Wednesday, September 7, 2011

Southern Cultures Presents: Memory

"Southern Cultures has just released a special issue devoted entirely to
Memory. We've also updated our online archives in many subject areas and
are again offering free CDs and DVDs for use in classrooms during the coming
academic year."

The Memory issue features:
--Peter S. Carmichael on why Robert E. Lee provokes so much argument;
--Alice Walker, Randall Kenan, Allan Gurganus, Joe Flora, Elizabeth Spencer,
Godfrey Cheshire, Kenneth Turan, and Andrew Garrison on their favorite
Southern films;
--what to do about the Thomas Ruffin statue;
--memories of World War II Appalachia;
--new poetry from Robert Morgan;
--baseball legend Catfish Hunter and his hometown remembered;
--an interview with the Grandmother of Appalachian Studies;
--scenes from wartime Hot Springs, Arkansas;
--and more.

50,000 students and scholars from over 70 countries have read Southern
Cultures in the past year, and all of our content from the last decade is
available online by subject area and by issue at:
http://www.southerncultures.org/content/read/

To read the current issue on Memory or to read about our free media for
classroom use, please visit:

Dave Shaw

Call for Essays: Crossroads of Memory

Call for essays: Culture Theory and Critique special themed issue on
Crossroads of Memory

This special issue on the “Crossroads of Memory” seeks to bring together
scholars of various literary and cultural traditions eager to bring into
dialogue different theoretical approaches to memory. For prominent Memory
Studies critic Pierre Nora, historiography represents the unified language
of nationalism with its sanctioned institutions and apparatuses, while
memory is the dialect of particular loci: regional, local, familial, ethnic,
or racial. Nora’s distinction between history and memory is increasingly
questioned in various disciplines. “Crossroads of Memories” is a
contribution to this questioning. Are mobilizations of the past uniquely
local, national, or global?

This collection seeks a more dynamic view of memory that localizes it
simultaneously in multiple spheres: private and public; local, regional, and
transnational; in written texts and non-written artifacts. Unlike Nora’s
seminal concept of realms of memory, the crossroads of memory would
illuminate how memories can simultaneously carry multiple meanings according
to one’s positioning. Embodied in the metaphor of the crossroads where flows
of populations and cultures meet and leave trails, multilocality often
highlights how memories shift as they circulate within and across local,
national, and ethnic communities. The crossroads, thus, represents a site
where multiple or different kinds of memory are constantly juxtaposed,
contested, rearticulated, and mediated according to different individual
social class, needs, historical contexts, and political ends. As such, the
crossroads demonstrates the potency of conflict and power dynamics
(evidenced in censorship and silences) in the emergence and representation
of collective memories.

We invite essays that explore tensions among different conceptualizations of
memory.

Possible areas of examination include, but are not restricted to:

Race, ethnicity, or immigration and memory

Social class and memory

Memory and space. Localizing memories in museums, monuments, landscape,
cityscape, etc.

Performative memories

Duty to memory

Visual culture and memory

We welcome essays that address any of these issues. The questions are not
meant to be proscriptive, however, and we welcome queries about possible
article content. We welcome submissions from graduate students.

Essays need to be submitted for peer review by Oct 1, 2011; length of final
essays to be 5,000-7,000 words including notes.

Send abstracts and essays to Jen Heusel, editorial assistant to
[email protected]

Culture, Theory and Critique is a refereed, interdisciplinary journal for
the transformation and development of critical theories in the humanities
and social sciences. It aims to critique and reconstruct theories by
interfacing them with one another and by relocating them in new sites and
conjunctures. Culture, Theory and Critique' approach to theoretical
refinement and innovation is one of interaction and hybridization via
recontextualization and transculturation.
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Kendall Leon recently defended her dissertation about Chicana subjectivity and Chicana rhetoric. Her stance on interrogating the self-identification of "Chicana" and her aim to complicate rhetorical studies is unique and worthy of an audience in the present and future. Leon's work makes me think about the ways in which "Chicana" works in various contexts and the ways in which it is ideological. Please visit the link and read about the specifics of her dissertation.

It's great to be back posting and updating this blog. I will not be moving the blog to WordPress because it would create too much confusion. I'm hoping the readership will pick up within the rest of this year. If not, I will forge ahead with more updates, news, and notes about rhetorical memory.

The update at the moment is that I am beginning a book proposal based on my dissertation about rhetorical memory. I hope to continue the updates as I am composing the proposal. There's more ahead so I hope you all will stay tuned to this blog!

Until next time....

Wednesday, April 13, 2011

Call for Papers: "Memories and Violence"

Encounters: An International Journal for the Study of Culture and
Society
(Edited by Zayed University, Dubai) invites submissions for an special issue on *Memories and Violence: Problems and Debates in a Global Perspectives*. Guest Editor Alejandro Castillejo-Cuéllar (Associate Professor, Department of Anthropology, Universidad de los Andes, Colombia).

Understanding the ways in which societies have experienced multiple forms of violence has been at the forefront of a number of academic debates in the last few decades. Of great importance to these debates is the question of how a violent past is socially articulated in the present. How do societies and specific communities render meaningful a violent past? How is the process of memorializing connected to the broader cultural and political landscape? What are the connections between memory, identity and community? Between silence and speech? This special number of Encounters will explore these questions across different regional contexts and historical experiences. Contributions that rethink the connections between memories and violence are particularly welcome.

Please submit your paper (6,000 to 10,000 words) electronically in MS Word format to [email protected] by August 1st, 2011. For further information see: http://encounters.zu.ac.ae

*Encounters: An International Journal for the Study of Culture and
Society *promotes and publishes scholarship from the humanities and the social sciences, and their intersections on topics related to the encounters of cultures, intellectual traditions, and social and political systems across space and time. The journal seeks a critical understanding of the transcultural and transnational factors that shape such encounters --and by extension, the world as we know it. The editors encourage contributions that explicitly link the humanities and the social sciences and engage their different methodologies. Regular special volumes will offer stimulating, focused engagement with specific historical, political, cultural, social or theoretical questions. Encounters will be peer-reviewed and published biannually. ISSN 2075-048X. Distribution by I.B. Tauris http://www.ibtauris.com

Wednesday, March 23, 2011

Collective Memory: An Academic Conference

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HSA Conference: Collective Memory Sessions

The primary goal of the History Students Association's upcoming
conference on collective memory is to facilitate a discussion that
explores the ongoing production of collective memory and the
historical contingencies that influence the manner by which it is
organized and allocated. The questions guiding our conversation will
not only emphasize the processes and systems that bring about the idea
of a unified past, but will also take into consideration the notion
that individual and collective consciousness operate both within and
outside of these formalized and often prefabricated frameworks. As
such, our interests are not limited to understanding the political and
economic issues surrounding the idea of collective memory, but also
include the discontinuities and silences that often characterize the
construction and circulation of memory across space and time. By
taking this broad approach to examining the form, function, and
content of collective memory and its impact on historical change, we
hope to touch on a wide array of topics spanning national and cultural
borders, thereby giving participants the opportunity to engage with
all facets of this rich and informative topic of academic inquiry.

