A Walk with the Rocky Mountain Land Library

Featured

Editor’s note; a version of the below text appeared in the May 10th Walk2Connect Co-op newsletter

See also; over at Twitter

Image

I had the pleasure to spend May 4th walking and workshoping in Globeville, with the Rocky Mountain Land Library; a 501c3 nonprofit co-founded by Jeff Lee and Ann Marie Martin. Two long-time employees of the iconic Tattered Cover Bookstore. Their “ultimate vision is to open Buffalo Peaks Ranch as a year-round, residential retreat center and library, while hosting additional programs and outreach through our Metro Denver locations.

The Globeville location is one of three locations they have. I visited their Waterton Canyon branch on one of the early High Line Canal walks, with Chris Englert aka “the Walking Traveler”. Last year I visited their location on the South Platte in Fairplay, to attend Re/Calla curated art and communal experience that celebrates the natural environment…the intersection of art and nature…the ethereal and tangible.” The Globeville branch is their current/main book storage/processing location. It also has a special ‘Walking and Trails’ collection/room.

Image

Our group, led by Ann Marie, spent the first part of the morning walking along the South Platte. After foraging for ink-making feedstock, we spent the next few hours experimenting with: charcoal, terra-cotta, willow-flowers and more. Do you even know how to mordant..? I didn’t before, but I do now!

Image

On our walk we encountered a rich urban ecology of flora/fauna: dicots, wild-rose and willows. Birds of prey, coyote tracks and hooded merganser ducks. We even saw signs of beavers rewilding.

As I read that day, Wendell Berry writes

“Think of the genius of the animals,

every one truly what it is:

gnat, fox, minnow, swallow, each made

of light and luminous within itself.

They know (better than we do) how

to live in the places where they live.

And so I would like to be a true

human being, dear reader – a choice

not altogether possible now.

But this is what I’m for, the side

I’m on”

2025 in Music

According to Soundcloud I spent most of my time listening to various shows on Afropop Worldwide, Rinse FM and Sleep’s Dopesmoker. All of which made on appearance on previous years lists. The new addition for 2025 was Jay Electronica’s A Written Testimony” EP trilogy (?). Which is to say, compared to last year, my Soundcloud list is about the same, while a quick review of my history/timeline for a few other platforms indicates I’ve still been repping lots of Bad Bunny, KEXP, LaRussell, Tiny Desk and Western AF. What is perhaps most interesting about that is that 90% of my Soundcloud time is logged from my work-station. Illustrative of how each platform has a distinct vibe/represents a particular set of activities and their corresponding soundtrack. So John Carroll Kirby was still a top artist (Tuscany serving as a regular soundtrack for family dinners) and I listened to about the same amount of Alice Coltrane (mostly while keeping up my yoga practice) and Keith Hudson (while hanging outside/working in the yard).

Some new favorites were Eladio Carrion, Hugh Mundell, LA LOM and as already mentioned I played this track repeatedly. One growing trend is a return to alt and 90s rock (Fugazi, Nirvana et al.), mostly as a result of trying to find music all three of us (my son, wife and I) can agree on. Especially, when in the car together. As he has mostly moved on from the Raffi of a year or two ago to preferring more guitar heavy, rock-n-roll sounds.

In terms of concerts, Bitchin Baja’s and Prairiewolf at GLOB were a blast and included a bonus hang-night with a buddy visiting from West Cost. While the first night of Denver Metal & Beer Fest with my BIL was fun and the surprise for me was OKC based Chat Pile. Plus, he and I caught a couple of great sets at the 2025 Bluegrass on the Arkansas (in Salida, CO), including night one’s closer, Magoo.

While I listen primarily to digital-streaming, I did make an effort to dig into my vinyl collection more. Especially, in the second half of the year. There were also a handful of records added to the collection this year, with the best being World Psychedelic Classics 4: Nobody Can Live Forever – The Existential Soul of Tim Maia and 400% Dynamite Ska, Soul, Rocksteady, Funk and Dub in Jamaica, both gifted by friends. The former has been on heavy rotation for at least last few years so I was pumped to unexpectedly get my own copy and while I wasn’t aware of the later, it is chock full of classics! In terms of my own finds, I managed to find 1 or 2 LPs from Kris Kristofferson and Willie Nelson.

Otherwise, I still use an old dedicated MP3 music player for running and it’s library hasn’t been updated in some years. It a weird mix of early/mid aughts London bass and grime mixes, DatPiff downloads and stuff like Pink by Boris. I probably listen to this from Elijah & Skilliam (ft JME and Skepta) the most. For me it’s perfect running energy/vibes!

