Who can kill

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It’s the first Wednesday of the month again, time for a post for the Insecure Writer’s Support Group.

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As you all know, I’m a fan of speculative fiction. Lots of speculative fiction – fantasy and science fiction both – include fights and killing. Some books even feature assassins as protagonists. But there is a conundrum there. Many writers, who write gruesome, bloody scenes without blinking, baulk if a lay person is forced to kill – in self-defense or defending someone else. Pages of soul-searching and guilty conscience stuff the narrative afterwards. As if such a killing is somehow worse than the ones perpetrated by warriors or assassins. As if career killers have a ‘license to kill,’ while a regular man or woman does not.

I disagree with that notion. Sometimes, evil doers need to die, and there are no assassins handy and no government to send soldiers in. Sometimes, official justice fails, and there is no choice but DIY. 

Below is my musing on the subject – a flash fiction fantasy story. What do you think? Are there situations where murder is the only possible answer?

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Ava’s Battlefield

Ava stared at her husband, Samson, who thrashed and groaned in fevered delirium. His eyes were closed, his lips chapped. He had tossed away one of the pillows. Clammy sweat beaded his forehead.

She wiped the sweat with a damp cloth and tried to dodge his flailing hands, but one of them caught her on the side. She swallowed a whimper. Samson hadn’t lost his strength despite his illness. His inadvertent blow hurt. His intended blows hurt even worse. And many of them had left scars on her body.

Her lips pursed in sudden anger. This horrible epidemic had already decimated the castle. They had lost three men-at-arms and a number of servants. The village had also suffered. Why couldn’t Samson die as well? Today was the fourth day of his fever. He had been unconscious since morning. Maybe he would die, and she would finally be free of him. Of his constant beatings. Of his inexplicable rages. Of her fear.

She glanced at the icon hanging in the corner. Should she pray to the Holy Twins again? But what would be the point? She had prayed before, repeatedly, and the gods had never seen fit to deliver her from her hellish marriage. The fever wouldn’t either. After all, she had survived the fever herself. Samson might too. Unless …

Her hand hovered protectively over her still flat belly. Her new pregnancy didn’t show yet. She had already lost one baby to Samson’s beating, when he kicked her in the stomach last year. He might do it again, when in his cups. Unless …

Her fists clenched. This was her castle. It should’ve been. It had belonged to her father. But following her father’s death only weeks after their wedding, Samson had assumed control, and the beatings started. As if Samson needed violence to prove his dominance over her. 

Like her father, Samson was a knight. Both had killed: enemies on the battlefields and bandits on the roads. How hard could it be to kill one man weakened by an illness?

Suddenly, she felt nauseous, her stomach churning. Could she? Did she dare? Nobody would know. They would all assume the fever killed him. She was a daughter of a knight, and she was fighting for her life, hers and her unborn child’s, before Samson’s uncontrolled brutality killed them both. This sickroom was her battlefield.

She glanced out the window, at the starry night outside. All was quiet. The torches on the walls threw wavering shadows when the sentries passed them. Nobody would hear a thing. Samson whizzed and moaned in bed, his breathing labored.

She inhaled deeply and strengthened her resolve. “My battle,” she whispered and knelt beside a clothing chest. She rummaged inside for Samson’s sashes. Once upon a time, she had embroidered them herself. The red one with horses, and the blue one with boats, and the gold one with wheat. She needed one more to tie all his limbs. Perhaps her old green headscarf would do. Samson hated it.

Her fingers unsteady, Ava tied Samson’s feet to the bedposts with the red and blue sashes. The gold sash and her green headscarf served as the restraints for his hands. He groaned hoarsely and tossed his head, but he didn’t wake. And he couldn’t pull free his arms or legs. Good.

Ava removed the wet cloth from his brow and dropped it back into the bowl. Then, before she lost courage, she picked up the pillow from the floor and climbed onto the bed.

“Holy Twins, give me strength,” she whispered to the icon. “I fight for my life.” Then she put the pillow on Samson’s face and straddled it. And pushed down with her hands.

Samson’s body jerked beneath her. Strange rattling sounds escaped from under the pillow. He buckled and heaved, but his silken fetters held. She kept pushing down. Her head swam, and her arms shook from the strain. It wouldn’t do to throw up now. She swallowed her bile and held on. What if someone came to check on her? What if a servant had questions? What if someone witnessed her crime? Everyone knew Samson abused her, but nobody ever interfered. He was the master of the castle, to do as he pleased. Nobody would save her. She had to save herself. Defiant, she glared at the closed door, but nobody opened it.