PANELS & KEYNOTE SPEAKERS:

[10:00am - 11:35pm] SESSION I: Collective Memory & Visual Culture
Keynote Speaker #1: Volker M. Langbehn, Ph.D., "Visual Memory and the
Forgetfulness of History"
+ 3 graduate student presenters.

[12:35pm - 2:10pm] SESSION II: Collective Memory, Race & Culture
Keynote Speaker #2: Trevor Getz, Ph.D., "Is History the Enemy of
Memory?: Official Representations and Popular Conceptions of the Past
in Post-Apartheid South Africa"
+ 3 graduate student presenters.

[2:25pm - 4:00pm] SESSION III: Collective Memory & Social Trauma
Keynote Speaker #3: Stephen V. Bittner, Ph.D., "Moscow's Neighborhood
of Myth and Memory"
+ 3 graduate student presenters.

For more information — including a complete conference schedule,
registration information, and on-campus directions — please click on
the following URL:
http://userwww.sfsu.edu/~hsa/activities/collective_memory_conference/

Saturday, March 19, 2011

Book Review: The Gloria Anzaldúa Reader

ImageI was recently asked by the Smithsonian Latino Virtual Museum (LVM) to write a book review of a monograph by a Latina/o for a Latina/o audience. I want to share this review for all audiences here on my blog because the book I have chosen to review is one that should be read by all.

Book Review:

The Gloria Anzaldúa Reader, Gloria E. Anzaldúa. AnaLouise Keating, ed. Duke University Press, January 2009.

The Gloria Anzaldúa Reader is one of many important texts recently published within Latino letters and Latino scholarship. Its significance is due to its emphasis on issues currently affecting Latinas/os in the United States. Born and raised in South Texas, Gloria E. Anzaldúa became and remains one of the leading feminist/philosopher/activist writers to describe and theorize the meaning of colonization, nationalism, identity, difference, and spirituality. In the late 1970s, her co-edited anthology This Bridge Called My Back: Writings by Radical Women of Color argued for an all-inclusive feminist and ethnic discourse. Her autobiography Borderlands: La Frontera: The New Mestiza, published in 1987, followed with an argument about challenging ways of thinking in order to achieve personal and communal transformation. Both her anthology and autobiography have since become and remain central texts in Chicana/o Studies, Feminist Studies, Cultural Studies, and Queer Theory.

Close friend and writing partner, AnaLouise Keating has posthumously anthologized a collection of Anzaldúa’s unpublished writings as a reader that attempts to illuminate the wide range of Anzaldúa’s thoughts about writing, spirituality, sexuality, gender, and race/ethnicity. A decade ago, Keating worked with Anzaldúa to publish a series of interviews titled Interviews/Entrevistas published by Routledge. Recently, Keating collaborated on another anthology with Anzaldúa titled This Bridge We Call Home: Radical Visions for Transformation. Keating’s editorial decisions in The Gloria Anzaldúa Reader fulfill the attempt to expand Anzaldúa’s commitment to social change by arguing for coalition building, politicizing art, and spiritual activism in a series of poems, essays, and visual sketches.

Anthologized for new readers and Anzaldúa scholars alike, Keating structures the reader to expand Anzaldúa’s ideas about writing, spirituality, gender/race, and activism—which were also central topics in This Bridge and Borderlands. In Part 1 of The Gloria Anzaldúa Reader, for example, Keating presents poems, essays, and interviews written before the publication of This Bridge. This particular collection presents Anzaldúa’s early commitment to challenge readers/writers to consider the spiritual aspects of writing and to think more closely about the interrelationship between spirituality, sexuality, and the body. Part 2 presents writings featuring Anzaldúa’s more theoretical work about difference, identity, and coalition building. The essay titled “To(o) Queer the Writer—Loca—escritora y chicana” is a memorable essay that presents a deliberation about the challenges facing gay and lesbian writers with regard to re-thinking the meaning of sex, sexuality, writing and identity. Though previously published, Keating offers the essay as a means to argue Anzaldúa’s important presence within Queer Theory—an area of inquiry which Keating believes had previously excluded Anzaldúa.

Another highlight, and newly published, is the essay titled “On the Process of Writing Borderlands/La Frontera” where Anzaldúa writes about the exigencies that prompted the writing of her 1987 autobiography. This is an important essay for new readers of Borderlands because it contextualizes much of the complexity of the autobiography. The essay should be significant to scholars who may argue that argumentative and textual gaps appear in her autobiographical text. This section is also important as it contains specific ideas about Anzaldúa’s nationalist development of a “Mestiza Nation,” which she considered a multicultural movement. This section and essay should definitely be of importance to activists and scholars interested in the creation of social movements.

Part 3 of the book continues to expand Anzaldúa’s ideas by presenting a series of images, drawings, and sketches—all of which center her ideas about Nepantla, shapeshifting, border crossing, and identity re-construction—all of which are important elements in Anzaldúa’s explanation of a “mestiza consciousness.” This section emphasizes Anzaldúa’s interest in visual images and art, which remained politicized and historical all throughout her life’s written work. The last part of the reader contains writings that continue to be theoretical in nature and expand her vision about creating and sustaining social change. For example, she writes about the effects of 9/11 and its meaning for both personal and communal healing. She elaborates about the idea of fragmentation, injury, and reinforced racism while explaining such concepts as “conocimiento,” which she defines as the creation of knowledge, experience, and interaction based on compassion. Keating includes a glossary of primary terms and concepts in order to help illuminate the complexity of these four important chronological sections. This glossary is followed by a thorough bibliography with new and previous sources that should be a solid beginning and continuation of Anzaldúan scholarship.

