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NB: With Russia's unprovoked murderous assault on Ukraine, I am actively looking at alternative hosts for this journal, preferably those which will retain as much content as possible. I am very uncomfortable with being part of the Russian economic system at present, in however small a way. In the meantime:

Second paragraph of third chapter of The Postmistress:
There was France and Germany. Austria. England. Poland. Letters printed in straight lines in the comforting typeface of school, the world ordered as neatly as the men now were. Since the draft had begun in October, each man's number pulled by hand from the War Department's glass fishbowl and recorded, the roads and rails were full of American boys being sent all over the country, leaning over books and maps in their olive drab, sprawled in the too tight seats moving from Ohio to Omaha. Tennessee. Georgia. The Carolinas. From town the two Snow brothers would go first, then a Wilcox, a Duarte, and a Boggs. Johnny Cripps and Dr. Fitch had numbers so high, it was as good as if they hadn't been called. They'd never be needed now.
A novel about three American women during the second world war, two of whom are rather boring and live in Massachusetts and one of whom is more interesting and does some gripping journalism from Europe. One of the two in America is a postmistress who doesn't deliver a letter. It didn't really engage me. You can get it here.

This was my top unread book by a woman, my top unread book acquired last year and my top unread non-genre book. Next on the first list was 84k, by Claire North, which I have since read. Next on the other two is Intimacy, by Jean-Paul Sartre.
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Mar. 11th, 2022 12:00 pm
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The Nebula Awards final ballot is out, so here are the ratings of the nominated books on Goodreads and LibraryThing. The top number in each column is in bold.

Best Novel
Goodreads LibraryThing
reviewers av rating owners av rating
A Desolation Called Peace, Arkady Martine 12821 4.38 489 4.18
A Master of Djinn, P. Djèlí Clark 8999 4.15 447 3.96
The Unbroken, C.L. Clark 4033 3.88 208 3.64
Machinehood, S.B. Divya 1447 3.69 111 3.83
Plague Birds, Jason Sanford 80 3.8 14 4.38

One of these is not like the others.

Best Novella
Goodreads LibraryThing
reviewers av rating owners av rating
A Psalm for the Wild-Built, Becky Chambers 20347 4.29 540 4.25
Fireheart Tiger, Aliette de Bodard 3135 3.51 178 3.84
Flowers for the Sea, Zin E. Rocklyn 704 3.57 47 3.79
Sun-Daughters, Sea-Daughters, Aimee Ogden 391 3.47 34 3.85
And What Can We Offer You Tonight, Premee Mohamed 124 3.93 14 4.17
The Necessity of Stars, E. Catherine Tobler 79 3.91 12 3.83
“The Giants of the Violet Sea”, Eugenia Triantafyllou - - - -

The last of these was not published as a standalone and so is not comparable. (Martha Wells declined nomination for Fugitive Telemetry.)

Andre Norton Award for Middle Grade and Young Adult Fiction
Goodreads LibraryThing
reviewers av rating owners av rating
Iron Widow, Xiran Jay Zhao 23891 4.26 413 4.23
Redemptor, Jordan Ifueko 4982 4.32 116 3.95
Victories Greater Than Death, Charlie Jane Anders 1921 3.55 201 3.63
Root Magic, Eden Royce 1671 4.24 76 4.38
A Snake Falls to Earth, Darcie Little Badger 1214 4.14 86 3.42
Thornwood, Leah Cypess 210 3.82 21 2.5

Again, a bit of variation here.

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Mar. 10th, 2022 12:00 pm
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Second frame of third section of Scherven:
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Chris: "It's about time you had a wee chat with her."

I picked this up on spec last year from one of the local comics shops. It's a story of young Dutch people in the occupied Netherlands during the second world war; after it's all over, the protagonist, Victor, meets up with his ex-girlfriend, Esther, and reminisces in a series of nested flashbacks about the good times, the bad times and the terrifying times with their friend Chris, who got killed by the Germans (this is not a spoiler, the first page shows his gravestone in detail). The plot is yer typical young-folk-under-occupation tale; the art consciously refers to Dutch propaganda posters of the period, and as is often the case with graphic stories sometimes catches feelings and events that mere prose cannot. It's backed up by photographic and documentary evidence about what happened to the real people on whom the story is based, which I guess makes it more immediate, though personally I'm generally happy to accept that fiction can have truth without being tightly linked to actual historical events.

