TenFourFox custom icon

I’ve been a huge supporter of the TenFourFox project since its inception. If you still use PowerPC Macs (G3, G4, G5) and you want to browse the Web with a modern, secure Web browser, you’d be a fool not to use TenFourFox. Go visit the site, you’ll find all the information you need to understand where TenFourFox comes from and where it’s headed.

When Cameron Kaiser — TenFourFox ‘founder’ and main developer — introduced me to this project, I proposed to contribute by creating a new icon. The default icon is fun and all, but I thought TenFourFox deserved something more descriptive and easily recognisable. Cameron liked my ideas, but politely declined and preferred to keep the original design. I kept my custom icon and have been applying it to subsequent TenFourFox updates ever since.

Now, with Cameron’s permission, I decided to make my custom icon available to the community, in case somebody else prefers to use a different icon than the canonical ‘Fox with a tiger tail behind the globe’. Here it is:

TenFourFox

The two graphic elements composing this icon are both in the public domain, so I don’t think I have infringed any copyright here (I’ll be happy to pull the icon if proven wrong). You can download the 512×512 .icns file here.

To customise the icon, you can:

  1. copy the .icns file once downloaded,
  2. select the TenFourFox app in the Finder,
  3. select Get Info from the Finder menu (or press ⌘-I),
  4. in the Info panel, select the TenFourFox icon,
  5. paste (⌘-V) my .icns file over the original icon.

or you can rename my TenFourFox.icns file to firefox.icns and replace the original firefox.icns file located in TenFourFox.app/Contents/Resources. (You can get to the Contents folder by Ctrl-clicking or right-clicking the TenFourFox app icon).

Note that with this method you’ll only customise the TenFourFox app icon, not the original icon that appears in the welcome/search window inside the browser. But I’m sure the most tech-savvy users among you will find a way to customise every instance of the icon. (And I invite you to share that method in the comments section, thank you!)

I’m not a graphic designer, but I hope you’ll enjoy this little creative effort of mine. Long live TenFourFox!

Some other vintage brochures (Part 3)

While I was looking for more vintage Italian Apple brochures and leaflets, I also found some printed material from other manufacturers — mostly leaflets, small booklets and mini-magazines printed exclusively for the tech trade fairs I used to attend. While most of such non-Apple material isn’t very striking, imaginative or otherwise memorable, I stumbled upon a few little gems lovers of vintage technology will surely appreciate…

QuarkXPress4 A

The 10 Best Things about QuarkXPress 4.0 (Front) — A cardboard leaflet from 1997. Apologies for the evident crease across the middle: since the leaflet isn’t standard A4 format, I foolishly folded it when I stored it 15 years ago.


QuarkXPress4 B

The 10 Best Things about QuarkXPress 4.0 (Back)


IomegaZIP1

Iomega Zip 100 Drive (Front) — A leaflet from circa 1996.


IomegaZIP2

Iomega Zip 100 Drive (Back)


IomegaJAZ2GB

Iomega 2 GB Jaz Drive — A leaflet from 1998.


Two last-minute Apple-related bonuses:

A Mac today

A generic Macintosh Italian ad. Judging by the type of PowerBook the guy is holding (a 190 or 5300), I’d say this ad is from 1995-1996. I didn’t remember having this among my stuff and I certainly don’t remember seeing it around much at the time. Translation: “Take it to the max. Get Macintosh. TODAY.”


Apple Masters of Media

Front cover of the 1996 Italian brochure “Masters of Media”. Quoting from this press release, Masters of Media was an initiative introduced at Seybold San Francisco 1995:

Perhaps the most important single place to visit at the show will be Apple’s Masters of Media Showcase, reportedly produced at a cost of more than $1 million and featuring several Seybold Hot Picks within its walls. It will include multiple vendors with real-world workflows (print, CD-ROM and the World Wide Web). Visitors will participate in authoring, editing and distributing content across all media. The theme will be integrated marketing based on a 1984 Macintosh commercial, including the making of a video, a magazine insert, a merchandising catalog, an in-store CD-ROM kiosk, customized direct mail, a newspaper, point-of-purchase displays and Web sites.

It has three primary components: Digital Brand Building; Cross-Media Authoring and Network Color, which will rely on ColorSync 2.0 as the universal translator so that color can be consistent across a desktop network.