As a whole and as part of a wide range of Anzaldúa’s previously published works, The Gloria Anzaldúa Reader is significant because it presents important ideas about (post)colonization, nationalism, difference, identity (re)construction, sexuality, and coalition-building—all of which continue relevant to Latinas/os living in the United States. The book is a strong introduction and important addition for social justice workers, writers, teachers, and academics. Keating’s editing choices prove that Anzaldúa’s ideas began and continued to be diverse, inclusive, theoretical, and political in nature. This text is an ideal read and classroom text that should continue the conversations about race/ethnicity, gender, and sex/sexuality within Cultural Studies, Chicana/o Studies, Feminist Studies and Queer Studies.

© Carbajal 2011

Tuesday, March 15, 2011

Call for Papers: Remembering Slavery, Forgetting Indenture?

Call for Papers:

Remembering Slavery, Forgetting Indenture?

9–10 September 2011
Bangor University, UK, in conjunction with the Centre for the Study of International Slavery in Liverpool

2011 marks the ten-year anniversary of the French Taubira law of 21 May 2001, which recognized the slave trade and slavery perpetrated in the Americas, the Caribbean, the Indian Ocean and Europe as a crime against humanity. This key date provides an opportunity to examine responses to memories of slavery which have emerged in France and internationally over the past decade. It enables us to reflect upon the recent substantial body of research that has been conducted into the cultural processes of remembering and representing slavery and the slave trade. Importantly, however, it also leads us to question whether this ‘memory law’ has opened up a space in which to explore memories of other, interconnected forms of colonial exploitation, such as indentured and forced labour. Has the emphasis on the need to defend the memory of the enslaved equated to a failure to recognize other forms of colonial and post-slavery exploitation?

The focus of this two-day conference will be on comparing the continuities and discontinuities between the ways in which slavery, indenture and forced labour have been remembered, narrativized and commemorated. It will bring into dialogue academics working on memories of slavery with those working on memories of indentured and forced labour systems, particularly in France and the former French colonies, but also extending to other global contexts. Confirmed keynote speakers are Dr Françoise Vergès (Goldsmiths, University of London), head of the Committee for the Memory and History of Slavery in France, and Professor Charles Forsdick, James Barrow Professor of French at the University of Liverpool. Taking a comparative, interdisciplinary approach, the conference will call into question the chronological and semantic divides between slavery and indenture by fostering debate around key questions, such as:

- Historical and contemporary definitions of slavery and forms of enslavement, indenture and forced labour: where to draw the lines?
- Processes of remembering, forgetting, commemorating and memorializing that have shaped representations of slavery, indenture and forced labour (in historiography, museums, literature, film, etc.)
- France's 'memory wars': colonialism, slavery and the problem of the devoir de mémoire
- Constructing identities and cultural memories of slavery and indentured labour in the twentieth and twenty-first centuries (for example, literary and political movements such as négritude, créolité, coolitude)
- Ongoing economic, cultural, social and political effects of slavery, indenture and forced labour in former colonial contexts


Individual papers should be no longer than 20 minutes. Please send a 250–300 word abstract and a brief biography to Nicola Frith ([email protected]) or Kate Hodgson ([email protected]) by 29 April 2011.

Sunday, March 13, 2011

"Black Is...Black Ain't": Reconceptualizing the African Diaspora

8th Annual Herman C. Hudson Symposium
"Black Is...Black Ain't": Reconceptualizing the African Diaspora
Keynote Speaker: Professor Michele Wallace

Saturday, March 26, 2011

8:15 AM – 6:00 PM

Indiana University-Bloomington, Indiana
Neal-Marshall Black Culture Center

Program information and flyer:
http://www.indiana.edu/~afroamer/CFPs.html

Description
The African Diaspora has been historically conceived as originating with the Transatlantic Slave trade. However, some would argue that to perceive the African Diaspora only in relation to slavery is to obscure alternative means of conceptualizing the movement of Black bodies. As scholars committed to interdisciplinary research, the Graduate Society of the Department of African American and African Diaspora Studies at Indiana University brings together scholars, community activists, artists, and other professionals to interrogate definitions of, theorize about, and imagine new possibilities for the African Diaspora.

Symposium papers will address the following topics:

* What are the practical applications of African American and African Diaspora Studies/Black Studies in the 21st century?
* How do migrations - local, national and international - affect diasporic identities?
* How does contemporary audio/visual media and popular culture help to re-imagine the borders of diasporic communities?
* How do outliers serve as change agents in these communities?
* What are the ways that the academy can engage in constructive dialogues with nonacademic communities?

Thursday, March 3, 2011

New Posts Coming Very Soon!

It's been a very long time since I've posted announcements, features, and updates on this blog. I've decided that Blogger will be the permanent home for this blog. With that decision made, new updates are forthcoming. Stay tuned.

Thursday, October 21, 2010

RSA Summer Institute Workshop

Latin American and Latina/o Rhetoric

Lisa Flores and Damian Baca

Latin American and Latina/o Rhetoric

Lisa Flores, University of Colorado at Boulder
Damian Baca, University of Arizona

This workshop will provide opportunities to exchange knowledge and experience on research related to Latin American and Latina/o rhetoric. We will examine Latin American and Latina/o responses to the basic assumptions engrained in the Western idea of rhetoric, its ties to colonial power, modernity, progress and development. Of equal importance, we will consider possibilities of non-eurocentered rhetorical theory and production in both the hemispheric North (including the North with in the South) and the hemispheric South (including the South within the North).

Sponsored by the Latin American Rhetoric Association-US Chapter.

Questions? Contact Lisa Flores, [email protected]

Friday, October 15, 2010

The Art of Public Memory -- Conference

Deadline: 1 December 2010

THE ART OF PUBLIC MEMORY

An international, interdisciplinary conference exploring intersections of the arts, memory, and history

April 7th to 10th, 2011, University of North Carolina, Greensboro

The conference is, in part, inspired by the performance of Bill T. Jones's Serenade/ The Proposition, at UNCG on Friday, April 8. A contemporary dance about the legacy of Abraham Lincoln and a rumination on the nature of history, Jones’s dance suggests examination of other works involving Lincoln such as the current off Broadway play Abraham Lincoln's Big Gay Dance Party Review and Suzan-Lori Park's 1994 The America Play, and portraits of Lincoln by composers such as Charles Ives and Roy Harris. It also calls for a broader examination of the arts, memory and history. Potential questions include: How and in what ways do memories acquire a public character and through what means are they preserved, archived, and negotiated in everyday life? In what ways do expressions of public memory create, sustain, and de-stabilize the work(ings) of power? How are ideas of gender, sexuality, race, class, and nation re-inscribed or contested through performances, especially performances of history? In what ways do the body, bodily action, and bodily experience enter into public memory?