Her husband’s body under her thighs shivered and lurched, until finally, he grew limp. She waited a few more minutes before sliding off the bed. Her legs folded and she sank to the floor. Had she done it? Tremors ran down her spine.

After a while, she clambered to her feet and cautiously lifted the pillow from Samson’s face. His eyes were closed. He didn’t breathe. Yes, she had done it. She tossed the pillow back on the floor. Quietly, moving as if in a dream, she untied his arms and legs, folded the sashes and her scarf, and smoothed all the wrinkles from them before putting them back into the clothes chest. She covered him with a blanket once more and wrung the water out of the cloth before spreading it on his cooling brow again. Then, exhausted, she settled into her chair by the bed and tightened her shawl around her shoulders. She had won this battle, but she didn’t feel victorious. She felt numb, as wrung out as the cloth covering Samson’s forehead. Her temples ached. One thought banged inside her skull: he was gone. Her terror, her pain, her hatred—all gone. She was free at last. Free of her cruel husband. Free of dread. In the morning, she would discover that Samson died in the night, succumbed to the fever, and play a mournful wife. But for now, she closed her eyes and dozed off. Her baby was safe. 

Posted in Fantasy, Insecure Writer's Support Group, Olga Godim, Writing | Tagged , , , , | 31 Comments

How long is your title

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It’s the first Wednesday of the month again, time for a post for the Insecure Writer’s Support Group.

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Recently, a new fad in book titles emerged, and I’m not sure I like it. Writers started naming their books not with a couple of meaningful words like War and Peace (1867) by Leo Tolstoy or Soulless (2009) by Gail Carriger, but with long, involved clauses or even complete sentences. Examples abound:

  • The Retired Assassin’s Guide to Country Gardening by Naomi Kuttner, or
  • Violet Thistlewaite Is Not a Villain Anymore by Emily Krempholtz, or
  • The 100-Year-Old Man Who Climbed Out the Window and Disappeared by Jonas Jonasson.

The books themselves are good, but I can’t fathom the reason for their garrulous titles. Maybe all the short combinations of punchy words have already been claimed in the deluge of self-published books? Or maybe the authors got tired of searching for the right combination of two or three words and went with an ‘elevator pitch’ instead? Or maybe the ones who came up with these titles were not the writers themselves but the marketing folks?

I do know that I would never call any story of mine (short story or novella or novel) by such a long and elaborate moniker. I think that in this case, shorter is better, and a pithy title is worth the time needed to find one.

What do you think? Do you approve of lengthy, byzantine titles? Would you / have you used one for your own story? Why or why not? Tell me in the comments.

Posted in Insecure Writer's Support Group, Olga Godim, Reading, Writing | Tagged , , , , | 18 Comments

How I discovered romance

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It’s the first Wednesday of the month again, time for a post for the Insecure Writer’s Support Group.

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I posted here before about my introduction to the genre of fantasy. But I have never written about my first encounter with the genre of romance. Neither genre existed in Soviet Russia before I left it in 1992. They do now, but not then.

When I came to Canada as a new immigrant, it took me a few years to learn English to the point where I was comfortable reading English language books. When it finally happened, I tried to find some reading materials that had never been translated into Russian. That was how I discovered fantasy and romance. I even read a couple of westerns, but those didn’t take.

At that time, I was in a gloomy place in my life: a single mother, with no relatives close-by, no job, no money. I was depressed. I have always been an avid reader, and I read voraciously; each new book granting me a few hours of relief from my constant worries. I frequented our local library and a used bookstore near my house.              

One day, I talked to the bookseller about my troubles. I said: do you have anything light and funny and smart to cheer me up? She said: have you tried Jennifer Crusie? No, I hadn’t. So she offered me one of Crusie’s novels. I don’t even remember which one. I read it. I loved it. I found another of her books and devoured it too. The rest was history: I became a Crusie fan.

After I had had my fix with Crusie and read (and bought) all her books published to date, I turned to other romance writers, both contemporary and historical. The genre as a whole buoyed me. It is hopeful. It has a happily-ever-after guaranteed. And the heroines always triumph in the end. It was what I needed then and still do now.