Among the Hot Picks appearing in this Showcase but described below are the Canon ColorGear color-management system, the Agfa Chromapress digital press and the Indigo E-Print 1000 digital press.

Like many Apple printed advertisements, the tag line started on one page and ended on the next. Here the translated message is “Should we communicate more…” and turning the page you can read “…or better?” in big black letters set in Apple Garamond in the middle of a blank space.


And that’s all — for now at least. As I revisit my archives, I may find some other materials of this kind. If I find anything worth sharing, I’ll definitely scan it and publish it here.

Some vintage Italian Apple brochures (Part 2)

Here are some more vintage brochures and advertising materials I’ve scanned from my archives. Enjoy.

Apple Multimedia Festival

I was probably given this at a tech trade fair in Milan around 1996, but a brief Web search informs me that the ‘Apple Multimedia Festival’ took place earlier than that. On the Advisory Group on Computer Graphics (AGOCG) website, I found this bit: “The Apple Multimedia Festival in November 1993 was a precursor to a nationwide attempt to raise awareness of multimedia among prospective customers. Everybody who attended the Festival was given a free pack including a brochure of the Apple product range and a free CD which included, among other things, film trailers and video guides to British cities. Much of the importance of multimedia was sold on the idea of interactivity, a buzzword almost as powerful and ubiquitous as multimedia itself.”


Apple Expo98

This leaflet is very easy to date: October 1998, when I attended the SMAU trade fair in Milan. Translation: “For those who don’t want to stop thinking — Apple Expo 98: The biggest Macintosh-centred event ever organised in Italy. SMAU, Pavilion 8, 22 to 26 October 1998.”


Power Macintosh

This brochure is from 1996, and it was meant to advertise the Power Macintosh ‘pro’ lines of the period: the Power Macintosh 7600, 8200, 8500 and 9500 series. Translation: “Those who do serious work take Macintosh very seriously. Here’s why.”


Apple brochure PMG3 BW

This is the Italian version of the famous Power Macintosh G3 (Blue & White) ad, “Another year. Another revolution.” (1999)


Apple brochure PMG4

…And this is the Italian booklet introducing the Power Macintosh G4. The literal translation is “The speed of light? Not enough for us.” But it’s probably derived from the original tag line “Move over, speed of light” featured on Apple’s website in 1999 (see it via the WayBack Machine)


IPod outer

IPod innersleeve

This is a bit of an oddity: it’s a small, A5-sized leaflet from late 2001 promoting the then-new 10 GB iPod (1st generation, scroll wheel). I say it’s an oddity because it appears to be a smaller, more minimalist version of a longer 12-page booklet that I remember seeing circulating around that time. On the outside, just the iPod (front/rear). On the inside, just the Jimi Hendrix photo. No tag lines, no words whatsoever. Yet still quite effective if you ask me.


And this is it for Part 2. In the next and final installment I’ll upload non-Apple brochures (from Iomega and Quark) of the same vintage.

Some vintage Italian Apple brochures (Part 1)

The other day I was going through some old folders and I decided to take a look inside one in particular, containing various catalogues and brochures (by Apple and other companies) I had picked up while visiting some tech fairs in Milan during the 1996-2000 period. I scanned those I found most interesting to share with you, I hope you’ll like these.

Apple brochure iMac PBG3

Page 2 of a 1998 Italian Apple brochure introducing the iMac G3, the PowerBook G3, Mac OS 8 and related software.


Apple brochure imac pbg3 2

Last page of the aforementioned brochure. I always loved this image of the PowerBook G3. It had a really attractive and innovative design for the time. Compare it against the earlier PowerBook 3400c, for example.


Apple small brochures 1

Small brochures from 1996-1997 to promote the Performa family of Macintoshes. Translation: “Learn – Create – Communicate.”


Apple small brochures 2

While the brochure on the right is newer, and part of the same Performa advertising campaign as the two brochures above, the one on the left is actually from 1994-1995, and introduces the most affordable Performa line ‘for home users’ (Performa 200, 400 and 600 series). Translation (left) “Apple Macintosh makes you feel at home”; (right) “Learn – Create – Communicate – With Apple Magic Collection.”


Apple small brochures 3

Two brochures from 1997-1998. The one on the left introduces the Power Macintosh G3 ‘beige’ series (Desktop and Minitower) and it also contains a photo of the first PowerBook G3 ‘Kanga’, which had the same design of the PowerBook 3400c. On the right, a thicker booklet to outline different business solutions involving the various Power Macintosh and PowerBooks available at that time. Translation: (left) “The new generation – Power Macintosh G3 Series – The new computers sporting supersonic speeds”, (right) “Apple: products, systems and solutions. From the success of the Macintosh to the power of the Power Macintosh.”