We invite proposals of academic papers, panels, workshops, lecture performances, and performances from scholars and artists in the arts, education, the humanities, social sciences, and sciences. The conference is sponsored by, and celebrates, the new School of Music, Theatre and Dance at UNCG, and is co-sponsored by UNCG's Program in Women's and Gender Studies.

Proposals must be received by December 1, 2010
Notification of acceptance by January 31, 2011

Send your submission through email to:[email protected].

Please include your last name and ART OF PUBLIC MEMORY in the Subject Heading of the e-mail. The text should be attached and pasted in the body of the e-mail to assure access. Please send documents in .doc or .docx formats. Receipt of all submissions will be confirmed electronically.

REQUIREMENTS

Individual papers should not exceed 20 minutes for presentation. Submit a 500 word abstract.

Panels consisting of three individual presenters may be proposed. Submit a 250 word discussion of the ideas and issues important to the panel in addition to individual paper proposals of 500 words each for the presenters. Please send all documents together.
Performances (solo performance, staged readings, dance, music, installations): We hope to include a limited number of performances, especially performances that can be accomplished in alternate spaces, studios, classrooms, or in shared evenings of music, theatre, and dance. Submit a 500 word abstract describing the event and its organization.

Lecture-Demonstrations, Lecture-Performances, or Workshops may run from 30-45 minutes. Submit a 500 word abstract describing the topic and organization of the session.

For all proposals, include:

• name
• affiliation (if applicable),
• contact information,
• 150 word biography of presenter,
• presentation title,
• presentation format (individual paper, panel, workshop, performance, etc),
• space needs,
• technology needs.

Queries about proposals may be addressed by e-mail to Ann Dils at [email protected]. Queries about the conference should be addressed to Carole Lindsey-Potter at [email protected].

Monday, October 4, 2010

Space, Time and Mobility: Which Memory for Augmented Reality?

Space, Time and Mobility: Which Memory for *Augmented Reality*?


*Conserveries Memorielles*, an on-line interdisciplinary journal,*
*invites to submit articles for a special issue about the various
interactions which take place between space and human being when moving. Precisely, we would like to point out what’s remembered from journeys using any kind of transportation and how being in motion – by foot or by a mean of transportation – affects our perception of time and space.

This special issue is edited by Etienne Faugier (Ph. D. student at
Laval & Lyon 2 Lumiere Universities) and Arnaud Passalacqua (assistant
professor in contemporary history, Paris Diderot – Paris 7
University).

A complete version of the call for papers is available at
*http://cm.revues.org/774*.

If you have any questions or would like to discuss a submission,
please contact [email protected].

Thursday, September 23, 2010

Public Forgetting The Rhetoric and Politics of Beginning Again

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“In his sustained meditation on forgetting, Bradford Vivian makes a singular and extremely valuable contribution to the field of memory studies. He substantially advances the theoretical discussion of memory and forgetting with his extended critiques (rhetorical analyses, really) of both ancient and recent formulations of collective public memory and forgetting. The conclusion is almost poetic in its lightness of touch. It pulls all the strands of the book into a single compelling case for forgetting as part of memory.” —James E. Young, University of Massachusetts Amherst, author of The Texture of Memory and At Memory's Edge.


The International Journal of the Book

"The International Journal of the Book provides a forum for publishing professionals, librarians, researchers and educators to discuss that iconic artefact, the book—and to consider its past, present and future. Do the new electronic media (the Internet, multimedia texts and new delivery formats) foretell the death of the book? Or will they give us greater access, diversity and democracy?

The journal is relevant for anyone in the world of books—authors, publishers, printers, librarians, IT specialists, book retailers, editors, literacy educators and academic researchers. Discussions range from the reflective (history, theory and reporting on research) to the highly practical (examining technologies, business models and new practices of writing, publishing and reading).

The International Journal of the Book is peer-reviewed, supported by rigorous processes of criterion-referenced article ranking and qualitative commentary, ensuring that only intellectual work of the greatest substance and highest significance is published."


Editors:

Bill Cope, University of Illinois at Urbana-Champaign, USA.
Mary Kalantzis, University of Illinois at Urbana-Champaign, USA.

Wednesday, September 22, 2010

Displacement and Community: Using Oral History to Document Transitions, Evolutions, and Adaptations

Displacement and Community: Using Oral History to Document
Transitions, Evolutions, and Adaptations


Oral History in the Mid-Atlantic Region (OHMAR) announces its Spring
2011 Conference to be held April 20-21 at the Chemical Heritage
Foundation in Philadelphia, Pennsylvania.

How have oral history and personal narratives helped communities
document and deal with incidents of displacement and dislocation? How
have oral history and personal narratives helped communities build
connections and grow stronger?

These are two of the questions that guide the OHMAR program committee
as we prepare for our 2011 conference. We invite individual papers as
well as entire panels that address displacement and community building
in the context of environmental crises; regional, national and global
migrations; changes in the economy and workforce; social movements;
culture and the arts; the built environment; changing land use
patterns in countryside, suburb and city; politics and political
culture; and actions related to health and medicine. Topics may
include but are not limited to issues of pollution, gentrification,
modified political boundaries, gerrymandering, imminent domain, war or
civil unrest, and health, healthcare, and medicine. Presenters may
also want to address how new media and new technologies are
transforming how we conduct, preserve, and present oral histories.

The mid-Atlantic region, with its great variety of people and places,
is an ideal place to explore the themes of displacement and community.
The program committee invites participants to interpret the theme
expansively and to propose panels and roundtables that include voices
and images. OHMAR welcomes participants from a wide variety of
fields---history, anthropology, folklore, literature, political
science, and others---who work in the academic and public sectors.
OHMAR also welcomes submissions from archivists, librarians, web
designers, museum curators, and other oral history practitioners
engaged in work relevant to the 2011 conference theme.

For more information or questions about the call for papers, please
contact the conference co-chairs:
LuAnn Jones ([email protected])


Details about the call for papers, proposal submission guidelines, and the
conference location are available at OHMAR's website,
http://www.ohmar.org/confercurrent.html
<http://www.ohmar.org/confer.html>.

Proposals are due no later than 15 January 2011.

Sunday, December 20, 2009

Forgetting & Technology

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Are there things, ideas, or beliefs that are best forgotten? Can digital technology help reinforce forgetting? What are the motives for forgetting? What is being forgotten and remembered in the virtual world?