The title translates as "Splinters", and a second and final part of the series has now been published with the title "Littekens" / "Scars". To be honest I made yet another of my mistakes in buying it - I thought it was by a Flemish writer, and it wasn't until I got to the bits about Queen Wilhelmina that I made sense of the various hints that it was not set in Belgium after all. Still, it was engaging enough that I will probably get the second half.

You can get it here in Dutch and here in French; not yet in English apparently.

This was my top unread graphic novel in a language other than English. Next on that pile is Junker: een Pruisische blues, by Simon Spruyt.
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Mar. 9th, 2022 12:00 pm
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A very interesting selection this year for the best Art category in the BSFA Awards, with the shortlisted artworks all being single static images - this has not always been the case; last year's list included digitised 3D images of several murals, there was an outdoor art piece three years ago, and of course Tessa Farmer's Wasp Factory sculpture rightly won the award for 2014 (at the 2015 Eastercon).

The interesting bit that this is a clear contest between Africa and Scotland.

Image One of the five nominees is "Glasgow Green Woman", a promotional piece for the 2024 Glasgow Worldcon bid by Sunderland-based Iain Clark. A similarly purposed piece won last year's BSFA Award, and Clark was a finalist for the Best Fan Artist Hugo in both of the last two years.

I tend to think of the Green Man legend as more of an English thing, but there are over 100 carvings of Green Men in the mysterious Rosslyn Chapel near Edinburgh, scene of the denouement of The Da Vinci Code. Clark has depicted the feminine aspect of the Green Man, sampling the scent of a Scottish thistle (which has a sexy wiggle to its stem). I found this a very cheering piece as the spring comes in.


The other four are all covers of books by authors with strong links to Africa. Two of them are collections of stories by Eugen Bacon, born in Tanzania and now based in Australia. The first is this stark silhouette by Kara Walker, possibly the most famous artist on the shortlist this year, with the design credited to Peter Lo (who appears to be different from the Scottish artist of the same name) of Transit Lounge, the publisher of Danged Black Thing. It's clearly very evocative of the 2020 Black Lives Matter protests. Image


Image The second is for Saving Shadows, published by Newcon Press in the UK, image by Italian artist Elena Betti, design credited to Newcon owner Ian Whates (who I replaced as an Arthur C. Clarke Award judge in 2015, and he in turn replaced me the following year). It's an interesting combination of fluids and reflections.


Perhaps the most traditional of the nominees is the cover of Son of the Storm by Nigerian writer Suyi Davies Okungbowa (now in Canada). The art is by Dan Dos Santos, a six-time Hugo finalist and three-time Chesley winner, with design by Lauren Panepinto of the publisher Orbit Books, both Americans. It's nicely done, with the protagonist staring at us vividly. Image


Image Finally, Okungbowa and Bacon are both contributors to this anthology of African speculative fiction, edited by Oghenechovwe Donald Ekpeki. The cover is by Filipina artist Maria Spada (who presumably designed it as well, as unlike the other three book covers, no separate designer is credited and she describes herself as a professional designer). I love the resonance between the traditional African mask and the act of uncovering to find that you really did not know what was behind it.

These are all lovely works, and it's difficult to choose between them. At first I was a bit underwhelmed by Kara Walker's silhouette for Danged Black Thing, but as I've been writing this I have found my eye drawn to it again and again, so in the end I think I will give it my first preference vote, followed by Maria Spada, Iain Clark, Dan Dos Santos and Elena Betti, probably in that order. But I may change my mind again in the next seven weeks.

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Mar. 8th, 2022 12:00 pm
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This will probably be the second last of my ten-day bulletins on COVID. Today, almost all restrictions were lifted in Belgium. Masks are compulsory only on public transport and in hospitals. The passenger locator forms for entering the country and the COVID-Safe pass for entering restaurants have been scrapped. We're in a very different world.

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Mar. 7th, 2022 12:00 pm
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During my trip to America last month, I linked up with several descendants of my grandmother's paternal grandparents, William and Sarah Hibbard. Of course, there is another half to her family. Her mother, born Rebecca Wickersham, was one of eleven children by three marriages of Samuel Morris Wickersham (1819-1894); one of her brothers was killed in the Johnstown Flood, and another became Attorney-General of the United States under President Taft.