After Crusie, I discovered Georgette Heyer. And Julia Quinn. And Jayne Ann Krentz. You can guess how it went afterwards, but Jennifer Crusie remains special to me to this day: she was the first romance writer I ever read. Specifically, romantic comedy. She made me fall in love with romance.

What about you? Was there a genre you discovered as an adult? Do you like romance? Do you write romance? Have you ever read Jennifer Crusie? Tell me in the comments.      

Posted in Insecure Writer's Support Group, Olga Godim, Reading, Romance, Writing | Tagged , , , , , | 21 Comments

Beatrice, the magic squirrel

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It’s the first Wednesday of the month again, time for a post for the Insecure Writer’s Support Group.

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OCTOBER QUESTION: What is the most favorite thing you have written, published or not? And why?

MY ANSWER: It is hard to choose. I have written many stories, some of them published, some not. My stories emerged in different lengths: novels, novellas, and short stories. All of them except one are speculative fiction: epic fantasy, urban fantasy, or science fiction. I have even written several magic realism short stories.

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But to answer this question, I would probably go with the collection of short stories I self-published in 2014, the only book I ever published myself. I think it is still floating somewhere on e-book selling sites like Amazon, although it doesn’t sell anymore. I probably should do something about that, revamp it somehow, and I should definitely change its cover. I don’t like the one I have now.  

This collection of 10 short urban fantasy stories is called Squirrel of Magic. The stories all share the same protagonists: a young witch Darya, who lives in Vancouver, Canada (my hometown) and her familiar, squirrel Beatrice. Of course, there is a dash of humor in all the stories. How could it be otherwise when a telepathic squirrel is involved? I had fun writing them all and coming up with Darya’s unbelievable adventures.

Whenever Darya needs a supportive ear or a sharp set-down, Beatrice is there for her, loving and grumbling. Together they disarm a bomb, eliminate a rogue warlock, and liberate a sylph from a garbage bin. And always help friends in trouble.  

I found that I like writing series of stories focusing on the same protagonists. Besides, the shorter format – a short story or a novella – feels more natural to me than the longer format of a novel. Later on, I even wrote several different series of flash fiction stories for WEP, each series featuring its own protagonist. But Darya was my first foray into writing a series.     

What about you? Have you written short stories? Series? Or is the novel your preferred format? Tell me in the comments.      

Posted in Insecure Writer's Support Group, Olga Godim, Squirrel of Magic, Writing | Tagged , , , , , | 19 Comments

Free will negated

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It’s the first Wednesday of the month again, time for a post for the Insecure Writer’s Support Group.

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I’m going to skip this month’s question and instead ruminate on one of my least favorite tropes in fiction: the protagonist is forced into his/her actions by someone else. Like in the army, when a soldier is duty-bound to follow orders and can’t opt out, but without the military connotation.     

I recently encountered this trope in Mimi Matthews’s new historical romance novel, Rules for Ruin. The book didn’t work for me, despite its excellent editing and the gorgeous cover, because the heroine didn’t act of her own volition.

Like in other stories of this ilk, the heroine of Matthew’s book seems hedged in by her own morality. She feels obligated to her former teacher, and when that teacher sends her into a perilous and morally ambiguous situation, she doesn’t feel that she can refuse, even though she would’ve never chosen that course of action of her own free will. Even more, her free will seems subjugated by the teacher’s. And the heroine reluctantly accepts that status-quo.   

I abhor such stories. I think that if the characters must go into danger and mayhem, the least the authors can do is let them select their own paths. I always do that to my characters. Of course, I know that sometimes, circumstances direct our actions. A war or an illness or a dictatorship often leaves us bereft of choices. But when it is some high-ranking ‘manager’ that demands obedience, just because they can, and the heroes comply, for a variety of reasons, my reader’s soul rejects their predicaments. Like everyone else, I’ve lived through such experiences now and then, and I invariably hated it. I don’t have to read about it, too.        

I wonder: am I alone in my strong distaste for tales like that? What do you think? Do you write your heroes into such pickles? Do you like reading such stories?      

Posted in Insecure Writer's Support Group, Olga Godim, Reading, Writing | Tagged , , , | 19 Comments

Thesaurus

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It’s the first Wednesday of the month again, time for a post for the Insecure Writer’s Support Group.