Abcdefgh Performa

Another brochure from 1996-1997 to advertise the Macintosh Performa 6400 line. Translation: “Macintosh Performa has taken all family needs to the letter.”


It’s all for now. In the following days I will post more of this kind of stuff, so stay tuned if you’re interested.

Classilla 9.3.1 released

Cameron Kaiser, on the Mac OS 9 List:

It’s been a long time coming, but Classilla 9.3.1 is (finally) released. Due to TenFourFox taking up a large amount of time to stay on the Mozilla treadmill, plus my MDD [Power Mac G4] blowing out its second power supply during development, this took around seven months to get out and I do not intend to let it slip that long again.

It is also not as far as long as I would like it to be, and I did not have time to incorporate the French localization a user sent to me, nor was I able to complete the security rollup in full. Still, all security updates between 1.3 and 1.7.12 (and a bit of 1.7.13) were reviewed, over 100, and nearly half were actual vulnerabilities that were repaired in 9.3.1.

In addition, several crash bugs were fixed, some minor layout updates made, flyout and CSS hover menus are more reliable, Byblos properly works when you back up to a parsed page, and you can change your mail client in about:config to use an external agent.

There are three major changes/updates as well:

  1. Classilla can now use its HTML parser to parse WML and Mobile XHTML pages, which means a lot more mobile sites work properly.
  2. You can now change your user agent by site. The “branch” is anything under classilla.sitecontrol. If you create a preference classilla.sitecontrol.www.floodgap.com and give it the value a (a single letter a), the generic Classilla/CFM user agent is sent instead. There will be other single letter aliases available later.

    If you make the preference more than one character, that becomes the user agent sent to the site.

    Otherwise, the default user agent is sent. This pref branch will be exposed to the interface around 9.3.3 or 9.3.4, but you can change it from about:config now. There are three defaults in there already (the hard whitelist from 9.3.0).

  3. Classilla no longer automatically imports your Sherlock search services since they are tragically out of date and worse, could leak data. You can turn them back on if you really want, but it will be no longer supported. A new, refreshed set of search engines is now being included and built.

9.3.2 will continue the security rollup through 1.9.2 (Firefox 3.6) and 9.3.3 hopefully bringing the entire browser finally to security parity with Firefox and TenFourFox.

9.3.1 was tested on my MDD G4, my Power Mac 7300 with G4/800, my Twentieth Anniversary Macintosh with G3/500 and my PowerBook 1400 with G3/466, all running 9.1 or 9.2.2.

There is still a long way to go, but it’s getting there.

I’m proud to be a small part of this project, since I’m taking care of the Italian localisation. That, too, is (slowly) getting there, and I’m looking into a few issues that arose upon reassembling the localisation files while Classilla was between version 9.2.3 and 9.3.0. Hopefully, by the time Classilla reaches version 9.3.3, Italian users will be able to browse the Web using a browser that speaks their language.

For more information on Classilla and for downloading the latest version, head to Classilla.org.

Defending the Power Mac G4 Cube

Cube powerplant library

Periodically, some article pops up talking about the fact that not every product created by Apple has been a success. Guess which Mac invariably receives a mention? The Cube, of course.

Apple History’s G4 Cube page sums up the Cube’s history pretty well:

Announced in July 2000, the PowerMac G4 Cube introduced a dramatic new case design. Housed in an 8x8x8 cube, the G4 Cube combined the elegance of the iMac with the power of the PowerMac G4. The G4 Cube was a foray into the business market, as well as an answer to those who wanted an iMac-like machine, with more choice in monitors.

The Cube traded expandability for its diminutive size: There were no PCI slots, and while the Graphics was fit into an 2x AGP slot, there wasn’t room for full-length AGP cards. With the exception of PCI expansion, the Cube was as versatile as its larger G4 cousin: Three RAM slots, an AirPort slot, and two USB and FireWire ports.

One gripe many people had with the Cube was its lack of conventional Audio input and output. Instead, it came with an external USB amplifier and a set of Harman Kardon speakers. The amplifier had a standard mini-plug headphone output, but there was no mic included, and having USB as the only sound-input option was considered limiting by many.