Lately, I've been imagining what a course would look like that aimed to investigate issues related to technology and memory. Of course, I would like for a course to expand this inquiry with an investigation about writing practices in different contexts and among different audiences.

Just when we think that memory is gradually disappearing from academic or public inquiry, memory continues to thrive as a significant object of inquiry. Take for example Viktor Mayer-Schönberger's "Delete: The Virtue of Forgetting in the Digital Age," which makes a strong case for believing that technology continues to make forgetting and forgetfulness obsolete. Much of what we want to forget is constantly remembered through technological and digital tools that "mark" much of what we attempt to erase and forget. This makes us think about how much of the information that we "delete" in the virtual world is not necessarily erased completely. Therefore, technology, such as the Internet, becomes a permanent marker for anything and everything that is circulated virtually. Does this assure us that technology facilitates human memory (as suggested by Sharon Crowley)? Certainly. Does this suggest that technology is part of public discourse that continues to challenge much of what we can say as opposed to what should (not) be said? Perhaps. With the ever growing popularity of Facebook and Twitter, forgetting and memory continue to function as power binaries that need to be investigated in relation to humankind's relationship with technology. Mayer-Schönberger's book may serve as a worthwhile read to further continue thinking about these issues.

On another note, I had announced that I had plans of removing this blog. However, I changed my mind. Now, I would like to move this blog to Wordpress. Please stay tuned for more info about this.

Tuesday, October 13, 2009

Remember Icons/Memory and Media

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My apologies for the delay in posting a new entry in this blog. Since the last time I posted an entry, there has been quite a lot remembering. The passing of icons such as Michael Jackson, Farah Fawcett and Patrick Swayze has reminded us about the necessity of keeping their images and/or recordings within our collective memory in order to keep them with us in spirit. I have been amazed at the outpouring of remembrance for Michael Jackson and how his videos are now immortalized for generations to come. These videos demonstrate how much of technology assists human memory in sustaining our collective history, which includes pop culture. We create pop culture and we sustain it through technology.

I've been at work on Ch. 4 of my dissertation, which examines the context for remembering along the U.S.-Mexico borderlands. Some of the topics I explore here include cultural memory, spatial memory, and subjective/communal memory. I hope to be finished with this chapter by the end of this month.

Today, I ran into Andrea Lunsford's bibliography titled "Memory and Media," which I highly recommend if you want to further study the relationship between memory and technology. The bibliography is also useful if you are constructing a course with the same theme.

I welcome my new followers and I encourage you to stay tuned for my upcoming announcement of a special website that features everything about rhetorical memory.

Saturday, June 20, 2009

Update/Memory Conference

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This post is long overdue! I have been at work on my dissertation, which I hope to finish in August (cross your fingers). I am currently writing the chapter that examines the use of memory in Gloria E. Anzaldua's "Borderlands/La Frontera: The New Mestiza". The one specific thing I can say about the chapter is that it really makes a strong case for the interweaving of personal and communal memory. After this chapter, I will write the chapter about Frederick Douglass' first autobiography. I am hopeful that all these chapters will come together with careful revision and editing. Wish me so much luck!

Given that Facebook and the "Twitterverse" have grown tremendously, I was thinking to move this blog to those realms. It would be marvelous to have an entire network of memory scholars in addition to listservs. If I create a network, I might possibly discontinue this blog. I think I had previously mentioned that I would discontinue the blog after I finish my dissertation. I will think about it. More about that later.

For now, I leave with this announcement that should of interest to any and all memory scholars, as well as interdisciplinary scholars:

"Transcultural Memory Conference":


A conference jointly organized by the Department of English and Comparative Literature, Goldsmiths, University of London, and The Centre for the Study of Cultural Memory, Institute of Germanic & Romance Studies, University of London, marking the inauguration of The Centre for the Study of Cultural Memory.

Date: 5-6th February, 2010.

Conference organizers: Lucy Bond, Rick Crownshaw and Jessica Rapson (Goldsmiths); Katia Pizzi and Ricarda Vidal (Institute of Germanic and Romance Studies).

Venue: Institute of Germanic and Romance Studies, University of London

Keynote speakers:

Astrid Erll (University of Wuppertal)
Andrew Hoskins (University of Warwick)
Dirk Moses (University of Sydney)
Michael Rothberg (University of Illinois at Urbana-Champaign)

Discussant:

Susannah Radstone (University of East London)

Skeptical reactions to the rise of memory studies have focused on the viability of concepts such as ?collective? memory. Can societies really remember collectively? More to the point, can individuals really remember what they have not directly witnessed or experienced? Is to speak of collective memory simply to speak of ideology or political fantasy? The concept of cultural memory has overcome this binary opposition between the individual and the collective, attending to their reciprocal relationship and the cultural grounds on which their mediation takes place (Assman). How, though, does memory work when events are remembered across and
between cultures?

In an age of globalization, is it still possible to speak of local and national memory, or do the local and national always exist in implicit and explicit dialogue with the transnational? Holocaust-and memory studies have begun to address these questions in tracing the globalization of Holocaust memory as a trope by which other modern atrocities are shaped and remembered, and, of course, the Holocaust has been incorporated into national memories in order to forget indigenous genocides and shore up ideals of nation (Huyssen and Patraka). Conversely, theories of vicarious witnessing have posited an ethical dimension to the remembrance of events across cultural boundaries. The ideas of ?prosthetic? and ?post? memory conceive of the remembrance of events not witnessed by those born afterwards or elsewhere, and of mass- mediated memory as something that does not wholly belong to (and define) the familial, ethnic or national group (Hirsch and Landsberg). (The idea of witnessing across cultural borders has not been without controversy in the academy.) Recent innovations in comparative historiography (Moses, Stone, Moshman), laying vital groundwork for developments in memory studies, have sought to remove the ?conceptual blockages? in comparing modern atrocities, moving beyond notions of the Holocaust?s uniqueness that might inscribe a hierarchy of suffering across modernity, eliciting the structural continuities and discontinuities between atrocious events ? between genocide and colonialism. Just as Moses has configured modernity in terms of a racial century, so in sociology and literary studies race has constituted an overarching narrative that brings together diverse modern spheres of both culturally creative and violent activity and identification (Cheyette and Gilroy). In postcolonial studies, concepts such as trauma have enabled a spatial rather than linear approach to the experiences of colony and postcolony (Durrant). In philosophy, conceptions of bare life have allowed an international consideration of state sovereignties and their biopolitical regimes (Agamben). In architectural and urban studies, city development and its architecture is found to articulate a globalised vernacular, which has implications for spaces and places of memory and memorialisation. All of these disciplines find that it is increasingly difficult and problematic to isolate representations of past, which in turn calls attention to the need for the comparative study of memory as it takes an increasingly transcultural form as Rothberg's recent ground-breaking work on the multi-directionality of memory has shown. The conference organizers invite abstracts on the subject of transcultural memory from across the disciplines English and Comparative Literary Studies, History, Cultural Studies, Architectural Studies, Cultural Geography, Film Studies, Media Studies, Politics, Philosophy, Psychology, Sociology, the Visual Arts, and so on but recognize that the study of memory will often involve an interdisciplinary and transdisciplinary approach.