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How often do you use a thesaurus – a dictionary of synonyms – in your writing? I use one quite often. When I write the first draft of anything – a newspaper article or a work of fiction or even a blog post – I’m usually in a hurry to get the story out there. So, I type the most common words that come into my mind, just to get past that scene, that description, and move on. But on the next revisit, I play with words. I want the most evocative words in my story, the synonyms that carry emotions and nuances. Here is when a thesaurus comes into play.   

Before the internet became a ‘thing’, I used Roget’s Thesaurus for all my needs. I have a 1962 edition on my ‘writing’ shelf, and the book is well-used by now. It helped me a lot when I needed it most.

For this post, I looked into the history of Roget’s Thesaurus and found out that Peter Mark Roget published the first edition of his famous thesaurus in 1852. It has been continuously in print since then and remained widely used across the English-speaking world, even though there are other thesauruses out there. Roget’s wasn’t the first, but it became the most popular practically from the beginning. The name of its author – Roget’s – is even trademarked in the UK. In a sense, the title, Roget’s Thesaurus, has become almost a generic name for any thesaurus, even if it has nothing to do with Roget and his work.

An interesting tidbit: Roget’s original edition included 15,000 words. Each successive edition increased that number significantly. The most recent edition – the 8th – contains (as far as I know) 443,000 words.

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I have to admit I haven’t opened my Roget’s Thesaurus for a while. For the last decade or two, I have been using exclusively an online thesaurus. There are several available online for free, and I tried a few different ones over the years. My favorite is Word Hippo. I have an icon for it on my laptop screen. Every time I need to look up a synonym, or an antonym, or a definition, or even a rhyme, I opened that website. Its design and simplicity agree with me.

Do you use a thesaurus? In book format or online? Which online thesaurus is your favorite and why? Tell me in the comments.

Posted in Writing, Olga Godim, Insecure Writer's Support Group | Tagged , , , | 40 Comments

The protagonist’s name

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It’s the first Wednesday of the month again, time for a post for the Insecure Writer’s Support Group.

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Recently, I read (or tried to read) a fantasy novel by a bestselling author. She started her book with a prologue. It was told from the POV of some magical creature who didn’t participate in the further plot at all and only briefly materialized again in the epilogue. The story protagonist, when he initially appeared, wasn’t even mentioned by name for the first 10 pages. Guess what? I didn’t finish that book. Some other readers might enjoy it, but I was unhappy with the writer. Why would she withhold her hero’s name from me?

Then I read another book, a chic-lit, this one by another bestselling author, Susan Elizabeth Phillips: Simply the Best. It also started with a prologue, but the protagonist’s name was the first word on the first page. It was a wonderful book. I couldn’t stop reading it until I reached the end.

When I think back to the other books I liked or disliked as a reader, the ones I enjoy invariably have the protagonist pop up on the first page, often in the first paragraph. It is important to me who the book is about. Otherwise, why should I care?

As a writer, my own stories also start with the protagonist’s name on the first page, and more often than not in the first sentence. I think it is paramount for a writer to introduce her hero or heroine as quickly as possible.

What about you? Which approach speaks to you as a reader or a writer? How soon do you introduce your heroes in your own stories? 

Posted in Insecure Writer's Support Group, Olga Godim, Writing | Tagged , , | 18 Comments

Changing your username

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It’s the first Wednesday of the month again, time for a post for the Insecure Writer’s Support Group.

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Many of you know that I frequent the free image site Pixabay.com. It has a thriving community of photographers and digital artists. I habitually download their images and use them in my book cover collages. Recently, I encountered a strange phenomenon there. As I know the username of the artists I like, I often search the site specifically for them. Even if I don’t need any particular image, I enjoy seeing what the artists are doing, enjoy watching their latest creations. But sometimes, I can’t find them. Such situations upset me. They feel like I lost a friend.

At first, I thought they canceled their Pixabay account. It happens. I also made sure my spelling of their username was correct in the search box. Once, when that didn’t produce any positive results, I decided to search Google for one of their images I previously downloaded. And it was there alright, on Pixabay. But the username changed. When I encountered such a change several times, for different users, I started wondering: why would people do that? It makes them harder to find. Don’t they want to be found?     

I know that sometimes creatives use different aliases for their works in different genres. Writers do that all the time: write romance under one pen name and science fiction under another. But I never encountered an occasion when a creator would change their name for all their work, both past and future. Maybe because Pixabay is a social media (to a degree), and the name change is easy to perform? Still, a username change doesn’t make sense to me. Do people change their username on Facebook? On Instagram? Does it make sense to you? Could you guess why users might do that? Tell me in the comments. 