Shortcomings aside, the Cube was a remarkable feat of engineering, crammed inside an elegant case. The Cube shipped to retail markets with a 450 MHz G4 processor, a 20 GB hard drive, a 56 kbps modem, 64 MB of RAM, and Apple’s Pro Mouse, for $1799. Another configuration was available through the Apple Store, with a 500 MHz G4, a 30 GB hard drive and 128 MB of RAM, for $2299. Gigabit Ethernet was available as a BTO option.

The Cube was not nearly the success that Apple had hoped it would be. The consensus was that Apple had misjudged the market, making the Cube an expensive “luxury” computer instead of a cheaper monitor-less iMac. In december the low-end configuration received a price cut to $1499. In February 2001, The cube received a feature and price change. The low-end configuration was repriced at $1299. A “better” configuration was made available, with a CD-RW drive and 128 MB of RAM, for $1599. Finally, the high-end version got a 60 GB hard drive, 256 MB of RAM, a CD-RW drive and an 32 MB NVIDIA GeForce2 MX video card, and sold for $2199.

The PowerMac G4 Cube was never officially discontinued, but in July 2001 Apple suspended production of the Cube indefinitely. While leaving the door open for a possible reintroduction of the enclosure, Apple quickly and quietly let the world forget the disappointing failure of the G4 Cube.

Now, if you consider the number of units sold during the Cube’s (short) lifetime, it’s hard to paint this machine as a success. This article, published by SFGate in July 3, 2001 (after Apple announced it would suspend production of the Cube), talks about 148,000 units sold during the entire Cube lifetime (July 2000 – July 2001):

The Cupertino-based computer maker refused to give sales figures or other details Tuesday.

Previously, however, the company told analysts it had sold 12,000 units in the fiscal quarter ended in March, down from 29,000 units the previous quarter, and bringing its lifetime total to 148,000 units.

To have a more detailed idea of how Macs were selling during that time period, and to put the Cube’s sales more in perspective, I unearthed this old Macworld article (the link is through Archive.org’s WayBack Machine — it may be a bit slow to load). If you look at Q4 2000 sales in the first table, you’ll see for example that the G4 Cube sold more than the iBook and PowerBook lines. Ok, sales were decent just for a quarter, and in the next quarter they were undoubtedly disappointing, but looking at the table, it wasn’t such a great period for Mac sales overall. Even more successful lines, such as the iMac, saw a drop from Q1 2000 to Q1 2001.

I said it multiple times already, and I’ll say it again: in my opinion, the main reason for the Cube’s failure was not design-related, but marketing-related. Interestingly, the same SFGate’s article quoted above, closes with this bit:

“It’s unfortunate because it is a truly beautiful product — it won countless design awards,” said Andrew Scott, a research associate with Needham & Company Inc. “But it was targeting a niche market, and the niche turned out to be a lot smaller than the company had anticipated.”

Chris Le Tocq, analyst with Guernsey Research, said the Cube simply wasn’t marketed correctly.

“It was positioned as a computer with style for the consumer but the price point was too high,” he said.

And I agree with both assessments. As I wrote in This posthumous criticism, a lesser-known article back in February 2008:

Look at the Apple Store page on May 2000 (approximately) [sic — wrong month, and the link is dead anyway]. Apart from the PowerBook G3, the Cube had the highest entry price, $200 more than the regular PowerMac G4. It was more compact, way more silent and way more stylish than a regular PowerMac, but the PowerMac was more expandable (more slots and an easier processor upgrade path — the Cube CPU is indeed upgradable but not without internal hardware modifications). I watch that page and those price tags now and still think they should have been reversed, “from $1,599” on the Cube and “from $1,799” on the PowerMac G4. Apple itself repriced the Cube in February 2001, lowering it to $1,299 for the low-end configuration.

Speaking of the Cube today, too many people get carried away with the failure angle, and this beautiful machine gets bashed in a very similar way as the Newton. The general idea is that the Cube was inherently flawed and underpowered, much like the general idea of the Newton is that its handwriting recognition technology was laughable and made the device exceedingly frustrating to use. These concepts have sadly crystallised into labels, tainting the reputation of both the Cube and the Newton. I’ve owned various Newton MessagePads since 2001 and a Power Mac G4 Cube since 2006, and have used both on a regular basis ever since. And you know what? The Newton’s handwriting recognition (especially from Newton OS 2.x on) and the way it integrates with the OS is still unparalleled: modern tablets with pen input just pale in comparison.