Conference papers might address but are not limited to how concepts of transcultural memory might relate to:

new directions/new paradigms in trauma studies; testimony studies; new media; new technologies of historical documentation and archivization;memory as performed and embodied; memory and the senses; conceptions of race; citizenship; ?bare life?; postwar, post-event, post-epochal ?structures of feeling? (e.g.,post-1918, -1945, -1968, -1989 and -9/11); the recent interest in the perspective of perpetrators; memory and gender; memory and religion; colonial, postcolonial, and transatlantic studies; the study of museums, monuments, and memorials, as well as the practical implications for heritage industries, memorialization and urban planning issues of law, justice and reparations; legal definitions of genocide; slavery; the relationship between genocides and other modern atrocities; memory and terrorism; the social implications of natural catastrophes and disasters.

Abstracts (no more than 400 words) by July 21st, to [email protected]

Sunday, March 22, 2009

SSGA/Philosophy and Memory/RSA Symposium

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Since the month of April is fast approaching, I wanted to make an early announcement about the first international conference on the work and life of Chicana rhetor, theorist, and escritora Gloria E. Anzaldua. The conference will be hosted at the University of Texas at San Antonio on May 14-17, 2009 by the Society for the Study of Gloria E. Anzaldua. The profile for SSGA can be found both on Facebook and MySpace. This will surely be an important event!

Also, I wanted to feature the homepage of John Sutton, a researcher on memory who has compiled a good set of links for any researcher on memoria. Sutton is a professor at Macquarie University in Sydney and author of Philosophy and Memory Traces: Descartes to Connectionsim--which is also featured on his homepage. His webpage also features some other good links about the interdisciplinary study on memory, which I think are worthy of attention. 

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Next week, I will be presenting a part of the second chapter of my dissertation at the RSA Symposium at UTEP. In particular, I will talk about the trajectory of memoria throughout the history of Western rhetoric and also include a discussion about the use of memory among ethnic rhetors such as Frederick Douglass and Gloria E. Anzaldua. If I feel comfortable, I may post some pictures of the event here. I will definitely include a summary of the event, so stay tuned.

Wednesday, January 21, 2009

Society for the Study of American Women Writers

The Society for the Study of American Women Writers (SSAWW) has extended deadline for proposals to February 28.

Conference details are as follows:

Title: Fourth Conference of the Society for the Study of American Women Writers
Date: October 21-24, 2009
Location: Sheraton Society Hill, Philadelphia, Pennsylvania

SSAWW invites submissions of proposals for panels, roundtables, workshops, or individual papers. They welcome sessions on U.S. women authors and themes from the 17th through the 21st century; sessions and papers that compare U.S. women writers to writers of other nations are also welcome.

All conference participants must be members of SSAWW.

Proposals for entire sessions should include: (1) a paragraph describing the session as a whole; (2) a one-page abstract of each paper; (3) a one-page cv for each participant. The conference prefers four presenters per session, excluding the chair, although submissions for panels of three presenters will be considered.

Proposals for individual papers should include a one-page abstract and a one-page c.v.

Please specify if audio/visual equipment is needed.

Proposals may be submitted to Carolyn Sorisio at [email protected]

Tuesday, January 20, 2009

History Has Been Made

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Barack H. Obama--
44th President of the United States of America

Thursday, January 15, 2009

First International Conference on Gloria E. Anzaldua

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The SSGA (Society for the Study of Gloria Anzaldua) is currently seeking proposals for papers, panels of 3-4 papers, roundtables, workshops, or performances for its First International Conference on the work and life of Gloria E. Anzaldúa on the fifth anniversary of her passing.

We welcome proposals involving all facets of Anzaldúa's life and work. The following tracks are merely suggested conceptual groupings for panel and performance presentations:

· BORDERS—explorations of border theory, borderlands ethos and other concepts of Anzaldúan thought focused on this key concept of her work
· QUEER STUDIES—el mundo zurdo and the atravesados, key to Anzaldúa's thinking and application of her philosophical work
· EDUCATION—pedagogical concerns surrounding her literary and philosophical works. Some questions that may arise: what are some challenges of teaching Anzaldúa? How does Anzaldúa's thought apply to teaching?
· INTERNATIONAL AND TRANSFRONTERA—The effects of globalization and market economies on culture. What is the status of Anzaldúa studies at the international level?
· SPIRITUALITY—Explorations of Anzaldúa's spiritual teachings. How can we heal the earth and ourselves?

Guidelines
Proposals must include the following:
· 250-word proposal narrative
· 100-word abstract suitable for publication in the conference program book
· Submissions for Panels must include proposals and abstracts for each paper and the name, address, phone number(s), e-mail address, and institutional affiliation of each participant
· Audio/visual needs
· Contact person's name, address, phone number(s), e-mail address, and institutional affiliation

All materials must be electronically date-stamped by February 15, 2009. Proposers will be notified of acceptance by March 15, 2009.

Questions about the submission process may be sent to:
gloria.anzaldua.society@gmail.com

Saturday, January 10, 2009

Call for Papers: "Independence and Decolonization" (2010)

Call for Papers:

The Institute for Historical Studies at the University of Texas at Austin will host a symposium, Independence and Decolonization, April 15-17, 2010.