The Wickershams were descended from one of the early Quaker immigrants to Pennsylvania, Thomas Wickersham, who came from Bolney, 20 km north of Brighton in Sussex, and was one of the first white settlers in Chester County (west of Philadelphia, bordering both Maryland and Delaware) around 1700. He is known to have had fifteen children by two wives, and therefore has a lot of descendants. I have identified 88 people on Ancestry.com who seem to share Wickersham ancestry with me. All 88 of us have a particular chunk of shared DNA, and there are about a dozen whose ancestry I can trace back to Thomas Wickersham (from both marriages).

There are a couple more among the 88 who have Pennsylvania ancestry, but who I haven't managed to link with Thomas Wickersham directly, and this could be for one of several reasons: 1) I simply may not have tried hard enough to find a link to the Wickershams which is in fact lurking there in the records; or 2) perhaps there is what genealogists describe as an NPE, a non-paternity event, where a child was born to a descendant of Thomas Wickersham but not recorded as such (one does also get non-maternity events, such as the Douglas Cause, but obviously these are much rarer); or 3) alternatively I could be completely wrong about the Wickersham links, although I have more evidence pointing in that direction than not.

It's fascinating that there is enough DNA in my own system surviving from Thomas Wickersham, my 6x-great-grandfather, to link with 88 other people alive today. The strength of the DNA links with the 88 Ancestry users is at least 0.1% in each case. By the law of averages, we should share 2-8 of our genes, which is 0.39%; and any other relatives descended from him at the same distance as me through one of his other children should share 2-15 if we have the same 6x great-grandmother, 2-16 if we are descended from different wives, 0.003% and 0.005% respectively.

But the law of averages is wrong. I have 50% of my mother's DNA and 50% of my father's; but I won't have exactly 25% from any of my grandparents, or 12.5% from any of my great-grandparents - different amounts will make it down the generations. I am getting the impression also that some DNA is more "sticky", more likely to be inherited - which of course is what you would expect from natural selection anyway. So something in Thomas Wickersham's DNA has been powerful enough to survive in extra strength in a lot of his living descendants, eight or nine or ten generations on. (Of course, a lot of them will also have lost that from their family trees.)

Anyway, the really interesting bit is that there are about another dozen of the 88 Ancestry users with Wickersham DNA for whom I have been unable to find a Wickersham or even a Pennsylvania link, but who all appear to be descended from the Cornett family of Grayson County, in the Blue Ridge Mountains of Virginia, way down in the southwest of the state and bordering both North Carolina and Tennessee. The origins of the Cornett family are somewhat murky. The first recorded family member, John Cornett, pops up near Richmond, VA, where he bought land in 1733; he was then one of the early white settlers of Grayson, which is 400 km away.

John Cornett's origins are shrouded in mystery. There are completely undocumented assertions that "Cornett" derives from King Canute, or that his father was an earl; estimates of his birthdate vary from 1696 to 1712; he might have been one of four, or six, or seven brothers who all emigrated from England at the same time, or different times; there is a story that he worked as an indentured servant in Philadelphia and ran away to Virginia (Philadelphia is also 400 km from Richmond, in exactly the opposite direction). Tellingly, his mother Elizabeth's maiden name is also recorded as "Cornett" or "Cornute"; she was supposedly born in Southampton in 1676, and possibly died there in 1720, but again the details are murky (and probably were supplied by John Cornett in his old age).

With no more evidence than the DNA and my best guess at interpreting the myths, I reckon that John Cornett was born out of wedlock in Philadelphia in the first decade of the 1700s, and that his biological father was Thomas Wickersham. Wickersham moved to Pennsylvania from England in 1700, with his newly married second wife, Alice Hogge, and four children from his first marriage to Anne Grover (who had died in 1697). Alice seems to have spent most of the next few years having babies: she had a girl 1701, twins in 1703, a boy in 1705, another boy in 1706 and twins again in 1708 (and another four in the years between then and 1723; I'm descended from the second youngest, Isaac, born in 1721). Thomas Wickersham was in his early 30s in 1700; he would not have been the first or last man to seek amusement outside a home dominated by young children, in the big city up the road. It's also interesting that John Cornett pops up in Virginia soon after Thomas's death in 1730; where did he get his stake to buy property near Richmond? (Did someone pay him to leave Philadelphia?)

There are other possibilities, of course. John Cornett's mother is recorded as having been born and died in Southampton, England. But I do not trust those records (though I suppose that John could have been born there in the 1690s, before Thomas emigrated, and then in turn emigrated himself as a young man). The Cornett records are murky enough that the connection could be be at a later date, but I have difficult placing any of John's descendants in the same place as any of the Wickershams. Theoretically I could have it the wrong way round, and the Cornetts could secretly be the ancestors of the Wickershams - but I have found enough connections to Thomas Wickersham, and to John Cornett a generation later, that this seems unlikely.