And as for the G4 Cube, mine has been working reliably for more than six years of continued use. It’s attached to a beautiful acrylic 22-inch Apple Cinema Display, it runs Mac OS X 10.4.11 and a lot of legacy software through the Classic Environment (I can boot it into Mac OS 9.2.2 for full backward compatibility), and it’s still a great choice for watching DVDs, since its optical drive has proven to be more reliable than my mid-2009 MacBook Pro’s. As I wrote in this article:

[T]he Cube is perfect for displaying information I want to glance at while I work. I also use it to check a couple of low-traffic email accounts; to open additional browser windows in Safari when the browsers I have open on my main MacBook Pro get too crowded; to listen to music (I have a separate iTunes library on the Cube entirely dedicated to classical music); and of course to check my Twitter stream and the RSS feeds.

But not only that: I have used it for more complex projects involving Adobe Acrobat Professional, and through the old, free version of FontExplorerX, the Cube still manages my huge font library. It also serves as a scanning station and occasionally it shares the Internet connection via Bluetooth so that I can connect wirelessly with my Newton MessagePad 2100. I also use it to keep an eye on old backups stored on FireWire 400 external drives (it’s great that the Cube has two FireWire ports for this). And, last but not least, I really enjoy its quiet operation and fairly small footprint. I’ll say: not bad for a 12-year-old ‘failed’ product.

Post-holiday miscellany

This space has been dormant for quite a long while (measured in CWAS, or Common Web Attention Spans), so I figured I should send out some life signals before the few aficionados around here decide to leave the ship. This post is in a certain way both a recap and a status update on a few things.

In no particular order:

– Thank you for coming here every now and then to check the place. The archives aren’t that vast to explore, but thank you for taking a look around and enjoying older posts while waiting for new ones.

– Things are hard. Unfortunately, when I’m working (and sometimes overworking), System Folder isn’t much of a priority. These past months, my priorities, in decreasing order of importance, have been:

  1. Family
  2. Work
  3. My creative writing (see the Minigrooves project if you’re interested)
  4. My main website, Morrick.me
  5. Vintage Macs maintenance and this blog

– July was a dreadful month, work-wise, and I was increasingly feeling tired, burnt out, overworked, so I finally took a month-long holiday and spent August as far away as possible from the online dimension. That means not bringing either my MacBook Pro or any kind of work with me while my wife and I were staying at my parents’ place in the countryside. That means little to no email, Web, socially networked assorted crap, etc. I just needed a long rest. The last real holiday I took was maybe around 2009.

– I’m not really doing what I’d love to do, and this is getting really frustrating. My dream is to eliminate all that’s toxic and that eats up a lot of my time, and to be able to sustain myself with my writing, be it creative (stories, novels) or technical (my main site, this site). What I’d really love is to have a big loft with an area dedicated to my vintage Macs, where I could keep them all set up and ready to use, instead of having to keep the majority of them in closets or under desks and perform periodical rotations to keep them working as intended, check on them, maintain them.

– Instead I have to focus on a lot of other stuff, I have to make ends meet, I have to deal with all the shit a freelance translator has to deal with today. That shit is time-consuming and stressful. Time-consuming because of the work itself and also because I have to keep a regular check on clients whose last of their worries appears to be paying me in a timely fashion. I’ve also been suffering from an annoying tendinitis in my upper left arm, and that is taking a long time to properly heal. In other words, I have neglected my vintage Macs for a while, and consequently this place. At least they keep working! And I’m constantly amazed by their longevity and reliability.

– It’s also fascinating how vintage software has somewhat stabilised in a particular stage where, ironically, it gets to be more dependable than more recent, ever-in-development stuff (albeit with fewer features). Or at least, that’s the feeling. Perhaps it looks more stable simply because it gets used comparatively less often than current software on current Macs. Anyway.

– I have to apologise to all the people who wrote me at my compunabula.com email address in the last two months. For a series of reasons that’s too long and boring to explain, I’ve managed to take a look at that mail only very recently. I get an inordinate amount of spam at that account, and some valid messages ended up buried in a pile of unsolicited crap. I will reply to you all in the following days. Thanks a lot for your patience.