Inspired by the upcoming bicentenary of Mexican independence, thesymposium aims to generate dialogue among scholars from a variety ofdisciplines working on processes of independence, decolonization, andthe reconfiguration of territorial and social borders that suchprocesses generate. We encourage proposals that adopt an explicitly synoptic approach to the interactions between metropolitan powers and colonial/nationalist societies. We welcome proposals from scholarsworking on the following broad problem areas:

1. Global and localdynamics of "first wave" independence movements and decolonization inthe late eighteenth and early nineteenth centuries (e.g. UnitedStates, Haiti, Spanish America)

2. Nineteenth century decolonization(e.g. Ottoman successor states, Brazil, Cuba)

3. National liberationmovements and decolonization in the twentieth century. We areinterested in bringing into dialogue a variety of approaches and themes which might include ethnic identities and anti-colonial movements, postcolonial state formation, and economic development ofpostcolonial states.

Interested scholars should submit an abstract of 200-500 words and a one-page CV to Professor Susan Deans-Smith, [email protected] March 1, 2009.

Participants will be reimbursed for travel and lodging expenses.

For further information about the Institute for Historical Studies, its programs, and fellowships see: www.utexas.edu/cola/insts/historicalstudies/

Monday, December 29, 2008

Memory in '09

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Since my last posted entry, I've kept researching any and all readings on memory. My recent findings have been readings about remembering and the self. Some notable titles include "The Remembering Self: Construction and Accuracy in the Self-Narrative" (1994, Neisser and Fivush, eds) and Edmund Blair Bolles' "Remembering and Forgetting: An Inquiry into the Nature of Memory" (1988).

Also, added to my list of reads is Douwe Draaisma's "Metaphors of Memory: A History of Ideas about the Mind," which was affordable with shipping and all. Draaisma's monograph examines the many metaphors that have been used to describe memory throughout the span of time. Some of the chapters discuss classical memory, digital memory and what is termed "holographic memory". Included in the discussion is Freud's "Mystic Writing Pad". 

While I'm reading away, I must express how surprised I am the many transformations that this blog has undergone. First, the blog was created to examine memory in terms of remembrance and then strictly focused on rhetoric. Now, the blog has arrived at joining rhetoric and memory with recent postings about abolitionist rhetoric and the act of remembrance.

2009 will be the year when I might finalize this blog with my entire bibliography on memory and rhetoric. However, I may change my mind because I would want to add more sources about ethnic autobiography. I would even want to include bits and pieces of my own autobiography. Therefore, expect more in 09.

Wishin you all a rich and prolific new year!

New in Books

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"In
Abolitionists Remember, Julie Roy Jeffrey illuminates a second, little-noted antislavery struggle as abolitionists in the postwar period attempted to counter the nation's growing inclination to forget why the war was fought, what slavery was really like, and why the abolitionist cause was so important." -- UNC Press

Friday, November 21, 2008

New in Books

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Synopsis:

"Refiguring Rhetorical Education: Women Teaching African American, Native American, and Chicano/a Students, 1865-1911 examines the work of five female teachers who challenged gendered and cultural expectations to create teaching practices that met the civic and cultural needs of their students.

The volume analyzes Lydia Maria Child’s The Freedmen’s Book, a post–Civil War educational textbook for newly freed slaves; Zitkala Ša’s autobiographical essays published in the Atlantic Monthly in 1900 that questioned the work of off-reservation boarding schools for Native American students; and Jovita Idar, Marta Peña, and Leonor Villegas de Magnón’s contributions to the Spanish-language newspaper La Crónica in 1910 and 1911—contributions that offered language and cultural instruction their readers could not receive in Texas public schools.

Author Jessica Enoch explores the possibilities and limitations of rhetorical education by focusing on the challenges that Child, Zitkala Ša, Idar, Peña, and Villegas made to dominant educational practices. Each of these teachers transformed their seemingly apolitical occupation into a site of resistance, revising debilitating educational methods to advance culture-based and politicized teachings that empowered their students to rise above their subjugated positions.

Refiguring Rhetorical Education considers how race, culture, power, and language are both implicit and explicit in discussions of rhetorical education for marginalized students and includes six major tenets to guide present-day pedagogies for civic engagement."

Saturday, November 15, 2008

Tribute: Gloria E. Anzaldua

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"Anzaldua's discourse embodies a set of proofs that transcends dualisms by embracing multiple understandings." 

Lisa Ede, Cheryl Glenn, and Andrea Lunsford

Memory in Latin America

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For some time, I have wanted to bring attention to the work of Elena Poniatowska, whose work belongs in our discipline. A critical article for rhetoric scholars and memory scholars alike is Poniatowska's "Memory and Identity: Some Historical-Cultural Notes" (in Latin American Perspectives, 19.3, Summer 1992, 67-78). One of her major scholarly and visual inquires continues being "Las Soldaderas: Women of the Mexican Revolution". More sources on memory in Latin American studies coming soon. 

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Wednesday, November 5, 2008

African American Reform Rhetoric

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"Frances Ellen Watkins Harper:  African American Reform Rhetoric and the Rise of a Modern Nation State" (Forthcoming: Spring 2009)

Michael Stancliff

"A prominent early feminist, abolitionist, and civil rights advocate, Frances Ellen Watkins Harper wrote and spoke across genres and reform platforms during the turbulent second half of the nineteenth century. Her invention of a new commonplace language of moral character drew on the persuasive and didactic motifs of the previous decades of African-American reform politics, but far exceeded her predecessors in crafting lessons of rhetoric for women. Focusing on the way in which Harper brought her readers a critical training for the rhetorical action of a life commitment to social reform, this book reconsiders her practice as explicitly and primarily a project of teaching. This study also places Harper's work firmly in black-nationalist lineages from which she is routinely excluded, establishes Harper as an architect of a collective African-American identity that constitutes a political and theoretical bridge between early abolitionism and 20th-century civil rights activism, and contributes to the contemporary portrayal of Harper as an important theorist of African-American feminism whose radical egalitarian ethic has lasting relevance for civil rights and human rights workers." -- Routledge (Taylor & Francis Group)



New In Books

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Thursday, October 30, 2008

"Narrative of the Life of Frederick Douglass"- Full Text

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One of the autobiographies that I am examining when theorizing how memory works rhetorically within the genre of ethnic autobiography is Frederick Douglass' "Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself". Above is a link to the full text, which is presented by "Documenting the American South," a marvelous repository of historical documents about Southern American history. Check it out. 

Wednesday, October 29, 2008

New in Books: "Liberating Language..."