So there we are. There is a big community of Cornett researchers, and many of them have confessed their frustration at the brick wall they run into in the early 18th century. I don't think I've knocked down the wall, but I may have helped loosen one of the bricks.

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Mar. 6th, 2022 12:00 pm
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Current
The Twinkling of an Eye, by Brian Aldiss
The Space Machine, by Christopher Priest
The Green Man’s Challenge, by Juliet McKenna
The Unofficial Doctor Who Annual 1972, ed. Mark Worgan

Last books finished
Lost in Translation, by Ella Frances Sanders

Next books
Nine Lives, by Aimen Dean
Air, by Geoff Ryman
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NB: With Russia's unprovoked murderous assault on Ukraine, I am actively looking at alternative hosts for this journal, preferably those which will retain as much content as possible. I am very uncomfortable with being part of the Russian economic system at present, in however small a way. In the meantime:

The Departed won the Oscar for Best Picture of 2006, and three others: Best Director (Martin Scorsese), Best Film Editing (Thelma Schoonmaker), and Best Adapted Screenplay Writing (William Monahan). The other Best Picture nominees were The Queen, which I have seen, and Babel, Letters from Iwo Jima and Little Miss Sunshine, which I haven't. The Hugo and Nebula that year both went to Pan's Labyrinth.
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The Departed ranks 2nd and 4th on the IMDB lists of 2006 films, with The Prestige ahead of it in both cases (I really must try and see that). Others from that year that I have seen: Casino Royale; Happy Feet; The Last King of Scotland; The Queen, as mentioned;  Charlotte's Web; the curiously genderflipped Barnyard; and Starter for 10, which is probably my favourite. Here's a trailer.

A fair number of big names here, starting with Leonardo Di Caprio, who we last saw in Titanic (1997) as Jack; here again he is the top billed male actor, double agent Billy.
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After a long interval, we get Jack Nicholson again, here crime lord Costello, three decades earlier the randy astronaut in Terms of Endearment (1983) and the hero McMurphy in One Flew Over the Cuckoo's Nest .
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Martin Sheen is of course forever President Bartlett for me. But here he is police captain Queenan, a quarter century after his role as a reporter in Gandhi (1982).
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There are a couple of others - David O'Hara was in Braveheart, Mark Rolston was in Aliens, I'm sure there are more - but I don't have the energy to track them all down now.

This I think the first Oscar-winner to be set in Massachusetts, or even in New England. (The most popular location for Oscar-winning films is New York, though we haven't had one there since Kramer vs Kramer). It's a crime story (we've had more of those), in which the a police agent played by Leonardo di Caprio is planted by Sheen's character inside the criminal organisation led by Nicholson's character, while another character played by Matt Damon does the same in reverse, as Nicholson's character's mole within the police.

I admired this film without really liking it all that much. As usual, starting with the points against: it's two and a half hours long, and I really have better things to do with my weekends. It's very much a white men's film - in the credits, the first woman credited is in seventh place (Vera Farmyga, whose character's purpose is to get romantically engaged with both the leads); and the first non-white actor is in eighth place, Anthony Anderson, leading the alphabet of second-stringers.

Lots of people get killed. None of the characters is especially likeable. The Boston Catholic community is nicely depicted as a backdrop, though you would get the idea that all Irish-descended Bostonians are either cops or criminals (or both).

The central theme of identity, involving two double agents operating in opposite directions, is fascinating and well executed. John Le Carre developed a whole subgenre about spies with conflicted loyalties, well established by the time Scorsese transplanted it to Boston cops.

Eveyone who has seen the Hong Kong film this was based on, Infernal Affairs, tells me that the original is better. Unfortunately I have not been able to track it down, but I'll keep looking.

Next up, Pan's Labyrinth; and then I'll finish the eighth decade of Oscar winners with No Country for Old Men.