PowerBook G4 17

– Speaking of hardware, I’m really enjoying the latest entry in my collection, a wonderful 17-inch PowerBook G4, very generously donated by Ross B., complete with a Booq carrying bag. The PowerBook is in very good condition, it has a 1.33 GHz processor, 1 GB of RAM, an 80 GB hard drive, a DVD-R/CD-RW SuperDrive, a battery that still lasts around 2 hours, a great 1440×900 matte screen, and the best of many worlds if you look at the ports: 2 USB 2.0, 1 PCMCIA slot, Gigabit Ethernet, AirPort Extreme 802.11 b/g, Bluetooth, DVI and S-video, and most of all both FireWire 400 and FireWire 800 ports.

Of course, by today’s standards of portability, this PowerBook is a tank (or rather an aircraft carrier), both in size and weight (3.1 kg!), but the carrying bag Ross included does help a lot in lugging this buddy around. And I do carry it around: I’m progressively tailoring it as a workstation for photo organisation and retouching, thanks to the big screen, and it also serves as a backup machine for my translation work. I keep the work files on the MacBook Pro synchronised with those on the PowerBook, so I can swap machines anytime I need. And with Mac OS X 10.5.8 on board, I both have stability and still quite a choice of great software to use. Of course, when I need a smaller, lighter machine to carry with me, there’s always the trusty 12-inch PowerBook G4.

– I can’t anticipate my workload in the following weeks. As I often say (too often, alas), if I don’t update is not for lack of materials or opinions to share, but simply for lack of time. I’ll do what I can, hoping to avoid another long hiatus like this. But now that you know a bit more of what’s been going on in the background, I believe you have a better grasp of the situation. Again, thanks for keeping System Folder in your bookmarks despite the lack of frequent updates. Long live the vintage Mac community!

Why I’m into vintage technology

A long-time reader of this weblog (and other places where I write) has recently emailed me asking a few questions of a more personal nature. That is, more focussed on my relationship with vintage Macs and vintage technology rather than being the usual “Hey, I’ve just been given this old Mac and I was wondering what I could do with it, can you help?” System-Folder-related kind of email I receive.

So I thought I could publish my response here, at least regarding the question as to why I’m into vintage technology.

For starters, I’m less of a hoarder than I used to be. Up to 2005 I’ve lived in a rather large flat for one person. I also had a garage and even a small cellar. At that time I used to go to occasional ‘vintage Mac rescue parties’ with fellow vintage Mac enthusiasts who shared tips and information over a small network. We used to exchange messages like Hey, I heard that this friend of L. has a graphic studio and they’re throwing away a couple of Power Macintoshes and a LaserWriter. Anyone interested? Salvaging and ‘liberating’ Macs that were otherwise on their way to the rubbish dump was refreshing and felt right. Some of those Macs were keepers, others I gave to other people to introduce them to the Mac platform. I was really a Mac evangelist back then, and every ‘convert’ was a success.

In 2005 I relocated in another country, and went to live with another person. I had to throw or give a lot of vintage stuff away. Here I have no real garage, no cellar, and the only place I have to store my vintage Macs and assorted accessories is a wall closet. But anyway, to me, being into vintage technology doesn’t really mean being an avid collector always on the lookout for a rare machine or device. It means surrounding myself with a selected collection of machines and tools that I find aesthetically pleasing on the outside but that can also be put to good use. Apart from a few pieces, everything in my small collection is still functional and has a specific role.

The main reason I’m surrounded by vintage tech in my studio is that these machines still serve a purpose. The fact that ‘progress’ has obsoleted them does not mean they have stopped being useful. There are people who keep shifting to the newest gadget, getting rid of the old one in the process, and when they’ve finally adjusted to that new gadget, the merciless march of technology is about to introduce another, more updated model. When people discover I’m still using my Newton MessagePads, to make an obvious example, sometimes they feel the urge to tell me: But why? Why use those when an iPhone or iPad could easily replace them? Other times people ask me why I still write some of my literary creations on a Macintosh SE/30 using WriteNow or Word 5.1a, or why I’m setting up a personal library database using FileMaker Pro 2 on a Colour Classic. Why, when you could easily do that with any modern device available today?