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Liberating Language: Sites of Rhetorical Education in Nineteenth-Century Black America
Shirley Wilson Logan

Monday, October 27, 2008

New in Books: Memory & History

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The Posthumous Career of Emiliano Zapata: Myth, Memory, and Mexico's Twentieth Century
Samuel Brunk  

Sunday, October 26, 2008

Race and Racism in Writing Assessment (Edited Collection)

CFP: Race and Racism in Writing Assessment (Edited Collection)

"The editors of this collection ask for chapter proposals that consider issues of race and racism in college writing assessments. For instance, can our current theories and practices of writing assessment serve the changing face of higher education? Are the methods that we currently use really the best ones to assess the literacies of our diverse students? What about new technologies of assessment such as machine scoring and directed self-placement (DSP)? And what about the expectations that students bring to tests, the uses (and abuses) of test scores, and the machinery of testing systems that “inevitably” track students along certain educational paths?

The editors invite you to consider proposing an essay, scholarly piece, classroom study, or research article. Chapters may consider all aspects of writing assessment, including histories of assessment practices, test design, administrative policies, program applications of test outcomes, machine scoring, validation studies, discursive or genre functions of assessment, or other closely related work. Our goal is to begin new dialogues about writing assessment, ones that go beyond simplistic explanations about racial achievement gaps, ethnic literacies, or cultures of deficit.

All submissions should discuss or inquire specifically about racial formations (race/ethnicity), racism in writing assessments, or commiserate issues such as the intersections of socio-economic status, gender, and race. We are most interested in newer empirical studies that inquire into race/ethnicity and racism in writing programs, or scholarly essays that discuss writing assessment theory alongside frameworks that highlight racial formations, such as critical race theory, whiteness studies, multiculturalism, racial identity development, anti-racist pedagogy, post-colonial theory, or comparative rhetorics. We also want to encourage international or cross-national studies that complicate our discussions of racial/ethnic identity and literacy testing.

The primary audience for this collection will be U.S. Writing Studies scholars, educational assessment researchers, writing teachers and writing program administrators. Additionally we are encouraging international submissions.

Currently, contributors for this collection who have already agreed to offer either chapters or responses to sections of chapters are: Chris Anson, Wayne Au, Valerie Balester, Elisabeth Bautier, Adam Banks, Bill Condon, Tom Fox, Keith Gilyard, Anne Herrington, Malea Powell, Victor Villanueva, and Morris Young.

BACKGROUND AND CONTEXT

According to statistics from the 2005 U.S. Census Bureau, 45% of children under the age of 5 are of color. In fact, the National Center for Educational Statistics’ 35th edition of Projections of Educational Statistics to 2016 (2007) reports that by 2016 enrollment in degree-granting institutions will increase in the following ways:

• 8% for Whites

• 29% for Blacks

• 45% for Hispanics

• 32% for Asian or Pacific Islanders

• 34% for American Indians or Alaska Natives

• 15% for nonresident aliens

Not only will U.S. college students increasingly be of color, but internationally, many other countries are experiencing major changes in cultural diversity with influxes of immigrants from Asia, Africa, and the Middle East. Such demographic changes have and will continue to have a major impact on educational systems. The changing demographics of educational systems also raise important questions about current educational practices, in particular the assessment of writing. For example, given the U.S. history of racial inequality and our understanding of the way that assessment has historically reasserted those inequalities, how do the new demographics of U.S. universities affect, or should affect, the ways that we assess students’ literacies? How does diversity, as a global set of racial formations, in schools complicate and require new ways to see socio-economic status, language proficiency and attainment, and education policy? How can the scholarship and research on racialized rhetorics, racial histories, and language diversity in the classroom offer productive, new ways to theorize, practice, understand, and validate writing assessments in higher education? This collection, we hope, will address these important writing assessment needs and composition studies issues.

COLLECTION'S ORGANIZATION AND GUIDING THEMES

The collection will be organized around the following sections, which we offer as a guide for submissions:

Rac(ism) in Assessment Histories

• How is the racialized history of literacy testing affected writing assessment, its purposes, its instruments, and the use of test results? • How might the history of literacy testing be understood as a series of racial projects that shape the racism we see today? • How might whiteness, as a discourse or set of linguistic dispositions, construct writing assessments, its instruments or codes, or its purposes? • What groups have been historically “lost” in discussions about race and writing assessment? What about Appalachian whites, Cajuns, or Asian Pacific Americans, for example? What purpose does it serve to erase these groups from national debates about literacy standards?

Rac(ism) in Assessment Theory

• How has the assessment literature attempted to address the issue of race or racism? What about in discussions of task design, topic selection, inter-rate reliability, or consequential validity? • How are writing assessments constructed, or been constructed, by racial formations in local and national sites? • What does the theory, history, or practices of writing assessment look like through the lens of critical race theory or other theories of racial identity?

Rac(ism) in Classroom Assessment Practices

• What racial formations occur as a result of particular writing assessment practices in the classroom? • In what ways does racial bias operate in students or teachers in classroom writing assessment? • How do teachers’ expectations affect the way writing is assessed in the classroom? • What might be done to counter racism in classroom assessment practices?

Rac(ism) in Writing Program Administrations

• How are race and ethnic categories accounted for in local writing assessments, their validation studies, test results, or consequences? • How do racial categories inform the construction of writing assessments, the instruments used, and/or decisions made? • Where is race in writing across the curriculum assessments? What might writing assessment and racial identity have to do, for example, with the “pipeline problem” in STEM? • How does race or racism affect or factor in writing centers and tutoring programs?

Rac(ism) in Community, Literacy, and Immigration

• How does race or racism operate in community-based literacy projects and writing projects? • How is racial identity constructed in news accounts of test scores, education, literacy (crises?), and classrooms? • How is racism encoded in other debates such as English-only laws, bilingual education, and related immigration issues?

EDITORS AND TIMELINE

The editors of this collection are Asao B. Inoue (California State University, Fresno) and Mya Poe (Massachusetts Institute of Technology). All inquires may be emailed to either editor at [email protected] or [email protected].

PROPOSAL DETAILS AND CONTACT INFO

All proposals are due by August 1, 2008 to Asao B. Inoue ([email protected]) by email attachment. All accepted proposed chapters will be determined by Aug 30, 2008, and writers will be notified shortly thereafter. All review drafts for chapters will be due by Jan 01, 2009 emailed to Asao B. Inoue ([email protected]). All submissions will undergo a double-blind review before acceptance.

All proposals should be 2-4 pages (around 600-1,200 words) and provide the following information: a proposed title for your chapter, an abstract, and the author’s contact information, title, and institutional affiliation. Authors of accepted proposals will be notified and sent chapter style guidelines. Full chapters will be in APA style."

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