1920s: Wings (1927-28) | The Broadway Melody (1928-29)
1930s: All Quiet on the Western Front (1929-30) | Cimarron (1930-31) | Grand Hotel (1931-32) | Cavalcade (1932-33) | It Happened One Night (1934) | Mutiny on the Bounty (1935, and books) | The Great Ziegfeld (1936) | The Life of Emile Zola (1937) | You Can't Take It with You (1938) | Gone with the Wind (1939, and book)
1940s: Rebecca (1940) | How Green Was My Valley (1941) | Mrs. Miniver (1942) | Casablanca (1943) | Going My Way (1944) | The Lost Weekend (1945) | The Best Years of Our Lives (1946) | Gentleman's Agreement (1947) | Hamlet (1948) | All the King's Men (1949)
1950s: All About Eve (1950) | An American in Paris (1951) | The Greatest Show on Earth (1952) | From Here to Eternity (1953) | On The Waterfront (1954, and book) | Marty (1955) | Around the World in Eighty Days (1956) | The Bridge on the River Kwai (1957) | Gigi (1958) | Ben-Hur (1959)
1960s: The Apartment (1960) | West Side Story (1961) | Lawrence of Arabia (1962) | Tom Jones (1963) | My Fair Lady (1964) | The Sound of Music (1965) | A Man for All Seasons (1966) | In the Heat of the Night (1967) | Oliver! (1968) | Midnight Cowboy (1969)
1970s: Patton (1970) | The French Connection (1971) | The Godfather (1972) | The Sting (1973) | The Godfather, Part II (1974) | One Flew Over the Cuckoo's Nest (1975) | Rocky (1976) | Annie Hall (1977) | The Deer Hunter (1978) | Kramer vs. Kramer (1979)
1980s: Ordinary People (1980) | Chariots of Fire (1981) | Gandhi (1982) | Terms of Endearment (1983) | Amadeus (1984) | Out of Africa (1985) | Platoon (1986) | The Last Emperor (1987) | Rain Man (1988) | Driving Miss Daisy (1989)
1990s: Dances With Wolves (1990) | The Silence of the Lambs (1991) | Unforgiven (1992) | Schindler's List (1993) | Forrest Gump (1994) | Braveheart (1995) | The English Patient (1996) | Titanic (1997) | Shakespeare in Love (1998) | American Beauty (1999)
21st century: Gladiator (2000) | A Beautiful Mind (2001) | Chicago (2002) | The Lord of the Rings: The Return of the King (2003) | Million Dollar Baby (2004, and book) | Crash (2005) | The Departed (2006)
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NB: With Russia's unprovoked murderous assault on Ukraine, I am actively looking at alternative hosts for this journal, preferably those which will retain as much content as possible. I am very uncomfortable with being part of the Russian economic system at present, in however small a way. In the meantime:

This is the latest post in a series I started in late 2019, anticipating the twentieth anniversary of my bookblogging which will fall in 2023. Every six-ish days, I've been revisiting a month from my recent past, noting work and family developments as well as the books I read in that month. I've found it a pleasantly cathartic process, especially in recent circumstances. If you want to look back at previous entries, they are all tagged under bookblog nostalgia.

This was the month I started Instagram, which I don’t spend a lot of time on, but I do enjoy it. My first post:

I went to London and from there to Montenegro:



And also to Zürich:



And Berlin.


Pleased with this pic of my then colleague C and Captain Europe at an EU Tweetup. Captain Europe has mostly retired from being a superhero now, and C has moved to San Francisco and just had a baby.


With the massive kerfuffle over the puppies, I read and blogged much less than usual, but still ot through 15 books.

Non-fiction: 4 (YTD 23)
Oak, by William Bryant Logan
Martial Power and Elizabethan Political Culture: Military Men in England and Ireland, 1558-1594, by Rory Rapple
Self-Portrait, by Anneke Wills
Naked by Anneke Wills

Oak Martial Power Self Portrait Naked

Fiction (non-sf): 5 (YTD 18)
The Charterhouse of Parma, by Stendhal
An Infamous Army, by Georgette Heyer
The seven-per-cent solution, by Nicholas Meyer
Sculptor's Daughter, by Tove Jansson
The Romance of the Three Kingdoms, by Luo Guanzhong

The Charterhouse of Parma An Infamous Army The Seven Per Cent Solution Sculptors Daughter Three Kingdoms

SF (non-Who): 3 (YTD 74)
The Complete Robot, by Isaac Asimov
True History/Ἀληθῆ διηγήματα, by Lucian of Samosata
Yesterday's Kin, by Nancy Kress

The Complete Robot True History Yesterdays Kin

Doctor Who, etc: 3 (YTD 22)
Palace of the Red Sun, by Christopher Bulis
Sometime Never..., by Justin Richards
Deadfall, by Gary Russell

Palace of the Red Sun Sometime Never... Deadfall

Comics : 0 (YTD 10)

~4,700 pages (YTD 37,450)
5/15 by women (YTD 38/144) - Wills x2, Heyer, Jansson, Kress
1/15 by PoC (YTD 11/144) - Luo

The best of these were Rory Rapple’s gripping treatment of sixteenth century Irish political violence, which you can get here, and Tove Jansson’s semi-autobiographical short story collection, which you can get here.

