a disaster in respects, the first being it’s just an animal not a character thus neutering the film’s biggest attraction and the second being was the redesign in making it a lizard instead of dinosaurian. The CGI was hit-and-miss because when the scenes were in shadow, darkness, or night then “Zilla” and the hatchlings looked good, however seeing the CGI hatchlings in the lit-up concourse and lobby of Madison Square Garden was hard to watch as they were awful looking. Honestly, the fact that the film technically made money but did meet expectation that the production company let their rights expire was the best outcome for the product. The fact that Toho literally kicked off another era of their Godzilla franchise to bury this travesty from fan’s mind while also dunking on “Zilla” in several films is the best kind of pettiness and frankly the best thing that came from the film.
Godzilla is frankly bad; there is no sugarcoating it. From the forgettable characters to the horrible take on the titular monster and the questionable CGI, finding something nice to say for this film is hard. And when Hollywood once again attempted Godzilla, this film cast a long shadow that had to be overcome.
Godzilla