Posted in Insecure Writer's Support Group, Olga Godim | Tagged , , | 18 Comments

Contemplation on war

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It’s the first Wednesday of the month again, time for a post for the Insecure Writer’s Support Group.

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I will forgo this month’s question because I want to talk about something else: WWII. When I grew up in Moscow, we celebrated the end of WWII on May 9. It was an official state holiday in Russia, with a military parade along the Red Square. Some of my older relatives fought in the war. One of them, Isaac, my great-uncle, was a military doctor during the war and stayed in the army for many years after, working as a doctor. One day, when I was in high school, we were together at a family gathering, celebrating May 9. Isaac got drunk and told me a story of his war service. I’ll never forget that story, even though it was over 50 years ago.

When the Nazis invaded Russia in 1941, Isaac was a medical student (he finished his studies after the war). He was drafted into the army and assigned to a field hospital. One of his duties there was sorting out the wounded soldiers after a battle. Isaac had to sort them into 3 categories, because the resources of any field hospital, in terms of medical personnel, space, and drugs, were extremely limited. The surgeons and nurses needed to know who to help first. Priorities had to be maintained.

The first category consisted of lightly wounded. They could go back to their units soon after surgery or other necessary treatments and perhaps a brief stay at the hospital. That group got quick and urgent care. The army needed those men back in the trenches.

The second group was the soldiers who needed serious treatments the field hospital couldn’t provide. Their healing would take time and effort, but their chances to get back to the front eventually and into more battles were high. That group were given first aid and scheduled for transportation into better hospitals far from the front lines, deep into the Russian territory.

The third group were those who would’ve needed extraordinary medical care to recover and were unlikely ever to return to the front. Maybe, if their medical care was adequate, they could’ve survived, but they could never be soldiers again. That group also received first aid, but not as quickly as the second group, and more often than not, they were not sent anywhere but stayed at the field hospital and were allowed to die in peace.

Even 3 decades after those horrible days of sorting his wounded, Uncle Isaac still felt uneasy about those soldiers. He acted on orders from his superiors and didn’t have any choices, but as a doctor, he still felt responsible, as if he personally condemned those men to die. I suspect that he would never have told me this story if he wasn’t so drunk.

We are all used to the stories of war being stories of heroism, courage, and fighting. There was no courage in Uncle Isaac’s story, no heroes, no fighting, just one young doctor reluctantly following orders, but I rarely heard or read such a poignant and painful story before or after. As a writer, I wonder: could I write a story imbued with such deep emotions without resorting to action scenes or gory descriptions? Can you? Have you? Tell me in the comments.         

Posted in Insecure Writer's Support Group, Olga Godim | Tagged , , | 16 Comments

My friend – a fantasy character

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It’s the first Wednesday of the month again, time for a post for the Insecure Writer’s Support Group.

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APRIL QUESTION: What fantasy character would you like to fight, go on a quest with, or have a beer/glass of wine with?

MY ANSWER: Fantasy is one of my favorite genres, so there are a few fantasy characters I’d like to be friends with, the ones I wouldn’t mind beside me in good times and bad times. One of them is Zoe Lalindar, the protagonist of Sharon Shinn’s fantasy novel Troubled Waters (2010).

The novel is the first in the series Elemental Blessings. Altogether, the series includes 5 novels. Each one has a different hero and heroine, but all of them are set in the same world, and many characters reappear in two or more novels, sometimes as leads, other times as support staff. Zoe is the heroine of the first novel, but she participates in 3 others. And although in those stories, she only makes a few cameo appearances, she steals the show every time she steps into the spotlight. Her personality is such a delightful blend of irreverence and power, compassion and loyalty, I consider her one of the best, most colorful heroines in the fantasy genre. Of course, I want to be her friend.

I like all the novels in that series, and as it is often the case with books I enjoy, I created mock covers for all of them. You can see them all here. My covers do not compete with the official publishers’ book covers, of course. Instead, they are meant simply as fan art, my tribute to the writer Sharon Shinn and her wonderful stories.

What about you? Does any fantasy character resonate with you? Or do you prefer characters in a different genre?

Posted in book cover, Fantasy, Insecure Writer's Support Group, Olga Godim | Tagged , , , , | 22 Comments