I was unexcited and somewhat bored by The Romance of the Three Kingdoms, which you can get here (in what may be a better translation).

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Mar. 5th, 2022 12:00 pm
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  • Fri, 16:25: RT @BrusselsTimes: Just six weeks after the Consultative Committee launched the coronavirus barometer, Belgium is already moving into 'code…
  • Fri, 16:52: RT @AmIRightSir: Paulette Hamilton's election in Birmingham Erdington means that 12 of the last 13 Commons by-election winners have been wo…
  • Fri, 18:51: Chaos on CatNet, by Naomi Kritzer https://t.co/oqfZmrVmEo
  • Sat, 01:57: RT @chicagoworldcon: (1/5) Don't forget that nominations for the 2022 Hugo Awards, Lodestar Award for Best Young Adult Book, and Astounding…
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Second paragraph of third chapter:
“Yes, ma’am,” I say.
Sequel to the very entertaining Catfishing on CatNet, which won the 2020 Lodestar Award. Takes the story and most of the same characters in quite a new direction with a second rather less cute AI, a riff on Pokemon Go, and a slightly divergent timeline where Minneapolis and St Paul have successfully reformed their police as demanded by Black Lives Matter. Lots of good stuff, plenty for YA readers, and older readers, to chew on. You can get it here.
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Mar. 4th, 2022 03:44 pm
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Second paragraph of third chapter:
The novel-length version of Damnation Alley, which Zelazny expanded from the original novella at the suggestion of his agent, provides more explanation of how its protagonist Hell Tanner became the outlaw he is.2 On the whole, the additional material nonetheless slows the momentum of the original story, particularly when Zelazny allows himself lyrical interludes, typical of his earlier work and often quite striking in themselves, which are significantly different in tone from the rest of the narrative. There is little reason to disagree with Krulik’s conclusion that the additional material does not “really satisfy the simple requirements of an action-adventure tale” or with Zelazny’s stated preference for the novella version.3 The other three novels of the 1969–1970 period are significant achievements that, collectively, mark the conclusion of the first period of Zelazny’s career while also looking ahead to the work that would follow in the 1970s.
2 Zelazny, introduction to “Damnation Alley,” Last Defender of Camelot, 125; Lindskold, Roger Zelazny, 111.
3 Krulik, Roger Zelazny, 61; Zelazny, introduction to “Damnation Alley,” Last Defender of Camelot, 125. Compare “He Who Shapes,” which Zelazny also preferred to its novel version, The Dream Master.
It's great to see more academic attention to one of my favourite authors, with Cox strongly defending Zelazny against the allegation that after his meteoric rise in the mid-1960s, he started pumping out potboilers for money, and going through each of his novels and also his best known short stories. There are some pretty convincing biographical readings of some of Zelazny's earlier works, especially looking at the roots of "A Rose for Ecclesiastes" in his relationship with the singer Hedy West, and some good defences of the later novels (though I think it's a tough case to make for some of them).

But I'm sorry to say that I didn't get as much out of this as I did from the books on Zelazny by Carl Yoke and Jane Lindskold. There are some irritating lapses of detail. Zelazny's first wife's maiden name was Steberl, not Stebrel. The underwater version of Amber is Rebma not Remba. "All Men are Mortal" is by Simone de Beauvoir, not Jean-Paul Sartre (a particularly ironic mistake to make). A lot is made of the literary roots of Zelazny's novel Isle of the Dead, but the actual painting by Böcklin, which is explicitly referred to by the narrator, is not mentioned by Barr.

And the missing bit for me is Zelazny's own attitude to religion. His father was born in Poland; his mother was Irish-American. An only child, was he brought up with pre-Vatican II bells and smells every Sunday? Or did his fascination with mythology arise from high school and home education?

This is the latest in the University of illinois' series on Masters of Modern Science Fiction; I've read three others, of which I liked two and wasn't as impressed by the third. You can get this one here. (Amazon lists it as Volume 1, but it's at least the fifteenth in this series.)
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Mar. 3rd, 2022 12:00 pm
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