Often I’m tempted to just answer Because I can, but I don’t do that because I’m not into vintage technology to just show off. Other people have done way more amazing things with obsolete devices than I have, like setting up an Apple //c as a physical terminal for a Mac OS X machine. The reason I still write on a SE/30 every now and then is that it’s still one of the best distraction-free user experiences after pen and paper (at least for me). The hardware and software may be 20 years old, but their synergy is as functional (and as responsive) as a modern MacBook Pro running TextEdit. I’m building a personal library database on a Colour Classic because I want it to be a personal tool, delivering information in a card-like view on a beautiful piece of industrial design that it’s not there just to be looked at, but to be used as well.

In other words: vintage machines, for me, keep being gorgeous tools to physically interact with. I simply enjoy the user experience and interface. The black and white minimalism of System 6’s GUI has retained some kind of agelessness and ultimately gives me a ‘richer vibe’ than, say, using Mac OS X 10.0.4. or Mac OS 8. I generally hate to use cars as analogy when talking about computers, but the ‘kick’ I get out of using vintage tech is very similar to the vintage car enthusiast’s. Today’s cars are more efficient, less polluting, safer to drive, and so on. But in a way they’re all the same. They’ve lost the personality and the daring designs of the cars of the 1950s, 1960s, 1970s. The feeling you get by driving a 1967 VW Beetle, or a Citroën DS 21, or an original Mini, a Jaguar E-Type, a Mercedes-Benz 300SL “Gull-wing” is definitely more intense and fulfilling — if you’re that kind of enthusiast, of course.

Or take photography: I have a small collection of film cameras (Instant, SLRs and Rangefinders) which I still use when I’m out for a serious photowalk. I put them on rotation and still use them all, from the small Olympus XA2 to the bulky Canon T90. In this case, my preference towards these cameras is not just related to the feeling of having aesthetically pleasing tools in my hands. I also believe they’re still better designed tools than most of their digital counterparts. They can take high-quality photos with fewer and simpler controls. Their backs have no buttons or dials. You focus manually by moving a ring. You select a few preferences by turning a simple knob or wheel that happens to be right under your thumb, so you can focus on your photography and not on the tool. Their viewfinders are bigger, brighter and more straightforward, not ridden with rows and columns displaying confusing data. Their build quality is superb (my Canonflex RM was built in 1962 and still works perfectly 50 years after). Some of them have been built to operate without batteries (this is progress, folks, not your shiny Micro Four Thirds gadget). So yes, even in this case, the vintage piece of tech is still serving a purpose, giving me results that more modern digital cameras still struggle to achieve.

In the end, I’m into vintage technology because I find it fascinating and because I still give a shit about the past, despising the current throwaway culture that wants people to be mindless, ever-forward-looking consumers.

Cult of Mac interviews Adam Goolevitch, Mac Collector

This article appeared more than ten days ago, so I’m probably the last to report it. Sadly, these days I’ve been dreadfully busy and I couldn’t update this site with the frequency I had in mind. Nonetheless, Adam Rosen’s interview of Adam Goolevitch is a must-read for all vintage Mac users, collectors and enthusiasts out there. Especially for the great photos of really unique systems accompanying it — a 128k Mac with a 5.25″ Twiggy floppy drive, a clear Macintosh SE, and a lot of Lisa 1 and 2.

Goolevitch has a few interesting anecdotes as a Mac collector, which I won’t spoil. And by the way, he’s selling that 128k Mac with Twiggy drive to someone (or some museum or organisation) who can really take care of it. The asking price is $50,000: it’s a lot, but according to Goolevitch “the prototype Macintosh 128k is the only complete example found so far.”

I am not a collector of such calibre, but I have had a few curious adventures myself over the years. Read The strange cases of vintage Apple hardware sellers, Part 1 and Part 2 for some examples of what and whom I had to deal with.

A couple of vintage ads

While perusing some of the MacFormat UK and MacUser UK issues in my magazine archive (roughly encompassing the 1993-1999 period), I stumbled on some nice Apple ads I’d never seen before. They’re obviously minor ads, made to appear on magazines, and they’re not part of big worldwide campaigns such as Think Different, but still worthy of mention, I think. I’ve started scanning some and I wanted to share a couple of them now.

Stylewriter ad

I used to like this kind of product advertisement, with the main message in the centre, in the characteristic Apple Garamond typeface, and a few paragraphs of copy text, which usually explained the various qualities of the product in more detail.

You, a Mac, the world

What I love about this one is the “You, a Mac, the world” image at the bottom, with the three Picasso-style icons. With a more updated ‘Mac’ icon, it would still be a great logo for an ad campaign today.

I hope I’ll be able to provide more scans like these in the future.