Finally, this Butthole Surfers mix has become a regular evening (usually to kickoff or end the weekend) lover the last few years and I unwind from many a weekday, with NTS Radio. In particular the Raja Vibrations show.

Image
I really dug that Night Slugs with Scotti Dee & Spidey G set

re: the hunter-gatherer crisis and more

Image
lan of the southeast hollow (main excavation area) showing the (preliminary) building
phases based on building archaeological research combined with available radiocarbon ages. (image M. Kinzel, German Archaeological Institute, Göbeklitepe Project 2024).

The impact of the narrated words and the carved depictions were likely enhanced by artificial lighting (lamps, torches, hearths). The archaeological evidence for roofs covering the special buildings at Göbeklitepe has increased in recent years (see above), suggesting that their interiors were places of (artificial) darkness even during daylight hours, and therefore comparable to situations encountered in natural cave environments.

Via @drleeclare in Documenta Praehistorica LI (2024)

re: Neolithic glyptic objects and cosmology

iconography includes a raptor, quadruped and snake, sometimes shown as a set, and
sometimes with plants and humans included…To elaborate on the representation of these elements, we see the three-tiered cosmos represented symbolically in the recurring motifs of bird-quadruped-snake: the bird as inhabitant of the sky, the animal as inhabitant of the earth’s surface, and the snake, below the earth…We are left with the question of what happens to the glyptic and related imagery in the late fourth millennium bc when writing is first documented. The focal point of the new cities were large temple complexes, the priests of which seem to have held religious and political power, and also controlled a redistributive economy. This was no longer the religion of the Neolithic villages but one of a more complex order. The power of the local ritual specialists, and the power of the domestic over the wild, was co-opted by the temple. At the same time, they co-opted the process of storing memory, developing a writing system with techniques controlled by the temple scribes. Not only does seal use continue alongside writing, but the imagery found on Neolithic glyptic likewise continues.

Via ‘Image, Memory and Ritual: Re-viewing the Antecedents of Writing’ Cambridge Archaeological Journal 21(02):247 – 262

A couple of images from the top 10 archaeological discoveries of 2025

Image
Jade-and-shell death mask of Te’ Kab Chaak
Courtesy of the Caracol Archaeological Project, University of Houston
Image
Bottomless stone bowl, plate, and batons, and small bowl containing animal figurines with heads in limestone rings (left) and stone animal figurines (right) by Yusuf Aslan

For more see Archaeology Magazine

re: the Church of Santa Maria Assunta in Riola di Vergato

Image
Photo by Giovanni Comoglio

Giovanni Comoglio wrote about Alvar Aalto’s only building in Italy.

It is an architecture rooted in its site but far from mimetic: its forms, the copper of the curved roof, the timber covering the outdoor transitional spaces — all express a pervasive genius loci, reinforced by the sandstone cladding quarried at nearby Montovolo, almost on site.

via Domus

Image
Photo by Giovanni Comoglio

re: deep and/or geologic-time + more

Over at Emergence Magazine, Marcia Bjornerud reflected on The Persistence of Past Worlds on Earth and how “rocks are best understood not as nouns but verbs, signifying events and processes“. Marcia goes on to suggest that “Accepting that we too live in geologic time can free us from narcissism…We may then realize that the text of the Earth itself is full of guidance on durable design and start laying the groundwork for a post-Anthropocene world“.

Roy Wood Jr. regarding parenting and more

From a recent appearance on What Now? With Trevor Noah, where he speaks on the lessons he has learned from his father and the father he therefore wants to be/become.

“I try now with him to just be very verbal about feelings, sharing feelings. To me, to me the main thing is love and how does that manifest? How do you receive it? Teach him how to receive it, teach him how to show it. If I can do that I’m good…I think as parents we are either the parent we wish we had or we’re a carbon copy…the right balance is somewhere in the middle…I think we owe it to our kids to share with them our pains, our struggles, our fears, our failures…I just share everything…as much as I can”

Clipping ft David Rothbaum, Sharon Udoh and even Kid Koala

The coolest part of this was how they used “small, MIDI-triggered robots” to make sounds from “glass bottles, coffee mugs, plastic wrap and a pizza box“. Though as far as I know that isn’t a standard part of their live show.

They will be performing in Denver metro February of 2026 so hoping I can catch them…